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| asian history museum seattle: They Painted from Their Hearts Mayumi Tsutakawa, 1994 Examines the work of 18 Asian Pacific American artists creating in the Pacific Northwest during the period from 1900 to 1960. Essays on art in Seattle, Asian American painters of Washington state, early Asian American photographers, and the legacy of Asian American art accompany color paintings and |
| asian history museum seattle: Hotel on the Corner of Bitter and Sweet Jamie Ford, 2009-01-27 Sentimental, heartfelt….the exploration of Henry’s changing relationship with his family and with Keiko will keep most readers turning pages...A timely debut that not only reminds readers of a shameful episode in American history, but cautions us to examine the present and take heed we don’t repeat those injustices.-- Kirkus Reviews “A tender and satisfying novel set in a time and a place lost forever, Hotel on the Corner of Bitter and Sweet gives us a glimpse of the damage that is caused by war--not the sweeping damage of the battlefield, but the cold, cruel damage to the hearts and humanity of individual people. Especially relevant in today's world, this is a beautifully written book that will make you think. And, more importantly, it will make you feel. -- Garth Stein, New York Times bestselling author of The Art of Racing in the Rain “Jamie Ford's first novel explores the age-old conflicts between father and son, the beauty and sadness of what happened to Japanese Americans in the Seattle area during World War II, and the depths and longing of deep-heart love. An impressive, bitter, and sweet debut.” -- Lisa See, bestselling author of Snow Flower and the Secret Fan In the opening pages of Jamie Ford’s stunning debut novel, Hotel on the Corner of Bitter and Sweet, Henry Lee comes upon a crowd gathered outside the Panama Hotel, once the gateway to Seattle’s Japantown. It has been boarded up for decades, but now the new owner has made an incredible discovery: the belongings of Japanese families, left when they were rounded up and sent to internment camps during World War II. As Henry looks on, the owner opens a Japanese parasol. This simple act takes old Henry Lee back to the 1940s, at the height of the war, when young Henry’s world is a jumble of confusion and excitement, and to his father, who is obsessed with the war in China and having Henry grow up American. While “scholarshipping” at the exclusive Rainier Elementary, where the white kids ignore him, Henry meets Keiko Okabe, a young Japanese American student. Amid the chaos of blackouts, curfews, and FBI raids, Henry and Keiko forge a bond of friendship–and innocent love–that transcends the long-standing prejudices of their Old World ancestors. And after Keiko and her family are swept up in the evacuations to the internment camps, she and Henry are left only with the hope that the war will end, and that their promise to each other will be kept. Forty years later, Henry Lee is certain that the parasol belonged to Keiko. In the hotel’s dark dusty basement he begins looking for signs of the Okabe family’s belongings and for a long-lost object whose value he cannot begin to measure. Now a widower, Henry is still trying to find his voice–words that might explain the actions of his nationalistic father; words that might bridge the gap between him and his modern, Chinese American son; words that might help him confront the choices he made many years ago. Set during one of the most conflicted and volatile times in American history, Hotel on the Corner of Bitter and Sweet is an extraordinary story of commitment and enduring hope. In Henry and Keiko, Jamie Ford has created an unforgettable duo whose story teaches us of the power of forgiveness and the human heart. BONUS: This edition contains a Hotel on the Corner of Bitter and Sweet discussion guide and an excerpt from Jamie Ford's Love and Other Consolation Prizes. |
| asian history museum seattle: Frisson Catharina Manchanda, 2021-11 Seattle art collectors Richard E. Lang and Jane Lang Davis were frequent visitors to New York City in the 1970s and early 1980s when they collaboratively built their collection, filling their home with singular works of art. Their shared legacy and passion for engaging thoughtfully, deeply, and personally with art--and the frisson of excitement that arises with such a connection--are celebrated and echoed in this special exhibition catalogue. Spanning 1945 through 1976, the paintings, drawings, and sculptures in Frisson serve as significant examples of mature works and pivotal moments of artistic development from some of the most influential American and European artists of the postwar period, including Francis Bacon, Lee Krasner, Clyfford Still, Philip Guston, Joan Mitchell, David Smith, and others. Together they represent an inimitable archive of innovation and a cross-pollination of leading artistic positions in the postwar years. With twenty new scholarly essays written by leading experts, Frisson provides the first opportunity for in-depth research into and new insights about nineteen noteworthy artworks recently acquired by the Seattle Art Museum. |
| asian history museum seattle: Everything You Need to Know about Asian-American History Himilce Novas, Lan Cao, Rosemary Silva, 2004 Presents an overview of history, traditions, myths, and contributions of Asian Americans and examines the impact they have made on life in the United States. |
| asian history museum seattle: Kenjiro Nomura, American Modernist Barbara Johns, 2021-11 Born in Japan, acclaimed Seattle artist Kenjiro Nomura (1896?1956) came to the United States as a child of ten, received artistic recognition by age twenty, and in the 1930s became the best-known artist of Japanese descent in the Northwest, his artwork widely exhibited regionally and nationally. Along with more than one hundred thousand Japanese Americans from the West Coast Nomura was incarcerated during the war but continued to paint, leaving a visual record grounded in place and circumstance. In postwar years he developed a new abstract style that brought him recognition once again. In Kenjiro Nomura, American Modernist, Barbara Johns presents Nomura?s life and artistic achievement within their historical context. Her account depicts Seattle as stronghold of prewar Issei artistic activity, and Nomura?s work as providing a meaningful contribution to the history of American art. The book is generously illustrated with artwork tracing Nomura?s entire career. David F. Martin, curator of the Cascadia Art Museum, expands the context of Nomura?s accomplishment with an account of the artists with whom Nomura associated. |
| asian history museum seattle: Citizen 13660 , 1983 Mine Okubo was one of 110,000 people of Japanese descent--nearly two-thirds of them American citizens -- who were rounded up into protective custody shortly after Pearl Harbor. Citizen 13660, her memoir of life in relocation centers in California and Utah, was first published in 1946, then reissued by University of Washington Press in 1983 with a new Preface by the author. With 197 pen-and-ink illustrations, and poignantly written text, the book has been a perennial bestseller, and is used in college and university courses across the country. [Mine Okubo] took her months of life in the concentration camp and made it the material for this amusing, heart-breaking book. . . . The moral is never expressed, but the wry pictures and the scanty words make the reader laugh -- and if he is an American too -- blush. -- Pearl Buck Read more about Mine Okubo in the 2008 UW Press book, Mine Okubo: Following Her Own Road, edited by Greg Robinson and Elena Tajima Creef. http://www.washington.edu/uwpress/search/books/ROBMIN.html |
| asian history museum seattle: My Unforgotten Seattle RON. CHEW, 2020-10 Third-generation Seattleite, historian, journalist, and museum visionary Ron Chew spent more than five decades fighting for Asian American and social justice causes in Seattle. In this deeply personal memoir, he documents the tight-knit community he remembers, describing small family shops, chop suey restaurants, and sewing factories now vanished. He untangles the mystery of his extended family's journey to America during the era of the Chinese Exclusion Act. Intimate profiles of his parents--a waiter and garment worker--and leaders like Bob Santos, Ruth Woo, Al Sugiyama, Roberto Maestas, and Kip Tokuda are set against the familiar backdrop of local landmarks such as Sick's Stadium, Kokusai Theatre, Shorey's Bookstore, Higo Variety Store, Hong Kong Restaurant, and Chubby &Tubby. He highlights Seattle's unsung champions in the fight for racial inclusion, political empowerment, American ethnic studies, Asian American arts, Japanese American redress, and revitalization of the Chinatown-International District. Chew himself led a successful campaign to transform a historic hotel into the Wing Luke Museum's permanent home. |
| asian history museum seattle: The Frye Art Museum Rick Sundberg, 2007 |
| asian history museum seattle: War Baby/love Child Laura Kina, Wei Ming Dariotis, 2013 War Baby / Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with 19 emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai'i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of optional identity, this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures. This multiauthor volume features a foreward by Kent A. Ono, a co-authored preface and introductory essay by the editors, 19 original artist interviews conducted by the editors, and original essays from Wei Ming Dariotis and the contributing authors: Camilla Fojas, Stuart Gaffney, Rudy Guevarra, Jr., Eleana J. Kim, Richard Lou, Margo Machida, Stephen Murphy-Shigematsu, Lori Pierce, Cathy J. Schlund-Vials, Ken Tanabe, and Wendy Thompson-Taiwo. Laura Kina is associate professor of art, media, and design at DePaul University. Wei Ming Dariotis is associate professor of Asian American studies at San Francisco State University. War Baby / Love Child is an interesting, original, and innovative project that expands the field of Asian American studies by using visual art as a point of entry and analysis for the discipline. -Mark Johnson, editor of Asian American Art: A History, 1850-1970 One of the strengths of this original volume is its holistic combination of interviews with premier fine artists along with the textual, historical, and scholarly context provided by established and emerging scholars in Asian American Studies. -Nitasha Sharma, author of Hip Hop Desis: South Americans, Blackness, and Global Race Consciousness |
| asian history museum seattle: The Efficacious Landscape Ping Foong, 2020-05-18 Ink landscape painting is a distinctive feature of the Northern Song, and painters of this era produced some of the most celebrated artworks in Chinese history. The Efficacious Landscape addresses how landmark works of this pivotal period first came to be identified as potent symbols of imperial authority and later became objects through which exiled scholars expressed disaffection and dissent. In fulfilling these diverse roles, landscape demonstrated its efficacy in communicating through embodiment and in transcending the limitations of the concrete. Building on decades of monographic writings on Song painting, this carefully researched study presents a syncretic vision of how ink landscape evolved within the eleventh-century court community of artists, scholars, and aristocrats. Detailed visual analyses of surviving works and new insight about key landscapes by the court painter Guo Xi support the perspective put forward here and introduce original methodologies for interpreting painting as an integral element of political and cultural history. By focusing on the efforts of emperors, empresses, and eunuchs to cultivate ink landscape and its iconography, this investigation also tackles the social and class dichotomies that have long defined and frustrated existing scholarship on this period’s paintings, highlighting instead the interconnectedness of painting practice’s elite modalities. |
| asian history museum seattle: Accumulating Culture Patricia Buckley Ebrey, 2008 This is an illustrated examination of a collection of Chinese calligraphy, paintings, bronzes, and many other objects amassed by the Song dynasty emperor Huizong (1082-1135). It contributes to a rethinking of the cultural side of Chinese imperial rule and of the court as a patron of scholars and the arts. |
| asian history museum seattle: Asian American Modern Art Daniell Cornell, Mark Dean Johnson, Gordon H. Chang, 2008 Featuring examples across many media and extending beyond ethnicity, 'Asian/American/Modern Art' brings into focus an underrepresented and vital group within American art. |
| asian history museum seattle: Divided Destiny David A. Takami, 1998 This vivid and concise history traces more than a hundred years of Japanese Americans in Seattle, before and after the tumultuous events of the early 1940s, when World War II and the incarceration of Japanese Americans divided the community from its past and forced tens of thousands of people to uproot and start anew. Concentration camps at Minidoka, Idaho, and nine other inland locations were the crucible for postwar change and accomplishment, but at the same time shattered the dreams and spirits of many of the older immigrant Issei. The story is local, but it is representative of the Japanese American experience on the U.S. West Coast. Poignant photographs from family albums and historical archives illustrate the book, giving faces and names to history. |
| asian history museum seattle: The Imperial Museums of Meiji Japan Alice Yu-Ting Tseng, 2008 It was not until Japan's opening to the West during the Meiji period (1868-1912) that terms for art (bijutsu) and art museum (bijutsukan) were coined. The Imperial Museums of Meiji Japan documents Japan's unification of national art and cultural resources to forge a modern identity influenced by European museum and exhibition culture. Japan's Imperial Museums were conceived of as national self-representations, and their creation epitomized the Meiji bureaucracy's mission to engage in the international standards and practices of the late nineteenth century. The architecture of the museums, by incorporating Western design elements and construction methods, effectively safeguarded and set off the nation's unique art historical lineage. Western paradigms and expertise, coupled with Japanese resolve and ingenuity, steered the course of the museums' development. Expeditions by high-ranking Japanese officials to Europe and the United States to explore the burgeoning world of art preservation and exhibition, and throughout Japan to inventory important cultural treasures, led to the establishment of the Imperial Museums in the successive imperial cities of Nara, Kyoto, and Tokyo. Over the course of nearly four decades, the English architect Josiah Conder, known as the father of modern Japanese architecture, and his student Katayama Tokuma, who became the preeminent state architect, designed four main museum buildings to house the national art collection. These buildings articulated the museums' unified mission to preserve and showcase a millennium-long chronology of Japanese art, while reinforcing the distinctive historical and cultural character of their respective cities. This book is the first English-language study of the art, history, and architecture of Japan's Imperial Museums, the predecessors of today's national museums in Tokyo, Kyoto, and Nara. The Imperial Museums of Meiji Japan examines the museums' formative period and highlights cross-cultural influences that enriched and complicated Japan's search for a modern yet historically grounded identity. |
| asian history museum seattle: Rebel, Jester, Mystic, Poet Fereshteh Daftari, 2017 Rebel, Jester, Mystic, Poet tells the story of the evolution of Iranian contemporary art by examining the work of 30 artists. This is art where the ills of internal politics remain astutely masked below a layer of ornamentation, poetry, or humor. What unites the disparate works into a coherent theme is the artists' coping mechanisms, which consist of subversive critique, quiet rebellion, humor, mysticism, and poetry--hence the publications title. The subtitle Contemporary Persians is also a reference to a strategy of survival, this one used by Iranians in the United States during the early 2000s; at a time when 'Iranians' were identified with hostage takers and terrorists, they adopted the identity 'Persians', which remained free of such associations. This title collects the work of a number of artists who are already well-known in the United States, including among others Afruz Amighi, whose work is in the permanent collection of the Metropolitan Museum of Art in New York and Monir Farmanfarmaian, who received a major exhibition at the Guggenheim Museum in 2015. |
| asian history museum seattle: Relocating Authority Mira Shimabukuro, 2016-01-15 Relocating Authority examines the ways Japanese Americans have continually used writing to respond to the circumstances of their community’s mass imprisonment during World War II. Using both Nikkei cultural frameworks and community-specific history for methodological inspiration and guidance, Mira Shimabukuro shows how writing was used privately and publicly to individually survive and collectively resist the conditions of incarceration. Examining a wide range of diverse texts and literacy practices such as diary entries, note-taking, manifestos, and multiple drafts of single documents, Relocating Authority draws upon community archives, visual histories, and Asian American history and theory to reveal the ways writing has served as a critical tool for incarcerees and their descendants. Incarcerees not only used writing to redress the “internment” in the moment but also created pieces of text that enabled and inspired further redress long after the camps had closed. Relocating Authority highlights literacy’s enduring potential to participate in social change and assist an imprisoned people in relocating authority away from their captors and back to their community and themselves. It will be of great interest to students and scholars of ethnic and Asian American rhetorics, American studies, and anyone interested in the relationship between literacy and social justice. |
| asian history museum seattle: The Odyssey of China's Imperial Art Treasures Jeannette Shambaugh Elliot, David Shambaugh, 2015-08-03 |
| asian history museum seattle: Beacon Hill Boys Ken Mochizuki, 2002 The long-awaited first novel about growing up Asian American by award-winning author Ken Mochizuki. Like other Japanese American families in the Beacon Hill area of Seattle, 16-year-old Dan Inagaki's parents expect him to be an example of the model minority. But unlike Dan's older brother, with his 4.0 GPA and Ivy League scholarship, Dan is tired of being called Oriental by his teachers, and sick of feeling invisible; Dan's growing self-hatred threatens his struggle to claim an identity. Sharing his anger and confusion are his best friends, Jerry Ito, Eddie Kanagae, and Frank Ishimoto, and together these Beacon Hill Boys fall into a spiral of rebellion that is all too all-American. |
| asian history museum seattle: The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art Dallas Museum of Art, Anne R. Bromberg, 2013 In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art |
| asian history museum seattle: Shadows of a Fleeting World David Francis Martin, Nicolette Bromberg, 2011 In association with University of Washington Libraries and the Henry Art Gallery. |
| asian history museum seattle: Andy Warhol, Ai Weiwei John J. Curley, 2015 This stunning publication is the first to examine in tandem the work and influence of two towering figures in contemporary art Andy Warhol (1928-1987) and Ai Weiwei (b. 1957) are two of the most internationally renowned artists of the past 100 years, famous not only for their artwork but also for influencing the culture of their time. This exciting book is the first to consider the work of these artists alongside one another, in dialogue and in correspondence, to explore the artists' meticulous observations of modern and contemporary art, life, and politics. Andy Warhol's investigation of consumer society, fame, and celebrity offers thought-provoking points of connection with Ai Weiwei's interrogation of the relationship between tradition and modernity, the role of the individual to the state, questions of human rights, and the value of freedom of expression. Parallels also exist between the ways in which each artist transformed the understanding of artistic value and studio production, and redefined the role of the artist--as impresario, cultural producer, activist, and brand. Alongside beautifully reproduced images by both artists--including works by Ai Weiwei published here for the first time--are illuminating essays by an international team of art experts, curators, and scholars that survey the scope of the artists' careers and interpret the significant impact of Andy Warhol and Ai Weiwei on modern art and contemporary life. This deluxe, collectible catalogue is available in three different, limited-edition colors. Published in collaboration with the National Gallery of Victoria, Melbourne, and the Andy Warhol Museum, Pittsburgh Exhibition Schedule: National Gallery of Victoria, Melbourne (12/11/15-04/24/16) The Andy Warhol Museum, Pittsburgh (06/01/16-09/01/16) |
| asian history museum seattle: Ginny Ruffner Ginny Ruffner, 2019 |
| asian history museum seattle: Modernism and the Art of Muslim South Asia Iftikhar Dadi, 2010-05-15 This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era. |
| asian history museum seattle: Sutra and Bible Duncan Ryuken Williams, Emily Anderson, 2022-03 Sutra and Bible: Faith and the Japanese American World War II Incarceration accompanies the Japanese American National Museum's 2022 Sutra and Bible exhibition. Together, the exhibit and catalogue explore the role that religious teachings, practices, and communities played while Japanese Americans were incarcerated during World War II. From the confines of concentration camps and locales under martial law to the battlegrounds of Europe, Japanese Americans drew on their faith to survive forced removal, indefinite incarceration, unjust deportation, family separation, military service, and resettlement at a time when their race and religion were seen as threats to national security. Co-edited by Dr. Emily Anderson and Dr. Duncan Ry?ken Williams, this catalogue weaves visual storytelling with auxiliary essays from thirty-two prominent voices across academic, arts, and social justice communities. |
| asian history museum seattle: HIV Interventions Marsha Rosengarten, 2010-05-01 Winner of the Sociology of Health and Illness Book Prize HIV has changed in the presence of recent biomedical technologies. In particular, the development of anti-retroviral therapies (ARVs) for the treatment of HIV was a significant landmark in the history of the disease. Treatment with ARV drug regimens, which began in 1996, has enabled many thousands to live with the human immunodeficiency virus without progressing to AIDS. Yet ARVs have also been fraught with problems of regimen compliance, viral resistance, and iatrogenic disease. Besides intensifying the technological and ethical complexities of medicine, the drugs have also affected conceptions of risk and risk practices, in turn presenting new challenges for prevention. In order to devise safer, more effective forms of treatment, prevention, and possibly cure, Marsha Rosengarten asserts, it is essential to understand the relationship between HIV, medical technologies, and ideas about the body. HIV is an entity that constitutes and is constituted by complex material and informational environments. Recognition of this two-way traffic between the medical science of HIV and the expression of HIV in individuals and societies provides a novel basis for devising new or supplementary modes of thinking about and intervening in the epidemic. Through such diverse materials as drug advertisements, pill formulations, scientific articles, clinical trials, diagnostic test results, and viral imaging as well as interviews with those living and working with HIV, Rosengarten provides numerous demonstrations of how the entities comprising the HIV epidemic - bodies, viral resistance, diagnostic results, safe sex - are forged through dynamic relations. These various phenomena challenge existing prevention models and raise social and ethical concerns about the impact of additional technologies such as HIV pre- and post-exposure prophylaxis and the promise of vaccines and microbicides. HIV Interventions is relevant to those engaged in questions of the social and ethical dimensions of biomedicine, biotechnology, and genomics. Further, the specific focus of the project offers HIV practitioners - in the sciences and social sciences, in clinical research, clinical practice, social research, policy development and prevention education - new perspectives and analytic tools for intercepting a virus that continues to endure and, most critically, to change in the course of doing so. |
| asian history museum seattle: How to Read Chinese Paintings Maxwell K. Hearn, 2008 Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To read these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed.--BOOK JACKET. |
| asian history museum seattle: Returning Southeast Asia's Past Louise Tythacott, Panggah Ardiyansyah, 2021 The last 150 years has seen extensive looting and illicit trafficking of Southeast Asia's cultural heritage. Art objects from the region were distributed to museums and private collections around the world. But in the 21st century, power relations are shifting, a new awareness is growing, and new questions are emerging about the representation and ownership of Southeast Asian cultural material located in the West. This book is a timely consideration of object restitution and related issues across Southeast Asia, bringing together different viewpoints including from museum professionals and scholars in Cambodia, Thailand, Vietnam and Indonesia - as well as Europe, North America and Australia. The objects themselves are at the centre of most narratives - from Khmer art to the Mandalay regalia (repatriated in 1964), Ban Chiang archaeological material and the paintings of Raden Saleh. Legal, cultural, political and diplomatic issues involved in the restitution process are considered in many of the chapters; others look at the ways object restitution is integral to evolving narratives of national identity.--Publisher's description |
| asian history museum seattle: Maritime Seattle , 2002 Seattle grew from pioneer settlement to bustling metropolis, its waterfront evolving from a marsh to a thriving complex of industrial sites on both salt and fresh water. This pictorial history weaves the story of the evolution of the Seattle and King County waterfronts through photographs, images, and maps as it develops from marsh to container terminal. Beginning in 1850 with the pre-canal era, here are the lumber mills, local freight and passenger transportation, coastal and ocean shipping, the shipyards, and the stories of significant figures in the history of Seattle's waterfront. Shown also is how the rapid growth of the shipyard facilities was counterbalanced with the development of the labor movement. The forging of this shipping epicenter is captured here in over 200 vintage photographs. |
| asian history museum seattle: Ensō Shin Yu Pai, 2020 Shin Yu Pai is a poet known for her wide-ranging collaborations and creative practice engaged as much in physical space as the page. With its blend of personal essays reflecting on the development of her poetics, Ensō places new work next to old, to create not only a mid-career retrospective, but a guidebook for poets interested in moving their practice off the page and into the world around them. From her early work in place-based and ekphrastic poetry to her current experimentation with installation and projections, Ensō highlights the creative process to her poetry--the identities that resonate for her--and her thoughts on cultural hybridity, exchange and appropriation. She speaks deeply of how motherhood transformed her views of what is possible in poetry, reconnecting to her immigrant mother's creative legacy, and how personal and systematic racism and misogyny have shaped her practice, while inviting the reader into a deeper conversation about how a poet writes with and about their community-- |
| asian history museum seattle: Inventing Exoticism Benjamin Schmidt, 2015-01-21 As early modern Europe launched its multiple projects of global empire, it simultaneously embarked on an ambitious program of describing and picturing the world. The shapes and meanings of the extraordinary global images that emerged from this process form the subject of this highly original and richly textured study of cultural geography. Inventing Exoticism draws on a vast range of sources from history, literature, science, and art to describe the energetic and sustained international engagements that gave birth to our modern conceptions of exoticism and globalism. Illustrated with more than two hundred images of engravings, paintings, ceramics, and more, Inventing Exoticism shows, in vivid example and persuasive detail, how Europeans came to see and understand the world at an especially critical juncture of imperial imagination. At the turn to the eighteenth century, European markets were flooded by books and artifacts that described or otherwise evoked non-European realms: histories and ethnographies of overseas kingdoms, travel narratives and decorative maps, lavishly produced tomes illustrating foreign flora and fauna, and numerous decorative objects in the styles of distant cultures. Inventing Exoticism meticulously analyzes these, while further identifying the particular role of the Dutch—Carryers of the World, as Defoe famously called them—in the business of exotica. The form of early modern exoticism that sold so well, as this book shows, originated not with expansion-minded imperialists of London and Paris, but in the canny ateliers of Holland. By scrutinizing these materials from the perspectives of both producers and consumers—and paying close attention to processes of cultural mediation—Inventing Exoticism interrogates traditional postcolonial theories of knowledge and power. It proposes a wholly revisionist understanding of geography in a pivotal age of expansion and offers a crucial historical perspective on our own global culture as it engages in a media-saturated world. |
| asian history museum seattle: Great Qing Claudia Brown, 2020-02-04 Addressing the previous lack of a comprehensive English-language study of Qing painting, art historian Claudia Brown?s account ranges from the tumultuous Ming?Qing transition to the end of imperial rule. In response to omissions in previous treatments, she examines major influences shaping the period and explores the relationship between painting and mapmaking, the role of patrons and collectors, printmaking and publishing, religious themes, and Western influences. With more than two hundred color illustrations, Great Qing highlights fine examples of Qing painting in American museums, works from all regions of China, and paintings by women. Brown?s gorgeous, attentively rendered survey covers three centuries of momentous change and is intended for general audiences as well as art collectors, museum curators, and students and historians of Chinese art, culture, and society. |
| asian history museum seattle: Queering Contemporary Asian American Art Laura Kina, Jan Christian Bernabe, 2017-05-16 Queering Contemporary Asian American Art takes Asian American differences as its point of departure, and brings together artists and scholars to challenge normative assumptions, essentialisms, and methodologies within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity, queer bodies and forms, kinship and affect, and digital identities and performances. Using the verb and critical lens of “queering” to capture transgressive cultural, social, and political engagement and practice, the contributors to this volume explore the connection points in Asian American experience and cultural production of surveillance states, decolonization and diaspora, transnational adoption, and transgender bodies and forms, as well as heteronormative respectability, the military, and war. The interdisciplinary and theoretically informed frameworks in the volume engage readers to understand global and historical processes through contemporary Asian American artistic production. |
| asian history museum seattle: Seattle's Olympic Sculpture Park Mimi Gardner Gates, 2021 The Seattle Art Museum's Olympic Sculpture Park, where Alexander Calder's The Eagle soars over Puget Sound, Roxy Paine's stainless-steel Split glistens in the rain, and Richard Serra's Wake beckons visitors to walk within its towering forms, stands out as an exemplary civic project: an urban park open and free to all and a dynamic green space filled with great art. The innovative design turned a former industrial site on Elliott Bay into a remarkable place that not only celebrates the inseparable nature of art, urban infrastructure, and landscape but also captures the majestic character of the Pacific Northwest. Using the park as a model of how public-private partnerships can create innovative civic spaces, this informative and visually stunning book will bring the Olympic Sculpture Park to a broader audience beyond the greater Seattle area and will be a vital resource for museum professionals, architects, urban planners, students, and general art lovers. |
| asian history museum seattle: 1934 Ann Prentice Wagner, Smithsonian American Art Museum, 2009 Celebrates the 75th anniversary of the U.S. Public Works of Art Program, created in 1934 against the backdrop of the Great Depression. The 55 paintings in this volume are a lasting visual record of America at a specific moment in time; a response to an economic situation that is all too familiar |
| asian history museum seattle: The Allure of Matter Wu Hung, Orianna Cacchione, 2019 This publication was produced by the Smart Museum of Art, The University of Chicago, on the occasion of the exhibition The Allure of Matter: Material Art from China, curated by Wu Hung with Orianna Cacchione. |
| asian history museum seattle: The Columbia Guide to Asian American History Gary Y. Okihiro, 2005-03-30 Offering a rich and insightful road map of Asian American history as it has evolved over more than 200 years, this book marks the first systematic attempt to take stock of this field of study. It examines, comments, and questions the changing assumptions and contexts underlying the experiences and contributions of an incredibly diverse population of Americans. Arriving and settling in this nation as early as the 1790s, with American-born generations stretching back more than a century, Asian Americans have become an integral part of the American experience; this cleverly organized book marks the trajectory of that journey, offering researchers invaluable information and interpretation. Part 1 offers a synoptic narrative history, a chronology, and a set of periodizations that reflect different ways of constructing the Asian American past. Part 2 presents lucid discussions of historical debates—such as interpreting the anti-Chinese movement of the late 1800s and the underlying causes of Japanese American internment during World War II—and such emerging themes as transnationalism and women and gender issues. Part 3 contains a historiographical essay and a wide-ranging compilation of book, film, and electronic resources for further study of core themes and groups, including Chinese, Japanese, Filipino, Hmong, Indian, Korean, Vietnamese, and others. |
| asian history museum seattle: This Present Moment Mary Savig, Nora Atkinson, Anya Montiel, 2022-06-21 A highly illustrated,important volume inspired by the way craft artists have unitedduring the COVID pandemic and engaged in artistic conversations about race,gender, and inclusivity. During thesummer of 2020, the space outside the Renwick Gallery--the Smithsonian AmericanArt Museum's dedicated museum for contemporary craft and decorative arts--becamehome to a new discussion about racial justice on Black Lives Matter Plaza. Thecurators at the Renwick Gallery felt the need to align themselves with what wasgoing on right outside the Gallery's door, the organizing rationale forunderstanding the objects presented in this volume, many of which are newacquisitions. The title istaken from Alicia Eggert's 2019-2020 eponymous neon work, and the 85 objects inthe main plates section lead the reader from the idea of shelter, throughlayers of expanding spaces to the vast expanses of the universe. The volume looksat contemporary American craft in the whirlwind of now revealingpossibilities for contemporary makers to respond to a more empathetic future. |
| asian history museum seattle: The Forbidden Stitch Shirley Lim, Mayumi Tsutakawa, Margarita Donnelly, 1989 This first U.S. anthology of work by Asian-American women contains poetry, prose, and graphic art, and a section of reviews of previously published literature. These women, in contrast to their foremothers, repeatedly identify themselves through their art. Very often they do this by showing who they are not--not male, not white. The works reveal their pride in their cultural heritage. ISBN 0-934971-10-2: |
| asian history museum seattle: After Darkness Boon Hui Tan, Michelle Yun, 2017 |
| asian history museum seattle: Figuring History Lowery Stokes Sims, Jacqueline Francis, 2018 Contemporary artists Robert Colescott (1925-2009), Kerry James Marshall (b. 1955), and Mickalene Thomas (b. 1971) are distinguished by their attention to a history of representation, which they re-visit and revise to reflect on individual and collective Black experience. Equally engaged with social and political histories, and the history of art, Colescott, Marshall, and Thomas have created works that at times poignantly and satirically critique dominant narratives and posit alternatives. By considering these artists together, this thought-provoking book expands our understanding of contemporary history painting, a genre first defined during the 17th century and known for didactic paintings that often depicted Biblical or mythological subjects, and expressed the tastes and narratives of a ruling class. Colescott, Marshall, and Thomas marry appreciation of these traditional forms of representation to a deep understanding of contemporary American culture to create insightful works that disrupt historic narratives and read canonic art history against the grain. Published in association with the Seattle Art Museum Exhibition Schedule: Seattle Art Museum (02/15/18-05/13/18) |
Asian Recipes - Food Network
Jun 6, 2025 · 53 Asian American and Pacific Islander Food Brands You Need in Your Kitchen Jun 4, 2025. By: Layla Khoury-Hanold and Margaret Wong. The Best Store-Bought Coffee …
Asian Style Slaw Recipe | Dave Lieberman - Food Network
2 teaspoons Asian sesame oil. 2 teaspoons sesame seeds, optional. 1 teaspoon salt. 20 grinds black pepper. Add to Shopping List View Shopping List Ingredient Substitutions.
Dang Cold Asian Noodle Salad Recipe | Guy Fieri - Food Network
In a medium stock pot, boil water, add salt and cook noodles. When finished, place noodles in an ice water bath to cool. Drain and set aside. In a medium bowl combine, sesame oil, vinegar, …
Asian Slaw Recipe | Guy Fieri - Food Network
In a small saucepan add 2 tablespoons olive oil, ginger and garlic, lightly saute until lightly brown. Add brown sugar, soy sauce, and mirin. Saute for 5 minutes and remove from heat.
Slow Cooker Asian Wedding Soup Recipe | Molly Yeh - Food …
For the meatballs: In a medium bowl, mix the pork, cilantro, soy sauce, egg, panko, sugar, salt, garlic and scallions together. Scoop the meatball mixture into 12 golf-sized balls and roll.
Asian Salad Recipes - Food Network
4 days ago · All Asian Salad Recipes Ideas. Showing 1-18 of 246. Korean Pork Salad. Video | 00:59. Guy Fieri can't get enough of this spicy salad from Upper Crust Bakery and Cafe in …
Asian Chicken Noodle Soup Recipe - Food Network
Mix soy sauce, mirin, 1 teaspoon of the sesame oil, garlic, ginger, sugar, vinegar, and chile paste in a small bowl. Heat the broth in a medium saucepan.
Asian Lettuce Wraps Recipe | Sunny Anderson - Food Network
1 head Boston lettuce, leaves separated, cleaned and dried In a skillet over medium-high heat, add the vegetable oil and saute beef until brown.
Chinese Spare Ribs Recipe | Jeff Mauro - Food Network
Mix together the hoisin sauce, soy sauce, brown sugar, honey, five-spice powder, garlic, ginger and food coloring in a metal, non-reactive bowl.
What Is Mirin? And What's the Best Mirin Substitute? - Food …
Jan 18, 2024 · Mirin is a Japanese sweet rice wine made by fermenting a combination of steamed mochi rice, koji (fermented rice) and shochu (sweet potato alcohol) for 40 to 60 days.
Asian Recipes - Food Network
Jun 6, 2025 · 53 Asian American and Pacific Islander Food Brands You Need in Your Kitchen Jun 4, 2025. By: Layla Khoury-Hanold and Margaret Wong. The Best Store-Bought Coffee Creamers ...
Asian Style Slaw Recipe | Dave Lieberman - Food Network
2 teaspoons Asian sesame oil. 2 teaspoons sesame seeds, optional. 1 teaspoon salt. 20 grinds black pepper. Add to Shopping List View Shopping List Ingredient Substitutions.
Dang Cold Asian Noodle Salad Recipe | Guy Fieri - Food Network
In a medium stock pot, boil water, add salt and cook noodles. When finished, place noodles in an ice water bath to cool. Drain and set aside. In a medium bowl combine, sesame oil, vinegar, soy ...
Asian Slaw Recipe | Guy Fieri - Food Network
In a small saucepan add 2 tablespoons olive oil, ginger and garlic, lightly saute until lightly brown. Add brown sugar, soy sauce, and mirin. Saute for 5 minutes and remove from heat.
Slow Cooker Asian Wedding Soup Recipe | Molly Yeh - Food Network
For the meatballs: In a medium bowl, mix the pork, cilantro, soy sauce, egg, panko, sugar, salt, garlic and scallions together. Scoop the meatball mixture into 12 golf-sized balls and roll.
Asian Salad Recipes - Food Network
4 days ago · All Asian Salad Recipes Ideas. Showing 1-18 of 246. Korean Pork Salad. Video | 00:59. Guy Fieri can't get enough of this spicy salad from Upper Crust Bakery and Cafe in Chico, …
Asian Chicken Noodle Soup Recipe - Food Network
Mix soy sauce, mirin, 1 teaspoon of the sesame oil, garlic, ginger, sugar, vinegar, and chile paste in a small bowl. Heat the broth in a medium saucepan.
Asian Lettuce Wraps Recipe | Sunny Anderson - Food Network
1 head Boston lettuce, leaves separated, cleaned and dried In a skillet over medium-high heat, add the vegetable oil and saute beef until brown.
Chinese Spare Ribs Recipe | Jeff Mauro - Food Network
Mix together the hoisin sauce, soy sauce, brown sugar, honey, five-spice powder, garlic, ginger and food coloring in a metal, non-reactive bowl.
What Is Mirin? And What's the Best Mirin Substitute? - Food Network
Jan 18, 2024 · Mirin is a Japanese sweet rice wine made by fermenting a combination of steamed mochi rice, koji (fermented rice) and shochu (sweet potato alcohol) for 40 to 60 days.
