Advertisement
arab spring political cartoons: Creative Resistance Sabine Damir-Geilsdor, Stephan Milich, 2020-03 During the uprisings of the Arab Spring, oppositional movements used political humor to criticize political leaders or to expose the absurdities of sociopolitical conditions. This comprehensive study of political humor in the uprisings explores the varieties and functions of humor as a creative tool for resistance. |
arab spring political cartoons: Thomas Nast Fiona Deans Halloran, 2013-01-01 Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. In this thoroughgoing and lively biography, Fiona Deans Halloran interprets his work, explores his motivations and ideals, and illuminates the lasting legacy of Nast's work on American political culture-- |
arab spring political cartoons: Political Cartoons in the Middle East Fatma Müge Göçek, 1998 The imagery of political cartoons provides a unique yet under-studied insight into how Middle Eastern societies think. By combining the indigenous comic tradition of shadow plays with the imported Western print form, and by drawing on both visual and verbal narratives, Middle Eastern political cartoons free the imagination, challenge the intellect, and resist state domination. The essays in this collection focus on the multiple cultural spaces that political cartoons in the Middle East create across societies. Palmira Brummett analyzes the images of women in Ottoman cartoons, while Shiva Balaghi studies issues of nationalism in caricatures from Qajar Iranian newspapers. Ayhan Akman concentrates on the issue of modernity in Turkish cartoons during the 1930-1975 period. Mohamed-Salah Omri takes up the issue of war and cartoons as he comments on the politicization of Tunisian cartoons during the Gulf War. |
arab spring political cartoons: Protest! Liz McQuiston, 2019 The best examples of the posters, prints and other graphics that have been used for political protest throughout history and right to the present. |
arab spring political cartoons: Fridays of Rage Sam Cherribi, 2017 Fridays of Rage reveals Al Jazeera's surprising rise to that most respected of all Western media positions: the watchdog of democracy. Al Jazeera served as the nursery for the Arab world's democratic revolutions, promoting Friday as a day of rage and popular protest. This book gives readers a glimpse into how Al Jazeera has strategically cast its journalists as martyrs in the struggle for Arab freedom while promoting itself as the mouthpiece and advocate of the Arab public. In addition to heralding a new era of Arab democracy, Al Jazeera has become a major influence over Arab perceptions of American involvement in the Arab World, the Arab-Israeli conflict, the rise of global Islamic fundamentalism, and the expansion of the political far right. Al Jazeera's blueprint for Muslim-democracy was part of a vision announced by the network during its earliest broadcasts. The network embarked upon a mission to reconstruct the Arab mindset and psyche. Al Jazeera introduced exiled Islamist leaders to the larger Arab public while also providing Muslim feminists a platform. The inclusion and consideration of Westerners, Israelis, Hamas, secularists and others earned the network a reputation for pluralism and inclusiveness. Al Jazeera presented a mirror to an Arab world afraid to examine itself and its democratic deficiencies. But rather than assuming that Al Jazeera is a monolithic force for positive transformation in Arab society, Fridays of Rage examines the potentially dark implications of Al Jazeera's radical re-conceptualization of media as a strategic tool or weapon. As a powerful and rapidly evolving source of global influence, Al Jazeera embodies many paradoxes--the manifestations and effects of which we are likely only now becoming apparent. Fridays of Rage guides readers through this murky territory, where journalists are martyrs, words are weapons, and facts are bullets. |
arab spring political cartoons: قلم من الفولاذ الدمشقي Ali Farzat, 2005 Subtitle on cover is missing the word the. |
arab spring political cartoons: Comics in Contemporary Arab Culture Jacob Høigilt, 2022-09-22 Comic books for adults have become one of the most novel and colourful forms of cultural expression in the Arab world today. During the last ten years, young Arabs have crafted stories explaining issues such as authoritarianism, resistance, war, sex, gender relations and youth culture. These are distributed through informal channels as well as independent bookstores and websites. Events like the annual Cairocomix festival in Egypt and the Mahmoud Kahil Award in Lebanon evidence the importance of this cultural phenomenon. Comics in Contemporary Arab Culture focuses on the production of these comics in Egypt and Lebanon, countries at the forefront of the development of the genre for adults. Jacob Hoigilt guides the reader through the emergence of independent comics, explores their social and political critique, and analyses their visual and verbal rhetoric. Analysing more than 50 illustrations, included here, he shows that Arab comics are revealing of the changing attitudes towards politics, social relations and even language. While political analysts often paint a bleak picture of the Arab world after 2011, this book suggests that art and storytelling continue to nourish a spirit of liberty and freedom despite political setbacks. Comics in Contemporary Arab Culture provides a fresh and original insight into the politics of the Middle East and cultural expression in the Arab World. |
arab spring political cartoons: Syria Speaks Malu Halasa, Zaher Omareen, Nawara Mahfoud, 2014-06-16 In Syria, culture has become a critical line of defence against tyranny. Syria Speaks is a celebration of a people determined to reclaim their dignity, freedom and self-expression. It showcases the work of over fifty artists and writers who are challenging the culture of violence in Syria. Their literature, poems and songs, cartoons, political posters and photographs document and interpret the momentous changes that have shifted the frame of reality so drastically in Syria. Moving and inspiring, Syria Speaks is testament to the courage, creativity and imagination of the Syrian people. 'Syria Speaks is a remarkable achievement and a remarkable book – a wise, courageous, imaginative and beautiful response to all that is ugly in human behaviour. This extraordinary anthology gives a voice to those we may have forgotten, or whom we may classify as simply passive and silent victims. The people shown living, dreaming and speaking here are far more than victims and only silent if we refuse to hear them.' A.L. Kennedy 'An extraordinary collection, revealing a dynamic and exciting culture in painful transition – a culture where artists are really making a difference ... You need to read this book.' Brian Eno |
arab spring political cartoons: Islamist Rhetoric Jacob Høigilt, 2011 Islamism in Egypt is more diversified in terms of its sociology and ideology than is usually assumed. Through linguistic analysis of Islamist rhetoric, this book sheds light upon attitudes towards other Muslims, religious authority and secular society. Examining the rhetoric of three central Islamist figures in Egypt today - Yusuf al-Qaradawi, Amr Khalid and Muhammad Imara - the author investigates the connection between Islamist rhetoric and the social and political structures of the Islamic field in Egypt. Highlighting the diversity of Islamist rhetoric, the author argues that differences of form disclose sociological and ideological tensions. Grounded in Systemic Functional Grammar, the book explores three linguistic areas in detail: pronoun use, mood choices and configurations of processes and participants. The author explores how the writers relate to their readers and how they construe concepts that are central in the current Islamic revival, such as âe~Islamic thoughtâe(tm), âe~Muslimsâe(tm), and âe~the Westâe(tm). Introducing an alternative divide in Egyptian public debate - between text cultures rather than ideologies - this book approaches the topic of Islamism from a unique analytical perspective, offering an important addition to the existing literature in the areas of Middle Eastern society and politics, Arabic language and religious studies. |
arab spring political cartoons: The Battle for the Arab Spring Lin Noueihed, Alex Warren, 2012-03-16 This “lucidly written” account of the 2011 wave of revolutions “includes a wealth of astute analysis on the politics of the region, from Morocco to Oman” (Paul Hockenos, The National). Sparked by the protest of a single vegetable seller in Tunisia, the flame of revolutionary passion swept across the Arab world in what has come to be called the Arab Spring of 2011. Millions took to the streets in revolt. The governments of Tunisia, Egypt, and Libya fell, other regimes remain embattled, and no corner of the region has escaped unchanged. Here, Middle East experts Lin Noueihed and Alex Warren explain the economic and political roots of the Arab Spring and assess the road ahead. Through research, interviews, and a wealth of firsthand experience, the authors explain the unique obstacles each country faces in maintaining stability. They analyze the challenges many Arab nations face in building democratic institutions, finding consensus on political Islam, overcoming tribal divides, and satisfying an insatiable demand for jobs. In an era of change and uncertainty, this insightful guide provides the first clear glimpse of the post-revolutionary future the Arab Spring set in motion. |
arab spring political cartoons: Voices of Jordan Rana Sweis, 2019-01-01 Jordan's diverse socioeconomic make-up encapsulates, like no other Middle Eastern state, both the array of pressing short-term problems facing the region, and the underlying challenges that Arab states will need to face once the current spate of civil conflicts is over: meaningful youth employment, female participation in politics, and integration of refugees into society. This book tells the story of Jordan through the lives of ordinary people, including a political cartoonist, a Syrian refugee, a Jihadist and a female parliamentarian. The raw voices and everyday struggles of these people shine a fresh light on the politics, religion, and society of a culture coming to terms with the harsh reality of modernization and urbanization at a time of regional upheaval. With her deep knowledge of Jordan's landscape, language and culture, Rana Sweis sketches an intimate portrait of the intricacies and complexities of life in the Middle East. Rather than focusing on how individuals are affected by events in the region, she reveals a cast of characters shaping their own lives and times. Voices of Jordan shares those stories in all of their rich detail, offering a living, breathing social and political history. |
arab spring political cartoons: Arab Animation Omar Sayfo, 2023-02-28 Omar Sayfo textually analyses around 40 animation productions in Algeria, Egypt, Iraq, Jordan, Kuwait, the Palestinian Territories, Qatar, Saudi Arabia, Syria, Tunisia and the United Arab Emirates, from the 1930s until recently, showing how cartoons have engaged in the making and remaking of religious and political identities |
arab spring political cartoons: Discourses of Disorder Christopher Hart, Darren Kelsey, 2020-08-31 Drawing on insights from linguistics, multimodality and media studies, this book explores the ideological dimensions of media representation and its function in discursively constructing public understandings of, and attitudes toward, civil disorder. |
arab spring political cartoons: Egypt as a Woman Beth Baron, 2005 “Can anything new be said about modern Egyptian nationalism? Beth Baron's book Egypt as a Woman, one of the best modern Egyptian history books to appear in several years, leaves no doubt that it can. With evenhandedness and generosity, Baron shows how vital women were to mobilizing opposition to British authority and modernizing Egypt.”—Robert L. Tignor, author of Capitalism and Nationalism at the End of Empire “A wonderful contribution to understanding Egyptian national and gender politics between the two world wars. Baron explores the paradox of women’s exclusion from political rights at the very moment when visual and metaphorical representations of Egypt as a woman were becoming widespread and real women activists—both secularist and Islamist—were participating more actively in public life than ever before.”—Donald Malcolm Reid, author of Whose Pharaohs? Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I |
arab spring political cartoons: Democratic Uprisings in the New Middle East Mahmood Monshipouri, 2014 As Egypt retreats from its newly elected government and Syria moves from one crisis to another, this book's reflection on the Arab Spring could not be more timely. Monshipouri's account of the role of emotion, solidarity, and online activism is informed by several trips to the region that continue to this day. Modern technologies and social media, organization on the ground, and challenges to shaping a country's political future after conflict are all essential subjects discussed in this important book, told in an engaging and accessible narrative. |
arab spring political cartoons: Weapon of Peace Nilay Saiya, 2018-08-23 This book shows that attempts to repress religion produce the very violent religious extremism that states seek to avoid. |
arab spring political cartoons: Reenvisioning Israel through Political Cartoons Matt Reingold, 2022-03-15 Reenvisioning Israel through Political Cartoons: Visual Discourses During the 2018–2021 Electoral Crisis examines the ways in which the work of Israeli political cartoonists broadens conversations about contemporary challenges in the country. Matt Reingold shows how 21 cartoonists across 10 different Israeli newspapers produced cartoons in response to the country’s social and political crises between December 2018–June 2021, a period where the country was mired in four national elections. Each chapter is structured around an issue that emerged during this period, with examples drawn from multiple cartoonists. This allows for fertile cross-cartoonist discussion and analysis, offering an opportunity to understand the different ways that an issue affects national discourse and what commentaries have been offered about it. By focusing on this difficult period in contemporary Israeli society, the volume highlights the ways that artists have responded to these national challenges and how they have fashioned creative reimaginings of their country. |
arab spring political cartoons: Civic Agency in Africa Ebenezer Obadare, Wendy Willems, 2014 Examines the variety of mostly unorganized and informal ways in which Africans exercise agency and resist state power in the 21st century, through citizen action and popular culture, and how the relationship between ruler and ruled is being reframed. |
arab spring political cartoons: Sarmada Fadi Azzam, 2021-10-19 Sarmada, Arabic for “perpetuate” or “the eternally-not-changed,” is the novel’s fictitious setting. In the title, Fadi Azzam creates a new word (a derivative female form of noun-verb, which does not exist in Arabic) and in so doing immediately lets the reader know that women are the protagonists of this story that spans several generations, from Syria to Paris and back again. The novel is set in the Druze area and is a declaration of love for tolerance and for the peaceful coexistence of the many religious groups that live in close proximity. Myths, communists, nationalists, murder, illicit love, superstition, erotic trees and women’s breasts make up the tapestry of this strange, beautifully writen, first novel. Fadi Azzam narrates, just as he writes poetry: Sarmada is direct, ruthless and full of fire. |
arab spring political cartoons: The New Arabs Juan Cole, 2014-07 For three decades, Cole has sought to put the relationship of the West and the Muslim world in historical context. In The New Arabs he outlines the history that led to the dramatic changes in the region, and explores how a new generation of men and women are using innovative notions of personal rights to challenge the authoritarianism, corruption, and stagnation that had afflicted their societies.--Provided by publisher. |
arab spring political cartoons: The Political Aesthetics of Global Protest Pnina Werbner, Martin Webb (Anthropologist), Kathryn Spellman-Poots, 2014 Explores the central role the aesthetic played in energising the massive mobilisations of young people, the disaffected, the middle classes and the apolitical silent majority in the North African and Middle Eastern uprisings with protest movements such as Occupy. |
arab spring political cartoons: Bahrain's Uprising Ala'a Shehabi, Marc Owen Jones, 2015-09-15 Amid the extensive coverage of the Arab uprisings, the Gulf state of Bahrain has been almost forgotten. Fusing historical and contemporary analysis, Bahrain’s Uprising seeks to fill this gap, examining the ongoing protests and state repression that continues today. Drawing on powerful testimonies, interviews, and conversations from those involved, this broad collection of writings by scholars and activists provides a rarely heard voice of the lived experience of Bahrainis, describing the way in which a sophisticated society, defined by a historical struggle, continues to hamper the efforts of the ruling elite to rebrand itself as a liberal monarchy. |
arab spring political cartoons: Studies in Political Humour Villy Tsakona, Diana Elena Popa, 2011 If politics is a serious matter and humour a funny one, this volume investigates how and why the boundaries between the two are blurred: politics can be represented in a humorous manner and humour can have a serious intent. It shows how political humour can be manipulated in public debates or become an integral part of postmodern art. |
arab spring political cartoons: North African Women after the Arab Spring Larbi Touaf, Soumia Boutkhil, Chourouq Nasri, 2017-06-21 This book looks with hindsight at the Arab Spring and sheds light on the debates it triggered within North African societies and the alarming developments in women’s rights. Although women played a key role in the success of the uprisings that wiped out long ruling oligarchies across the region, they remain excluded from decision-making circles and the formal political and electoral apparatus. Women's rights are written off constitution drafts, and issues of gender equality are hardly addressed. The chapters that compose this volume present research and reflections from different perspectives to help the reader get a better picture of the profound turmoil that beset this part of the so-called “Arab” World. Adopting an interdisciplinary perspective, the contributors discuss a host of questions related to women and gender in the Arab world and address the broader question of why women's efforts and momentum during the revolution did not seem to pay off the same way they did for men. This book provides an assessment of the situation from the inside. It is intended to help the general public as well as the academic world comprehend the significance of what is going on in this key part of the Islamic World. |
arab spring political cartoons: Humor, Laughter and Human Flourishing Mordechai Gordon, 2013-08-13 This book is a philosophical investigation of the significance of humor and laughter, examining its relation to other human phenomena including truth, nihilism, dreams, friendship, intimacy, aesthetic experience, self-transcendence and education. The author addresses the relative neglect of humor and laughter among philosophers of education with this volume, where the focus is on the significance of humor and laughter for human flourishing. Central questions are threaded through this work: What does the study of humor and laughter bring to philosophy and specifically to philosophy of education? How is humorist thinking different from other modes of human knowing? What might happen if we were to respond to the absurdity of human existence with humor and laughter? What insights can be learned from a philosophical investigation of humor in relationship to other human phenomena such as dreams, friendship, intimacy, aesthetic experience and self-transcendence? And, finally, how can humor and laughter enhance human existence and flourishing? The author presents groundbreaking insights into what can be gained from a study of humor and laughter about human existence in general and flourishing in particular. This work will be of interest to philosophers, especially philosophers of education, as well as to teachers and educators. Its unique blend of philosophical investigation and humorous discourse is both a rigorous and accessible analysis of humor. |
arab spring political cartoons: New Directions in the Analysis of Multimodal Discourse Terry D. Royce, Wendy Bowcher, 2013-01-11 New Directions in the Analysis of Multimodal Discourse offers a comprehensive international view of multimodal discourse and presents new directions for research and application in this growing field. With contributions from top scholars around the world, this work opens up the field of multimodal discourse analysis as it covers a wide range of interests such as computational linguistics, education, ideology, and media discourse. The range and scope of the chapters in this book provide groundbreaking insights into exploring and accounting for the various facets of multimodality in a range of texts and contexts. Initial chapters specifically aim to tackle theoretical issues, while subsequent chapters focus on important research areas such as writing and graphology, genre, ideology, computational concordancing, literacy, and cross cultural and cross linguistic issues. In the final chapters, an emphasis is placed on the educational implications of multimodality in first and second language contexts, a particularly new and interesting contribution. |
arab spring political cartoons: Munnu: A Boy From Kashmir Malik Sajad, 2015-06-18 A beautifully drawn graphic novel that illuminates the conflicted land of Kashmir, through a young boy’s childhood. |
arab spring political cartoons: Creative Resistance Sabine Damir-Geilsdorf, Stephan Milich, 2020-04-30 During the uprisings of the Arab Spring between 2010 and 2012, oppositional movements used political humor to criticize political leaders or to expose the absurdities of the socio-political conditions. These humorous expressions in various art forms such as poetry, stand-up comedy, street art, music, caricatures, cartoons, comics and puppet shows were further distributed in the social media. This first comprehensive study of political humor in the uprisings explores the varieties and functions of political humor as a creative tool for resistance. It analyzes humorous forms of cultural expression and their impact on socio-political developments in different countries of the Middle East and North Africa with a special focus on the changing modes of humor. |
arab spring political cartoons: Arab Politics Beyond the Uprisings Thanassis Cambanis, Michael Wahid Hanna, 2017 Political experimentation and invention survive in unlikely places years after resurgent authoritarianism interrupted the Arab revolts. Despite violent conflict and state repression, attempts to build new institutions and ideologies continue outside the confines of traditional opposition politics. In this volume, established researchers, new scholars, and active participants explore political initiatives in other realms: media, artists' collectives, rebel enclaves, neighborhood councils, fledgling citizen campaigns, and elsewhere. With rich ethnographic detail, these studies pay special attention to regional dynamics, cross-border learning, and the intellectual history of ideas central to the uprisings. They reveal an unresolved struggle between resilient authoritarian structures and alternative centers of political power. Contributors include Nathan J. Brown, Benjamin Helfand, Monica Marks, Michael Stephens, Khaled Mansour, Sima Ghaddar, Karim Ennarah, Ursula Lindsey, Jonathan Guyer, Sultan Sooud Al Qassemi, Laura C. Dean, Marc Lynch, Samer Abboud, Yasser Munif, Aron Lund, Sam Heller, Cilja Harders, Dina Wahba, and Asya El-Meehy. |
arab spring political cartoons: Red Lines Cherian George, Sonny Liew, 2021-08-31 A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack. A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims. |
arab spring political cartoons: Popular Culture in the Middle East and North Africa Walid El Hamamsy, Mounira Soliman, 2013 This book explores the current historical moment through works of popular culture produced in, and on, the Middle East and North Africa region, Turkey, and Iran. Essays consider gender, racial, political, and other issues in film, cartoons, talk shows, music, dance, blogs, graphic novels, fiction, fashion, and advertisements. |
arab spring political cartoons: Image Politics in the Middle East Lina Khatib, 2012-10-22 Politics in the Middle East is now 'seen' and the image is playing a central part in processes of political struggle. This is the first book in the literature to engage directly with these changing ways of communicating politics in the region - and particularly with the politics of the image, its power as a political tool. Lina Khatib presents a cross-country examination of emerging trends in the use of visuals in political struggles in the Middle East, from the Cedar Revolution in Lebanon to the Green Movement in Iran, to the Arab Spring in Egypt, Syria and Libya. She demonstrates how states, activists, artists and people 'on the street' are making use of television, the social media and mobile phones, as well as non-electronic forms, including posters, cartoons, billboards and graffiti to convey and mediate political messages. She also draws attention to politics as a visual performance by leaders and citizens alike. With a particular focus on the visual dynamics of the Arab Spring, and based on case studies on the visual dimension of political protest as well as of political campaigning and image management by political parties and political leaders, Image Politics in the Middle East shows how visual expression is at the heart of political struggle in the Middle East today. It is a hard-hitting, enjoyable, groundbreaking book, challenging the traditional ways in which politics in the Middle East is conceived of and analysed. |
arab spring political cartoons: Political Turbulence Helen Margetts, Peter John, Scott Hale, Taha Yasseri, 2017-09-05 How social media is giving rise to a chaotic new form of politics As people spend increasing proportions of their daily lives using social media, such as Twitter and Facebook, they are being invited to support myriad political causes by sharing, liking, endorsing, or downloading. Chain reactions caused by these tiny acts of participation form a growing part of collective action today, from neighborhood campaigns to global political movements. Political Turbulence reveals that, in fact, most attempts at collective action online do not succeed, but some give rise to huge mobilizations—even revolutions. Drawing on large-scale data generated from the Internet and real-world events, this book shows how mobilizations that succeed are unpredictable, unstable, and often unsustainable. To better understand this unruly new force in the political world, the authors use experiments that test how social media influence citizens deciding whether or not to participate. They show how different personality types react to social influences and identify which types of people are willing to participate at an early stage in a mobilization when there are few supporters or signals of viability. The authors argue that pluralism is the model of democracy that is emerging in the social media age—not the ordered, organized vision of early pluralists, but a chaotic, turbulent form of politics. This book demonstrates how data science and experimentation with social data can provide a methodological toolkit for understanding, shaping, and perhaps even predicting the outcomes of this democratic turbulence. |
arab spring political cartoons: World Protests Isabel Ortiz, Sara Burke, Mohamed Berrada, Hernán Saenz Cortés, 2021-11-03 This is an open access book. The start of the 21st century has seen the world shaken by protests, from the Arab Spring to the Yellow Vests, from the Occupy movement to the social uprisings in Latin America. There are periods in history when large numbers of people have rebelled against the way things are, demanding change, such as in 1848, 1917, and 1968. Today we are living in another time of outrage and discontent, a time that has already produced some of the largest protests in world history. This book analyzes almost three thousand protests that occurred between 2006 and 2020 in 101 countries covering over 93 per cent of the world population. The study focuses on the major demands driving world protests, such as those for real democracy, jobs, public services, social protection, civil rights, global justice, and those against austerity and corruption. It also analyzes who was demonstrating in each protest; what protest methods they used; who the protestors opposed; what was achieved; whether protests were repressed; and trends such as inequality and the rise of women’s and radical right protests. The book concludes that the demands of protestors in most of the protests surveyed are in full accordance with human rights and internationally agreed-upon UN development goals. The book calls for policy-makers to listen and act on these demands. |
arab spring political cartoons: The Multimodal Rhetoric of Humour in Saudi Media Cartoons Wejdan Alsadi, Martin Howard, 2021-02-22 Cartoons, as a form of humour and entertainment, are a social product which are revealing of different social and political practices that prevail in a society, humourised and satirised by the cartoonist. This book advances research on cartoons and humour in the Saudi context. It contributes to the growing multimodal research on non-interactional humour in the media that benefits from traditional theories of verbal humour. The study analyses the interaction between visual and verbal modes, highlighting the multimodal manifestations of the rhetorical devices frequently employed to create humour in English-language cartoons collected from the Saudi media. The multimodal analysis shows that the frequent rhetorical devices such as allusions, parody, metaphor, metonymy, juxtaposition, and exaggeration take a form which is woven between the visual and verbal modes, and which makes the production of humorous and satirical effect more unique and interesting. The analysis of the cartoons across various thematic categories further offers a window into contemporary Saudi society. |
arab spring political cartoons: The Art of Controversy Victor S Navasky, 2013-04-09 A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's Duendecitos), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression. |
arab spring political cartoons: Against Elections David Van Reybrouck, 2018-04-17 A small book with great weight and urgency to it, this is both a history of democracy and a clarion call for change. Without drastic adjustment, this system cannot last much longer, writes Van Reybrouck, regarded today as one of Europe's most astute thinkers. If you look at the decline in voter turnout and party membership, and at the way politicians are held in contempt, if you look at how difficult it is to form governments, how little they can do and how harshly they are punished for it, if you look at how quickly populism, technocracy and anti-parliamentarianism are rising, if you look at how more and more citizens are longing for participation and how quickly that desire can tip over into frustration, then you realize we are up to our necks. Not so very long ago, the great battles of democracy were fought for the right to vote. Now, Van Reybrouck writes, it's all about the right to speak, but in essence it's the same battle, the battle for political emancipation and for democratic participation. We must decolonize democracy. We must democratize democracy. As history, Van Reybrouck makes the compelling argument that modern democracy was designed as much to preserve the rights of the powerful and keep the masses in line, as to give the populace a voice. As change-agent, Against Elections makes the argument that there are forms of government, what he terms sortitive or deliberative democracy, that are beginning to be practiced around the world, and can be the remedy we seek. In Iceland, for example, deliberative democracy was used to write the new constitution. A group of people were chosen by lot, educated in the subject at hand, and then were able to decide what was best, arguably, far better than politicians would have. A fascinating, and workable idea has led to a timely book to remind us that our system of government is a flexible instrument, one that the people have the power to change. |
arab spring political cartoons: A Child in Palestine Naji Al-Ali, 2024-09-17 Naji al-Ali grew up in the Palestinian refugee camp of Ain al-Hilweh in the south Lebanese city of Sidon, where his gift for drawing was discovered by the Palestinian poet Ghassan Kanafani in the late 1950s. Early the following decade he left for Kuwait, embarking on a thirty-year career that would see his cartoons published daily in newspapers from Cairo to Beirut, London to Paris. Resolutely independent and unaligned to any political party, Naji al-Ali strove to speak to and for the ordinary Arab people; the pointed satire of his stark, symbolic cartoons brought him widespread renown. Through his most celebrated creation, the witness-child Handala, al-Ali criticized the brutality of Israeli occupation, the venality and corruption of the regimes in the region, and the suffering of the Palestinian people, earning him many powerful enemies and the soubriquet “the Palestinian Malcolm X.” For the first time in book form, A Child in Palestine presents the work of one of the Arab world’s greatest cartoonists, revered throughout the region for his outspokenness, honesty and humanity. “That was when the character Handala was born. The young, barefoot Handala was a symbol of my childhood. He was the age I was when I had left Palestine and, in a sense, I am still that age today and I feel that I can recall and sense every bush, every stone, every house and every tree I passed when I was a child in Palestine. The character of Handala was a sort of icon that protected my soul from falling whenever I felt sluggish or I was ignoring my duty. That child was like a splash of fresh water on my forehead, bringing me to attention and keeping me from error and loss. He was the arrow of the compass, pointing steadily towards Palestine. Not just Palestine in geographical terms, but Palestine in its humanitarian sense—the symbol of a just cause, whether it is located in Egypt, Vietnam or South Africa.”—Naji al-Ali, in conversation with Radwa Ashour |
arab spring political cartoons: The Lonely War Nazila Fathi, 2014-10-14 In the summer of 2009, as she was covering the popular uprisings in Tehran for the New York Times, Iranian journalist Nazila Fathi received a phone call. They have given your photo to snipers, a government source warned her. Soon after, with undercover agents closing in, Fathi fled the country with her husband and two children, beginning a life of exile. In The Lonely War, Fathi interweaves her story with that of the country she left behind, showing how Iran is locked in a battle between hardliners and reformers that dates back to the country's 1979 revolution. Fathi was nine years old when that uprising replaced the Iranian shah with a radical Islamic regime. Her father, an official at a government ministry, was fired for wearing a necktie and knowing English; to support his family he was forced to labor in an orchard hundreds of miles from Tehran. At the same time, the family's destitute, uneducated housekeeper was able to retire and purchase a modern apartment -- all because her family supported the new regime. As Fathi shows, changes like these caused decades of inequality -- especially for the poor and for women -- to vanish overnight. Yet a new breed of tyranny took its place, as she discovered when she began her journalistic career. Fathi quickly confronted the upper limits of opportunity for women in the new Iran and earned the enmity of the country's ruthless intelligence service. But while she and many other Iranians have fled for the safety of the West, millions of their middleclass countrymen -- many of them the same people whom the regime once lifted out of poverty -- continue pushing for more personal freedoms and a renewed relationship with the outside world. Drawing on over two decades of reporting and extensive interviews with both ordinary Iranians and high-level officials before and since her departure, Fathi describes Iran's awakening alongside her own, revealing how moderates are steadily retaking the country. |
arab spring political cartoons: The Power of Satire Marijke Meijer Drees, Sonja de Leeuw, 2015-10-15 Satire is clearly one of today’s most controversial socio-cultural topics. In this edited volume, The Power of Satire, it is studied for the first time as a dynamic, discursive mode of performance with the power of crossing and contesting cultural boundaries. The collected essays reflect the fundamental shift from literary satire or straightforward literary rhetoric with a relatively limited societal impact, to satire’s multi-mediality in the transnational public space where it can cause intercultural clashes and negotiations on a large scale. An appropriate set of heuristic themes – space, target, rhetoric, media, time – serves as the analytical framework for the investigations and determines the organization of the book as a whole. The contributions, written by an international group of experts with diverse disciplinary backgrounds, manifest academic standards with a balance between theoretical analyses and evaluations on the one hand, and in-depth case studies on the other. |
Arabs - Wikipedia
The Arab Revolt was a military uprising of Arab forces against the Ottoman Empire during World War I, began in 1916, led by Sherif Hussein bin Ali, the goal of the revolt was to gain …
Arab | Description, History, & Facts | Britannica
3 days ago · Arab, one whose native language is Arabic. In modern usage, it embraces any of the Arabic-speaking peoples living in the vast region from Mauritania, on the Atlantic coast of Africa, …
Arab, Middle Eastern, and Muslim? What’s the Difference?!
Nov 21, 2023 · Arab is an ethno-linguistic category, identifying people who speak the Arabic language as their mother tongue (or, in the case of. Many Americans have a hard time …
Arab - New World Encyclopedia
Arab nationalists believe that Arab identity encompasses more than outward physical characteristics, race or religion. A related ideology, Pan-Arabism, calls for all Arab lands to be …
Arab Countries - WorldAtlas
Sep 1, 2021 · The Arab countries are 19 countries located in the Middle East and Northern Africa, in which the vast majority of the population is of ethnic Arab origin and/or speaks the Arabic …
Arab American Community Resources | Arab World News & Events
5 days ago · Arab America is dedicated to bring Arab World resources, news and events to Arab Americans and Arab Heritage and individuals interested in Arabic culture.
Arab people - Simple English Wikipedia, the free encyclopedia
There are three points which decide whether someone is considered Arab or not: Political: whether they live in a country which is a member of the Arab League (or the Arab world); this definition …
Facts about Arabs and the Arab World - ADC
It usually includes the Arab countries from Egypt east to the Persian Gulf, plus Israel and Iran. Turkey is sometimes considered part of the Middle East, sometimes part of Europe. Afghanistan, …
Arab world - Wikipedia
Arab world Area 13,132,327 km 2 (5,070,420 sq mi) Population 456,520,777 Population density 29.839/km 2 (70.37/sq mi) GDP (nominal) $2.782 trillion GDP per capita $6,647 Demonym Arab …
Who is an Arab? | Britannica
Arab, Any member of the Arabic-speaking peoples native to the Middle East and North Africa.Before the spread of Islam in the 630s ce, the term referred to the largely nomadic Semitic peoples of …
Arabs - Wikipedia
The Arab Revolt was a military uprising of Arab forces against the Ottoman Empire during World War I, began in 1916, led by Sherif Hussein bin Ali, the goal of the revolt was to gain …
Arab | Description, History, & Facts | Britannica
3 days ago · Arab, one whose native language is Arabic. In modern usage, it embraces any of the Arabic-speaking peoples living in the vast region from Mauritania, on the Atlantic coast of …
Arab, Middle Eastern, and Muslim? What’s the Difference?!
Nov 21, 2023 · Arab is an ethno-linguistic category, identifying people who speak the Arabic language as their mother tongue (or, in the case of. Many Americans have a hard time …
Arab - New World Encyclopedia
Arab nationalists believe that Arab identity encompasses more than outward physical characteristics, race or religion. A related ideology, Pan-Arabism, calls for all Arab lands to be …
Arab Countries - WorldAtlas
Sep 1, 2021 · The Arab countries are 19 countries located in the Middle East and Northern Africa, in which the vast majority of the population is of ethnic Arab origin and/or speaks the Arabic …
Arab American Community Resources | Arab World News & Events
5 days ago · Arab America is dedicated to bring Arab World resources, news and events to Arab Americans and Arab Heritage and individuals interested in Arabic culture.
Arab people - Simple English Wikipedia, the free encyclopedia
There are three points which decide whether someone is considered Arab or not: Political: whether they live in a country which is a member of the Arab League (or the Arab world); this …
Facts about Arabs and the Arab World - ADC
It usually includes the Arab countries from Egypt east to the Persian Gulf, plus Israel and Iran. Turkey is sometimes considered part of the Middle East, sometimes part of Europe. …
Arab world - Wikipedia
Arab world Area 13,132,327 km 2 (5,070,420 sq mi) Population 456,520,777 Population density 29.839/km 2 (70.37/sq mi) GDP (nominal) $2.782 trillion GDP per capita $6,647 Demonym …
Who is an Arab? | Britannica
Arab, Any member of the Arabic-speaking peoples native to the Middle East and North Africa.Before the spread of Islam in the 630s ce, the term referred to the largely nomadic …