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| balenciaga creative director history: The Master of Us All Mary Blume, 2013-02-05 A sparkling life of the monumental fashion designer Cristóbal Balenciaga When Cristóbal Balenciaga died in 1972, the news hit the front page of The New York Times. One of the most innovative and admired figures in the history of haute couture, Balenciaga was, said Schiaparelli, “the only designer who dares do what he likes.” He was, said Christian Dior,“the master of us all.” But despite his extraordinary impact, Balenciaga was a man hidden from view. Unlike today’s celebrity designers, he saw to it that little was known about him, to the point that some French journalists wondered if he existed at all. Even his most notable and devoted clients—Marlene Dietrich, Barbara Hutton, a clutch of Rothschilds—never met him. But one woman knew Balenciaga very well indeed. The first person he hired when he opened his Paris house (then furnished with only a table and a stool) was Florette Chelot, who became his top vendeuse—as much an adviser as a saleswoman. She witnessed the spectacular success of his first collection, and they worked closely for more than thirty years, until 1968, when Balenciaga abruptly closed his house without telling any of his staff. Youth-oriented fashion was taking over, Paris was in upheaval, and the elder statesman wanted no part of it. In The Master of Us All , Mary Blume tells the remarkable story of the man and his house through the eyes of the woman who knew him best. Intimate and revealing, this is an unprecedented portrait of a designer whose vision transformed an industry but whose story has never been told until now. |
| balenciaga creative director history: Paris Refashioned, 1957-1968 Colleen Hill, 2017 Paris Refashioned, 1957-1968 highlighted one of the most groundbreaking time periods in fashion history. While many books and exhibitions about this era position London as the center of innovative, youth-oriented design, this limited perspective overlooks the significant role that Paris continued to play in the fashion industry. Paris Refashioned, 1957-1968 examined the combined influence of French haute couture, ready-to-wear, and popular culture during this era, with particular emphasis on how fashion was perceived and promoted by the American fashion press. All objects on view were selected from The Museum at FIT's permanent collection of more than 50,000 objects--Museum at FIT web site |
| balenciaga creative director history: Balenciaga , 2017 The Palais Galliera is paying homage to the couturier Cristobal Balenciaga (1865-1972) with an extra-mural exhibition at the Musée Bourdelle entitled : 'Balenciaga, l'oeuvre au noir'. The exhibition resonates with the black tones of an alchemist of haute couture : variations of black repeated in over a hundred of pieces from the Galliera collections and the archives of Maison Balenciaga...The exhibition resounds with a black harmony of an Haute Couture alchemist. Black motivated Balenciaga : the backbone of his work was inspired by the folklore and traditions of his Spanish childhood. Black was this exceptionally skilled tailor's preference. Black was a monastic influence on the master, about whom Dior once said: Clothes were his religion. Balenciaga saw black as a vibrant matter whether it be opaque or transparent, matt or shiny - a dazzling interplay of light, that owes as much to the luxurious quality of the fabrics as to the apparent simplicity of the cut. A lace highlight, embroidery, guipure, a heavy drape of silk velvet and, hey presto, you have a skirt, a bolero, a mantilla, a cape reinvented as a coat, a coat tailored as a cape... ...Every piece is magnificent, from day clothes to cocktail dresses and sumptuous evening outfits lined in silk taffeta, edged with fringes, decorated with satin ribbons, jet beads, sequins... more than hundred couture variations of black are the treasures of the Galliera collections and the Maison Balenciaga's archives. The exhibition is located in the Musée Bourdelle where the sculptures mirror the pure sculptural effect of Cristobal Balenciaga's stunning creations--http://www.palaisgalliera.paris.fr/en/exhibitions/balenciaga-loeuvre-au-noir |
| balenciaga creative director history: The History of Modern Fashion Daniel James Cole, Nancy Deihl, 2015-08-24 This exciting book explores fashion not simply from an aesthetic point of view but also as a manifestation of social and cultural change. Focusing on fashion from 1850, noted fashion historians Daniel James Cole and Nancy Deihl consider the evolution of womenswear, menswear, and childrenswear, decade by decade. The book looks at the dissemination of style and the mechanisms of change, at the relationship between fashion and the visual, applied, and performing arts, the intertwined relationship between fashion and popular culture, the impact of new materials and technology, and the growing globalization of style. With photographs of costume from museums and images from the fashion press including editorial photography, illustrations, and advertising, the book will include insights into icons of fashion and the clothes worn by “real people”, providing a valuable visual reference for the reader. |
| balenciaga creative director history: Balenciaga Paris Pamela Golbin, 2006 This book explores two main periods in depth when Cristobal Balenciaga made his name during Paris's golden age of fashion from 1937-1968, and then charting the dramatic revival of the House of Balenciaga under Nicolas Ghesquiere, one of the most widely admired and celebrated new designers in contemporary fashion. |
| balenciaga creative director history: Historical Dictionary of the Fashion Industry Francesca Sterlacci, Joanne Arbuckle, 2017-06-30 From the first animal skin body coverings, to today’s high fashion collections, fashion has held an important role in the evolution of mankind. The fashion industry has, and continues to make, major contributions to our cultural and social environment. It is an industry that responds to our inherent longing for tribal belonging, our socio-economic needs, individual lifestyles, status stratification and profession apparel requirements. The fashion industry is fast-paced, complex and ever changing, in response to consumer needs. Throughout the world, vast numbers of people contribute to this industry, each with the shared goal of supplying an end product of a particular price point directed at a target consumer. This second edition of Historical Dictionary of the Fashion Industry contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1,400 cross-referenced entries on designers, models, couture houses, significant articles of apparel and fabrics, trade unions, and the international trade organizations. This book is an excellent resource for students, researchers, and anyone wanting to know more about the fashion industry. |
| balenciaga creative director history: Costume and Fashion: A Concise History (Sixth) (World of Art) James Laver, 2020-04-14 An authoritative account of the history of fashion and costume from prehistoric times to today. From the momentous invention of the needle some 40,000 years ago to the development of blue denim, from Neolithic weavers to the biggest names in the fashion industry today, this classic guide covers the landmarks of costume history. Costume and Fashion explores the forms and materials used in fashion through the ages, the underlying motives of fashion, and the ways in which clothes have been used to protect, express identity, and attract or influence others. This updated sixth edition features a new foreword and concluding chapter by Amy de la Haye and a new discussion about the major political shifts within the fashion industry, highlighting how it has responded to issues surrounding racism and sexism, LGBTQIA rights, mental health awareness, body and age diversity, and global sustainability. Generously illustrated with paintings, drawings, and photographs, and with a new angle on the emergence of ethical fashion, Costume and Fashion feels more current than ever. |
| balenciaga creative director history: The Artification of Luxury Fashion Brands Marta Massi, Alex Turrini, 2020-06-18 Despite being vastly different both socially and economically, art and fashion are increasingly converging to collaborate in mutually advantageous ways. This book discusses the mutual benefits of collaboration through analysis of successful case studies, including corporate art collections and museums, patronage and sponsorship initiatives, and art-based brand management in the fashion sector. It provides a categorization of the strategies that fashion firms employ when they join the art world and illustrates how art and fashion brands can interact strategically at different levels. This book will be a valuable resource to researchers, providing an enhanced understanding of the potential of artification for managing brands and products. |
| balenciaga creative director history: Fashion Design, Referenced Alicia Kennedy, Emily Banis Stoehrer, Jay Calderin, 2013-02-01 Fashion Design, Referenced is a comprehensive guide through the art and industry of fashion design, richly illustrated with over 1,000 photographs and drawings. Within the framework of four central categories, Fashion Design, Referenced examines the many interwoven elements that form the tapestry of fashion. “Fundamentals” provides an overview of the essential structure of the fashion profession (its organization, specializations, and centers) and looks at shifts in style over time and in ever-faster cycles going forward. “Principles” introduces the steps in creating a collection, from design to production, and explores directions suggested by sustainability and technology. “Dissemination” charts the many avenues by which fashion reaches its audience, whether on the catwalk or in the store, in print or online, in the museum or on the street. “Practice” gathers and appraises the work of the most influential and innovative fashion designers of the twentieth and twenty-first centuries. From its first question—What is fashion design?—to its last—What does the future hold?—Fashion Design, Referenced chronicles the scope of ideas, inspirations, and expressions that define fashion culture. Visit the Fashion Design, Referenced Facebook page and become a fan at http://www.facebook.com/FashionDesignReferenced! |
| balenciaga creative director history: Russian Invasion of Ukraine: Identity, History & Conflict Vladimir Putin, Volodymyr Zelenskyy, 2023-11-26 On 24 February 2022, Russia invaded Ukraine in a major escalation of the Russo-Ukrainian War, which began in 2014. Following the 2014 Ukrainian Revolution, Russia annexed Crimea, and Russian-backed paramilitaries seized part of the Donbas region of south-eastern Ukraine, which consists of Lugansk and Donetsk oblasts, sparking a regional war. In March 2021, Russia began a large military build-up along its border with Ukraine, eventually amassing up to 190,000 troops and their equipment. Despite the build-up, denials of plans to invade or attack Ukraine were issued by various Russian government officials up to the day before the invasion. On 21 February 2022, Russia recognized the Donetsk People's Republic and the Lugansk People's Republic, two self-proclaimed breakaway quasi-states in the Donbas. The next day, the Federation Council of Russia authorized the use of military force and Russian troops entered both territories. This book tries to shed light on the causes which led to this war. It presents arguments of both sides carried through the words of presidents Putin and Zelenskyy. This edition includes as well the book about the historical background of the conflict and the military actions during the war. Content: The Speeches and Decisions of Vladimir Putin The Speeches and Decisions of Volodymyr Zelenskyy The Consequence: Russo-Ukrainian War |
| balenciaga creative director history: World Clothing and Fashion Mary Ellen Snodgrass, 2015-03-17 Taking a global, multicultural, social, and economic perspective, this work explores the diverse and colourful history of human attire. From prehistoric times to the age of globalization, articles cover the evolution of clothing utility, style, production, and commerce, including accessories (shoes, hats, gloves, handbags, and jewellery) for men, women, and children. Dress for different climates, occupations, recreational activities, religious observances, rites of passages, and other human needs and purposes - from hunting and warfare to sports and space exploration - are examined in depth and detail. Fashion and design trends in diverse historical periods, regions and countries, and social and ethnic groups constitute a major area of coverage, as does the evolution of materials (from animal fur to textiles to synthetic fabrics) and production methods (from sewing and weaving to industrial manufacturing and computer-aided design). Dress as a reflection of social status, intellectual and artistic trends, economic conditions, cultural exchange, and modern media marketing are recurring themes. Influential figures and institutions in fashion design, industry and manufacturing, retail sales, production technologies, and related fields are also covered. |
| balenciaga creative director history: Vogue on Hubert de Givenchy Drusilla Beyfus, 2015-10-06 The fashion aesthetic of handsome, aristocratic Hubert de Givenchy combined the traditions of haute couture—creative, luxurious, and perfectionist—with a modern entrepreneurial sensibility. In a career spanning 40 years, he created the most glamorous of evening dresses, developed the influential “sack” dress, and produced debonair daytime suits that have never gone out of fashion. He also famously defined the sartorial image of Audrey Hepburn—both onscreen and off—designing the little black dress for Breakfast at Tiffany’s. Created by the editors of British Vogue, Vogue on Hubert de Givenchy features biography and history studded with more than 80 images from their unique archive of images taken by leading photographers such as Irving Penn, Patrick Demarchelier, and Cecil Beaton. |
| balenciaga creative director history: Fashion Game Changers Karen Van Godtsenhoven, Miren Arzalluz, Kaat Debo, 2016-04-21 Fashion Game Changers traces radical innovations in Western fashion design from the beginning of the 20th century to the present. Challenging the traditional silhouettes of their day, fashion designers such as Madeleine Vionnet and Cristóbal Balenciaga began to liberate the female body from the close-fitting hourglass forms which dominated European and American fashion, instead enveloping bodies in more autonomous garments which often took inspiration from beyond the West. As the century progressed, new generations of avant-garde designers from Rei Kawakubo to Martin Margiela further developed the ideas instigated by their predecessors to defy established notions of femininity in dress, creating space between body and garment. This way, a new relationship between body and dress emerged for the 21st century. With over 200 images and commentaries from an international range of leading fashion curators and historians, this beautifully illustrated book showcases some of the most revolutionary silhouettes and innovative designs of over 100 years of fashion. |
| balenciaga creative director history: Charles James: Beyond Fashion Koda, Harold, Reeder, Jan Glier, 2014-05-02 Charles James, often considered to be America's first couturier, was renowned in the 1940s and 1950s as a master at sculpting fabric for the female form and creating fashions that defined mid-century glamour. Although James had no formal training as a dressmaker, he created strikingly original and complex designs, including intricate ball gowns worn by members of high society in New York and Europe. This lavishly illustrated book offers a comprehensive study of James' life and work, highlighting his virtuosity and inventiveness as well as his influence on subsequent fashion designers. Featuring exciting new photography of the spectacular evening dresses James produced between 1947 and 1955, this publication includes enlightening details of these intricate creations alongside vintage photographs and rarely seen archival items, such as patterns, muslins, dress forms and sketches. A detailed and illustrated chronology of James' life describes his magnetic personality, his unorthodox design processes, his colourful supporters - such as Salvador Dali, Elsa Schiaparelli, Christian Dior, and Cristobal Balenciaga - and profiles of a number of his famous clients, such as Gypsy Rose Lee. |
| balenciaga creative director history: History of World Dress and Fashion, Second Edition Daniel Delis Hill, 2022-01-13 The History of World Dress and Fashion presents a comprehensive survey of dress from around the world including China, Japan, India, Africa, the Islamic Empire, and the Ancient Americas. This extensive study features descriptions and analysis of men’s, women’s and children’s clothing, accessories, and cultural styles from prehistory into the twenty-first century. Lavishly illustrated in color throughout, it features more than 1600 images - and is a valuable resource for fashion designers, theater costumers, textile researchers, costume collectors and curators, and anyone interest in clothing and style customs of the world. |
| balenciaga creative director history: Establishing Dress History Lou Taylor, 2004-05-07 'Establishing Dress History' will appeal not only to students and academics bt all those those with an interest in the history of dress and fashion. The title fuses together two areas of current academic interest, dress design and history, and current museum studies approaches. |
| balenciaga creative director history: Retail Apocalypse Fredi Fischli, Niels Olsen, Adam Jasper, 2021-04 |
| balenciaga creative director history: Becoming a Fashion Designer Lisa Springsteel, 2013-05-06 The complete guide to the fashion industry, featuring interviews with top designers who explain the intricacies of the world of fashion design Anyone who has ever tried to launch a fashion design career knows how grueling it can be. The fashion industry is a highly prominent field, yielding a competitive environment that is greatly guarded, secretive, and difficult to infiltrate. Becoming a Fashion Designer provides all the information, resources, and tools you need to help you navigate these obstacles and successfully launch a career in fashion design. Of the various job opportunities available in the fashion industry, the career path of a fashion designer consistently ranks as the most popular position in the field, making the competition even greater. The book pays special attention to this and demonstrates several ways in which an aspiring fashion designer can stand out from the competition. A dynamic and comprehensive career guide, this book imparts insider tips from top fashion designers and executives based around the world. Expert advice includes an introduction to a career in fashion design, educational requirements, career opportunities, the design process, portfolio creation, preparation for getting hired, steps to start and run one's own fashion design business, as well as a forecast of the future of the fashion industry. Features original interviews from top designers and high-profile fashion executives, including Ralph Rucci, Reem Acra, Peter Som, Anna Sui, Nanette Lepore, Kay Unger, Stuart Weitzman, Dennis Basso, Randolph Duke, Zang Toi, Pamella Roland, Robert Verdi and Daymond John Includes cases in point and insider tips throughout Includes illustrations, drawings, sketches, and photographs demonstrating various aspects of working in fashion design, with special contributions from renowned illustrator, Izak Zenou and legendary fashion photographer, Nigel Barker Offers in-depth resources to assist you on your journey to becoming a fashion designer Whether a student, recent college graduate, industry professional or career changer, you'll learn everything you need to know to successfully develop a fashion design career. |
| balenciaga creative director history: Fashion, Culture, and Identity Fred Davis, 2013-11-11 What do our clothes say about who we are or who we think we are? How does the way we dress communicate messages about our identity? Is the desire to be in fashion universal, or is it unique to Western culture? How do fashions change? These are just a few of the intriguing questions Fred Davis sets out to answer in this provocative look at what we do with our clothes—and what they can do to us. Much of what we assume to be individual preference, Davis shows, really reflects deeper social and cultural forces. Ours is an ambivalent social world, characterized by tensions over gender roles, social status, and the expression of sexuality. Predicting what people will wear becomes a risky gamble when the link between private self and public persona can be so unstable. |
| balenciaga creative director history: The Routledge History of Fashion and Dress, 1800 to the Present Veronique Pouillard, Vincent Dubé-Senécal, 2023-10-24 The time span covered by The Routledge History of Fashion and Dress starts in the nineteenth century, with the aftermath of the consumers’ revolution, and reaches all the way to the present. The fashion and garment industries have been international from the beginning and, as such, this volume looks at the history of fashion and dress through the lenses of both international and global history. Because fashion is also a multifaceted subject with humanagency at its core, at the confluence of thematerial (fabrics, clothing, dyes, tools, and machines) and the immaterial (savoir-faire, identities, images, and brands), this volume adopts a transdisciplinary perspective, opening its pages to researchers from a variety of complementary fields. The chapters in this volume are organized based on their relationship to five fields of study: economics and commerce, politics, business, identities, and historical sources. Paying particular attention to change, the book goes beyond the great fashion capitals and well-known fashion centers and points to the broader geographies of fashion. Particular geographical areas focus on the emergence of new fashion systems and business models, whether they be in Sweden, Bangladesh, or Spain, or on the African continent, considered to be the “new frontier” of the industry. Covering myriad aspects of the subject this is the perfect companion for all those interested in history of dress and fashion in the modern world. |
| balenciaga creative director history: King of Fashion Paul Poiret, 2019-05 Paul Poiret (1879-1944) led the fashion world in the first decade of the twentieth century and his autobiography tells the extraordinary story of his meteoric rise to fame. From his humble Parisian childhood to his debut as a couturier, to his experiences during the First World War, Poiret reveals all in this captivating tale, first published in 1931. An astute businessman, Poiret translated the spirit of Art Deco into revolutionary garments, and his memoir brings this astonishing period to life.--Publisher's description |
| balenciaga creative director history: Balenciaga and Spain Hamish Bowles, 2011 Published by the Fine Arts Museums of San Francisco and Skira Rizzoli Publications, Inc., on the occasion of the exhibition Balenciaga and Spain, on view at the de Young Museum from March 26 through July 4, 2011--T.p. verso. |
| balenciaga creative director history: Deste Fashion Collection Juergen Teller, 2010 Juergen Teller's reputation for not separating his commercial fashion pictures, from his more autobiographical artwork, is perhaps one of the reasons that contemporary art collector, Dakis Joannou - himself determined to find an interesting way to fold fashion into his extensive contemporary art collection - elected Teller as guest curator for his 2008 'Fashion Capsule'. This is a collection of works, aiming to interpret the five movements that Teller considered important in fashion, in 2008. Starting with the unique, self-curated, anarchic collaborations of individuals such as Bjork and Bernhard Willhelm, to the marriage of fashion with art as a commercial commodity; the use of celebrities in further promotion of fashion; the dilution of ready to wear and couture for the high street market and ending with the missing heroes of fashion. This catalogue of work is specific to Juergen Teller's collaboration as one of the five guest curators chosen by Dakis Joannou, which started in 2007 with M&M and has continued in 2009 with Helmut Lang. The work of Juergen Teller, born in Erlangen, Germany in 1964, has been published in influential international publications and has been the subject of solo exhibitions including the Photographer's Gallery in London, the Kunstalle Wien and Fondation Cartier in Paris. In 2003 Teller was awarded the Citibank Prize and in 2007 represented the Ukraine in the 52nd Venice Biennale. Teller has produced numerous monographs with Steidl. |
| balenciaga creative director history: Paris Haute Couture Anne Zazzo, Olivier Sillard, 2013-02-05 A comprehensive history of high fashion in Paris from Madame Grès and Balenciaga to Yves Saint Laurent and Yohji Yamamoto, spanning all aspects from clothing and accessories to perfume. Ever since Charles Frederick Worth dressed the Empress Eugénie in the 1860s, launching a golden century for dressmaking, Parisian haute couture has been a source of endless admiration and fascination. Its emphasis on exquisite design and meticulous craftsmanship propelled it to the forefront of the fashion industry. The position and practices of haute couture may have evolved over time, but the work of many contemporary couturiers reveals a strong sense of continuity, from the creations of Jeanne Lanvin and Christian Dior, through to their modern counterparts in Jean-Paul Gaultier or Viktor & Rolf. This chronological study traces the history of the esteemed couture houses of Paris, examining the role of the designer and the extraordinary craftsmanship behind the finished creations, the place of haute couture in Parisian culture, and its influence in the wider fashion industry. Particular attention is paid to the relationship between haute couture and the client, as well as the dualities in modern haute couture—its sense of exclusivity and quasi-mythical aura countered by an ever-increasing reach into popular consciousness and attainability. This volume is richly illustrated with images of the most superb pieces created by exceptional designers. Various incarnations of Chanel’s timeless quilted handbag, Fath’s charmingly patterned silk scarves, and Poiret’s elegant perfume bottles demonstrate that haute couture encompasses far more than just clothing. |
| balenciaga creative director history: In My Fashion Bettina Ballard, 1960 |
| balenciaga creative director history: The Eye Nathan Williams, 2018-10-30 They’re often behind the scenes, letting their work take center stage. But now Nathan Williams, founder and creative director of Kinfolk magazine and author of The Kinfolk Table, The Kinfolk Home, and The Kinfolk Entrepreneur—with over 250,000 copies in print combined—brings more than 90 of the most iconic and influential creative directors into the spotlight. In The Eye, we meet fashion designers like Claire Waight Keller and Thom Browne. Editorial directors like Fabien Baron and Marie-Amélie Sauvé. Tastemakers like Grace Coddington and Linda Rodin. We learn about the books they read, the mentors who guided them, their individual techniques for achieving success. We learn how they developed their eye—and how they’ve used it to communicate visual ideas that have captured generations and will shape the future. As an entrepreneur whose own work is defined by its specific and instantly recognizable aesthetic, Nathan Williams has a unique vision of contemporary culture that will make this an invaluable book for art directors, designers, photographers, stylists, and any creative professionals seeking inspiration and advice. |
| balenciaga creative director history: Silk Mary Schoeser, 2007-01-01 Geschiedenis van zijde wat betreft teelt en toepassing in kleding en andere producten, daarnaast komen verschillende modeontwerpers aan bod alsmede de toekomst van deze stof. |
| balenciaga creative director history: Handbags Monica Botkier, 2017-11-14 In this sumptuous full-color compendium, award-winning designer Monica Botkier celebrates seventy of the most coveted bags of the past seventy-five years, from Chanel, Dior, Gucci, Hermès, Yves Saint Laurent, Louis Vuitton, and other international couture houses, as well as top bag designers such as Anya Hindmarch and Nancy Gonzalez. Exquisitely crafted luxury handbags are an obsession. The look, the feel of soft leather, that new bag smell that induces a swoon—a gorgeous handbag does more than complete a look, it telegraphs taste and chic, and it inspires envy, whether it’s an Hermès Birkin, a quilted Chanel Boy bag with its signature gold chain, or a Céline Mini Luggage Tote. Award-winning handbag designer Monica Botkier pays homage to these gorgeous objects of desire and the top couture houses and artists that have designed and produced them from the end of World War II to today. Handbags: A Love Story showcases the creations of designers such as Azzedine Alaïa, Balenciaga, Bottega Veneta, Céline, Chanel, Chloé, Christian Dior, Mark Cross, Fendi, Salvatore Ferragamo, Givenchy, Goyard, Gucci, Hermès, Anya Hindmarch, Judith Leiber, Olympia Le-Tan, Loewe, Mansur Gavriel, Stella McCartney, Alexander McQueen, Miu Miu, Moschino, Mulberry, Prada, Yves Saint Laurent, Valentino, Roger Vivier, Louis Vuitton, and more. This magnificent, eye-catching anthology tells the story of seventy bags in 200 stunning photographs and vintage and contemporary advertisements and illustrations, as well as quotes, anecdotes, and interviews with designers, stylists, and editors. Each entry offers a concise yet in-depth look at a specific bag and its history—from a celebrity muse, such as Jane Birkin, to collaborations such as the graffiti-splattered bags Marc Jacobs and Stephen Sprouse created for Louis Vuitton. An informative, entertaining exploration of how It Bags have influenced fashion, culture, and feminine identity, Handbags: A Love Story touches on a wide-range of subjects, such as how a bag is constructed and handbags on the silver screen. With an elegant full-color silkscreened cloth case and a thick acetate four-color jacket; two long, wide satin markers, and two-color endpapers, this gorgeous tribute is an essential accessory for handbag fanatics, fashion lovers, and pop culture enthusiasts. |
| balenciaga creative director history: Zack Carr George Carr, 2002 As the creative director of Calvin Klein, where he worked for nearly three decades, Carr helped elevate the house to one of the premier forces in fashion worldwide. His premature death from cancer in 2000 cut short a life and career that is celebrated in rich detail by this exquisite compilation of photographs, sketches and selected writings. A tour of a world inhabited by Carr's many muses (Balenciaga, Chanel, Audrey Hepburn, Jackie Kennedy) and friends (Marina Schiano, Gwyneth Paltrow), ZACK CARR features over 200 full-colour and b/w photos and illustrations. |
| balenciaga creative director history: Yohji Yamamoto: My Dear Bomb Yohji Yamamoto, Ai Mitsuda, 2010 This book offers a unique opportunity to discover Yamamoto's philosophy as a man as well as a fashion designer, illustrating points in his life by means of story, verse and his own sketches. It includes a philosophical essay, exploring the 'Japanese elements in Yohji Yamamoto'. |
| balenciaga creative director history: Mean Boys Geoffrey Mak, 2024-04-30 NAMED A MOST ANTICIPATED BOOK BY DEBUTIFUL, LIT HUB, PASTE MAGAZINE, BOOK RIOT, INSIDE HOOK, AND NYLON This book is a rare comfort, a companion . . . Makes you say: yes, that is exactly how it is.”-Torrey Peters A ferocious inquiry into art and desire, style and politics, madness and salvation, and coming of age in our volatile, image-obsessed present. You know them when you see them: mean boys take up space, wielding cruelty to claim their place in the pecking order. Some mean boys make art or music or fashion; others make memes. Mean boys stomp the runways in Milan and Paris; mean boys marched at Charlottesville. And in the eyes of critic and style expert Geoffrey Mak, mean boys are the emblem of our society: an era ravenous for novelty, always thirsting for the next edgy thing, even at our peril. In this pyrotechnic memoir-in-essays, Mak ranges widely over our landscape of paranoia, crisis, and frenetic, clickable consumption. He grants readers an inside pass to the spaces where culture was made and unmade over the past decade, from the antiseptic glare of white-walled galleries to the darkest corners of Berlin techno clubs. As the gay son of an evangelical minister, Mak fled to those spaces, hoping to join a global, influential elite. But when calamity struck, it forced Mak to confront the costs of mistaking status for belonging. Fusing personal essay and cultural critique, Mean Boys investigates exile and return, transgression and forgiveness, and the value of faith, empathy, and friendship in a world designed to make us want what is bad for us. |
| balenciaga creative director history: Vogue on Yves Saint Laurent Natasha Fraser-Cavassoni, 2015-10-06 Originally born in Algeria, Yves Saint Laurent moved to Paris when he was 18, and only three years later he was handpicked by Christian Dior to take the reins as designer of his fashion house. Over time, Saint Laurent resurrected haute couture from the casual mores that predominated in the 1960s, but also offered chic cachet to ready-to-wear clothing. He was among the earliest of designers to incorporate non-European references into his work, and in 1983 he became the first living designer to be feted with a solo exhibition at The Metropolitan Museum of Art in New York. Vogue on Yves Saint Laurent is a stellar volume in the series from the editors of British Vogue, featuring 20,000 words of original biography and history and studded with more than 80 images from their unique archive of images taken by leading photographers. |
| balenciaga creative director history: Fashion in Flight SFO Museum, 2020-07-04 An SFO Museum exhibition catalogue covering eighty years of airline uniform design for the female flight attendant. Over seventy examples of uniform ensembles and accessories are presented. Full plate and detail photography reveal the evolution of this unique garment type as created by more than thirty designers, fashion houses, and couturiers from Paris, London, Milan, New York, and Hollywood. Seen against the backdrop of western fashion, the demands and innovations of meeting a set of strict, and sometime contradictory requirements, reveal the challenges and successes in paralleling, lagging behind, or even jumping ahead of trends and movements in the larger world of contemporary fashion. Over twenty airlines are included with uniforms dating from the 1930s to the present. |
| balenciaga creative director history: Audrey and Givenchy Cindy De La Hoz, 2016-04-12 Audrey and Givenchy is a stunning showcase of the most influential teaming of star and designer in fashion history: Audrey Hepburn and Hubert de Givenchy. Legendary screen star Aubrey Hepburn and designer Hubert de Givenchy were a brilliant meeting of fashion-forward minds. Over the course of their forty-year friendship and professional partnership, both became fashion icons whose collaborations influenced trends for generations to come -- the words Audrey style still conjure images of ballet flats, little black dresses, bateau necklines, capri pants, and countless stunning fashions. With gorgeous photography throughout, Audrey and Givenchy is a celebration of the duo's collaborations both onscreen and off, featuring fashion profiles on such classic films as Sabrina, Breakfast at Tiffany's, Charade, How to Steal a Million, and Funny Face, as well as their greatest off-screen fashion hits for awards shows and events. |
| balenciaga creative director history: Fashion and Art Adam Geczy, Vicki Karaminas, 2013-08-15 For at least two centuries, fashion and art have maintained a competitive love-hate relationship. Both fashion and art construct imaginary worlds, and use a language of style to invigorate beliefs, perceptions and ideas. Until now the crossovers of fashion and art have received only scattered treatment and suffered from a dearth of theorization. As an attempt to theorize the area, this collection of new and updated essays is the most well-rounded and authoritative to date. Some of the world's foremost scholars in the field are assembled here to explore the art-fashion nexus in numerous ways: from aesthetics and performance to masquerade and media. Original and inspiring, this book will not only secure 'art-fashion' as a discrete area of study, but also suggest new critical pathways for exploring their continuing cross-pollination. Fashion and Art is essential reading for students and scholars of fashion, art history and theory, cultural studies and related fields. |
| balenciaga creative director history: The Great Fashion Designers Brenda Polan, Roger Tredre, 2009-11-15 From Charles Frederick Worth to Nicolas Ghesquière, designers have propelled fashion from an elite craft into a cornerstone of contemporary popular culture. This brilliantly written analysis of the achievements of the 50 greatest names in international fashion explores their lives, both personal and professional, drawing on the latest academic research and on the best of fashion journalism, including the authors' own interviews with designers spanning a 30-year period.The designers' working methods and career highlights are outlined in detailed and wittily written entries that capture the spirit of their times. From Poiret and Patou to Gernreich and Galliano, the sometimes provocative selection of 50 names poses stimulating questions about the definition of a fashion designer in the modern era. A ground-breaking book, this is a definitive introduction to fashion designers that is essential reading for both students and general readers alike. |
| balenciaga creative director history: Fashion Design, Referenced Alicia Kennedy, Emily Banis Stoehrer, Jay Calderin, 2013-02 Fashion Design, Referenced is a comprehensive visual guide to the central concepts, key terminology, and most significant practices in the field of fashion design. |
| balenciaga creative director history: Adrian Leonard Stanley, 2019-11-05 From ruby slippers to fashion runways, Adrian: A Lifetime of Movie Glamour, Art and High Fashion is a visual celebration of the life and work of the man behind some of the most memorable fashions of Hollywood's golden age. This book is a bright and vivacious look at the fashion, art and homes of one of the most celebrated fashion designers of the twentieth century. Adrian (1903-1959) designed costumes for over 150 Hollywood productions, including fabulous gowns worn by such iconic actresses as Greta Garbo, Norma Shearer, Joan Crawford, Judy Garland, and Katharine Hepburn. He then went on to found one of the most popular and influential fashion labels of the mid-twentieth century, Adrian, Ltd. He had a passion for art and interior design, as seen in his impeccably decorated homes, which he shared with his wife, Hollywood movie star Janet Gaynor, and his personal paintings and sketches. The man who created the famous ruby slippers worn in The Wizard of Oz was also the first American designer honored with a retrospective at the Smithsonian Institution, and his influence can still be felt on the runways in New York and Paris today. This is the first book on the famed Hollywood fashion and costume designer to be published with the cooperation of his family. With a foreword by the designer's son, Robin, as well as a treasure trove of never-before-seen images and anecdotes taken from Adrian's unpublished manuscript, this is the definitive book on the life of the legendary designer. |
| balenciaga creative director history: A History of Fashion in the 20th Century Gertrud Lehnert, 2000 |
| balenciaga creative director history: 100 Contemporary Fashion Designers Terry Jones, 2009-10-01 Fashion of the 21st century: 100 fashion designers shaping the styles of tomorrow This two-volume compilation brings together highlights from TASCHEN's Fashion Now! series to create a comprehensive overview of fashion design around the world at the start of the 21st century. Edited by i-D creator Terry Jones, this book is an indispensible work of reference for anyone interested in the future of fashion. Fast-rising new designers--tomorrow's superstars--feature alongside industry giants and established practitioners: A-K Haider Ackermann / Azzedine Alaïa / Giorgio Armani / Kris Van Assche / Agnes B. / Christopher Bailey - Burberry / Neil Barrett / Luella Bartley / Walter Van Beirendonck / Véronique Branquinho / Thom Browne / Consuelo Castiglioni - Marni / Dean & Dan Caten - Dsquared / Roberto Cavalli / Hussein Chalayan / Maria Cornejo - Zero / Francisco Costa - Calvin Klein / Giles Deacon / Christophe Decarnin - Balmain / Ann Demeulemeester / Domenico Dolce & Stefano Gabbana - Dolce & Gabbana / Alber Elbaz - Lanvin / Silvia Venturini Fendi / Alberta Ferretti / Limi Feu / Tom Ford / Dai Fujiwara - Issey Miyake / John Galliano - Christian Dior / Jean Paul Gaultier - Hermès / Nicolas Ghesquière - Balenciaga / Frida Giannini - Gucci / Katharine Hamnett / Ann Valérie Hash /Desiree Heiss & Ines Kaag - Bless / Lazaro Hernandez & Jack McCollough - Proenza Schouler / Tommy Hilfiger / Viktor Horsting & Rolf Snoeren - Viktor & Rolf / Margaret Howell / Marc Jacobs - Louis Vuitton / Rossella Jardini - Moschino / Wolfgang Joop - Wunderkind / Christopher Kane / Donna Karan / Rei Kawakubo - Comme des Garçons / Adam Kimmel / Sophia Kokosalaki / Michael Kors / Tao Kurihara L-Z Christian Lacroix / Karl Lagerfeld - Chanel / Ralph Lauren / Christophe Lemaire - Lacoste / Julien MacDonald / Hannah MacGibbon - Chloé / Tomas Maier - Bottega Veneta / Martin Margiela - Maison Martin Margiela / Antonio Marras - Kenzo / Stella McCartney / Alexander McQueen / Angela Missoni / Roland Mouret / Kate & Laura Mulleavy - Rodarte / Richard Nicoll / Nigo - A Bathing Ape / Dries Van Noten / Lucas Ossendrijver - Lanvin / Rick Owens / Bruno Pieters - Hugo Boss / Stefano Pilati - Yves Saint Laurent / Zac Posen / Miuccia Prada / Gareth Pugh / John Richmond / Narciso Rodriguez / Sonia Rykiel / Jonathan Saunders - Pollini / Marios Schwab / Jeremy Scott / Raf Simons - Jil Sander / Martine Sitbon - Rue du Mail / Paul Smith / Anna Sui / Jun Takahashi - Undercover / Olivier Theyskens / Justin Thornton & Thea Bregazzi - Preen / Aitor Throup / Riccardo Tisci - Givenchy / Jean Touitou - APC / Giambattista Valli / An Vandevorst & Filip Arickx - AF Vandevorst / Donatella Versace / Stuart Vevers - Loewe / Milan Vukmirovic - Trussardi / Alexander Wang / Junya Watanabe / Vivienne Westwood / Bernhard Willhelm / Matthew Williamson / Yohji Yamamoto / Italo Zucchelli - Calvin Klein Text in English, French, and German |
Demna (designer) - Wikipedia
Demna Gvasalia (Georgian: დემნა გვასალია dem-NAH gvah-SAH-lee-AH; born 25 March 1981), known mononymously as Demna [2] (/ d ɛ m n ʌ / dem-NAH) is a Georgian fashion …
A History of Balenciaga: From Creative Directors to …
Apr 21, 2024 · In 2015, Demna Gvasalia took the helm as creative director of Balenciaga, bringing his avant-garde sensibilities to the forefront. Demna's unconventional designs, including the …
Demna | Balenciaga Creative Director - Kering
Artistic Director of Balenciaga where he brought his garment-focused philosophy to the House while revitalizing the legacy of Cristóbal Balenciaga. His debut for the House, presented in …
Cristóbal Balenciaga’s Legacy: His Creative Directors
The house lay dormant until 1986, when it came under new ownership; Michel Goma–then a major player, having worked at Patou and run his own namesake label–joined as creative …
Pierpaolo Piccioli Named New Balenciaga Creative Director
May 23, 2025 · Valentino’s former designer Pierpaolo Piccioli will take over as Balenciaga’s creative director starting July 2024, marking a bold new chapter for the brand.
Everything About Balenciaga You Should Know – History
Balenciaga, founded in 1919 by Cristobal Balenciaga, evolved from couture to a fashion powerhouse. Each creative director—Michel Goma, Josephus Thimister, Nicolas Ghesquière, …
Demna | BoF 500 | The People Shaping the Global Fashion Industry
Artistic Director, Balenciaga and Former Head Designer, Vetements. The head of Paris’ hippest design collective is now in charge of reconnecting consumers with Cristóbal Balenciaga's …
The History of Balenciaga – VCG - vintageclothingguides.com
Feb 4, 2025 · The journey began with Cristóbal Balenciaga, the visionary founder who established the brand in 1919 and served as its creative director until 1968. His groundbreaking designs …
Pierpaolo Piccioli Succeeds Demna as Balenciaga's Creative Director …
May 19, 2025 · Seasoned Italian designer Pierpaolo Piccioli is the new creative director at Balenciaga, effective July 10, with his first collection to be unveiled in October during Paris …
Pierpaolo Piccioli Is the Creative Director of Balenciaga
May 19, 2025 · Balenciaga has a new designer. Today, the Paris house announced that Pierpaolo Piccioli, formerly the creative director of Valentino, will succeed Demna, who is moving to …
Demna (designer) - Wikipedia
Demna Gvasalia (Georgian: დემნა გვასალია dem-NAH gvah-SAH-lee-AH; born 25 March 1981), known mononymously as Demna [2] (/ d ɛ m n ʌ / dem-NAH) is a Georgian fashion …
A History of Balenciaga: From Creative Directors to …
Apr 21, 2024 · In 2015, Demna Gvasalia took the helm as creative director of Balenciaga, bringing his avant-garde sensibilities to the forefront. Demna's unconventional designs, including the …
Demna | Balenciaga Creative Director - Kering
Artistic Director of Balenciaga where he brought his garment-focused philosophy to the House while revitalizing the legacy of Cristóbal Balenciaga. His debut for the House, presented in …
Cristóbal Balenciaga’s Legacy: His Creative Directors
The house lay dormant until 1986, when it came under new ownership; Michel Goma–then a major player, having worked at Patou and run his own namesake label–joined as creative …
Pierpaolo Piccioli Named New Balenciaga Creative Director
May 23, 2025 · Valentino’s former designer Pierpaolo Piccioli will take over as Balenciaga’s creative director starting July 2024, marking a bold new chapter for the brand.
Everything About Balenciaga You Should Know – History
Balenciaga, founded in 1919 by Cristobal Balenciaga, evolved from couture to a fashion powerhouse. Each creative director—Michel Goma, Josephus Thimister, Nicolas Ghesquière, …
Demna | BoF 500 | The People Shaping the Global Fashion Industry
Artistic Director, Balenciaga and Former Head Designer, Vetements. The head of Paris’ hippest design collective is now in charge of reconnecting consumers with Cristóbal Balenciaga's …
The History of Balenciaga – VCG - vintageclothingguides.com
Feb 4, 2025 · The journey began with Cristóbal Balenciaga, the visionary founder who established the brand in 1919 and served as its creative director until 1968. His groundbreaking designs …
Pierpaolo Piccioli Succeeds Demna as Balenciaga's Creative Director …
May 19, 2025 · Seasoned Italian designer Pierpaolo Piccioli is the new creative director at Balenciaga, effective July 10, with his first collection to be unveiled in October during Paris …
Pierpaolo Piccioli Is the Creative Director of Balenciaga
May 19, 2025 · Balenciaga has a new designer. Today, the Paris house announced that Pierpaolo Piccioli, formerly the creative director of Valentino, will succeed Demna, who is moving to …
