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| baltimore black history museum: Chocolate City Chris Myers Asch, George Derek Musgrove, 2017-10-17 Monumental in scope and vividly detailed, Chocolate City tells the tumultuous, four-century story of race and democracy in our nation's capital. Emblematic of the ongoing tensions between America's expansive democratic promises and its enduring racial realities, Washington often has served as a national battleground for contentious issues, including slavery, segregation, civil rights, the drug war, and gentrification. But D.C. is more than just a seat of government, and authors Chris Myers Asch and George Derek Musgrove also highlight the city's rich history of local activism as Washingtonians of all races have struggled to make their voices heard in an undemocratic city where residents lack full political rights. Tracing D.C.'s massive transformations--from a sparsely inhabited plantation society into a diverse metropolis, from a center of the slave trade to the nation's first black-majority city, from Chocolate City to Latte City--Asch and Musgrove offer an engaging narrative peppered with unforgettable characters, a history of deep racial division but also one of hope, resilience, and interracial cooperation. |
| baltimore black history museum: Four Generations Courtney J. Martin, 2019 The Joyner/Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by artists of the African diaspora and from the continent of Africa itself. 'Four Generations: The Joyner/Giuffrida Collection of Abstract Art' draws upon the collection's unparalleled holdings to explore the critical contributions made by black artists to the evolution of visual art in the 20th and 21st centuries.0This revised and expanded edition updates 'Four Generations' with several new texts and nearly 100 images of works that have been added to the collection since the initial publication of this influential and widely praised book. Lavishly illustrated and featuring important contributions by leading art historians, critics, and curators, Four Generations gives an essential overview of some of the most notable artists and movements of the past century, with an emphasis on black artists and their approaches to abstraction in its various forms.0Filled with countless insights and visual treasures, 'Four Generations' is a journey through the momentous legacy of postwar art of the African diaspora. |
| baltimore black history museum: The Negro Motorist Green Book Victor H. Green, The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century. |
| baltimore black history museum: William and Henry Walters, the Reticent Collectors William R. Johnston, 1999-10-25 Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told.--BOOK JACKET. |
| baltimore black history museum: Birthright Citizens Martha S. Jones, 2018-06-28 Explains the origins of the Fourteenth Amendment's birthright citizenship provision, as a story of black Americans' pre-Civil War claims to belonging. |
| baltimore black history museum: Mining the Museum Fred Wilson, Lisa G. Corrin, 1994 |
| baltimore black history museum: For All the World to See Maurice Berger, 2010-04-20 In collaboration with: Center for Art, Design and Visual Culture, University of Maryland Baltimore County, National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C. |
| baltimore black history museum: Envisioning Emancipation Deborah Willis, Barbara Krauthamer, 2013 What freedom looked like for black Americans in the Civil War era |
| baltimore black history museum: Why Should White Guys Have All the Fun? Reginald F. Lewis, Blair S. Walker, 2005-10 The inspiring story of Reginald Lewis: lawyer, Wall Street wizard, philanthropist--and the wealthiest black man in American history. Based on Lewis's unfinished autobiography, along with scores of interviews with family, friends, and colleagues, this book cuts through the myth and hype to reveal the man behind the legend. |
| baltimore black history museum: A Beautiful Ghetto Devin Allen, 2021-08-03 The revised updated paperback edition features additional material from the 2020 uprising for Black Lives, and features two new essays. |
| baltimore black history museum: Bound for the Promised Land Kate Clifford Larson, 2009-02-19 The essential, “richly researched”* biography of Harriet Tubman, revealing a complex woman who “led a remarkable life, one that her race, her sex, and her origins make all the more extraordinary” (*The New York Times Book Review). Harriet Tubman is one of the giants of American history—a fearless visionary who led scores of her fellow slaves to freedom and battled courageously behind enemy lines during the Civil War. Now, in this magnificent biography, historian Kate Clifford Larson gives us a powerful, intimate, meticulously detailed portrait of Tubman and her times. Drawing from a trove of new documents and sources as well as extensive genealogical data, Larson presents Harriet Tubman as a complete human being—brilliant, shrewd, deeply religious, and passionate in her pursuit of freedom. A true American hero, Tubman was also a woman who loved, suffered, and sacrificed. Praise for Bound for the Promised Land “[Bound for the Promised Land] appropriately reads like fiction, for Tubman’s exploits required such intelligence, physical stamina and pure fearlessness that only a very few would have even contemplated the feats that she actually undertook. . . . Larson captures Tubman’s determination and seeming imperviousness to pain and suffering, coupled with an extraordinary selflessness and caring for others.”—The Seattle Times “Essential for those interested in Tubman and her causes . . . Larson does an especially thorough job of . . . uncovering relevant documents, some of them long hidden by history and neglect.”—The Plain Dealer “Larson has captured Harriet Tubman’s clandestine nature . . . reading Ms. Larson made me wonder if Tubman is not, in fact, the greatest spy this country has ever produced.”—The New York Sun |
| baltimore black history museum: The Baltimore Book Elizabeth Fee, Linda Shopes, Linda Zeidman, 1993-11 Baltimore has a long, colorful history that traditionally has been focused on famous men, social elites, and patriotic events. The Baltimore Book is both a history of the other Baltimore and a tour guide to places in the city that are important to labor, African American, and women's history. The book grew out of a popular local bus tour conducted by public historians, the People's History Tour of Baltimore, that began in 1982. This book records and adds sites to that tour; provides maps, photographs, and contemporary documents; and includes interviews with some of the uncelebrated people whose experiences as Baltimoreans reflect more about the city than Francis Scott Key ever did.The tour begins at the B&O Railroad Station at Camden Yards, site of the railroad strike of 1877, moves on to Hampden-Woodbury, the mid-19th century cotton textile industry's company town, and stops on the way to visit Evergreen House and to hear the narratives of ex-slaves. We travel to Old West Baltimore, the late 19th-century center of commerce and culture for the African American community; Fells Point; Sparrows Point; the suburbs; Federal Hill; and Baltimore's renaissance at Harborplace. Interviews with community activists, civil rights workers, Catholic Workers, and labor union organizers bring color and passion to this historical tour. Specific labor struggles, class and race relations, and the contributions of women to Baltimore's development are emphasized at each stop. Author note: Elizabeth Fee is Professor in the Department of Health Policy and Management of The Johns Hopkins University School of Hygiene and Public Health.Linda Shopes is Associate Historian at the Pennsylvania Historical and Museum Commission.Linda Zeidman is Professor of History and Economics at Essex Community College. |
| baltimore black history museum: Ruth Starr Rose (1887-1965) , 2015-10-10 An exhibition catalog of the first comprehensive exhibition of artist Ruth Starr Rose. The catalog is divided into chapters on portraiture, spirituals, art as activism, and works from her travels. |
| baltimore black history museum: Hummingbirds in the Trenches Kondwani Fidel, 2018-07-21 In Hummingbirds in The Trenches, Kondwani Fidel digests the circumstances of every day living in Baltimore. His honest recollection of growing up in his city--one plagued by poverty, inadequate schools, and violent murders--is a must read till the end. Fidel skillfully guides readers down a narrow line--his vulnerability on one side, his deafening power on the other. In the end, Fidel emerges a victor--overtly aware of the ironclad, historical systemic racism that continues to confine his community, yet still a hopeful, suggestive voice with a strong belief in change. His essays will make you cry tears of anger, but also tears of light-hearted laughter.--Stephanie Wash, Emmy Award Winning Producer and ABC News Journalist. |
| baltimore black history museum: Black Broadway in Washington, DC Briana A. Thomas , 2021 Before chain coffeeshops and luxury high-rises, before even the beginning of desegregation and the 1968 riots, Washington's Greater U Street was known as Black Broadway. From the early 1900s into the 1950s, African Americans plagued by Jim Crow laws in other parts of town were free to own businesses here and built what was often described as a city within a city. Local author and journalist Briana A. Thomas narrates U Street's rich and unique history, from the early triumph of emancipation to the days of civil rights pioneer Mary Church Terrell and music giant Duke Ellington, through the recent struggle of gentrifiction -- |
| baltimore black history museum: The Material World of Eyre Hall Carl R. Lounsbury, 2021-09-07 This is a microhistory of 400 years of southern history told in the study of one place, Eyre Hall on the eastern shore of Chesapeake Bay. |
| baltimore black history museum: Ancestors of Worthy Life Teresa S. Moyer, 2023-08-01 Recognizing the lives of the enslaved at the historic site of Mount Clare Enslaved African Americans helped transform the United States economy, culture, and history. Yet these individuals' identities, activities, and sometimes their very existence are often all but expunged from historically preserved plantations and house museums. Reluctant to show and interpret the homes and lives of the enslaved, many sites have never shared the stories of the African Americans who once lived and worked on their land. One such site is Mount Clare near Baltimore, Maryland, where Teresa Moyer pulls no punches in her critique of racism in historic preservation. In her balanced discussion, Moyer examines the inextricably entangled lives of the enslaved, free Black people, and white landowners. Her work draws on evidence from archaeology, history, geology, and other fields to explore the ways that white privilege continues to obscure the contributions of Black people at Mount Clare. She demonstrates that a landscape's post-emancipation history can make a powerful statement about Black heritage. Ultimately she argues that the inclusion of enslaved persons in the history of these sites would honor these ancestors of worthy life, make the social good of public history available to African Americans, and address systemic racism in America. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. |
| baltimore black history museum: The Silent Shore Charles L. Chavis Jr., 2022-01-11 The definitive account of the lynching of twenty-three-year-old Matthew Williams in Maryland, the subsequent investigation, and the legacy of modern-day lynchings. On December 4, 1931, a mob of white men in Salisbury, Maryland, lynched and set ablaze a twenty-three-year-old Black man named Matthew Williams. His gruesome murder was part of a wave of silent white terrorism in the wake of the stock market crash of 1929, which exposed Black laborers to white rage in response to economic anxieties. For nearly a century, the lynching of Matthew Williams has lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the Eastern Shore and the state of Maryland as a whole. In The Silent Shore, author Charles L. Chavis Jr. draws on his discovery of previously unreleased investigative documents to meticulously reconstruct the full story of one of the last lynchings in Maryland. Bringing the painful truth of anti-Black violence to light, Chavis breaks the silence that surrounded Williams's death. Though Maryland lacked the notoriety for racial violence of Alabama or Mississippi, he writes, it nonetheless was the site of at least 40 spectacle lynchings after the abolition of slavery in 1864. Families of lynching victims rarely obtained any form of actual justice, but Williams's death would have a curious afterlife: Maryland's politically ambitious governor Albert C. Ritchie would, in an attempt to position himself as a viable challenger to FDR, become one of the first governors in the United States to investigate the lynching death of a Black person. Ritchie tasked Patsy Johnson, a member of the Pinkerton detective agency and a former prizefighter, with going undercover in Salisbury and infiltrating the mob that murdered Williams. Johnson would eventually befriend a young local who admitted to participating in the lynching and who also named several local law enforcement officers as ringleaders. Despite this, a grand jury, after hearing 124 witness statements, declined to indict the perpetrators. But this denial of justice galvanized Governor Ritchie's Interracial Commission, which would become one of the pioneering forces in the early civil rights movement in Maryland. Complicating historical narratives associated with the history of lynching in the city of Salisbury, The Silent Shore explores the immediate and lingering effect of Williams's death on the politics of racism in the United States, the Black community in Salisbury, the broader Eastern Shore, the state of Maryland, and the legacy of modern-day lynchings. |
| baltimore black history museum: Overground Railroad Lesa Cline-Ransome, 2020-11-10 From the award-winning author and illustrator of Before She Was Harriet comes an original and moving perspective of the Great Migration, as seen through the eyes of the young girl Ruth Ellen, whose family journeys from North Carolina to New York City. |
| baltimore black history museum: Scraping By Seth Rockman, 2009-01-29 Co-winner, 2010 Merle Curti Award, Organization of American HistoriansWinner, 2010 Philip Taft Labor History Book Award, ILR School at Cornell University and the Labor and Working-Class History AssociationWinner, 2010 H. L. Mitchell Award, Southern Historical Association Enslaved mariners, white seamstresses, Irish dockhands, free black domestic servants, and native-born street sweepers all navigated the low-end labor market in post-Revolutionary Baltimore. Seth Rockman considers this diverse workforce, exploring how race, sex, nativity, and legal status determined the economic opportunities and vulnerabilities of working families in the early republic. In the era of Frederick Douglass, Baltimore's distinctive economy featured many slaves who earned wages and white workers who performed backbreaking labor. By focusing his study on this boomtown, Rockman reassesses the roles of race and region and rewrites the history of class and capitalism in the United States during this time. Rockman describes the material experiences of low-wage workers—how they found work, translated labor into food, fuel, and rent, and navigated underground economies and social welfare systems. He also explores what happened if they failed to find work or lost their jobs. Rockman argues that the American working class emerged from the everyday struggles of these low-wage workers. Their labor was indispensable to the early republic’s market revolution, and it was central to the transformation of the United States into the wealthiest society in the Western world. Rockman’s research includes construction site payrolls, employment advertisements, almshouse records, court petitions, and the nation’s first “living wage” campaign. These rich accounts of day laborers and domestic servants illuminate the history of early republic capitalism and its consequences for working families. |
| baltimore black history museum: A Girl in a Museum World Tellie Simpson, 2022-04-09 This book strives to motivate kids to take charge of their history and to follow their dreams, no matter what. Take a trip to the museum with Sophia and see how she decides to make her history matter. |
| baltimore black history museum: Mannequins in Museums Bridget R. Cooks, Jennifer J. Wagelie, 2021-07-07 Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects. Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques. |
| baltimore black history museum: Exploring Presence Angela N. Carroll, 2021-11 Exploring Presence: African American Artists in the Upper South showcases a succinct selection of prolific visionaries who create from and are informed by the liminal realms between northeastern art metropolises and the South. Artists include Schroeder Cherry, Linda Day Clark, Oletha DeVane, Espi Frazier, Aziza Claudia Gibson Hunter, Martha Jackson Jarvis, Ed Love, Tom Miller, Joyce J Scott, and Paula Whaley.Curator and Editor: Angela N. Carroll.Foreward by Dr. Leslie King-Hammond.This is a first print limited edition catalog that includes the edition number and signatures from each living artist. |
| baltimore black history museum: A Modern Influence Baltimore Museum of Art, Oliver Shell, Thomas Primeau, Kristin Ross, Jay McKean Fisher, 2021 This exhibition explores the 43-year friendship between artist Henri Matisse (1869-1954) and Baltimore collector Etta Cone (1870-1949). More than 160 paintings, sculptures, prints, drawings, and illustrated books provide new insights into the formation of the renowned Cone Collection, one of the greatest collections of modern art in the United States. Etta, with her older sister Claribel (1864-1929), acquired more than 700 works by Matisse between 1906 and 1949 and bequeathed the majority of them to the BMA as part of a gift of 3,000 objects. Etta's dedication and curiosity ultimately lent the Cone collection its characteristic depth and breadth. After accepting Etta's invitation to visit her in Baltimore in 1930, Matisse realized he could have a major U.S. presence, and began creating and offering Etta specific works of art with the Cone collection in mind. Among these works are masterpieces such as The Yellow Dress (1929-31) and Large Reclining Nude (1935), rarely shown drawings, and the preliminary studies for his first illustrated book, Poems by Stéphane Mallarmé (1932). The works in the exhibition are generally arranged by acquisition date, demonstrating Cone's increasingly discerning eye for Matisse's work throughout their long partnership. A fully illustrated catalog accompanying the exhibition contains new scholarship on the formal, technical, and social aspects of the decades-long working partnership between artist and patron. |
| baltimore black history museum: Baltimore Matthew A. Crenson, 2019-10-01 How politics and race shaped Baltimore's distinctive disarray of cultures and subcultures. Charm City or Mobtown? People from Baltimore glory in its eccentric charm, small-town character, and North-cum-South culture. But for much of the nineteenth century, violence and disorder plagued the city. More recently, the 2015 death of Freddie Gray in police custody has prompted Baltimoreans—and the entire nation—to focus critically on the rich and tangled narrative of black–white relations in Baltimore, where slavery once existed alongside the largest community of free blacks in the United States. Matthew A. Crenson, a distinguished political scientist and Baltimore native, examines the role of politics and race throughout Baltimore's history. From its founding in 1729 up through the recent past, Crenson follows Baltimore's political evolution from an empty expanse of marsh and hills to a complicated city with distinct ways of doing business. Revealing how residents at large engage (and disengage) with one another across an expansive agenda of issues and conflicts, Crenson shows how politics helped form this complex city's personality. Crenson provocatively argues that Baltimore's many quirks are likely symptoms of urban underdevelopment. The city's longtime domination by the general assembly—and the corresponding weakness of its municipal authority—forced residents to adopt the private and extra-governmental institutions that shaped early Baltimore. On the one hand, Baltimore was resolutely parochial, split by curious political quarrels over issues as minor as loose pigs. On the other, it was keenly attuned to national politics: during the Revolution, for instance, Baltimoreans were known for their comparative radicalism. Crenson describes how, as Baltimore and the nation grew, whites competed with blacks, slave and free, for menial and low-skill work. He also explores how the urban elite thrived by avoiding, wherever possible, questions of slavery versus freedom—just as wealthier Baltimoreans, long after the Civil War and emancipation, preferred to sidestep racial controversy. Peering into the city's 300-odd neighborhoods, this fascinating account holds up a mirror to Baltimore, asking whites in particular to reexamine the past and accept due responsibility for future racial progress. |
| baltimore black history museum: Dancing about Architecture is a Reasonable Thing to Do Joel Heng Hartse, 2022-02-07 Writing about music, far from being the specialized domain of the rock critic with encyclopedic knowledge of micro-genres or the fancy-pants star journalist flying on private planes with Led Zeppelin, has become something almost any music lover can do--and does. It's been said, however, that writing about music is a difficult, even pointless enterprise--an absurd impossibility, like dancing about architecture. But aside from the fact that dancing about architecture would be awesome, what is that ineffable something that drives people to write about music at all? In this short, insightful book, Joel Heng Hartse unpacks the rock writer Richard Meltzer's assertion that writing about music should be a parallel artistic effort with music itself--and argues that music and the impulse to write about it is part of the eminently mysterious desire for meaning-making that makes us human. Touching on the close resonances between music, language, love, and belief, Dancing about Architecture is a Reasonable Thing to Do is relevant to anyone who finds deep human and spiritual meaning in music, writing, and the mysterious connections between them. |
| baltimore black history museum: This Child's Gonna Live Sarah E. Wright, 2002-05-01 “[An] exploration of the black experience from a woman’s perspective, anticipating fiction by writers like Toni Morrison and Alice Walker.”—The New York Times Originally published in 1969 to broad critical acclaim, This Child’s Gonna Live is an unsurpassed testament to human endurance in the face of poverty, racism, and despair. Set in a fishing village on Maryland’s Eastern Shore in the 1930s, this story has as its main character the unforgettable Mariah Upshur, a hard-working, sensual, resilient woman, full of hope, and determination despite living in a society that conspires to keep her down. In her mind, she carries on a conversation with Jesus, who, like Mariah herself, is passionate and compassionate, at times funny and resolutely resilient to fatalism. Often compared to Zora Neale Hurston for her lyrical and sure-handed use of local dialect, Wright, like Hurston, powerfully depicts the predicament of poor African American women, who confront the multiple oppressions of class, race, and gender. “In every respect, an impressive achievement. The canon of American folk-epic is enriched by this small masterpiece.”—The New York Times Book Review “It has always been my contention that the Black woman in America will write the greatest of the American novels. For it is the Black woman, forced to survive at the bottom rung of American society . . . who is compelled to survey, by the very extremity of her existence, the depths of the American soul. In reading Sarah Wright’s searing novel, I am convinced that my assessment was correct.”—Rosa Guy, author of The Friends |
| baltimore black history museum: A Ride to Remember Sharon Langley, Amy Nathan, 2020-01-07 The true story of how a 1963 ride on a carousel in Maryland made a powerful Civil Rights statement. A Ride to Remember tells how a community came together—both black and white—to make a change. When Sharon Langley was born in the early 1960s, many amusement parks were segregated, and African-American families were not allowed entry. This book reveals how in the summer of 1963, due to demonstrations and public protests, the Gwynn Oak Amusement Park in Maryland became desegregated and opened to all for the first time. Co-author Sharon Langley was the first African-American child to ride the carousel. This was on the same day of Martin Luther King Jr.’s March on Washington for Jobs and Freedom. Langley’s ride to remember demonstrated the possibilities of King’s dream. This book includes photos of Sharon on the carousel, authors’ notes, a timeline, and a bibliography. “Delivers a beautiful and tender message about equality from the very first page.” —Kirkus Reviews, Starred Review “Cooper’s richly textured illustrations evoke sepia photographs’ dreamlike combination of distance and immediacy, complementing the aura of reminiscence that permeates Langley and Nathan’s narrative.” —Publishers Weekly, Starred Review “A solid addition to U.S. history collections for its subject matter and its first-person historical narrative.” —School Library Journal |
| baltimore black history museum: Baltimore Lives John Clark Mayden, 2019-10-08 by local artist John Clark Mayden. Bronze Winner of the Foreword INDIES Award for Photography by FOREWORD Reviews Baltimore native John Clark Mayden's photographs are distinctive to the city and specific to black life there, lingering on the front stoops and in the postage-stamp backyards of Charm City row houses. But these pictures are far from nostalgic. Informed by the photographer's deep commitment to both social justice and storytelling, they strip Baltimore of pretense and illusion and show the city's veins. Baltimore Lives gathers 101 of Mayden's best photographs in print for the first time. Taken between 1970 and 2012, these photos illuminate the experiences of life throughout the predominantly African American city, capturing the relaxed intimacy of community, family, and the comfort of home in contrast to the harsh sting of social injustice, poverty, and crime. In Mayden's work, we meet people who are not expecting us. We bear witness to their lives—their emotions, gestures, and faces that often reveal more than they conceal. But regardless of the camera's presence, people go on waiting for the bus, catching a breeze on their front steps, slogging through the snow to work and school, and, every so often, returning the photographer's gaze with a sly grin, a backward glance, a curious frown. Including a brief biography of John Clark Mayden written by his sister, Ruth W. Mayden, and an essay by art historian Michael Harris on how Mayden's work fits into larger trends of black photography, Baltimore Lives is a stunning visual history of the spatial and human elements that together make Baltimore's inner city. |
| baltimore black history museum: Sailing to Freedom Timothy D. Walker, 2021-04-30 In 1858, Mary Millburn successfully made her escape from Norfolk, Virginia, to Philadelphia aboard an express steamship. Millburn's maritime route to freedom was far from uncommon. By the mid-nineteenth century an increasing number of enslaved people had fled northward along the Atlantic seaboard. While scholarship on the Underground Railroad has focused almost exclusively on overland escape routes from the antebellum South, this groundbreaking volume expands our understanding of how freedom was achieved by sea and what the journey looked like for many African Americans. With innovative scholarship and thorough research, Sailing to Freedom highlights little-known stories and describes the less-understood maritime side of the Underground Railroad, including the impact of African Americans' paid and unpaid waterfront labor. These ten essays reconsider and contextualize how escapes were managed along the East Coast, moving from the Carolinas, Virginia, and Maryland to safe harbor in northern cities such as Philadelphia, New York, New Bedford, and Boston. In addition to the volume editor, contributors include David S. Cecelski, Elysa Engelman, Kathryn Grover, Megan Jeffreys, Cheryl Janifer LaRoche, Mirelle Luecke, Cassandra Newby-Alexander, Michael D. Thompson, and Len Travers. |
| baltimore black history museum: Now Dig This! Kellie Jones, 2011 This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works. |
| baltimore black history museum: Mickalene Thomas: a Moment's Pleasure Baltimore Museum of Art, 2021-05 Mickalene Thomas' immersive two-story installation transforms the East Lobby of the Baltimore Museum of Art into a living room for Baltimore reflective of Thomas' signature aesthetic influenced by 1970s and 1980s motifs. The experience -- the most expansive commission undertaken by both the artist and the BMA -- extends onto an enclosed terrace, where Thomas has curated a presentation of works by artists with ties to Baltimore. Featured artists include: Derrick Adams, Zoë Charlton Theresa Chromati, Alex Dukes, Dominiqua S. Eldridge, Devin N. Morris, Clifford Owens, and D'Metrius John Rice.Mickalene Thomas: A Moment's Pleasure is the inaugural Robert E. Meyerhoff and Rheda Becker Biennial Commission at the Baltimore Museum of Art. |
| baltimore black history museum: Matisse/Diebenkorn Janet C. Bishop, Katherine Rothkopf, 2016 This catalogue is published by The Baltimore Museum of Art and the San Francisco Museum of Modern Art in association with DelMonico Books * Prestel, Munich, London, and New York, on the occasion of the exhibition Matisse/Diebenkorn, held at The Baltimore Museum of Art, October 23, 2016-January 29, 2017, and at the San Francisco Museum of Modern Art, March 11-May 29, 2017. |
| baltimore black history museum: Mark Bradford Christopher Bedford, 2010 Publication accompanies the exhibition, Mark Bradford, at the Wexner Center for the Arts, Ohio State University, May 8-August 15, 2010, Institute of Contemporary Art, Boston, November 19, 2010-March 13, 2011, Museum of Contemporary Art, Chicago, Summer 2011, Dallas Museum of Art, October 16, 2011-January 15, 2012, San Francisco Museum of Modern Art, February 18, 2012-May 20, 2012. |
| baltimore black history museum: From Storefront to Monument Andrea A. Burns, 2013 Today well over two hundred museums focusing on African American history and culture can be found throughout the United States and Canada. Many of these institutions trace their roots to the 1960s and 1970s, when the struggle for racial equality inspired a movement within the black community to make the history and culture of African America more public. This book tells the story of four of these groundbreaking museums: the DuSable Museum of African American History in Chicago (founded in 1961); the International Afro-American Museum in Detroit (1965); the Anacostia Neighborhood Museum in Washington, D.C. (1967); and the African American Museum of Philadelphia (1976). Andrea A. Burns shows how the founders of these institutions, many of whom had ties to the Black Power movement, sought to provide African Americans with a meaningful alternative to the misrepresentation or utter neglect of black history found in standard textbooks and most public history sites. Through the recovery and interpretation of artifacts, documents, and stories drawn from African American experience, they encouraged the embrace of a distinctly black identity and promoted new methods of interaction between the museum and the local community. Over time, the black museum movement induced mainstream institutions to integrate African American history and culture into their own exhibits and educational programs. This often controversial process has culminated in the creation of a National Museum of African American History and Culture, now scheduled to open in the nation's capital in 2015. |
| baltimore black history museum: Textural Rhythms Carolyn Mazloomi, 2007-01-01 Jazz, like quilting, is a woven art form. Both genres produce textural harvests spun from the life fibers of masters of the imagination who create for our contemplation. Quiltmaking, as in jazz, evokes a host of complex rhythms and moods. Some quilt artists listen to jazz music while working on their quilts because the one form of artistic inspiration ignites in the other. When the two forms connect, the creative energy explodes exponentially. Textural Rhythms: Quilting the Jazz Tradition releases both the individual particles and the synergistic power of this explosion. The 83 quilts pictured include traditional, improvisational, and art quilts from some of the countries best known African American quilters. Textural Rhythms: Quilting the Jazz Tradition unite the two most well known, and popular artistic forms in African American culture jazz and quilts. These quilt artists have harnessed in cloth the spirit of jazz, and let us feel, hear, and see jazz music. |
| baltimore black history museum: Quilt of Souls Phyllis Lawson, 2015 When four year old Phyllis Lawson is sent to live with her grandmother in Alabama, she has no idea what to expect. What she finds is inspirationthe catalyst for everything good to come. She needed a miracle, and that miracle took the form of a tattered old quilt--a family heirloom stitched together from the clothes of her grandmothers loved ones, telling the tragic stories of their lives and deaths. Born in 1883, Grandma Lula lived to be 103 years old and overcame the ugliness of racism through creating beautiful quilts. She quilted as a way to bring healing into the world, and working on this quilt created something even more powerful: an impenetrable bond between Grandmother and Granddaughter--From author's website. |
| baltimore black history museum: Lisa Yuskavage: Wilderness , 2020-09-29 A new focus on the sublime landscapes in Lisa Yuskavage's voluptuous figure paintings Though she is arguably best known for the voluptuous female nudes that populate her paintings, Lisa Yuskavage's work is just as focused on the ethereal settings in which these subjects appear. Yuskavage creates finely detailed landscapes that blur the line between the fantastical and the familiar, melding abstraction with realism to depict self-contained worlds. These outdoor scenes defy conventions of landscape painting with surreal color palettes of lush greens and delicate pinks, cast in a gauzy light quality that highlights the almost magical nature of her paintings. Published in conjunction with a joint exhibition between the Aspen Art Museum in Colorado and the Baltimore Museum of Art in Maryland, this volume includes color reproductions of Yuskavage's paintings and watercolors from the early 1990s to the present, as well as an interview between Yuskavage and fellow artist Mary Weatherford. Based in New York City, American artist Lisa Yuskavage(born 1962) received her MFA from the Yale School of Art in 1986. In the years since, her signature style of figure painting has developed something of a cult following for its attention to art historical tradition and a decidedly contemporary, pop culture-based approach to the representation of the female form. Her work has been in solo exhibitions around the world. Yuskavage is represented by David Zwirner. |
| baltimore black history museum: Authentically Black John McWhorter, 2004-01-01 A new collection of thought-provoking essays by the best-selling author of Losing the Race examines what it means to be black in modern-day America, addressing such issues as racial profiling, the reparations movement, film and TV stereotypes, diversity, affirmative action, and hip-hop, while calling for the advancement of true racial equality. Reprint. |
| baltimore black history museum: The Crisis , 1989-02 The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens. |
REGINALD F. LEWIS MUSEUM OF MARYLAND AFRICAN AMERICAN HISTORY & CULTURE
To be the premier experience and best resource for information and inspiration about the lives of African American Marylanders. The museum seeks to realize its mission by … See more
The Civil Rights Era in Maryland and FEB. 24, 2024 – JAN. 4, …
The Banneker-Douglass Museum is Maryland’s official state museum on African American heritage, operated by the Maryland Commission on African American History and Culture.
THE BMA REVISITS HISTORY WITH 1939: EXHIBITING BLACK …
BALTIMORE, MD (May 29, 2018)—In 1939, The Baltimore Museum of Art (BMA) presented one of the first major exhibitions in the U.S. to feature African American artists.
The Historical Geography of Racial Segregation in Baltimore
How did the geographical patterns and relative locations illustrated in this guide’s cover-page maps of Baltimore in April 2015 develop, and how and why have they been perpetuated?
Black Art And History Museums within The United States
Feb 9, 2024 · Great Blacks in Wax Museum Baltimore MD 1983 Great Plains Black History Museum Omaha NE 1975 Griot Museum of Black History, The St. Louis MO 1997 Hammonds …
BMA Presents A Movement in Every Direction: Legacies of the …
a groundbreaking exhibition that explores the profound impact of a pivotal time in American history through the perspectives and works of 12 acclaimed Black contemporary artists.
the History of Baltimore Book List
Slavery, Slaveholding, and the Free Black Population of Antebellum Baltimore. Heritage Books, 1993. History, Sociology & Anthropology
Art in Your Community: Black History Month 2024 - WTS …
Art in Your Community: Black History Month 2024 . The WTS International team has researched and created a list of activities, museums, and public works by Black Artists in your geographic …
Visit Baltimore Black History and Culture "Bop Pass"
Babe Ruth Birthplace and Museum. 216 Emory St. B&O Railroad Museum . 901 W Pratt St. Washington Monument. 699 N Charles St. The Walters Art Museum. 600 N Charles St. …
MCAAHC February 2025 Public Meeting
Join us for the Black History Month edition of the Maryland Commission on African American History and Culture (MCAAHC) Public Meeting! Learn about upcoming initiatives, and hear …
REGINALD F. LEWIS MUSEUM - Maryland State Archives
On June 25, 2005, the first oficial visitors to the Reginald F. Lewis Museum of Maryland African American History & Culture streamed through the front doors of the new building, a striking …
BLACK-OWNED TRANSPORTATION - Visit Baltimore
Discover Black-owned restaurants, stores, businesses and cultural attractions in Baltimore. Access online at: BALTIMORE.ORG/bop Get your free BoP Pass and enjoy exclusive deals to …
The State of Black Museums - JSTOR
The essays in this volume reflect the distinctive arc of Black museum historical development in a country historically shaped by slavery, legally and socially enforced Jim Crow, and …
UMB Digital Archive University of Maryland, Baltimore Black …
Feb 16, 2025 · Maryland, Baltimore’s (UMB) Dr. King and Black History Month celebration. W. u. toh, Howard University’s provost and chief academic officer, illustr ated his point while discuss …
BLACK-OWNED TRANSPORTATION SERVICES - Visit Baltimore
discover Baltimore’s Black-owned restaurants, shops and other cultural and historical attractions throughout the city. Access online at: BALTIMORE.ORG/bop For the most up-to-date listings, …
The History of Baltimore - Department of Planning
In 1752 John Moale sketched a rough drawing of Baltimore Town as seen from Federal Hill. In 1817 Edward Johnson Coale repainted this view, adding picturesque embellishments. Four …
Baltimore County Public Schools to celebrate Black History …
Black History Month 2025 During Black History Month, Baltimore County Public Schools will continue to celebrate the contributions African Americans have made, and continue to make, to …
Baltimore Museum of Art Announces Diverse Array of …
A Black Girl’s Country uses spoken word poetry, music, and dance to celebrate the multifaceted experience of Black womanhood across generations, providing a renewed gaze on the Black …
The History of Baltimore - Department of Planning
30 City of Baltimore Comprehensive Master Plan The History of Baltimore 31 built the first purpose-built museum building in the Western Hemisphere and the second in modern history. …
The Voices of a Black Butterfly, Produced by Baltimore …
May 5, 2022 · The documentary gives life to the authentic experiences of Baltimore's "Black Butterfly," the City's often disinvested and underserved predominantly Black neighborhoods …
Lewis Museum Celebrates 20 Years of Impact PR
BALTIMORE, MD (May 2, 2025) — The Reginald F. Lewis Museum of Maryland African American History & Culture will mark two decades of preserving and celebrating Black art, history, and …
Baltimore Uprising Part II: What Happened - lewismuseum.org
Baltimore Uprising Part II: What Happened . Museum Connection: Family and Community . Purpose: In this lesson students will identify, explore and evaluate what happened during the …
Smithsonian Traveling Exhibition Profiling Revolutionary …
Located two blocks from Inner Harbor in Downtown Baltimore, the Reginald F. Lewis Museum of Maryland African American History & Culture has served as the premier experience and best …
About the Reginald F. Lewis Museum
Jan 27, 2023 · Lewis Museum of Maryland African American History & Culture (The Lewis Museum) –a Smithsonian Affiliate –documents, interprets, and preserves the complex …
Voices Lifted: Oral History Intern - Reginald F. Lewis …
collecting stories about significant events in Maryland history, including but not limited to the Civil Rights Movement, the Black Lives Matter Movement and the COVID-19 pandemic. This …
Juneteenth Schedule of Activities and Presenters - Reginald …
Dayvon Love is a Baltimore-based political organizer and the Director of Public Policy for Leaders of a Beautiful Struggle (LBS), a grassroots think-tank that advances the public policy interests …
02 03 04 05 07 10 11 12 - lewismuseum.org
Jun 17, 2018 · violence, and the past, present, and future of Black men in American society. SONS: Seeing the Modern African American Male Through a series of photographic portraits, …
Museum Connection: Family and Community
Museum Connection: Labor and the Black Experience . Lesson Title: Harriet Tubman: A Journey to Freedom . Grade Level and Content Area: Elementary, Social Studies . Time Frame: 2 …
ANNUAL REPORT - Reginald F. Lewis Museum of Maryland …
Jun 13, 2018 · Historically and culturally the Reginald F. Lewis Museum celebrated the vital role of the Afro-American Newspapers, the oldest African American, family-owned publication in the …
Museum Connection: Labor and the Black Experience …
Museum Connection: Labor and the Black Experience Lesson Title: Triangular Trade Purpose: In this lesson students will read individually for information in order to examine the history of the …
