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| aperture science psychoacoustics laboratory: iPhone 4S Superguide (Macworld Superguides) , Activate, customize, and navigate your iPhone. Meet Siri, your new voice assistant. Connect with friends using iMessage, FaceTime, and email. Organize your life with Apple's productivity apps. Watch, read, play, and listen to your media collection. Find solutions for common troubleshooting issues. Enhance your iPhone with the latest accessories. Macworld’s iPhone 4S Superguide (the 35th book in our Superguide series) offers in-depth explanations, how-tos, tips, tricks, and troubleshooting for any iPhone-obsessed user in your life. Inside this book, you’ll find a complete rundown of how to use your iPhone to communicate, be productive, and enjoy multimedia. If you’re not sure where to start, don’t worry, because our full-featured guide offers some nice tips for beginners: Take a tour of the iPhone and learn how to activate it; tweak each one of your device’s settings; discover basic gestures for navigating through apps and home screens; and learn about some of our favorite tips and tricks. And don’t forget to meet your new personal voice assistant, Siri, and explore iCloud, Apple’s sync service. Once you’ve gotten everything set up, it’s time to download some third-party apps and explore what your iPhone has to offer. Connect with friends and family using the Phone app, iMessage, and FaceTime; get online using 3G or Wi-Fi; secure your connection via a VPN; browse the Web and email coworkers; and navigate the world with the Maps app and GPS. You can further organize your life with included Apple apps like Calendar, Notes, and Reminders, and expand your work productivity with Apple’s iWork office suite or other third-party apps. When you’ve finished a project, learn how to export it to a cloud service like Dropbox or print it out. More interested in the multimedia side of your iPhone? Check out our chapter on syncing your music, videos, podcasts, TV shows, and apps. You can also play games with friends by using Apple’s Game Center, read books with iBooks, and make movie and musical masterpieces with iMovie and GarageBand, respectively. If you run into trouble, never fear: Our troubleshooting tips will keep your iPhone sailing smooth. And in case you’re stumped on how to best outfit your device, we provide suggestions for great iPhone 4S cases, headphones, speakers, and more. |
| aperture science psychoacoustics laboratory: Requiem para el Jefe Final Edgar S. Fuentes, 2023-05-05 Réquiem para el jefe final es un recorrido a lo largo de 40 años de expresión musical en los videojuegos, el arte total que impera en el siglo XXI. El libro reúne a los más importantes departamentos, compositores, álbumes y materiales relacionados con las bandas sonoras que han marcado el sector, contenidos de aquellas obras que han deslumbrado por su apartado sonoro. Todo ello narrado mediante una visión académica que trata de analizar y extraer jugo a la disciplina, enfocado de manera amena y sencilla desde la musicología al tiempo que se le da un trato divulgativo a los creadores que se encuentran detrás. La música es un ingrediente fundamental de la experiencia de juego y a su vez convive fuera del plano audiovisual para el que nace. Su influjo se desata desde el prólogo hasta la apoteosis en la que —de manera habitual— el héroe se enfrenta al archienemigo acompañado de una pieza, un réquiem que hace de clímax antes de la composición de los créditos. Réquiem para el jefe final es en esencia un trozo de historia de la música contemporánea. |
| aperture science psychoacoustics laboratory: This is Your Brain on Music Daniel Levitin, 2019-07-04 From the author of The Changing Mind and The Organized Mind comes a New York Times bestseller that unravels the mystery of our perennial love affair with music ***** 'What do the music of Bach, Depeche Mode and John Cage fundamentally have in common?' Music is an obsession at the heart of human nature, even more fundamental to our species than language. From Mozart to the Beatles, neuroscientist, psychologist and internationally-bestselling author Daniel Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. In This Is Your Brain On Music Levitin offers nothing less than a new way to understand music, and what it can teach us about ourselves. ***** 'Music seems to have an almost wilful, evasive quality, defying simple explanation, so that the more we find out, the more there is to know . . . Daniel Levitin's book is an eloquent and poetic exploration of this paradox' Sting 'You'll never hear music in the same way again' Classic FM magazine 'Music, Levitin argues, is not a decadent modern diversion but something of fundamental importance to the history of human development' Literary Review |
| aperture science psychoacoustics laboratory: Psychoacoustics Eberhard Zwicker, Hugo Fastl, 2013-03-14 Psychoacoustics - Facts and Models represents a comprehensive collection of data describing the processing of sound by the human hearing system. It includes quantitative relations between sound stimuli and auditory perception in terms of hearing sensations. In addition, quantitative psychoacoustic models of hearing sensations are given. The monograph contains a unique collection of data on the human hearing system as a receiver of acoustic information as well as many examples of the practical application of the results of basic research in fields such as audiology, noise evaluation, and sound engineering. Many helpful hints for the solution of practical problems will be of particular benefit to engineers, and the book as a whole should serve as an important benchmark in the field of psychoacoustics. The treatment given in this second edition has been thoroughly updated with recent results. |
| aperture science psychoacoustics laboratory: The Sonification Handbook Thomas Hermann, Andy Hunt, 2011 This book is a comprehensive introductory presentation of the key research areas in the interdisciplinary fields of sonification and auditory display. Chapters are written by leading experts, providing a wide-ranging coverage of the central issues, and can be read from start to finish, or dipped into as required. Sonification conveys information by using non-speech sounds. To listen to data as sound and noise can be a surprising new experience with diverse applications ranging from novel interfaces for visually impaired people to data analysis problems in many scientific fields. This book gives a solid introduction to the field of auditory display, the techniques for sonification, suitable technologies for developing sonification algorithms, and the most promising application areas. The book is accompanied by an online repository of sound examples. |
| aperture science psychoacoustics laboratory: Physics Briefs , 1991 |
| aperture science psychoacoustics laboratory: Sound in Z Andrey Smirnov, 2013 Edited by David Rogerson, Matt Price. Foreword by Jeremy Deller. Text by Andrei Smirnov. |
| aperture science psychoacoustics laboratory: Springer Handbook of Acoustics Thomas Rossing, 2007-06-21 This is an unparalleled modern handbook reflecting the richly interdisciplinary nature of acoustics edited by an acknowledged master in the field. The handbook reviews the most important areas of the subject, with emphasis on current research. The authors of the various chapters are all experts in their fields. Each chapter is richly illustrated with figures and tables. The latest research and applications are incorporated throughout, including computer recognition and synthesis of speech, physiological acoustics, diagnostic imaging and therapeutic applications and acoustical oceanography. An accompanying CD-ROM contains audio and video files. |
| aperture science psychoacoustics laboratory: Sound and Music Computing Tapio Lokki, Stefania Serafin, Meinard Müller, Vesa Välimäki, 2018-06-26 This book is a printed edition of the Special Issue Sound and Music Computing that was published in Applied Sciences |
| aperture science psychoacoustics laboratory: Room Acoustics Heinrich Kuttruff, 2016-10-03 Well established as a classic reference and specialised textbook, since its first publication in 1973, Heinrich Kuttruff’s Room Acoustics combines detailed coverage with a state of art presentation of the theory and practice of sound behaviour in closed spaces. This sixth edition presents several additional new sections, for instance on the reflection of a spherical wave from a wall, on finite element methods for sound field calculation and on virtual reality, as well as giving an overhaul of the standard material. Particular emphasis is given to the properties and calculation of reverberation, the most obvious acoustical feature of a room. And further key topics include the various mechanisms of sound absorption and their practical application as well as scattering by wall irregularities including pseudo-stochastic structures. Extensive space is given to of psychoacoustic insights and the quality criteria derived from them, along with new procedures for the sensory assessment of concert hall acoustics. As in earlier editions, one full and updated chapter is devoted to the design and performance of electroacoustic systems which nowadays is not just a method for sound amplification but offers many possibilities for correcting acoustic deficiencies and modifying a hall’s natural acoustics. |
| aperture science psychoacoustics laboratory: Portal 2 Collector's Edition Guide Future Press, 2011-04 |
| aperture science psychoacoustics laboratory: Icons of Invention [2 volumes] John W. Klooster, 2009-07-14 These two volumes provide in-depth coverage of 24 of history's most important inventors and their inventions. Who invented the sewing machine, the telephone, the internal combustion engine? Who pioneered vaccination? Who gave the world television, nylon, the nuclear reactor? The answers to some of these questions are straightforward, the answers to others much less so. All of them are explored in the fascinating Icons of Invention: The Makers of the Modern World from Gutenberg to Gates. This in-depth resource tells the stories of 24 of the most influential and well-known inventions of the modern age—and of the individuals most responsible for their development. Presented in chronological order, the entries provide background on the lives and work of inventors such as Thomas Edison, Alexander Fleming, and Tim Berners-Lee. At the same time, the set profiles their competitors and details the sometimes-controversial, often-mistake-plagued routes almost all of them took to their most famous creations. |
| aperture science psychoacoustics laboratory: The Cambridge Handbook of Applied Perception Research Robert R. Hoffman, Peter A. Hancock, Mark W. Scerbo, Raja Parasuraman, James L. Szalma, 2015-01-26 The Cambridge Handbook of Applied Perception Research covers core areas of research in perception with an emphasis on its application to real-world environments. Topics include multisensory processing of information, time perception, sustained attention, and signal detection, as well as pedagogical issues surrounding the training of applied perception researchers. In addition to familiar topics, such as perceptual learning, the Handbook focuses on emerging areas of importance, such as human-robot coordination, haptic interfaces, and issues facing societies in the twenty-first century (such as terrorism and threat detection, medical errors, and the broader implications of automation). Organized into sections representing major areas of theoretical and practical importance for the application of perception psychology to human performance and the design and operation of human-technology interdependence, it also addresses the challenges to basic research, including the problem of quantifying information, defining cognitive resources, and theoretical advances in the nature of attention and perceptual processes. |
| aperture science psychoacoustics laboratory: Digital Audio Broadcasting Wolfgang Hoeg, Thomas Lauterbach, 2004-01-09 Now the standardisation work of DAB (Digital Audio Broadcasting)system is finished many broadcast organisations, network providersand receiver manufacturers in European countries and outside ofEurope (for example Canada and the Far East) will be installing DABbroadcast services as pilot projects or public services. Inaddition some value added services (data and video services) areunder development or have already started as pilot projects. The new digital broadcast system DAB distinguishes itself fromexisting conventional broadcast systems, and the various newinternational standards and related documents (from ITU-R, ISO/IEC,ETSI, EBU, EUREKA147, and others) are not readily available and aredifficult to read for users. Therefore it is essential that a wellstructured technical handbook should be available. The Second Edition of Digital Audio Broadcasting has beenfully updated with new sections and chapters added to reflect allthe latest developments and advances. Digital Audio Broadcasting: Provides a fully updated comprehensive overview of DAB Covers international standards, applications and othertechnical issues Combines the expertise of leading researchers in the field ofDAB Now covers such new areas as: IP-Tunneling via DAB; ElectronicProgramme Guide for DAB; and Metadata A comprehensive overview of DAB specifically written forplanning and system engineers, developers for professional anddomestic equipment manufacturers, service providers, as well aspostgraduate students and lecturers in communicationstechnology. |
| aperture science psychoacoustics laboratory: Computer Sound Design Eduardo Miranda, 2012-10-12 This comprehensive introduction to software synthesis techniques and programming is intended for students, researchers, musicians, sound artists and enthusiasts in the field of music technology. The art of sound synthesis is as important for the electronic musician as the art of orchestration is important for symphonic music composers. Those who wish to create their own virtual orchestra of electronic instruments and produce original sounds will find this book invaluable. It examines a variety of synthesis techniques and illustrates how to turn a personal computer into a powerful and flexible sound synthesiser. The book also discusses a number of ongoing developments that may play an important role in the future of electronic music making. Previously published as Computer Sound Synthesis for the Electronic Musician, this second edition features a foreword by Jean-Claude Risset and provides new information on: · the latest directions in digital sound representation · advances in physical modelling techniques · granular and pulsar synthesis · PSOLA technique · humanoid voice synthesis · artificial intelligence · evolutionary computing The accompanying CD-ROM contains examples, complementary tutorials and a number of synthesis systems for PC and Macintosh platforms, ranging from low level synthesis programming languages to graphic front-ends for instrument and sound design. These include fully working packages, demonstration versions of commercial software and experimental programs from top research centres in Europe, North and South America. |
| aperture science psychoacoustics laboratory: Virtual Auditory Space: Generation and Applications Simon Carlile, 2013-11-11 An illusion of auditory space can be generated by the appropriate filtering of sounds presented over headphones: the so-called virtual auditory space (VAS). This book provides a bridge between many of the different disciplines that are involved in developing and exploiting this technology. The first part is fairly introductory in nature, while the second examines a number of issues relating to the generation of high fidelity virtual auditory space. The last two chapters review current research applications of VAS. |
| aperture science psychoacoustics laboratory: Springer Handbook of Speech Processing Jacob Benesty, M. M. Sondhi, Yiteng Huang, 2007-11-28 This handbook plays a fundamental role in sustainable progress in speech research and development. With an accessible format and with accompanying DVD-Rom, it targets three categories of readers: graduate students, professors and active researchers in academia, and engineers in industry who need to understand or implement some specific algorithms for their speech-related products. It is a superb source of application-oriented, authoritative and comprehensive information about these technologies, this work combines the established knowledge derived from research in such fast evolving disciplines as Signal Processing and Communications, Acoustics, Computer Science and Linguistics. |
| aperture science psychoacoustics laboratory: The Master Handbook of Acoustics Frederick Alton Everest, 1989 An overview of general sound principles, such as frequency, wavelength, absorption, decibel measurement, and transmission in various materials, as well as a look at the human ear and auditory system. Annotation copyrighted by Book News, Inc., Portland, OR |
| aperture science psychoacoustics laboratory: Biosonar Annemarie Surlykke, Paul E. Nachtigall, Richard R. Fay, Arthur N. Popper, 2014-07-19 Two groups of animals, bats and odontocetes (toothed whales), have independently developed the ability to orient and detect prey by biosonar (echolocation). This active mechanism of orientation allows these animals to operate under low light conditions. Biosonar is a conceptual overview of what is known about biosonar in bats and odontocetes. Chapters are written by bat and odontocetes experts, resulting in collaborations that not only examine data on both animals, but also compare and contrast mechanisms. This book provides a unique insight that will help improve our understanding of biosonar in both animal groups. |
| aperture science psychoacoustics laboratory: Directivity Patterns for Room Acoustical Measurements and Simulations Martin Pollow, 2015-09-09 The acoustics of rooms can be objectively described by the room impulse responses obtained for given transfer paths using measurement or simulation. In practice, the directionally dependent behavior of sources and receivers is often disregarded and thus assumed to be of omnidirectional type. In reality, however, these sources and receivers have specific directivity patterns, which are reported to induce audible differences. In this work a methodology to capture, analyze and process directivity patterns of sources and receivers is described. With the help of surrounding spherical microphone and loudspeaker arrays these directivity patterns are measured to be used in room acoustic applications. Room impulse responses with respect to specific directivity patterns can be realized using compact loudspeaker arrays with known directivity. Applying the results of directivity superposition to the set of measured room impulse responses, the acoustics for specific directivity patterns are found. Using a simulation of the room instead, source and receiver directivity patterns can be included in both wave based and particle based methods. The results of this work facilitate more authentic descriptions of room acoustics for specific source and receiver directivity patterns. |
| aperture science psychoacoustics laboratory: Introduction to Sound Processing Davide Rocchesso, 2003 |
| aperture science psychoacoustics laboratory: Retro Geeks Karen Mueller Bryson, 2013-02 Retro Geeks is a Short on Time Book for Teens, fast-paced and fun novels for readers on the go. It's only a month until senior prom and Molly and Ally don't have dates yet! OMG! The 80s obsessed BFFs decide to finally prove to their classmates that they're not total losers by getting super-hot dates for prom. |
| aperture science psychoacoustics laboratory: A Century of Excellence in Measurements, Standards, and Technology David R. Lide, 2001-10-30 Established by Congress in 1901, the National Bureau of Standards (NBS), now the National Institute of Standards and Technology (NIST), has a long and distinguished history as the custodian and disseminator of the United States' standards of physical measurement. Having reached its centennial anniversary, the NBS/NIST reflects on and celebrates its first century with this book describing some of its seminal contributions to science and technology. Within these pages are 102 vignettes that describe some of the Institute's classic publications. Each vignette relates the context in which the publication appeared, its impact on science, technology, and the general public, and brief details about the lives and work of the authors. The groundbreaking works depicted include: A breakthrough paper on laser-cooling of atoms below the Doppler limit, which led to the award of the 1997 Nobel Prize for Physics to William D. Phillips The official report on the development of the radio proximity fuse, one of the most important new weapons of World War II The 1932 paper reporting the discovery of deuterium in experiments that led to Harold Urey's1934 Nobel Prize for Chemistry A review of the development of the SEAC, the first digital computer to employ stored programs and the first to process images in digital form The first paper demonstrating that parity is not conserved in nuclear physics, a result that shattered a fundamental concept of theoretical physics and led to a Nobel Prize for T. D. Lee and C. Y. Yang Observation of Bose-Einstein Condensation in a Dilute Atomic Vapor, a 1995 paper that has already opened vast new areas of research A landmark contribution to the field of protein crystallography by Wlodawer and coworkers on the use of joint x-ray and neutron diffraction to determine the structure of proteins |
| aperture science psychoacoustics laboratory: Gesture-Based Communication in Human-Computer Interaction Antonio Camurri, Gualtiero Volpe, 2004-02-18 Research on the multifaceted aspects of modeling, analysis, and synthesis of - man gesture is receiving growing interest from both the academic and industrial communities. On one hand, recent scienti?c developments on cognition, on - fect/emotion, on multimodal interfaces, and on multimedia have opened new perspectives on the integration of more sophisticated models of gesture in c- putersystems.Ontheotherhand,theconsolidationofnewtechnologiesenabling “disappearing” computers and (multimodal) interfaces to be integrated into the natural environments of users are making it realistic to consider tackling the complex meaning and subtleties of human gesture in multimedia systems, - abling a deeper, user-centered, enhanced physical participation and experience in the human-machine interaction process. The research programs supported by the European Commission and s- eral national institutions and governments individuated in recent years strategic ?elds strictly concerned with gesture research. For example, the DG Infor- tion Society of the European Commission (www.cordis.lu/ist) supports several initiatives, such as the “Disappearing Computer” and “Presence” EU-IST FET (Future and Emerging Technologies), the IST program “Interfaces & Enhanced Audio-Visual Services” (see for example the project MEGA, Multisensory - pressive Gesture Applications, www.megaproject.org), and the IST strategic - jective “Multimodal Interfaces.” Several EC projects and other funded research are represented in the chapters of this book. Awiderangeofapplicationscanbene?tfromadvancesinresearchongesture, from consolidated areas such as surveillance to new or emerging ?elds such as therapy and rehabilitation, home consumer goods, entertainment, and aud- visual, cultural and artistic applications, just to mention only a few of them. |
| aperture science psychoacoustics laboratory: Handbook of Signal Processing in Acoustics , 2008 |
| aperture science psychoacoustics laboratory: Art of Digital Audio John Watkinson, 2013-04-26 Described as the most comprehensive book on digital audio to date, it is widely acclaimed as an industry bible. Covering the very latest developments in digital audio technology, it provides an thorough introduction to the theory as well as acting as an authoritative and comprehensive professional reference source. Everything you need is here from the fundamental principles to the latest applications, written in an award-winning style with clear explanations from first principles. New material covered includes internet audio, PC audio technology, DVD, MPEG audio compression, digital audio broadcasting and audio networks. Whether you are in the field of audio engineering, sound recording, music technology, broadcasting and communications media or audio design and installation, this book has it all. Written by a leading international audio specialist, who conducts professional seminars and workshops around the world, the book has been road tested for many years by professional seminar attendees and students to ensure their needs are taken into account, and all the right information is covered. This new edition now includes: Internet audio PC Audio technology DVD MPEG Audio compression Digital Audio Broadcasting Audio networks Digital audio professionals will find everything they need here, from the fundamental principles to the latest applications, written in an award-winning style with clear explanations from first principles. John Watkinson is an international consultant in audio, video and data recording. He is a Fellow of the AES, a member of the British Computer Society and a chartered information systems practitioner. He presents lectures, seminars, conference papers and training courses worldwide. He is the author of many other Focal Press books, including: the Kraszna-Krausz award winning MPEG-2; The Art of Digital Audio; An Introduction to Digital Video; The Art of Sound Reproduction; An Introduction to Digital Audio; TV Fundamentals and Audio for Television. He is also co-author, with Francis Rumsey, of The Digital Interface Handbook, and contributor to the Loudspeaker and Headphone Handbook, 3rd edition. |
| aperture science psychoacoustics laboratory: Japanese Science and Technology, 1983-1984 United States. National Aeronautics and Space Administration. Scientific and Technical Information Branch, 1985 |
| aperture science psychoacoustics laboratory: History of Shock Waves, Explosions and Impact Peter O. K. Krehl, 2008-09-24 This unique and encyclopedic reference work describes the evolution of the physics of modern shock wave and detonation from the earlier and classical percussion. The history of this complex process is first reviewed in a general survey. Subsequently, the subject is treated in more detail and the book is richly illustrated in the form of a picture gallery. This book is ideal for everyone professionally interested in shock wave phenomena. |
| aperture science psychoacoustics laboratory: Speech and Voice Science, Fourth Edition Alison Behrman, 2021-06-25 Speech and Voice Science, Fourth Edition is the only textbook to provide comprehensive and detailed information on both voice source and vocal tract contributions to speech production. In addition, it is the only textbook to address dialectical and nonnative language differences in vowel and consonant production, bias in perception of speaker identity, and prosody (suprasegmental features) in detail. With the new edition, clinical application is integrated throughout the text. Due to its highly readable writing style being user-friendly for all levels of students, instructors report using this book for a wide variety of courses, including undergraduate and graduate courses in acoustic phonetics, speech science, instrumentation, and voice disorders. Heavily revised and updated, this fourth edition offers multiple new resources for instructors and students to enhance classroom learning and active student participation. At the same time, this text provides flexibility to allow instructors to construct a classroom learning experience that best suits their course objectives. Speech and Voice Science now has an accompanying workbook for students by Alison Behrman and Donald Finan! New to the Fourth Edition: * Sixteen new illustrations and nineteen revised illustrations, many now in color * New coverage of topics related to diversity, including: * Dialectical and nonnative language differences in vowel and consonant production and what makes all of us have an “accent” (Chapter 7—Vowels and Chapter 8—Consonants) * How suprasegmental features are shaped by dialect and accent (Chapter 9—Prosody) * Perception of speaker identity, including race/ethnicity, gender, and accent (Chapter 11– Speech Perception) * Increased focus on clinical application throughout each chapter, including three new sections * Updated Chapter 4 (Breathing) includes enhanced discussion of speech breathing and new accompanying illustrations. * Updated Chapter 10 (Theories of Speech Production) now includes the DIVA Model, motor learning theory, and clinical applications * Updated Chapter 11 (Speech Perception) now includes revised Motor Learning theory, Mirror Neurons, and clinical applications *Expanded guide for students on best practices for studying in Chapter 1(Introduction) Key Features: * A two-color interior to provide increased readability * Heavily illustrated, including color figures, to enhance information provided in the text * Forty-nine spectrogram figures provide increased clarity of key acoustic features of vowels and consonants * Fourteen clinical cases throughout the book to help students apply speech science principles to clinical practice Disclaimer: Please note that ancillary content (such as documents, audio, and video, etc.) may not be included as published in the original print version of this book. |
| aperture science psychoacoustics laboratory: The Boundary Element Method in Acoustics Stephen Kirkup, 1998 |
| aperture science psychoacoustics laboratory: The Physics of Music and Color Leon Gunther, 2019-10-14 This undergraduate textbook aids readers in studying music and color, which involve nearly the entire gamut of the fundamental laws of classical as well as atomic physics. The objective bases for these two subjects are, respectively, sound and light. Their corresponding underlying physical principles overlap greatly: Both music and color are manifestations of wave phenomena. As a result, commonalities exist as to the production, transmission, and detection of sound and light. Whereas traditional introductory physics textbooks are styled so that the basic principles are introduced first and are then applied, this book is based on a motivational approach: It introduces a subject with a set of related phenomena, challenging readers by calling for a physical basis for what is observed. A novel topic in the first edition and this second edition is a non-mathematical study of electric and magnetic fields and how they provide the basis for the propagation of electromagnetic waves, of light in particular. The book provides details for the calculation of color coordinates and luminosity from the spectral intensity of a beam of light as well as the relationship between these coordinates and the color coordinates of a color monitor. The second edition contains corrections to the first edition, the addition of more than ten new topics, new color figures, as well as more than forty new sample problems and end-of-chapter problems. The most notable additional topics are: the identification of two distinct spectral intensities and how they are related, beats in the sound from a Tibetan bell, AM and FM radio, the spectrogram, the short-time Fourier transform and its relation to the perception of a changing pitch, a detailed analysis of the transmittance of polarized light by a Polaroid sheet, brightness and luminosity, and the mysterious behavior of the photon. The Physics of Music and Color is written at a level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. The numerous problems at the end of each chapter help the reader to fully grasp the subject. |
| aperture science psychoacoustics laboratory: Understanding Augmented Reality Alan B. Craig, 2013-04-26 Understanding Augmented Reality addresses the elements that are required to create augmented reality experiences. The technology that supports augmented reality will come and go, evolve and change. The underlying principles for creating exciting, useful augmented reality experiences are timeless. Augmented reality designed from a purely technological perspective will lead to an AR experience that is novel and fun for one-time consumption - but is no more than a toy. Imagine a filmmaking book that discussed cameras and special effects software, but ignored cinematography and storytelling! In order to create compelling augmented reality experiences that stand the test of time and cause the participant in the AR experience to focus on the content of the experience - rather than the technology - one must consider how to maximally exploit the affordances of the medium. Understanding Augmented Reality addresses core conceptual issues regarding the medium of augmented reality as well as the technology required to support compelling augmented reality. By addressing AR as a medium at the conceptual level in addition to the technological level, the reader will learn to conceive of AR applications that are not limited by today's technology. At the same time, ample examples are provided that show what is possible with current technology. - Explore the different techniques, technologies and approaches used in developing AR applications - Learn from the author's deep experience in virtual reality and augmented reality applications to succeed right off the bat, and avoid many of the traps that catch new developers and users of augmented reality experiences - Some AR examples can be experienced from within the book using downloadable software |
| aperture science psychoacoustics laboratory: 'Broadsword Calling Danny Boy' Geoff Dyer, 2019-02-12 In Zona, Geoff Dyer—‘one of our most original writers’ (New York)—devoted a whole book to Andrei Tarkovsky’s cult masterpiece, Stalker. Now, in this warm and funny tribute to one of his favorite movies, he revisits the action classic Where Eagles Dare. A thrilling Alpine adventure headlined by a magnificent, bleary-eyed Richard Burton and a dynamically lethargic Clint Eastwood, Where Eagles Dare is the apex of 1960s war movies, by turns enjoyable and preposterous. ‘Broadsword Calling Danny Boy’ is Dyer’s hilarious tribute to a film he has loved since childhood: it’s a scene-by-scene analysis—or should that be send-up?—taking us from the movie’s snowy, Teutonic opening credits to its vertigo-inducing climax. |
| aperture science psychoacoustics laboratory: Comparative Hearing: Mammals Richard R. Fay, 2012-12-06 The Springer Handbook of Auditory Research presents a series of comprehen sive and synthetic reviews of the fundamental topics in modern auditory research. The volumes are aimed at all individuals with interests in hearing research including advanced graduate students, postdoctoral researchers, and clinical investigators. The volumes are intended to introduce new investi gators to important aspects of hearing science and to help established inves tigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume is intended to present a particular topic comprehensively, and each chapter will serve as a synthetic overview and guide to the lit erature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in peer-reviewed journals. The volumes focus on topics that have developed a solid data and conceptual foundation rather than on those for which a literature is only beginning to develop. New research areas will be covered on a timely basis in the series as they begin to mature. Each volume in the series consists of five to eight substantial chapters on a particular topic. In some cases, the topics will be ones of traditional interest for which there is a substantial body of data and theory, such as auditory neuroanatomy (Vol. 1) and neurophysiology (Vol. 2). Other volumes in the series will deal with topics which have begun to mature more recently, such as development, plasticity, and computational models of neural processing. |
| aperture science psychoacoustics laboratory: Biomechanics Daniel J. Schneck, Joseph D. Bronzino, 2002-08-29 Biomechanics: Principles and Applications offers a definitive, comprehensive review of this rapidly growing field, including recent advancements made by biomedical engineers to the understanding of fundamental aspects of physiologic function in health, disease, and environmental extremes. The chapters, each by a recognized leader in the field, addr |
| aperture science psychoacoustics laboratory: Designing Sound Andy Farnell, 2010-08-20 A practitioner's guide to the basic principles of creating sound effects using easily accessed free software. Designing Sound teaches students and professional sound designers to understand and create sound effects starting from nothing. Its thesis is that any sound can be generated from first principles, guided by analysis and synthesis. The text takes a practitioner's perspective, exploring the basic principles of making ordinary, everyday sounds using an easily accessed free software. Readers use the Pure Data (Pd) language to construct sound objects, which are more flexible and useful than recordings. Sound is considered as a process, rather than as data—an approach sometimes known as “procedural audio.” Procedural sound is a living sound effect that can run as computer code and be changed in real time according to unpredictable events. Applications include video games, film, animation, and media in which sound is part of an interactive process. The book takes a practical, systematic approach to the subject, teaching by example and providing background information that offers a firm theoretical context for its pragmatic stance. [Many of the examples follow a pattern, beginning with a discussion of the nature and physics of a sound, proceeding through the development of models and the implementation of examples, to the final step of producing a Pure Data program for the desired sound. Different synthesis methods are discussed, analyzed, and refined throughout.] After mastering the techniques presented in Designing Sound, students will be able to build their own sound objects for use in interactive applications and other projects |
| aperture science psychoacoustics laboratory: MENC Handbook of Research Methodologies Richard Colwell, 2006-02-23 Combining key selections from the classic MENC Handbook of Research on Music Teaching and Learning (Schirmer, 1992) and the widely acclaimed New Handbook of Research on Music Teaching and Learning (Oxford, 2002), the MENC Handbook of Research Methodologies presents comprehensive coverage of the most important issues in music education research in a handy and accessible format. A distinguished team of internationally recognized experts offers cogent and concise insights that provide readers with up-to-date information and references. The volume covers the most important topics in this field, including the role of research in music education, philosophical, historical, qualitative, and quantitative research, as well as assessment and its relationship to research. Practical and affordable, this volume will prove essential for students and scholars of music education. It is both an excellent starting point for those looking to gain an orientation to the field, and an up-to-date reference guide to the most effective strategies for experienced researchers, instructors, and pedagogues. |
| aperture science psychoacoustics laboratory: Index Medicus , 2001-07 Vols. for 1963- include as pt. 2 of the Jan. issue: Medical subject headings. |
| aperture science psychoacoustics laboratory: A Few Steps Towards 3D Active Vision Thierry Vieville, 2012-12-06 T. Viéville: A Few Steps Towards 3D Active Vision appears as Vol. 33 in the Springer Series in Information Sciences. A specific problem in the field of active vision is analyzed, namely how suitable is it to explicitly use 3D visual cues in a reactive visual task? The author has collected a set of studies on this subject and has used these experimental and theoretical developments to propose a synthetic view on the problem, completed by some specific experiments. With this book scientists and graduate students will have a complete set of methods, algorithms, and experiments to introduce 3D visual cues in active visual perception mechanisms, e.g. autocalibration of visual sensors on robotic heads and mobile robots. Analogies with biological visual systems provide an easy introduction to this subject. |
| aperture science psychoacoustics laboratory: Electroacoustic Devices: Microphones and Loudspeakers Glen Ballou, 2012-09-10 This is the definitive reference for microphones and loudspeakers, your one-stop reference covering in great detail all you could want and need to know about electroacoustics devises (microphones and loudspeakers). Covering both the technology and the practical set up and placement this guide explores and bridges the link between experience and the technology, giving you a better understanding of the tools to use and why, leading to greatly improved results. |
Aperture | Photography
Aperture is a not-for-profit organization that connects audiences though photography—in print, in person, and online.
2025 Aperture Gala
The Aperture Gala is our annual celebration that brings together a community of artists, philanthropists, writers, editors, curators, collectors, gallerists, and other leaders in the field.
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About - Aperture
Aperture is a nonprofit publisher that leads conversations around photography worldwide. From our base in New York, Aperture connects global audiences and supports artists through our …
Announcing the 2025 Aperture Portfolio Prize Shortlist
Apr 15, 2025 · The 2025 Portfolio Prize winner, to be announced on May 13, 2025, will be published in the Summer issue of Aperture magazine, receive a $5,000 cash prize and a …
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James Mollison’s photo projects are based on smart, original concepts applied to serious social and environmental themes. For his latest book, Playground, Mollison has photographed …
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Aperture | Photography
Aperture is a not-for-profit organization that connects audiences though photography—in print, in person, and online.
2025 Aperture Gala
The Aperture Gala is our annual celebration that brings together a community of artists, philanthropists, writers, editors, curators, collectors, gallerists, and other leaders in the field.
Louise Dahl-Wolfe | Aperture
Louise Dahl-Wolfe opens a window onto the work of one of the most influential fashion photographers of the 20th century. After being discovered by Edward Steichen and having her …
Guadalupe Rosales: Legends Never Die, A Collective Memory
For this exhibition, which extends from a feature in Aperture’s Fall 2018 issue, “Los Angeles,” Rosales presents an installation of materials from her archives—from photobooth images of …
About - Aperture
Aperture is a nonprofit publisher that leads conversations around photography worldwide. From our base in New York, Aperture connects global audiences and supports artists through our …
Announcing the 2025 Aperture Portfolio Prize Shortlist
Apr 15, 2025 · The 2025 Portfolio Prize winner, to be announced on May 13, 2025, will be published in the Summer issue of Aperture magazine, receive a $5,000 cash prize and a …
James Mollison: Playground - Aperture
James Mollison’s photo projects are based on smart, original concepts applied to serious social and environmental themes. For his latest book, Playground, Mollison has photographed …
Limited-Edition Prints | Aperture
A wide range of museum-quality limited-edition prints and portfolios make photography available to a broader collecting audience. Proceeds support the artists and Aperture’s award-winning …
Wendy Red Star: Delegation - Aperture
Including a dynamic array of Red Star’s lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist’s …
Through Positive Eyes - Aperture
Through Positive Eyes is a collaborative photo-storytelling project by 130 people living with HIV and AIDS around the world. All have participated in workshops led by South African …
