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| benjamin britten guide to the orchestra: Young Person's Guide to the Orchestra (Hps) Benjamin Britten, |
| benjamin britten guide to the orchestra: The Young Person's Guide to the Orchestra, Op. 34 Benjamin Britten, |
| benjamin britten guide to the orchestra: The Young Person's Guide to the Orchestra Anita Ganeri, 1996 Provides information about the history of the orchestra since its beginnings in the seventeenth century, instruments of the orchestra, and famous composers of classical music. |
| benjamin britten guide to the orchestra: The Remarkable Farkle McBride John Lithgow, 2011-09-20 In his first book, actor and musician John Lithgow introduces a memorable character, a fickle yet lovable child prodigy who brings the sounds and rhythms of an orchestra to sprawling visual life. With a double gatefold showing the entire orchestra, this is the ultimate book for the music lover in all of us. |
| benjamin britten guide to the orchestra: Britten's Children John Bridcut, 2007-06 Britten's Children confronts the edgy subject of the composer's obsessional yet strangely innocent relationships with adolescent boys. One of the hallmarks of Benjamin Britten's music is his use of boys' voices, and John Bridcut uses this to create a fresh prism through which to view the composer's life. Interweaving discussion of the music he wrote for and about children with interviews with the boys whom Britten befriended, Bridcut explores the influence of these unique friendships - notably with the late David Hemmings - and how they helped Britten maintain links with his own happy childhood. In a remarkable part of the book Bridcut tells for the first time the full story of Britten's love affair in the 1930s with the 18-year-old German Wulff Scherchen, son of the conductor Hermann Scherchen. As Paul Hoggart of The Times commented, 'this type of love belonged to an emotional landscape that has vanished for ever, and we are the poorer for it'. Since making the film, the author has extended his research to include friendships Britten had with children which have not previously been documented.The documentary Britten's Children won the Royal Philharmonic Society's 2005 Award for Creative Communication: 'this serious and beautiful film explored one aspect of a composer's life in great depth. Avoiding the temptation of sensationalism, Britten's Children was imaginatively researched and both touching and revelatory'. |
| benjamin britten guide to the orchestra: Why Mahler? Norman Lebrecht, 2010-10-12 Although Gustav Mahler was a famous conductor in Vienna and New York, the music that he wrote was condemned during his lifetime and for many years after his death in 1911. “Pages of dreary emptiness,” sniffed a leading American conductor. Yet today, almost one hundred years later, Mahler has displaced Beethoven as a box-office draw and exerts a unique influence on both popular music and film scores. Mahler’s coming-of-age began with such 1960s phenomena as Leonard Bernstein’s boxed set of his symphonies and Luchino Visconti’s film Death in Venice, which used Mahler’s music in its sound track. But that was just the first in a series of waves that established Mahler not just as a great composer but also as an oracle with a personal message for every listener. There are now almost two thousand recordings of his music, which has become an irresistible launchpad for young maestros such as Gustavo Dudamel. Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world’s most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Pacing out his every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was—along with Picasso, Einstein, Freud, Kafka, and Joyce—a maker of our modern world. “Mahler dealt with issues I could recognize,” writes Lebrecht, “with racism, workplace chaos, social conflict, relationship breakdown, alienation, depression, and the limitations of medical knowledge.” Why Mahler? is a book that shows how music can change our lives. |
| benjamin britten guide to the orchestra: Folksong Arrangements: Ca' the yowes Benjamin Britten, 1943 |
| benjamin britten guide to the orchestra: Sergei Prokofiev's Peter and the Wolf Sergei Prokofiev, 2011-01-05 THERE IS NO better way to introduce children to classical music than with Prokofiev’s musical fairy tale of the little boy who, with the help of a bird, outsmarted the big, bad wolf. A new retelling by Janet Schulman follows the basic story, but with a kinder ending for both the big, bad wolf and the argumentative duck. Peter Malone’s paintings have the luminous quality of old Russian masters. |
| benjamin britten guide to the orchestra: The rite of spring Igor Stravinsky, 2000-01-01 With this brilliant and uncompromising work perhaps the most famous musical work of the twentieth century Stravinsky changed the course of modern music forever. Discarding conventional harmonies for bizarrely dissonant chords, and uniform metrics for harshly jarring beat patterns, he created a sensational theater piece that, at the work's 1931 premier, caused the music world's most talked-about riot. Every law of musical syntax, every canon of harmony seems to have been violated, every limit of rhythmic perversity and eccentricity of orchestration exceeded in this tumultuous cataclysm of sound, says Grove's; yet with all its deliberate crudity and violence the 'Rite' is a clearly planned and perfectly controlled and coordinated piece of music [that] has long been accepted universally as a masterpiece and is in the repertory of every large symphony orchestra. Reproduced here from an authoritative edition, the score is ideal for study in the classroom, at home, or in the concert hall. This affordable, durable, and portable volume will be the edition of choice for music students and music lovers alike. |
| benjamin britten guide to the orchestra: Benjamin Britten Paul Kildea, 2013-01-28 Published to mark the beginning of the Britten centenary year in 2013, Paul Kildea's Benjamin Britten: A Life in the Twentieth Century is the definitive biography of Britain's greatest modern composer. In the eyes of many, Benjamin Britten was our finest composer since Purcell (a figure who often inspired him) three hundred years earlier. He broke decisively with the romantic, nationalist school of figures such as Parry, Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. With Peter Grimes (1945), Billy Budd (1951) and The Turn of the Screw (1954), he arguably composed the last operas - from any composer in any country - which have entered both the popular consciousness and the musical canon. He did all this while carrying two disadvantages to worldly success - his passionately held pacifism, which made him suspect to the authorities during and immediately after the Second World War - and his homosexuality, specifically his forty-year relationship with Peter Pears, for whom many of his greatest operatic roles and vocal works were created. The atmosphere and personalities of Aldeburgh in his native Suffolk also form another wonderful dimension to the book. Kildea shows clearly how Britten made this creative community, notably with the foundation of the Aldeburgh Festival and the building of Snape Maltings, but also how costly the determination that this required was. Above all, this book helps us understand the relationship of Britten's music to his life, and takes us as far into his creative process as we are ever likely to go. Kildea reads dozens of Britten's works with enormous intelligence and sensitivity, in a way which those without formal musical training can understand. It is one of the most moving and enjoyable biographies of a creative artist of any kind to have appeared for years. Paul Kildea is a writer and conductor who has performed many of the Britten works he writes about, in opera houses and concert halls from Sydney to Hamburg. His previous books include Selling Britten (2002) and (as editor) Britten on Music (2003). He was Head of Music at the Aldeburgh Festival between 1999 and 2002 and subsequently Artistic Director of the Wigmore Hall in London. |
| benjamin britten guide to the orchestra: Britten and Barber Daniel Felsenfeld, 2005 (Amadeus). The second title in the Amadeus Press Parallel Lives series, this volume examines the lives and work of two giants of 20th century music. Both composers influenced countless others, and their works are performed often in today's concert and opera houses. Felsenfeld gives us a penetrating look into the lives of these two extraordinary men, helping us get to know them and therefore better understand their music. In clear, concise language he examines their major works, helping us to understand their genius and power, which is illustrated by the accompanying full-length CD. The author points out parallel developments in Britten and Barber's lives and careers. Both came of age in a time of war, a time of political and artistic unrest and upheaval, and both were celebrities in their own time. Both wrote primarily and most successfully for the voice, but neither became ghettoized as a strictly vocal composer, and both were possessed of a flawless compositional technique, with a fluency that bordered on wizardry. Finally, both were prolific, involved musical presences on the world stage. The accompanying full-length CD from Naxos Records includes six complete pieces. |
| benjamin britten guide to the orchestra: The Rest Is Noise Alex Ross, 2007-10-16 Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music. |
| benjamin britten guide to the orchestra: A Dozen a Day Book 1 Edna Mae Burnam, 2005-10-01 (Willis). The Dozen a Day books are universally recognized as one of the most remarkable technique series on the market for all ages! Each book in this series contains short warm-up exercises to be played at the beginning of each practice session, providing excellent day-to-day training for the student. |
| benjamin britten guide to the orchestra: The Cambridge Companion to Benjamin Britten Mervyn Cooke, 1999-06-28 The Cambridge Companion to Benjamin Britten is a comprehensive guide to the composer's work, aimed both at the non-specialist and music student. It sheds light on both the composer's stylistic and personal development, offering new interpretations of his operatic works and discussing his characteristic working methods. Topics treated here in detail for the first time include Britten's work in the cinema in the 1930s, his lifelong pacifism and his strong interest in the music of the Far East; other chapters include reassessments of his relationship with W. H. Auden and his attitude towards childhood, comprehensive analyses of major works and a concise history of the Aldeburgh Festival. A distinguished team of contributors include some who worked with the composer during his lifetime, as well as leading representatives of the younger generation of Britten scholars on both sides of the Atlantic. |
| benjamin britten guide to the orchestra: Britten Hans Keller, 2013 A selection of Hans Keller's writings on Benjamin Britten including previously unseen correspondence and reprints of long unavailable writings. |
| benjamin britten guide to the orchestra: Death in Venice Thomas Mann, 2017-07-04 One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power. |
| benjamin britten guide to the orchestra: The Nightingale's Sonata Thomas Wolf, 2019-06-04 *Winner of the Sophie Brody Medal* A moving and uplifting history set to music that reveals the rich life of one of the first internationally renowned female violinists. Spanning generations, from the shores of the Black Sea to the glittering concert halls of New York, The Nightingale's Sonata is a richly woven tapestry centered around violin virtuoso Lea Luboshutz. Like many poor Jews, music offered an escape from the predjudices that dominated society in the last years of the Russian Empire. But Lea’s dramatic rise as an artist was further accentuated by her scandalous relationship with the revolutionary Onissim Goldovsky. As the world around them descends in to chaos, between revolution and war, we follow Lea and her family from Russia to Europe and eventually, America. We cross paths with Pablo Casals, Isadora Duncan, Emile Zola and even Leo Tolstoy. The little girl from Odessa will eventually end up as one of the founding faculty of the prestigious Curtis Institute of Music, but along the way she will lose her true love, her father, and watch a son die young. The Iron Curtain would rise, but through it all, she plays on. Woven throughout this luminous odyssey is the story is Cesar Franck’s “Sonata for Violin and Piano.” As Lea was one of the first-ever internationally recognized female violinists, it is fitting that this pioneer was one of the strongest advocates for this young boundary-pushing composer and his masterwork. |
| benjamin britten guide to the orchestra: Twelve Duets, K. 487 Wolfgang Amadeus Mozart, 1999-08-26 A String Duet for Violin and Viola, composed by Wolfgang Amadeus Mozart. |
| benjamin britten guide to the orchestra: Britten's Unquiet Pasts Heather Wiebe, 2012-10-04 Heather Wiebe's book looks to the music of Benjamin Britten to elucidate a British postwar vision of cultural renewal. |
| benjamin britten guide to the orchestra: Benjamin Britten Humphrey Carpenter, 1992 A biography of Benjamin Britten which presents a panorama of British musical life since the 1920s. |
| benjamin britten guide to the orchestra: Meet the Orchestra Ann Hayes, 1995-03-27 This lyrical romp through the orchestra begins with animal musicians slowly gathering for the evening performance. Poetic descriptions suggest the sounds of the instruments, and lively watercolor illustrations capture the playful essence of each musician and musical instrument. “It’s a smashing introduction to classical music, and a must prior to a first visit to the symphony.”--Publishers Weekly |
| benjamin britten guide to the orchestra: Read! Read! Read! Amy Ludwig VanDerwater, 2020-08-25 Capture the joys of reading in this amazing poetry collection! From that thrilling moment when a child first learns to decipher words, to the excitement that follows in reading everything from road signs to field guides to internet articles to stories, these poems celebrate reading. They also explore what reading does -- how it opens minds, can make you kind, and allows you to explore the whole world. Ryan O’Rourke’s rich artwork beautifully captures the imagination and playfulness in these poems by noted author Amy Ludwig VanDerwater. |
| benjamin britten guide to the orchestra: Welcome to the Symphony Carolyn Sloan, 2015-10-27 Using one of the most famous works in classical music—Beethoven’s Fifth Symphony—here is the perfect way to introduce a young child to the world of classical music. This charming and interactive picture book with its panel of 19 sound buttons is like a ticket to a concert hall, taking readers on a journey from the exciting first moment when the musicians begin tuning up to the end of the first movement (attention newcomers: don’t clap yet!). At each step of the way, readers learn the basics of classical music and the orchestra: What is a conductor? What is a symphony? Who was Beethoven? The different aspects of music: melody, harmony, tempo, theme. And the families of instruments—strings, woodwinds, brass, and percussion. But the best part is that every critical idea is illustrated in gorgeous sound. The sound panel allows readers to hear the different parts of the symphony and voices of the music—the famous beginning of the Fifth, what a clarinet sounds like, the difference between a violin and a viola, what a melody is, and what harmony is. Kids will want to match their voices to the A note that tunes the orchestra, dance to the rhythmic passages—and, of course, sing along to da-da-da-daah! |
| benjamin britten guide to the orchestra: The Ultimate Guide to Music Joe Fullman, 2019-07-11 A unique and comprehensive guide to music--complete with a downloadable augmented reality app To understand music, you can't just read about it: you need to hear it. Not only does this engaging guide cover everything about the subject--including what music is and how it's made, along with introductions to instruments, composers, and recordings--it comes with a free downloadable app. Thanks to this AR feature, you can interact with the orchestra and listen to a piece by Benjamin Britten, performed by the Royal Northern College of Music Symphony Orchestra, conducted by Sir Mark Elder. Each spread includes striking photographs and bite-sized chunks of information, plus Did you know? and Suggested listening sidebars throughout. Features: - A free, downloadable app that uses Augmented Reality and is compatible with both iOS and Android devices with both front- and rear-facing cameras. - The first AR sequence profiles one instrument from each section of the orchestra--the violin, clarinet, trumpet, and timpani. Users can view each instrument in 360 , zoom in on key areas, and listen to a short recording. - The second AR sequence profiles the orchestra as a whole, asking users to identify which section of the orchestra the four instruments belong to. Kids can then listen to Britten's The Young Person's Guide to the Orchestra. |
| benjamin britten guide to the orchestra: The Composer Is Dead Lemony Snicket, 2011-05-10 There′s dreadful news from the symphony hall-the composer is dead! If you have ever heard an orchestra play, then you know that musicians are most certainly guilty of something. Where exactly were the violins on the night in question? Did anyone see the harp? Is the trumpet protesting a bit too boisterously? In this perplexing murder mystery, everyone seems to have a motive, everyone has an alibi, and nearly everyone is a musical instrument. But the composer is still dead. Perhaps you can solve the crime yourself. Join the Inspector as he interrogates all the unusual suspects. Then listen to the accompanying audio recording featuring Lemony Snicket and the music of Nathaniel Stookey performed by the San Francisco Symphony. Hear for yourself exactly what took place on that fateful, well-orchestrated evening. |
| benjamin britten guide to the orchestra: Variations on a Theme of Frank Bridge for String Orchestra, Op. 10 Benjamin Britten, 1976 |
| benjamin britten guide to the orchestra: Jar of Hearts Sheet Music Christina Perri, 2010-12-01 (Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line. |
| benjamin britten guide to the orchestra: Classical Crossroads: The Path Forward for Music in the 21st Century Leonard Slatkin, 2021-09-15 As the new millennium poses even greater challenges to the relevance of the art form, legendary maestro Leonard Slatkin reflects on the modern evolution of classical music and offers his ideas to solve pressing issues faced by both music lovers and musicians alike. If there was ever a time for change in the industry, it is now. |
| benjamin britten guide to the orchestra: Conducting Business Leonard Slatkin, 2012-07-01 (Amadeus). Conducting an orchestra is something that is seen as well as heard, but it is quite misunderstood when it comes to knowing what this person actually does for a living. This most mysterious of jobs is brought to life for the music lover as well as for the aspiring maestro in a book by Leonard Slatkin. Drawing on his own experiences on and off the podium, Slatkin brings us into the world of the baton. He tells tales of some of the most fascinating people in the musical world, including Frank Sinatra, Leonard Bernstein, and John Williams. He takes the reader to the great concert halls and orchestras, soundstages in Hollywood, and opera pits around the globe. Mr. Slatkin recounts his controversial appearance at the Metropolitan Opera, his creation and direction of summer music festivals, and a shattering concert experience that took place four days following 9/11. Life in the recording studio and on the road as well as health issues confronting the conductor provide an insider's glimpse into the private world of public figures. Covering everything from learning how to read music to standing in front of an orchestra for the first time, what to wear, and how to deal with the press, Conducting Business is a unique look at a unique profession. |
| benjamin britten guide to the orchestra: The Philharmonic Gets Dressed Karla Kuskin, 1982-09-01 It is almost Friday night. Outside, the dark is getting darker, and here and there around the city ninety-two men and thirteen women are getting dressed to go to work. First they bathe and put on their underwear. Then they don special black-and-white apparel. Then when the one hundred and five people are completely ready, each takes a musical instrument and travels to midtown. There, at 8:30 tonight, they will work together: playing. In these pages Karla Kuskin and Marc Simont combine their talents to give us a delightful and unusual inside view of one way an orchestra prepares. Nominee, 1983 American Book Award Notable Children's Books of 1983 (ALA) 1983 Fanfare Honor List (The Horn Book) Outstanding Children's Books of 1982 (NYT) A Reading Rainbow Selection 1983 Teachers' Choices (NCTE) Children's Books of 1982 (Library of Congress) |
| benjamin britten guide to the orchestra: The Rough Guide to Classical Music Joe Staines, 2010-05-17 This expanded and completely revised fifth edition is a unique ebook, spanning a thousand years of music from Gregorian chant via Bach and Beethoven to current leading lights such as Thomas Adès and Kaija Saariaho. There are concise biographical profiles of more than 200 composers and informative summaries of the major compositions in all genres, from chamber works to operatic epics. Topics such as the influence of jazz, notation, conducting, the madrigal, and why Stradivarius made such great violins are covered fully in feature boxes. The Rough Guide to Classical Music in a new ebook (PDF) fromat has been praised for its mix of well-known composers with more obscure, but interesting, figures (like Antoine Brumel and Barbara Strozzi), and for the way it takes contemporary music seriously. |
| benjamin britten guide to the orchestra: The Young Person's Guide to the Orchestra Benjamin Britten, Raymond Leppard, Richard Baker, 1971 |
| benjamin britten guide to the orchestra: Choral-Orchestral Repertoire Jonathan D. Green, David W. Oertel, 2019-12-05 Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles. |
| benjamin britten guide to the orchestra: Chamber Music James M. Keller, 2011 Chamber Music: A Listener's Guide brings together acclaimed program annotator James Keller's essays on the essential chamber-music repertoire. Written to be meaningful to non-professional music-lovers while also providing enrichment for chamber-music professionals, these notes offer generous historical background for 193 works by 56 composers from the 18th century to the present. |
| benjamin britten guide to the orchestra: The Music of Benjamin Britten Peter Evans, 1979 Peter Evans discusses all the published compositions in subdivisions of genre and period, and devotes a separate chapter to each opera. With the help of over 300 music examples and diagrams, he demonstrates Britten's mastery of the art of composition--of tonal and harmonic structures, thematic cast and transformation, textural variety and the imaginative deployment of voices and instruments.--Publisher's description. |
| benjamin britten guide to the orchestra: Discovering Orff Jane Frazee, Kent Kreuter, 1987 (Schott). This book is intended for those who want detailed, practical assistance in how and why to use Orff techniques and materials in the classroom. Goals are outlined and the best ways to achieve them are explored, but the principal focus is on the arrangement of the curriculum in a logical sequence. Such a structure provides a reasonable progression from simple to more complex objectives not only from day to day but from year to year. Structured learning need not be the enemy of improvisation but rather the best way to provide students with the tools they need to improvise. The book contains an introduction to the development of Orff-Schulwerk and a discussion of the distinguishing features of this approach. Chapter Two introduces the activities children use in their music-making. The teaching procedure that structures those activities is taken up in Chapter Three while Chapter Four explains the vocabulary and accompaniment theory essential to the Orff teacher. Part Two applies these elements in a sequential curriculum designed for Grades One through Five. Especially important in each chapter is the inclusion of supporting activities designed to aid in teaching the various skills and concepts. |
| benjamin britten guide to the orchestra: 101 Masterpieces of Music and Their Composers Martin Bookspan, 1973 |
| benjamin britten guide to the orchestra: First, We Sing! Kodaly-Inspired Teaching for the Music Classroom Susan Brumfield, 2014 Secular Musicals - Classroom |
| benjamin britten guide to the orchestra: The Story of the Orchestra Robert Levine, 2001 Describes the orchestra and includes information on composers, instruments, and the conductor. |
| benjamin britten guide to the orchestra: Corpus Christi Carol Benjamin Britten, 1962 Contains an easy arrangement for unison and organ. |
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