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| definitive technology procinema 6d: Monitor Loudspeakers , 1974 |
| definitive technology procinema 6d: Memory and Popular Film Paul Grainge, 2003-09-06 Taking Hollywood as its focus, this timely book provides a sustained, interdisciplinary perspective on memory and film from early cinema to the present. Considering the relationship between official and popular memory, the politics of memory, and the technological and representational shifts that have come to effect memory's contemporary mediation, the book contributes to the growing debate on the status and function of the past in cultural life and discourse. By gathering key critics from film studies, American studies and cultural studies, Memory and Popular Film establishes a framework for discussing issues of memory in film and of film as memory. Together with essays on the remembered past in early film marketing, within popular reminiscence, and at film festivals, the book considers memory films such as Forrest Gump, Lone Star, Pleasantville, Rosewood and Jackie Brown. |
| definitive technology procinema 6d: Shared Pleasures Douglas Gomery, 1992 Gomery (The coming of sound to the American cinema, 1975; The Hollywood studio system, 1986) draws upon his earlier work and that of other scholars to address the broader social functions of the film industry, showing how Hollywood adapted its business policies to diversity and change within American society. Includes 31 bandw photographs. Paper edition (unseen), $15.95. Annotation copyrighted by Book News, Inc., Portland, OR |
| definitive technology procinema 6d: Narrating the Thirties J. Baxendale, C. Pawling, 1995-12-14 In a series of case-studies, ranging widely from documentary film and the writings of J.B. Priestley to postwar historiography and Remains of the Day, this book explores the ever-changing and hotly contested narratives of Britain in the 1930s. The authors argue that images of 'the Thirties' have been a continual presence in the construction of the wartime and postwar world, and in particular in the emergent discourse of social democracy and its subsequent decline. |
| definitive technology procinema 6d: Lost Narratives Roger Bromley, 2021-09-17 Roger Bromley deals with the ways in which certain popular forms contribute to the social production of memories. The texts he examines include the fictions of R. F. Delderfield and Lena Kennedy. This book should be of interest to students of cultural studies and popular fiction. |
| definitive technology procinema 6d: Cinema and Spectatorship Judith Mayne, 2002-09-11 Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between subjects and viewers is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues already discussed, concentrating on textual analysis, the `disrupting genre', `star-gazing' and finally the audience itself. Case studies incude the place of the spectator in the textual analysis of individual films such as The Picture of Dorian Gray; the construction of Bette Davis' star persona; fantasies of race and film viewing in Field of Dreams and Ghost; and gay and lesbian audiences as critical audiences. The book provides a very thorough and accessible overview of this complex, fragmented and often controversial area of film theory. |
| definitive technology procinema 6d: Leisure in Britain, 1780-1939 John K. Walton, James Walvin, 1983 |
| definitive technology procinema 6d: Interpreting Films Janet Staiger, 2020-07-21 Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. After proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations. Her analysis reflects recent developments in post-structuralism, cognitive psychology, psychoanalysis, and cultural studies, and includes a discussion of current reader-response models in literary and film studies as well as an alternative approach for thinking about historical readers and spectators. |
| definitive technology procinema 6d: ABC Allen Eyles, 1993 No Marketing Blurb |
| definitive technology procinema 6d: Mass-Observation at the Movies Jeffrey Richards, Dorothy Sheridan, 2016-01-31 A selection of writings on film from the Mass-Observation archive--Page 1. |
| definitive technology procinema 6d: MAIN STR AMUSEMENTS WALLER GREGORY A, 1995-04-17 Providing both the black and white civic and church responses to these developments, he demonstrates how the emergence of movies fostered the rise of Lexington's contradictory self-image as both a cosmopolitan center and a guardian of traditional southern values. Greeted at times with suspicion and contempt, movies gradually won the hearts of Lexingtonians because movie-hall owners convinced the public that the movies' promise of pleasure rested safely within the bounds of middle-class propriety. |
| definitive technology procinema 6d: The Place of the Audience Mark Jancovich, Lucy Faire, Sarah Stubbings, 2003-07-04 Broadest and deepest study of film audiences yet undertaken. |
| definitive technology procinema 6d: Visions of Suburbia Roger Silverstone, 1997 First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company. |
| definitive technology procinema 6d: The Transformation of Cinema, 1907-1915 Eileen Bowser, 1994-05-04 The Transformation of Cinema chronicles the history of the American film business from the days of storefront nickelodeons to the premiere of D.W. Griffith's The Birth of a Nation, complete with full symphony orchestra. Eileen Bowser here redresses the imbalance of the Griffith did it all cliché by discussing the efforts of countless lesser-known figures who also helped to create Hollywood and shape the growing film industry. The effect of the surroundings -- the size of the hall; whether the film was shown alone or along with vaudeville entertainment; and the size, quality, and relevance of the musical background -- are all examined for their impact on the filmgoing experience. Bowser documents the emergence of the star system, which set the stage for the classic silent-film era. By 1915 the silent film is seen as a full-fledged art form with its own style and place in the world of business.--Back cover. |
| definitive technology procinema 6d: The Rise of Suburbia Francis Michael Longstreth Thompson, 1982 |
| definitive technology procinema 6d: Moviegoing in America Gregory A.. Waller, 2001-12-05 Pairing significant research with primary documents, Moviegoing in America charts the evolution of film exhibition and reception as a function of changing patterns of American community, identity, consumption, and the fabric of everyday life. Moviegoing in America is an important, groundbreaking book. -- The Moving Image Waller assembles an impressive collection that should become a key resource in the teaching of film exhibition history. -- Screen |
| definitive technology procinema 6d: Film, the Democratic Art Garth Jowett, 1976 |
| definitive technology procinema 6d: Film History Robert Clyde Allen, Douglas Gomery, 1985 |
| definitive technology procinema 6d: British Cinema in the Fifties Christine Geraghty, 2000 This text explores some of the key debates about British cinema and film theory, and examines the curious mix of rebellion and conformity which marked British cinema in the post-war era. |
| definitive technology procinema 6d: The Granada Theatres Allen Eyles, 1998 The Granada circuit was notable for its many large cinemas with distinctive interiors by the Russian-born designer Theodore Komisarjevsky. Its more opulent buildings, like the celebrated Granadas at Tooting and Woolwich in Gothic idiom, have been aptly described as cathedrals of the movies. This history covers individually the cinemas built and opened by the circuit in the 1930s. It also deals with older Bernstein cinemas, some rebuilt as modern Granadas; the Granadas that were proposed and never built; and the acquisition of numerous cinemas. There is a list of films given a special Granada release and of the famous pantomimes. Also featured are reminiscences by former Granada managers, projectionists and executives, a rich array of photographs (some in full colour), and press advertising. |
| definitive technology procinema 6d: Politics and Society in Nottingham, 1785-1835 Malcolm I. Thomis, 1969 |
| definitive technology procinema 6d: An Everyday Magic Annette Kuhn, 2002 This work explores cinema-going in the 1930s, when it was a favourite leisure activity. Kuhn discovers how cinema provided a much-appreciated touch of glamour, and examines the influences of screen heroes and heroines. |
| definitive technology procinema 6d: Watching Television Audiences John Tulloch, 2000-09-29 This book is an up-to-date survey of current work on the audiences for different TV genres. It provides students and academics not only with an understanding of audience theories but also of the different methodologies used to research different types of audience. |
| definitive technology procinema 6d: Star Gazing Jackie Stacey, 2013-11-05 In a historical investigation of the pleasures of cinema, Star Gazing puts female spectators back into theories of spectatorship. Combining film theory with a rich body of ethnographic research, Jackie Stacey investigates how female spectators understood Hollywood stars in the 1940's and 1950's. Her study challenges the universalism of psychoanalytic theories of female spectatorship which have dominated the feminist agenda within film studies for over two decades. Drawing on letters and questionnaires from over three hundred keen cinema-goers, Stacey investigates the significance of certain Hollywood stars in women's memories of wartime and postwar Britain. Three key processes of spectatorship - escapism, identification and consumption - are explored in detail in terms of their multiple and changing meanings for female spectators at this time. Star Gazing demonstrates the importance of cultural and national location for the meanings of female spectatorship, giving a new direction to questions of popular culture and female desire. |
| definitive technology procinema 6d: The Age of the Dream Palace Jeffrey Richards, 1984-01-01 |
| definitive technology procinema 6d: Sex, Class and Realism John Hill, 2019-07-25 Hugely impressive in its scope, with introductory chapters on social history, the film industry and theories of realism, this indispensable history of these vital years contains unusually fresh discussions of films justly regards as important, alongside those unjustly ignored. The extensive filmography which accompanies Sex, Class and Realism will also prove to be an invaluable reference source in the teaching of British cinema history. |
| definitive technology procinema 6d: Cinemas in Britain Richard Gray, 1996 To celebrate 100 years of the cinema in Britain, this book looks at the history of cinema building from the nineteenth century to the present day. Through a detailed architectural history it also evokes the magic of movie-going. |
| definitive technology procinema 6d: Studies in Entertainment Tania Modleski, 1986 This is an important book for all students of literature and history. -- American Studies International ... thoughtful and provocative.... the essays... grant complexity and contradiction to mass culture, while interrogating its objects from positions that -- explicitly or implicitly -- derive from the left and from feminism. -- The Independent These innovative and politically engaged essays reflect the paradox inherent in taking a critical approach to mass culture. The contributors, in many cases pioneers in their particular area of inquiry, include: Tania Modleski, Raymond Williams (interviewed here by Stephen Heath and Gillian Skirrow), Bernard Gendron, Rick Altman, Margaret Morse, Patricia Mellencamp, Judith Williamson, Jean Franco, Kaja Silverman, Dana Polan, and Andreas Huyssen. |
| definitive technology procinema 6d: The Show Starts on the Sidewalk Maggie Valentine, 1994 Documents the history of the American movie theatre, tracing its evolution and exploring its role in American culture and architecture. The book focuses on the career of S. Charles Lee, who designed more than 300 theatres between 1920-1950, buildings that became prototypes for the whole country. |
| definitive technology procinema 6d: Changing Suburbs Richard Harris, Peter Larkham, 2003-09-02 A multidisciplinary team of specialists list historical and contemporary research on suburbanization with particular emphasis on the UK, North America, Australia and South Africa. |
| definitive technology procinema 6d: On 'what is History?' Keith Jenkins, 1995 This book provides a student introduction to contemporary historiographical debates. Jenkins explores the influence of Carr and Elton, and argues that historians need to embrace the postmodern-type approach of thinkers like Rorty and White. |
| definitive technology procinema 6d: Dunroamin Paul Oliver, Ian Davis, Ian Bentley, 1981 |
| definitive technology procinema 6d: Screening Out the Past Lary May, 1983 |
| definitive technology procinema 6d: Britain in the 1930s Andrew Thorpe, 1992-07-27 Were the 1930s in Britain a decade of growing prosperity, unprecedented levels of ownership and sane, competent government? Or was it a time of grinding poverty, long-term unemployment and political timidity? In this new book Andrew Thorpe cuts through the welter of dispute and mythology to provide fresh analysis of politics, economics and society in this most controversial of decades. |
| definitive technology procinema 6d: Classic Essays on the Culture of Cities Richard Sennett, 1969 An introduction, by R. Sennett.--The nature of the city, by M. Weber.--The metropolis and mental life, by G. Simmel.--The soul of the city, by O. Spengler.--The city; suggestions for the investigation of human behavior in the urban environment. Human migration and the marginal man. By R. Park.--Urbanism as a way of life. Rural-urban differences. Human ecology. By L. Wirth.--The folk society, by R. Redfield.--The cultural role of cities, by R. Redfield and M. Singer. |
| definitive technology procinema 6d: Making the Local News Bob Franklin, David Murphy, 1998 First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company. |
| definitive technology procinema 6d: At the Picture Show Kathryn H. Fuller, 2001 The motion picture industry in its earliest days seemed as ephemeral as the flickering images it produced. Considered an amusement fad even by their exhibitors, movies nevertheless spread quickly from big-city vaudeville houses to towns and rural communities across the nation. Small-town audiences, looking for more than the lurid melodramas and slapstick comedies popular in cities, often lined up to see films with conservative and educational themes: scenic panoramas, biblical tableaux, newsreels, and manufacturing scenes. In this social history of the cinema during the silent-film era, Kathryn H. Fuller charts the gradual homogenization of a diverse American movie audience as itinerant shows gave way first to nickelodeon theaters and then to more luxurious picture palaces. Fuller suggests that fan magazines helped to reduce the distinctions between rural and urban moviegoers and created a nationwide popular culture of film consumption. Analyzing the articles, advertisements, and letters in such publications as Motion Picture Story Magazine and Photoplay, Fuller shows that these fan magazines—which initially catered to adult readers—shifted their focus by the late 1910s to young women who, entranced by Hollywood glamour, eagerly bought products endorsed by the stars. Although the transformation of the movies into big-time entertainment had multiple sources, Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience's changing habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and enriches our understanding of mass media's relationship to early twentieth-century American society. |
| definitive technology procinema 6d: Old Nottingham Malcolm I. Thomis, 1968 |
| definitive technology procinema 6d: Centenary History of Nottingham John Beckett, 2006-12-01 A centenary history of Nottingham |
| definitive technology procinema 6d: Paper Voices Anthony Charles H. Smith, Elizabeth Immirzi, Trevor Blackwell, 1975 A Critical study of the content of the two most popular daily newspapers, the Express and the Mirror. |
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