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| arizona financial theater capacity: Statistical Reference Index , 1980 |
| arizona financial theater capacity: Arizona Firestorm Otto Santa Ana, Celeste González de Bustamante, 2012-06-07 In 2010, the governor of Arizona signed a controversial immigration bill (SB 1070) that led to a news media frenzy, copycat bills in twenty-two states, and a U.S. Supreme Court battle that put Arizona at the cross-hairs of the immigration debate. Arizona Firestorm brings together well-respected experts from across the political spectrum to examine and contextualize the political, economic, historical, and legal issues prompted by this and other anti-Latino and anti-immigrant legislation and state actions. It also addresses the news media’s role in shaping immigration discourse in Arizona and around the globe. Arizona is a case study of the roots and impact of the 21st century immigration challenge. Arizona Firestorm will be of interest to scholars and students in communication, public policy, state politics, federalism, and anyone interested in immigration policy or Latino politics. |
| arizona financial theater capacity: Arizona Health Profile , 2000 |
| arizona financial theater capacity: The Bird Cage Theater Michael Paul Mihaljevich, 2024-11-15 Tombstone, Arizona, is forever associated with Wyatt Earp, Bat Masterson, Doc Holliday, and the legendary OK Corral gunfight that made it a cultural symbol of the Old West. The town’s most iconic and storied original building is the Bird Cage Theater—a stunning example of late nineteenth-century variety theaters that were a staple in entertainment around the globe. The modest interior that was once filled with orchestra music, cigar smoke, laughter and whistles, and cheers and jeers is now an empty canvas for the echoes of the past. Every year tens of thousands of tourists are welcomed through its doors to experience an atmosphere that begs wonder and imagination. Private and public tours of its interior have inspired questions, evolving lore, and conflicting stories. In recent decades its history has been fabricated from modern myth, romantic fiction, and pure fantasy. Now, for the first time, historical researcher and author Michael Paul Mihaljevich has pieced together the real story of the Bird Cage. It began in the months leading up to the OK Corral gunfight in 1881, when property owner William J. Hutchinson engaged in a violent three-way property war between lot-owning citizens, a corrupt townsite company, and greedy mine owner Ed Field just to erect the building. After its construction was completed, Hutchinson kicked off a ten-year performance run that saw more than 250 world-traveling entertainers bring their array of acts to the people of Tombstone in scenes of classic western romance. When mines faltered and the local economy edged toward death, it was the Bird Cage that became the key player in the twentieth-century revival that established Tombstone as a tourist Mecca and rescued it from near desertion. |
| arizona financial theater capacity: Michigan Manufacturer and Financial Record , 1925 |
| arizona financial theater capacity: Arizona on Stage Thomas P. Collins, 2015-11-15 Most of the books that have been written about territorial Arizona and the southwest focus on the Indian Wars, outlaws, violent crimes, gambling, saloons, and bawdy houses. They foster and perpetuate the notion that southwest mining towns in the nineteenth century were little more than battlefields and lawless dens of vice and corruption. This is only half true. The lawyers, judges, doctors, army officers, bankers, journalists, teachers, and businessmen and women who actually ran the towns were educated and culturally sophisticated people who yearned for the niceties of Atlantic Coast culture. They built churches, founded choral societies and amateur theater troupes, and built libraries, multi-purpose halls, and “opera houses” where talented professional actors and their companies performed both the classics and contemporary melodramas, operas, minstrels shows, etc. These men and women spent a considerable amount of their leisure time in the theater, often as much as three nights per week. The plays they attended reflected their social and moral values, their taste, and their worship of theatrical celebrities. Their attendance and financial support of the theater was a measure of their civic pride and social consciousness. This popular history will help to balance the image of the Wild West. |
| arizona financial theater capacity: Statistical Reference Index ... Annual , 1990 |
| arizona financial theater capacity: Arizona, Prehistoric, Aboriginal, Pioneer, Modern J. H. McClintock, 1916 |
| arizona financial theater capacity: Peterson's ... 4 Year Colleges , 2000 |
| arizona financial theater capacity: Michigan Manufacturer & Financial Record , 1917 |
| arizona financial theater capacity: Woman on Top Karen Koenig, 2018-12-20 How to be successful in male dominated industries while retaining your femininity and grace. |
| arizona financial theater capacity: An Ideal Theater Todd London, 2013-09-23 An Ideal Theater is a wide-ranging, inspiring documentary history of the American theatre movement as told by the visionaries who goaded it into being. This anthology collects over forty essays, manifestos, letters and speeches that are each introduced and placed in historical context by the noted writer and arts commentator, Todd London, who spent nearly a decade assembling this collection. This celebration of the artists who came before is an exhilarating look backward, as well as toward the future, and includes contributions from: Jane Addams • William Ball • Julian Beck • Herbert Blau • Angus Bowmer • Bernard Bragg • Maurice Browne • Robert Brustein • Alison Carey • Joseph Chaikin • Harold Clurman • Dudley Cocke • Alice Lewisohn Crowley • Gordon Davidson • R. G. Davis • Doris Derby • W. E. B. Du Bois • Zelda Fichandler • Hallie Flanagan • Eva Le Gallienne • Robert E. Gard • Susan Glaspell • André Gregory • Tyrone Guthrie • John Houseman • Jules Irving • Margo Jones • Frederick H. Koch • Lawrence Langner • W. McNeil Lowry • Charles Ludlam • Judith Malina • Theodore Mann • Gilbert Moses • Michaela O’Harra • John O’Neal • Joseph Papp • Robert Porterfield • José Quintero • Bill Rauch • Bernard Sahlins • Richard Schechner • Peter Schumann • Maurice Schwartz • Gary Sinise • Ellen Stewart • Lee Strasberg • Luis Miguel Valdez • Nina Vance • Douglas Turner Ward As well as the founding visions of theatres from across the country: The Actors Studio • The Actor's Workshop • Alley Theatre • American Conservatory Theater • American Repetory Theater • Arena Stage • Barter Theatre • Bread and Puppet Theater • The Carolina Playmakers • The Chicago Little Theater • Circle in the Square Theatre • The Civic Repertory Theatre • Cornerstone Theater Company • The Federal Theatre Project • Ford Foundation Program in Humanities and the Arts • The Free Southern Theater • The Group Theatre • The Hull-House Dramatic Association • KRIGWA Players • The Living Theatre • La MaMa Experimental Theatre Club • The Mark Taper Forum • The Mercury Theatre • Minnesota Theater Company (Guthrie Theater) • The National Theatre of the Deaf • The Negro Ensemble Company • The Negro Theatre Project, Federal Theatre Project • The Neighborhood Playhouse • New Dramatists • The New York Shakespeare Festival • The Open Theater • Oregon Shakespeare Festival • The Performance Group • The Provincetown Players • The Repertory Theater of Lincoln Center • The Ridiculous Theatrical Company • Roadside Theater • The San Francisco Mime Troupe • The Second City • Steppenwolf Theatre Company • El Teatro Campesino • Theater '47 • The Theatre Guild • The Theatre of the Living Arts • The Washington Square Players • The Wisconsin Idea Theater • Yale Repertory Theatre • The Yiddish Art Theatre Todd London is in his 18th season as artistic director of New Dramatists, the nation’s oldest center for the creative and professional development of American playwrights. In 2009 Todd became the first recipient of Theatre Communications Group’s (TCG) Visionary Leadership Award for “an individual who has gone above and beyond the call of duty to advance the theater field as a whole, nationally and/or internationally.” He’s the author of The Importance of Staying Earnest: Writings from Inside the American Theatre, 1988-2013 (NoPassport Press), Outrageous Fortune: The Life and Times of the New American Play (with Ben Pesner, Theatre Development Fund), The Artistic Home (TCG), and The World’s Room, a novel (Steerforth Press), among others. His column, “A Lover’s Guide to American Playwrights,” tributes to contemporary |
| arizona financial theater capacity: National Guide to Funding in Arts and Culture , 2002 |
| arizona financial theater capacity: Moving Picture World and View Photographer , 1915 |
| arizona financial theater capacity: Credit and Financial Management , 1924 |
| arizona financial theater capacity: Congressional Record United States. Congress, 1971 The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873) |
| arizona financial theater capacity: Hollywood and the Movies of the Fifties Foster Hirsch, 2023-10-10 A fascinating look at Hollywood’s most turbulent decade and the demise of the studio system—set against the boom of the post–World War II years, the Cold War, and the atomic age—and the movies that reflected the seismic shifts Hollywood in the 1950s was a period when the film industry both set conventions and broke norms and traditions—from Cinerama, CinemaScope, and VistaVision to the epic film and lavish musical. It was a decade that saw the rise of the anti-hero; the smoldering, the hidden, and the unspoken; teenagers gone wild in the streets; the sacred and the profane; the revolution of the Method; the socially conscious; the implosion of the studios; the end of the production code; and the invasion of the ultimate body snatcher: the “small screen” television. Here is Eisenhower’s America—seemingly complacent, conformity-ridden revealed in Vincente Minnelli’s Father of the Bride, Walt Disney’s Cinderella, and Brigadoon, among others. And here is its darkening, resonant landscape, beset by conflict, discontent, and anxiety (The Man Who Knew Too Much, The Asphalt Jungle, A Place in the Sun, Touch of Evil, It Came From Outer Space) . . . an America on the verge of cultural, political and sexual revolt, busting up and breaking out (East of Eden, From Here to Eternity, On the Waterfront, Sweet Smell of Success, The Wild One, A Streetcar Named Desire, and Jailhouse Rock). An important, riveting look at our nation at its peak as a world power and at the political, cultural, sexual upheavals it endured, reflected and explored in the quintessential American art form. |
| arizona financial theater capacity: Theatre Profiles , 1975 |
| arizona financial theater capacity: The Billboard , 1926 |
| arizona financial theater capacity: The Foundation 1000 , 2004 |
| arizona financial theater capacity: Billboard , 1950-10-21 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| arizona financial theater capacity: Nickelodeon , 1916 |
| arizona financial theater capacity: Horizon , 1987 |
| arizona financial theater capacity: The Timberman , 1923 |
| arizona financial theater capacity: Report of the Principal, for the Year ... Tucson (Ariz.) Public Schools, 1926 |
| arizona financial theater capacity: State Minimum-wage Laws and Orders United States. Women's Bureau, 1953 |
| arizona financial theater capacity: State Minimum-wage Laws and Orders , 1954 |
| arizona financial theater capacity: American Theatre , 1988 |
| arizona financial theater capacity: Foundations of Homeland Security Martin J. Alperen, 2017-02-21 The Complete Guide to Understanding the Structure of Homeland Security Law New topics featuring leading authors cover topics on Security Threats of Separatism, Secession and Rightwing Extremism; Aviation Industry’s 'Crew Resource Management' Principles'; and Ethics, Legal, and Social Issues in Homeland Security Legal, and Social Issues in Homeland Security. In addition, the chapter devoted to the Trans-Pacific Partnership is a description of economic statecraft, what we really gain from the TPP, and what we stand to lose. The Power of Pop Culture in the Hands of ISIS describes how ISIS communicates and how pop culture is used expertly as a recruiting tool Text organized by subject with the portions of all the laws related to that particular subject in one chapter, making it easier to reference a specific statute by topic Allows the reader to recognize that homeland security involves many specialties and to view homeland security expansively and in the long-term Includes many references as a resource for professionals in various fields including: military, government, first responders, lawyers, and students Includes an Instructor Manual providing teaching suggestions, discussion questions, true/false questions, and essay questions along with the answers to all of these |
| arizona financial theater capacity: National Directory of Corporate Public Affairs , 1998 |
| arizona financial theater capacity: The College Blue Book Huber William Hurt, Harriet-Jeanne Hurt, 1979-09 |
| arizona financial theater capacity: Reauthorization of the National Foundation for the Arts and the Humanities Act and the Museum Services Act United States. Congress. House. Committee on Education and Labor. Subcommittee on Postsecondary Education, 1980 |
| arizona financial theater capacity: Grants for Arts, Culture & the Humanities Foundation Center, 2003-12 |
| arizona financial theater capacity: Princeton Alumni Weekly , 1971 |
| arizona financial theater capacity: Beyond the Movie Theater Gregory A. Waller, 2023-04-11 A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Beyond the Movie Theater excavates the history of non-theatrical cinema before 1920, exploring where and how moving pictures of the 1910s were used in ways distinct from and often alternative to typical theatrical cinema. Unlike commercial cinema, non-theatrical cinema was multi-purpose in its uses and multi-sited in where it could be shown, targeted at particular audiences and, in some manner, sponsored. Relying on contemporary print sources and ephemera of the era to articulate how non-theatrical cinema was practiced and understood in the US during the 1910s, historian Gregory A. Waller charts a heterogeneous, fragmentary, and rich field that cannot be explained in terms of a master narrative concerning origin or institutionalization, progress or decline. Uncovering how and where films were put to use beyond the movie theater, this book complicates and expands our understanding of the history of American cinema, underscoring the myriad roles and everyday presence of moving pictures during the early twentieth century. |
| arizona financial theater capacity: The Alcalde , 1995-09 As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for mayor or chief magistrate; the nickname of the governor who signed UT into existence was The Old Alcalde. |
| arizona financial theater capacity: Catalog of Federal Domestic Assistance , 1980 Identifies and describes specific government assistance opportunities such as loans, grants, counseling, and procurement contracts available under many agencies and programs. |
| arizona financial theater capacity: Coast Banker , 1914 |
| arizona financial theater capacity: Hotel & Motel Red Book , 1984 |
| arizona financial theater capacity: The Great White Hope Howard Sackler, 1968 [The dramatist] has used his hero, a fighter based on the first Black heavyweight champion of the world, Jack Johnson ... as a symbol in part of Black aspiration--Back cover. |
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Además de su grandeza, Arizona tiene una historia milenaria, definida por los nativos americanos, pero también por grandes aventureros y sus variados …
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Plan your Arizona vacation with the Official State Travel Guide – available in print, electronically, or both.
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From the abundance of Saguaro cactuses and unique wildlife in the Sonoran Desert to the high country and forests of the White Mountains to …
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