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| augustus of primaporta ap art history: Gender, Identity and the Body in Greek and Roman Sculpture Rosemary Barrow, 2018-10-11 Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly. |
| augustus of primaporta ap art history: AP Art History John B. Nici, 2020-08-04 Be prepared for exam day with Barron’s. Trusted content from AP experts! Barron’s AP Art History includes in-depth content review and online practice. It’s the only book you’ll need to be prepared for exam day. Written by Experienced Educators Learn from Barron’s--all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day--it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test-taking skills with 5 full-length practice tests--3 in the book and 2 more online Strengthen your knowledge with in-depth review covering all Units on the AP Art History Exam Reinforce your learning with practice questions at the end of each chapter Interactive Online Practice Continue your practice with 2 full-length practice tests and 400 online flashcards on Barron’s Online Learning Hub Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with automated scoring to check your learning progress |
| augustus of primaporta ap art history: From Republic to Empire John Pollini, 2012-11-20 Political image-making—especially from the Age of Augustus, when the Roman Republic evolved into a system capable of governing a vast, culturally diverse empire—is the focus of this masterful study of Roman culture. Distinguished art historian and classical archaeologist John Pollini explores how various artistic and ideological symbols of religion and power, based on Roman Republican values and traditions, were taken over or refashioned to convey new ideological content in the constantly changing political world of imperial Rome. Religion, civic life, and politics went hand in hand and formed the very fabric of ancient Roman society. Visual rhetoric was a most effective way to communicate and commemorate the ideals, virtues, and political programs of the leaders of the Roman State in an empire where few people could read and many different languages were spoken. Public memorialization could keep Roman leaders and their achievements before the eyes of the populace, in Rome and in cities under Roman sway. A leader’s success demonstrated that he had the favor of the gods—a form of legitimation crucial for sustaining the Roman Principate, or government by a “First Citizen.” Pollini examines works and traditions ranging from coins to statues and reliefs. He considers the realistic tradition of sculptural portraiture and the ways Roman leaders from the late Republic through the Imperial period were represented in relation to the divine. In comparing visual and verbal expression, he likens sculptural imagery to the structure, syntax, and diction of the Latin language and to ancient rhetorical figures of speech. Throughout the book, Pollini’s vast knowledge of ancient history, religion, literature, and politics extends his analysis far beyond visual culture to every aspect of ancient Roman civilization, including the empire’s ultimate conversion to Christianity. Readers will gain a thorough understanding of the relationship between artistic developments and political change in ancient Rome. |
| augustus of primaporta ap art history: AP Art History Premium, Sixth Edition: Prep Book with 5 Practice Tests + Comprehensive Review + Online Practice John B. Nici, 2023-07-04 Be prepared for exam day with Barron’s. Trusted content from AP experts! Barron’s AP Art History Premium, Sixth Edition includes in‑depth content review and practice. It’s the only book you’ll need to be prepared for exam day. Written by Experienced Educators Learn from Barron’s‑‑all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day‑‑it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test‑taking skills with 5 full‑length practice tests‑‑3 in the book, including a diagnostic test to target your studying, and 2 more online–plus detailed answer explanations for all questions Strengthen your knowledge with in‑depth review covering all units on the AP Art History exam Reinforce your learning with practice questions at the end of each chapter Learn to think like an art historian by reviewing hundreds of clear figures and key details about how they were made, their significance in history, and how to interpret and compare them to other famous works of art Robust Online Practice Continue your practice with 2 full‑length practice tests on Barron’s Online Learning Hub Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with scoring to check your learning progress |
| augustus of primaporta ap art history: The Power of Images in the Age of Augustus Paul Zanker, 1988 Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar |
| augustus of primaporta ap art history: AP Art History: 5 Practice Tests + Comprehensive Review + Online Practice John B. Nici, 2020-08-04 Be prepared for exam day with Barron’s. Trusted content from AP experts! Barron’s AP Art History includes in-depth content review and online practice. It’s the only book you’ll need to be prepared for exam day. Written by Experienced Educators Learn from Barron’s--all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day--it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test-taking skills with 5 full-length practice tests--3 in the book and 2 more online Strengthen your knowledge with in-depth review covering all Units on the AP Art History Exam Reinforce your learning with practice questions at the end of each chapter Interactive Online Practice Continue your practice with 2 full-length practice tests and 400 online flashcards on Barron’s Online Learning Hub Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with automated scoring to check your learning progress |
| augustus of primaporta ap art history: AP® Art History Crash Course Book + Online Gayle A. Asch, Matt Curless, 2016-03-22 REA's Crash Course for the AP® Art History Exam - Gets You a Higher Advanced Placement® Score in Less Time 2nd Edition - Completely Revised for the New 2016 Exam Crash Course is perfect for the time-crunched student, the last-minute studier, or anyone who wants a refresher on the subject. Are you crunched for time? Have you started studying for your Advanced Placement® Art History exam yet? How will you memorize everything you need to know before the test? Do you wish there was a fast and easy way to study for the exam AND boost your score? If this sounds like you, don't panic. REA's Crash Course for AP® Art History is just what you need. Our Crash Course gives you: Targeted, Focused Review - Study Only What You Need to Know The Crash Course is based on an in-depth analysis of the new AP® Art History course description outline and actual AP® test questions. It covers only the information tested on the exam, so you can make the most of your valuable study time. Written by an AP® Art History teacher, the targeted review prepares students for the 2016 test by focusing on the new framework concepts and learning objectives tested on the redesigned AP® Art History exam. Easy-to-read review chapters in outline format cover all the artistic traditions students need to know, including Global Prehistory, Ancient Mediterranean, Europe and the Americas, Asia, Africa, and more. The book also features must-know Art History terms all AP® students should know before test day. Expert Test-taking Strategies Our experienced AP® Art History teacher shares detailed question-level strategies and explains the best way to answer the multiple-choice and free-response questions you'll encounter on test day. By following our expert tips and advice, you can boost your overall point score! FREE Practice Exam After studying the material in the Crash Course, go to the online REA Study Center and test what you've learned. Our free practice exam features timed testing, detailed explanations of answers, and automatic scoring analysis. The exam is balanced to include every topic and type of question found on the actual AP® exam, so you know you're studying the smart way. Whether you're cramming for the test at the last minute, looking for extra review, or want to study on your own in preparation for the exams - this is the study guide every AP® Art History student must have. When it's crucial crunch time and your Advanced Placement® exam is just around the corner, you need REA's Crash Course for AP® Art History! |
| augustus of primaporta ap art history: Supports in Roman Marble Sculpture Anna Anguissola, 2018-02-15 Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art. |
| augustus of primaporta ap art history: The Frame in Classical Art Verity Platt, Michael Squire, 2017-04-20 The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within. |
| augustus of primaporta ap art history: Rome and the Making of a World State, 150 BCE - 20 CE Josiah Osgood, 2018-04-12 A new historical survey that recasts the 'fall of the Roman Republic' as part of the rise of a uniquely successful world state. |
| augustus of primaporta ap art history: A History of Roman Art Steven L. Tuck, 2015-01-27 A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world. Extensively illustrated with 375 color photographs and line drawings Broadly defines Roman art to include the various cultures that contributed to the Roman system Focuses throughout on the overarching themes of Rome's cultural inclusiveness and art's important role in promoting Roman values Discusses a wide range of Roman painting, mosaic, sculpture, and decorative arts, as well as architecture and associated sculptures within the cultural contexts they were created and developed Offers helpful and instructive pedagogical features for students, such as timelines; key terms defined in margins; a glossary; sidebars with key lessons and explanatory material on artistic technique, stories, and ancient authors; textboxes on art and literature, art from the provinces, and important scholarly perspectives; and primary sources in translation A book companion website is available at www.wiley.com/go/romanart with the following resources: PowerPoint slides, glossary, and timeline Steven Tuck is the 2014 recipient of the American Archaeological Association's Excellence in Undergraduate Teaching Award. |
| augustus of primaporta ap art history: Crossing the Pomerium Michael Koortbojian, 2020-01-21 The Romans' early establishment of the sanctity of their city and the desire to protect it -- from not only the ravages of military conflict beyond its confines but the dangers of authoritarian rule at home -- took a variety of forms, legal, political, and military. These were codified in social practices, and thus established behaviors and rituals that, as they set these practices in the public eye, served as a continuing self-justification of Rome's growing dominance in the Mediterranean world. Koortbojian examines the transformation of Rome from Caesar to Constantine from several different points of view to reveal the primordial distinction between matters civic and military, and how the 'crossing of the pomerium,' the evanescent boundary that divided them, provided the crux of a historical interpretation of distinctly Roman endeavors. Koortbojian sets the background and then expands upon the long-vexed problem of the presence of men at arms in the city of Rome; long-standing legal and political practices that were adapted in the face of new military engagements and the crisis of civil war; and how Roman commanders attended to established religious practices while on campaign, and how those practices mirrored traditional customs and inverted the manner of their performance so as to acknowledge a profound Roman distinction between civic and military acts. As a whole, the book demonstrates how certain fundamental principles of law, politics, and military life -- and the practices that followed from them -- were interwoven in a narrative of continuity and change across three centuries of Roman imperial rule |
| augustus of primaporta ap art history: Goddess and Polis Jenifer Neils, Hood Museum of Art, 1992 While the Olympics, because of their modern revival, enjoy the greatest fame today, in ancient Greece other religious festivals were equally elaborate and impressive spectacles. The lavishly illustrated Goddess and Polis is the first work devoted to the Panathenaia, the most significant of these festivals to be held in ancient Athens. Founded in 566 B.C., this complex ritual performed for the goddess Athena vied with other Greek festivals in grandeur and importance and was particularly distinguished by the works of art commissioned in its service. Among these were the painted vases known as Panathenaic amphoras, each of which contained forty liters of olive oil, awarded to athletic and equestrian victors. The contests depicted on these vases are the best extant illustrations of Greek sport. Although women were excluded from the competitions, they had an important role to play in the weaving of the peplos, an elaborate textile that took nine months to produce. The culmination of the festival was a long procession bearing this new robe to the cult statue of the goddess; the procession in turn was the subject of another great work of art, the Parthenon frieze. Combining art, spectacle, and civic consciousness, the Panathenaia contributed to the development of the high classical style of Periklean Athens. This book deals with every aspect of the festival and produces a vivid portrait of the worship of the patron goddess of the city. Essays by eminent classical scholars examine in depth the musical and poetic competitions, the athletic and equestrian contests, the peplos, and the evolving image of Athena as documented in sculpture from the Acropolis. Jenifer Neils, the curator of the exhibition Goddess and Polis, held at the Hood Museum of Art at Dartmouth College, has contributed an introduction to the Panathenaia, an essay on the prize amphoras, and detailed entries for the seventy objects exhibited. |
| augustus of primaporta ap art history: New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts , 2020-06-15 The essays in New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, cultural and museological issues raised by one of two surviving intact statues of the Roman emperor Caligula (r. 37-41 C.E.). Contributions focus on the creation of a 3D-digital model of the statue and the search for traces of its original polychromy; the history of the statue from its creation to the present, including its rediscovery at a Julio-Claudian sanctuary at Bovillae; aspects of Caligula’s literary and visual portrayal in antiquity and modern historiography (including questions concerning the destruction of his portraits and the implications of Jewish sources for the study of Caligula); and the emperor’s image in popular culture. |
| augustus of primaporta ap art history: The Code of Hammurabi Hammurabi, 2017-07-20 The Code of Hammurabi (Codex Hammurabi) is a well-preserved ancient law code, created ca. 1790 BC (middle chronology) in ancient Babylon. It was enacted by the sixth Babylonian king, Hammurabi. One nearly complete example of the Code survives today, inscribed on a seven foot, four inch tall basalt stele in the Akkadian language in the cuneiform script. One of the first written codes of law in recorded history. These laws were written on a stone tablet standing over eight feet tall (2.4 meters) that was found in 1901. |
| augustus of primaporta ap art history: History of Art Horst Woldemar Janson, Anthony F. Janson, 2004 For forty years, this widely acclaimed classic has remained unsurpassed as an introduction to art in the Western world, boasting the matchless credibility of the Janson name. This newest update features a more contemporary, more colorful design and vast array of extraordinarily produced illustrations that have become the Janson hallmark. A narrative voice makes this book a truly enjoyable read, and carefully reviewed and revised updates to this edition offer the utmost clarity in contributions based on recent scholarship. Extensive captions for the book’s incredible art program offer profound insight through the eyes of twentieth-century art historians speaking about specific pieces of art featured throughout. Significantly changed in this edition is the chapter on “The Late Renaissance,” in which Janson offers a new perspective on the subject, tracing in detail the religious art tied to the Catholic Reform movement, whose early history is little known to many readers of art history. Janson has also rearranged early Renaissance art according to genres instead of time sequence, and he has followed the reinterpretation of Etruscan art begun in recent years by German and English art historians. With a truly humanist approach, this book gives written and visual meaning to the captivating story of what artists have tried to express—and why—for more than 30,000 years. |
| augustus of primaporta ap art history: The Cambridge Companion to the Age of Nero Shadi Bartsch, Kirk Freudenburg, Cedric Littlewood, 2017-11-09 A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero. |
| augustus of primaporta ap art history: The Cambridge Companion to Ancient Rome Paul Erdkamp, 2013-09-05 Rome was the largest city in the ancient world. As the capital of the Roman Empire, it was clearly an exceptional city in terms of size, diversity and complexity. While the Colosseum, imperial palaces and Pantheon are among its most famous features, this volume explores Rome primarily as a city in which many thousands of men and women were born, lived and died. The thirty-one chapters by leading historians, classicists and archaeologists discuss issues ranging from the monuments and the games to the food and water supply, from policing and riots to domestic housing, from death and disease to pagan cults and the impact of Christianity. Richly illustrated, the volume introduces groundbreaking new research against the background of current debates and is designed as a readable survey accessible in particular to undergraduates and non-specialists. |
| augustus of primaporta ap art history: The French Collection Faith Ringgold, 1992 |
| augustus of primaporta ap art history: The Alexander Mosaic Ada Cohen, 1997 A study of the richest, most complex and visually stunning monuments of classical antiquity. |
| augustus of primaporta ap art history: I Am Livia Phyllis T. Smith, 2014 Keen and ambitious, fourteen-year-old Livia Drusilla finds herself suddenly thrust into the perilous world of Roman politics when she overhears the plot to assassinate Julius Caesar--and when she reluctantly agrees to marry a prominent military officer for her family's sake--back cover. |
| augustus of primaporta ap art history: Monumenta Graeca et Romana: Mutilation and transformation : damnatio memoriae and Roman imperial portraiture , 2004-01-01 The condemnation of memory inexorably altered the visual landscape of imperial Rome. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for damnatio memoriae and ultimately reveals its praxis to be at the core of Roman cultural identity. |
| augustus of primaporta ap art history: The Roman Empire and the Indian Ocean Raoul McLaughlin, 2014-09-11 This study of ancient Roman shipping and trade across continents reveals the Roman Empire’s far-reaching impact in the ancient world. In ancient times, large fleets of Roman merchant ships set sail from Egypt on voyages across the Indian Ocean. They sailed from Roman ports on the Red Sea to distant kingdoms on the east coast of Africa and southern Arabia. Many continued their voyages across the ocean to trade with the rich kingdoms of ancient India. Along these routes, the Roman Empire traded bullion for valuable goods, including exotic African products, Arabian incense, and eastern spices. This book examines Roman commerce with Indian kingdoms from the Indus region to the Tamil lands. It investigates contacts between the Roman Empire and powerful African kingdoms, including the Nilotic regime that ruled Meroe and the rising Axumite Realm. Further chapters explore Roman dealings with the Arab kingdoms of southern Arabia, including the Saba-Himyarites and the Hadramaut Regime, which sent caravans along the incense trail to the ancient rock-carved city of Petra. The first book to bring these subjects together in a single comprehensive study, The Roman Empire and the Indian Ocean reveals Rome’s impact on the ancient world and explains how international trade funded the legions that maintained imperial rule. |
| augustus of primaporta ap art history: Roman Tombs and the Art of Commemoration Barbara Borg, 2019-04-18 Explores four key questions around Roman funerary customs that change our view of the society and its values. |
| augustus of primaporta ap art history: New Kingdom Amarna Period Robert Hari, 1985 |
| augustus of primaporta ap art history: SENSORIVM: The Senses in Roman Polytheism , 2021-05-31 SENSORIVM publishes the first results of a collective investigation into how Roman rituals smelled, sounded, felt and struck the eye. It brings Roman religious experience into the realm of the senses. |
| augustus of primaporta ap art history: Van Gogh Starry Night Vincent van Gogh, Federico Castelli Gattinara, 2004 This title is one in a series presenting four masterpieces by four immortal nineteenth-century French painters. Each miniature book faithfully reproduces its title painting on the front cover, and is packaged in a handsome slipcase that doubles as a picture frame. The frame can stand up on a desk or tabletop or be hung on the wall to display the book cover's striking painting. Each book's interior discusses its title painting, describing the artist's approach to his work, analyzing the picture's fine points, and showing close-up details from the painting. A final two-page spread presents a timeline capsule biography that lists significant events in the painter's life. Van Gogh--Starry Night shows and discusses Vincent Van Gogh's masterpiece, which is a mystically glowing nighttime landscape, and ranks today as one of the artist's most popular and beloved paintings. |
| augustus of primaporta ap art history: Gardens of the Roman Empire Wilhelmina F. Jashemski, Kathryn L. Gleason, Kim J. Hartswick, Amina-Aïcha Malek, 2017-12-28 In Gardens of the Roman Empire, the pioneering archaeologist Wilhelmina F. Jashemski sets out to examine the role of ancient Roman gardens in daily life throughout the empire. This study, therefore, includes for the first time, archaeological, literary, and artistic evidence about ancient Roman gardens across the entire Roman Empire from Britain to Arabia. Through well-illustrated essays by leading scholars in the field, various types of gardens are examined, from how Romans actually created their gardens to the experience of gardens as revealed in literature and art. Demonstrating the central role and value of gardens in Roman civilization, Jashemski and a distinguished, international team of contributors have created a landmark reference work that will serve as the foundation for future scholarship on this topic. An accompanying digital catalogue will be made available at: www.gardensoftheromanempire.org. |
| augustus of primaporta ap art history: Transition to Christianity Anastasia Lazaridou, Vyzantino Mouseio (Athens, Greece), 2011 The vibrant and complex life of the eastern Mediterranean during a time of reinvention and renewal is the subject of the exhibition Transition to Christianity and this accompanying catalogue, which explore a period of extraordinary creativity and reveal new and largely unknown aspects of the Greek world of Late Antiquity. The exhibition is jointly organized by the Onassis Foundation (USA) and the Hellenic Ministry of Culture - Byzantine and Christian Museum, with the academic support of an advisory committee from the Program in Hellenic Studies at Princeton University. |
| augustus of primaporta ap art history: Treasure Hidden in a Field David W. Jorgensen, 2016-09-26 This reception history of the Gospel of Matthew utilizes theoretical frameworks and literary sources from two typically distinct disciplines, patristic studies and Valentinian (a.k.a. “Gnostic”) studies. The author shows how in the second and third centuries, the Valentinians were important contributors to a shared culture of early Christian exegesis. By examining the use of the same Matthean pericopes by both Valentinian and patristic exegetes, the author demonstrates that certain Valentinian exegetical innovations were influential upon, and ultimately adopted by, patristic authors. Chief among Valentinian contributions include the allegorical interpretation of texts that would become part of the New Testament, a sophisticated theory of the historical and theological relationship between Christians and Jews, and indeed the very conceptualization of the Gospel of Matthew as sacred scripture. This study demonstrates that what would eventually emerge from this period as the ecclesiological and theological center cannot be adequately understood without attending to some groups and individuals that have often been depicted, both by subsequent ecclesiastical leaders and modern scholars, as marginal and heretical. |
| augustus of primaporta ap art history: The Year One Metropolitan Museum of Art (New York, N.Y.), 2000 More than 150 works of art that exemplify all these societies at the Year One are illustrated in color and explained in this volume. Historical summaries accompanied by maps briefly describe the nature of each culture and the flow of power and peoples during the period centering around the Year One. |
| augustus of primaporta ap art history: Culture and National Identity in Republican Rome Erich S. Gruen, 1992 A compelling account of the assimilation and adaptation of Greek culture by the Romans during the middle and later Republic. |
| augustus of primaporta ap art history: Polykleitos, the Doryphoros, and Tradition Warren G. Moon, 1995 Polykleitos, the Doryphoros, and Tradition displays an impressive range of approaches, beginning with commentary on the artistic and philosophical antecedents that influenced Polykleitos' own aesthetic, as well as the role of contemporary Greek anatomical knowledge in his representation of the human form. Many of the essays offer extended analysis and detailed illustration of his surviving sculptures, later copies of his work, and reflections of his style in sculpture, paintings, coins, and other art in Greece, Italy, and Asia Minor. Several essays offer an extended discussion of Polykleitos' original bronze Doryphoros, its pose, its relation to other spearbearer sculptures, and the fine Roman marble copy of it now at the Minneapolis Institute of Arts. |
| augustus of primaporta ap art history: Roman Power W. V. Harris, 2016-07-14 This book explains the growth, durability and eventual shrinkage of Roman imperial power alongside the Roman state's internal power structures. |
| augustus of primaporta ap art history: Carson Pirie Scott Joseph Siry, 1988-11-04 Long recognized as a Chicago landmark, the Carson Pirie Scott Building also represents a milestone in the development of architecture. The last large commercial structure designed by Louis Sullivan, the Carson building reflected the culmination of the famed architect's career as a creator of tall steel buildings. In this study, Joseph Siry traces the origins of the building's design and analyzes its role in commercial, urban, and architectural history. |
| augustus of primaporta ap art history: Augustan Rome Andrew Wallace-Hadrill, 2018-02-08 Written by Andrew Wallace-Hadrill, one of the world's foremost scholars on Roman social and cultural history, this well-established introduction to Rome in the Age of Augustus provides a fascinating insight into the social and physical contexts of Augustan politics and poetry, exploring in detail the impact of the new regime of government on society. Taking an interpretative approach, the ideas and environment manipulated by Augustus are explored, along with reactions to that manipulation. Emphasising the role and impact of art and architecture of the time, and on Roman attitudes and values, Augustan Rome explains how the victory of Octavian at Actium transformed Rome and Roman life. This thought-provoking yet concise volume sets political changes in the context of their impact on Roman values, on the imaginative world of poetry, on the visual world of art, and on the fabric of the city of Rome. |
| augustus of primaporta ap art history: Hadrian Anthony R Birley, Anthony R. Birley, 2013-04-15 Hadrian's reign (AD 117-138) was a watershed in the history of the Roman Empire. Hadrian abandoned his predecessor Trajan's eastern conquests - Mesopotamia and Armenia - trimmed down the lands beyond the lower Danube, and constructed new demarcation lines in Germany, North Africa, and most famously Hadrian's Wall in Britain, to delimit the empire. The emperor Hadrian, a strange and baffling figure to his contemporaries, had a many-sided personality. Insatiably ambitious, and a passionate Philhellene, he promoted the 'Greek Renaissance' extravagantly. But his attempt to Hellenize the Jews, including the outlawing of circumcision, had disastrous consequences, and his 'Greek' love of the beautiful Bithynian boy Antinous ended in tragedy. No comprehensive account of Hadrian's life and reign has been attempted for over seventy years. In Hadrian: The Restless Emperor, Anthony Birley brings together the new evidence from inscriptions and papyri, and up-to-date and in-depth examination of the work of other scholars on aspects of Hadrian's reign and policies such as the Jewish war, the coinage, Hadrian's building programme in Rome, Athens and Tivoli, and his relationship with his favourite, Antinous, to provide a thorough and fascinating account of the private and public life of a man who, though hated when he died, left an indelible mark on the Roman Empire. |
| augustus of primaporta ap art history: Receptions of Greek and Roman Antiquity in East Asia , 2019-01-04 Receptions of Greek and Roman Antiquity in East Asia is an interdisciplinary, collaborative, and global effort to examine the receptions of the Western Classical tradition in a cross-cultural context. The inclusion of modern East Asia in Classical reception studies not only allows scholars in the field to expand the scope of their scholarly inquiries but will also become a vital step toward transcending the meaning of Greco-Roman tradition into a common legacy for all of human society. |
| augustus of primaporta ap art history: Art in Rome Julia C. Fischer, 2019-07-26 This volume covers the major artistic and architectural masterpieces produced in Rome from antiquity up to the present day. It particularly considers art in ancient Rome, the Early Christian period, the Middle Ages, and the Renaissance and Baroque periods, as well as more recent artistic productions. As such, it highlights the ongoing evolution of art in Rome. Its fifteen chapters are organized topographically with each corresponding to a specific area of Rome and exploring sites and monuments within that location. Whenever possible, the chapters are also arranged chronologically. Therefore, many of the ancient monuments are examined in the beginning chapters, and then subsequent section move chronologically through the Early Christian period, the Middle Ages, and the Renaissance, the Baroque, and modern periods. With its engaging and informative writing, the volume will enhance students’ knowledge of Rome, allowing them to get as much out of their study abroad experience as possible. In addition, Art in Rome will appeal to scholars and erudite travelers, who want to extensively explore the many artistic monuments of Rome. |
| augustus of primaporta ap art history: Ancient Portraits in the J. Paul Getty Museum The J. Paul Getty Museum, 1987-07-01 This first volume in the Occasional Papers on Antiquities subseries on ancient portraits presents a detailed examination and analysis by Sheldon Nodelman of a portrait of Brutus. Fleming Johansen reviews marble busts of Julius Caesar and, in a second article, discusses portraits of Caligula. Other contributions include Susan Wood’s analysis of third-century portraits of child emperors and Siri Sande’s essay on two Gallienic female portraits. |
AP Art History - AP Central
AP Art History Samples and Commentary from the 2019 Exam Administration: Free-Response Question 5 College Board 2019 AP Exam Administration: Student Samples & Commentary ...
AP Art History - College Board
The College Board. AP® ART HISTORY 2018 SCORING GUIDELINES Question 1 The work shown is a battle scene from the Great Altar of Zeus and Athena at Pergamon, created c. 175 B .
The Statue of Augustus from Prima Porta, the Underground …
branch in the hand of Augustus on the statue from Prima Porta. Kahler is not the only scholar to attach the laurel to the Prima Porta statue of Augustus.5 E. Simon restored a laurel branch in …
AP® ART HISTORY - College Board
Select and completely identify a work of art or architecture in which light was used to convey spiritual meaning. You may select a work from the list below or any other relevant work from …
AP Art History - AP Central
AP® Art History 2021 Scoring Guidelines . Question 2: Long Essay: Visual/Contextual Analysis 6 points . General Scoring Notes • Except where otherwise noted, each point of the rubric is …
AP Art History - College Board
5. Suggested ti.me: 15 minutes. The work shown is a domestic structure designed by an architect included in the required course content. Correctly attribute the work to that architect.
Tiresias VII Pub Copy (1).docx - Google Docs - ResearchGate
By 20 BCE, Augustus’ request was granted.43 Augustus made his way back to Rome in 19 BCE, and a bronze statue was erected sometime after his diplomatic victory involving the Parthians.44
AP Art History Course and Exam Description Appendixes
46. Pantheon. Imperial Roman. 118–125 C.E. Concrete with stone facing. 47. Ludovisi Battle Sarcophagus. Late Imperial Roman. c. 250 C.E. Marble.
Sexual Orientation and the Advanced Placement Art History …
It illuminates how an AP art history survey text and AP art history teachers’ attitudes and knowledge base on same-sex perspectives inform their curriculums, specifically concerning …
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branch in the hand of Augustus on the statue from Prima Porta. Kahler is not the only scholar to attach the laurel to the Prima Porta statue of Augustus.5 E. Simon restored a laurel branch in …
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The response must make an art historically defensible claim or thesis that responds to the prompt rather than merely restating or rephrasing the prompt.
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Augustus: Images of Power , Contains images of art and architecture from the period of Roman emperor Augustus Caesar (63 B.C.-14 A.D.). Features the Mausoleum of Augustus, seen in a …
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branch in the hand of Augustus on the statue from Prima Porta. Kahler is not the only scholar to attach the laurel to the Prima Porta statue of Augustus.5 E. Simon restored a laurel branch in …
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branch in the hand of Augustus on the statue from Prima Porta. Kahler is not the only scholar to attach the laurel to the Prima Porta statue of Augustus.5 E. Simon restored a laurel branch in …
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84 CHR. SIMPSON ashavingbeenrecoveredfrom the Parthians, thesesignamilitaria wereclearly ofat leastequal significance toAugustus and, in that they are mentioned first, …
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Augustus: Images of Power , Contains images of art and architecture from the period of Roman emperor Augustus Caesar (63 B.C.-14 A.D.). Features the Mausoleum of Augustus, seen in a …
