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| describe fear in creative writing: The Emotion Thesaurus: A Writer's Guide to Character Expression (2nd Edition) Becca Puglisi, Angela Ackerman, 2019-02-19 The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 56 new entries! One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much. If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes: • Body language cues, thoughts, and visceral responses for over 130 emotions that cover a range of intensity from mild to severe, providing innumerable options for individualizing a character’s reactions • A breakdown of the biggest emotion-related writing problems and how to overcome them • Advice on what should be done before drafting to make sure your characters’ emotions will be realistic and consistent • Instruction for how to show hidden feelings and emotional subtext through dialogue and nonverbal cues • And much more! The Emotion Thesaurus, in its easy-to-navigate list format, will inspire you to create stronger, fresher character expressions and engage readers from your first page to your last. |
| describe fear in creative writing: Master Lists for Writers Bryn Donovan, 2015-10-14 Write faster...write more!Master Lists for Writers makes show, don't tell a lot easier and helps you figure out your story more quickly. In this book, you'll find: - lists of phrases for describing facial expressions, body language, gestures, physical appearance, and emotions- 175 master plot ideas, including romance, high-stakes, family, and workplace stories- lists of words for writing action scenes and love scenes - inspiration for figuring out character traits and quirks, backstories, occupations, motivations, and goals- lists for describing settings and writing dialogue- lists of good character names for contemporary stories...plus medieval England, Regency England, Wild West, and WWII settings- and more!Whether you're writing novels or short fiction, screenwriting, or any other kind of storytelling, Master Lists for Writers is a rich source of inspiration you'll turn to again and again.This book contains adult language. |
| describe fear in creative writing: Jubal Sackett Louis L'Amour, 2003-09-30 In Jubal Sackett, the second generation of Louis L’Amour’s great American family pursues a destiny in the wilderness of a sprawling new land. Jubal Sackett’s urge to explore drove him westward, and when a Natchez priest asks him to undertake a nearly impossible quest, Sackett ventures into the endless grassy plains the Indians call the Far Seeing Lands. He seeks a Natchez exploration party and its leader, Itchakomi. It is she who will rule her people when their aging chief dies, but first she must vanquish her rival, the arrogant warrior Kapata. Sackett’s quest will bring him danger from an implacable enemy . . . and show him a life—and a woman—worth dying for. |
| describe fear in creative writing: Writing Irresistible Kidlit Mary Kole, 2012-11-06 Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just kid's stuff anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you. |
| describe fear in creative writing: Creating Characters Writer's Digest Books, 2014-11-01 Create characters that leap off the page--and into readers' hearts! Populating your fiction with authentic, vivid characters is a surefire way to captivate your readers from the first sentence to the last. Whether you're writing a series, novel, short story, or flash fiction, Creating Characters is an invaluable guide to bringing your fictional cast to life. This book is a comprehensive reference to every stage of character development. You'll find timely advice and helpful instruction from best-selling authors like Nancy Kress, Elizabeth Sims, Orson Scott Card, Chuck Wendig, Hallie Ephron, Donald Maass, and James Scott Bell. They'll show you how to: • Effectively introduce your characters • Build a believable protagonist • Develop strong anti-heroes and compelling villains • Juggle multiple points of view without missing a beat • Craft authentic dialogue that propels the story forward • Motivate your characters with powerful objectives and a believable conflict • Show dynamic character development over the course of a story No matter what your genre, Creating Characters gives you the tools necessary to create realistic, fascinating characters that your readers will root for and remember long after they've finished the story. |
| describe fear in creative writing: Desecration , |
| describe fear in creative writing: In the Orchard, the Swallows Peter Hobbs, 2012-01-03 In the foothills of a mountain range in northern Pakistan is a beautiful orchard. Swallows wheel and dive silently over the branches, and the scent of jasmine threads through the air. Pomegranates hang heavy, their skins darkening to a deep crimson. Neglected now, the trees are beginning to grow wild, their fruit left to spoil on the branches.Many miles away, a frail young man is flung out of prison gates. Looking up, scanning the horizon for swallows in flight, he stumbles and collapses in the roadside dust. His ravaged body tells the story of fifteen years of brutality.Just one image has held and sustained him through the dark times - the thought of the young girl who had left him dumbstruck with wonder all those years ago, whose eyes were lit up with life.A tale of tenderness in the face of great and corrupt power, In The Orchard, The Swallows is a heartbreaking novel written in prose of exquisite stillness and beauty |
| describe fear in creative writing: Crazy Screenwriting Secrets Weiko Lin, 2019 Through a Crazy approach in writing the feature screenplay, the first half of the book guides the reader in how to create and develop: Story Idea, Characters, One Page Step Outline, and the solid script. In the second half, the book covers professional business side of the ever-changing industry by taking the reader through the work flow of Hollywood and explores how to work creatively with international countries like China in producing movies that resonate with a global audience. |
| describe fear in creative writing: Back to Creative Writing School Bridget Whelan, 2014-06-02 'The creative writing bible'C.S. Quinn, bestselling author of The Thief Taker This book is about writing. It's about taking risks, experimenting and giving yourself the freedom to make mistakes. This book is about finding out what kind of writer you want to be and becoming the best writer you can be. 'I recommend this book to all my students, and I recommend it to you. Great stuff.' Alex Pheby, Head of Creative Writing, University of Greenwich. |
| describe fear in creative writing: On Vanishing Lynn Casteel Harper, 2020-04-14 A New York Times Book Review Editors’ Choice An essential book for those coping with Alzheimer’s and other cognitive disorders that “reframe[s] our understanding of dementia with sensitivity and accuracy . . . to grant better futures to our loved ones and ourselves” (The New York Times). An estimated fifty million people in the world suffer from dementia. Diseases such as Alzheimer's erase parts of one's memory but are also often said to erase the self. People don't simply die from such diseases; they are imagined, in the clichés of our era, as vanishing in plain sight, fading away, or enduring a long goodbye. In On Vanishing, Lynn Casteel Harper, a Baptist minister and nursing home chaplain, investigates the myths and metaphors surrounding dementia and aging, addressing not only the indignities caused by the condition but also by the rhetoric surrounding it. Harper asks essential questions about the nature of our outsized fear of dementia, the stigma this fear may create, and what it might mean for us all to try to “vanish well.” Weaving together personal stories with theology, history, philosophy, literature, and science, Harper confronts our elemental fears of disappearance and death, drawing on her own experiences with people with dementia both in the American healthcare system and within her own family. In the course of unpacking her own stories and encounters—of leading a prayer group on a dementia unit; of meeting individuals dismissed as “already gone” and finding them still possessed of complex, vital inner lives; of witnessing her grandfather’s final years with Alzheimer’s and discovering her own heightened genetic risk of succumbing to the disease—Harper engages in an exploration of dementia that is unlike anything written before on the subject. A rich and startling work of nonfiction, On Vanishing reveals cognitive change as it truly is, an essential aspect of what it means to be mortal. |
| describe fear in creative writing: Writing Sci-Fi, Fantasy, & Horror For Dummies Rick Dakan, Ryan G. Van Cleave, 2022-03-09 Take your shot at becoming the next Tolkien, Asimov, or King with this simple roadmap to transforming your fiction into works of art Writing Sci-Fi, Fantasy, & Horror For Dummies is your skeleton key to creating the kind of fiction that grips readers and compels them to keep turning pages (even if it's well past their bedtime!) You'll start with the basics of creative writing—including character, plot, and scene—and strategies for creating engaging stories in different forms, such as novels, short stories, scripts, and video games. After that, get beginner-friendly and straightforward advice on worldbuilding, before diving headfirst into genre-specific guidance for science fiction, horror, and fantasy writing. This book also offers: Strategies for editing and revising your next work to get it into tip-top shape for your audience Ways to seek out second opinions from editors, experts, and even sensitivity readers Techniques for marketing and publication, working with agents, and advice for writers going the self-publishing route The perfect beginner's guide for aspiring writers with an interest in horror, fantasy, or science fiction, Writing Sci-Fi, Fantasy, & Horror For Dummies is the first and last resource you need before you start building your next story about faraway lands, aliens, and fantastic adventures. |
| describe fear in creative writing: The Art of Fear James Colton, 2020-01-14 Do you want to give your readers goose bumps? Do you want to inspire nightmares? Author James Colton shares everything he's learned from a decade of writing ghost stories, including: The Principles of Terror Discover the basic qualities that make something scary Learn how to apply the unknown, uncanniness, subtlety, and more to your writing The Ghost Story Process Crack the secrets of idea generation to craft a story that is both original and terrifying Understand the structure of a ghost story for maximum fright impact Creepy Case Studies Study examples from novels, short stories, and films Dive deep into one of my own ghost stories to see how it all works in practice Practical Exercises Stretch your creativity and train your spooky skills with specially crafted writing assignments Put together everything you've learned to write your own scary ghost story |
| describe fear in creative writing: The Battle of the Beetles 3: Battle of the Beetles M.G. Leonard, 2018-02-01 The beetle adventure continues as Darkus and his friends seek wicked Lucretia Cutter's secret Biome in the Amazon rainforest. If they can't stop her from unleashing her hoard of giant Frankenstein beetles, the planet will never be the same again ... |
| describe fear in creative writing: One Dark Window Rachel Gillig, 2022-09-27 THE FANTASY BOOKTOK SENSATION! For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking. Elspeth needs a monster. The monster might be her. Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure the kingdom of the dark magic infecting it. Except the highwayman just so happens to be the King’s own nephew, Captain of the Destriers…and guilty of high treason. He and Elspeth have until Solstice to gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly, darkly, taking over her mind. And she might not be able to stop him. |
| describe fear in creative writing: Writing Monsters Philip Athans, 2014-09-18 Monsters are more than things that go bump in the night... Monsters are lurking in the woods, beneath the waves, and within our favorite books, films, and games--and there are good reasons why they appear so often. Monsters are manifestations of our fears and symbols of our society--not to mention they're a lot of fun--but each should serve a purpose and enhance the themes and tension in your fiction. In Writing Monsters, best-selling author Philip Athans uses classic examples from books, films, and the world around us to explore what makes monsters memorable--and terrifying. You'll learn what monsters can (and should) represent in your story and how to create monsters from the ground up. Writing Monsters includes: • In-depth discussions of where monsters come from, what they symbolize, and how to best portray them in fiction • Informative overviews of famous monsters, archetypes, and legendary creatures • A Monster Creation Form to help you create your monster from scratch • An annotated version of H.P. Lovecraft's chilling story The Unnamable Whether you write fantasy, science fiction, or horror, your vampires, ghouls, aliens, and trolls need to be both compelling and meaningful. With Writing Monsters, you can craft creatures that will wreak havoc in your stories and haunt your readers' imaginations--and nightmares. |
| describe fear in creative writing: The Girl Who Loved Tom Gordon Stephen King, 2017-04-25 A frightening suspense novel about nine-year-old Trisha, who becomes lost in the woods as night falls. |
| describe fear in creative writing: The Writer's Lexicon Kathy Steinemann, 2017-03-19 You just read your manuscript and discovered that your characters nod like marionettes in every chapter. When they’re not nodding, they roll their eyes. Time to slash the Pinocchio strings. Transform your protagonists into believable personalities that your readers will learn to love. Or hate. Get in the driver’s seat, relax, and enjoy your journey — with Kathy Steinemann’s book as your GPS. |
| describe fear in creative writing: Escape From Cubicle Nation Pamela Slim, 2009-04-30 Pamela Slim, a former corporate training manager, left her office job twelve years ago to go solo and has enjoyed every bit of it. In her groundbreaking book, based on her popular blog Escape from Cubicle Nation, Slim explores both the emotional issues of leaving the corporate world and the nuts and bolts of launching a business. Drawing on her own career, as well as stories from her coaching clients and blog readers, Slim will help readers weigh their options, and make a successful escape if they decide to go for it. |
| describe fear in creative writing: Isla to Island Alexis Castellanos, 2022-03-15 A wordless graphic novel in which twelve-year-old Marisol must adapt to a new life 1960s Brooklyn after her parents send her to the United States from Cuba to keep her safe during Castro's regime.-- |
| describe fear in creative writing: The Fourth Industrial Revolution Klaus Schwab, 2017-01-03 The founder and executive chairman of the World Economic Forum on how the impending technological revolution will change our lives We are on the brink of the Fourth Industrial Revolution. And this one will be unlike any other in human history. Characterized by new technologies fusing the physical, digital and biological worlds, the Fourth Industrial Revolution will impact all disciplines, economies and industries - and it will do so at an unprecedented rate. World Economic Forum data predicts that by 2025 we will see: commercial use of nanomaterials 200 times stronger than steel and a million times thinner than human hair; the first transplant of a 3D-printed liver; 10% of all cars on US roads being driverless; and much more besides. In The Fourth Industrial Revolution, Schwab outlines the key technologies driving this revolution, discusses the major impacts on governments, businesses, civil society and individuals, and offers bold ideas for what can be done to shape a better future for all. |
| describe fear in creative writing: Writing in the Dark Tim Waggoner, 2020-09-16 In this comprehensive textbook devoted to the craft of writing horror fiction, award-winning author Tim Waggoner draws on thirty years' experience as a writer and teacher. Writing in the Dark offers advice, guidance, and insights on how to compose horror stories and novels that are original, frightening, entertaining, and well-written. Waggoner covers a wide range of topics, among them why horror matters, building viable monsters, generating ideas and plotlines, how to stylize narratives in compelling ways, the physiology of fear, the art of suspense, avoiding clichés, marketing your horror writing, and much more. Each chapter includes tips from some of the best horror professionals working today, such as Joe Hill, Ellen Datlow, Joe R. Lansdale, Maurice Broaddus, Yvette Tan, Thomas Ligotti, Jonathan Maberry, Edward Lee, and John Shirley. There are also appendices with critical reflections, pointers on the writing process, ideas for characters and story arcs, and material for further research. Writing in the Dark derives from Waggoner's longtime blog of the same name. Suitable for classroom use, intensive study, and bedside reading, this essential manual will appeal to new authors at the beginning of their career as well as veterans of the horror genre who want to brush up on their technique. |
| describe fear in creative writing: A Little Life Hanya Yanagihara, 2015-03-10 NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise. |
| describe fear in creative writing: This Is How You Lose the Time War Amal El-Mohtar, Max Gladstone, 2019-07-16 * HUGO AWARD WINNER: BEST NOVELLA * NEBULA AND LOCUS AWARDS WINNER: BEST NOVELLA * “[An] exquisitely crafted tale...Part epistolary romance, part mind-blowing science fiction adventure, this dazzling story unfolds bit by bit, revealing layers of meaning as it plays with cause and effect, wildly imaginative technologies, and increasingly intricate wordplay...This short novel warrants multiple readings to fully unlock its complexities.” —Publishers Weekly (starred review) From award-winning authors Amal El-Mohtar and Max Gladstone comes an enthralling, romantic novel spanning time and space about two time-traveling rivals who fall in love and must change the past to ensure their future. Among the ashes of a dying world, an agent of the Commandment finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, becomes something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean the death of each of them. There’s still a war going on, after all. And someone has to win. That’s how war works, right? Cowritten by two beloved and award-winning sci-fi writers, This Is How You Lose the Time War is an epic love story spanning time and space. |
| describe fear in creative writing: The Dictionary of Obscure Sorrows John Koenig, 2021-11-16 NEW YORK TIMES BESTSELLER “It’s undeniably thrilling to find words for our strangest feelings…Koenig casts light into lonely corners of human experience…An enchanting book. “ —The Washington Post A truly original book in every sense of the word, The Dictionary of Obscure Sorrows poetically defines emotions that we all feel but don’t have the words to express—until now. Have you ever wondered about the lives of each person you pass on the street, realizing that everyone is the main character in their own story, each living a life as vivid and complex as your own? That feeling has a name: “sonder.” Or maybe you’ve watched a thunderstorm roll in and felt a primal hunger for disaster, hoping it would shake up your life. That’s called “lachesism.” Or you were looking through old photos and felt a pang of nostalgia for a time you’ve never actually experienced. That’s “anemoia.” If you’ve never heard of these terms before, that’s because they didn’t exist until John Koenig set out to fill the gaps in our language of emotion. The Dictionary of Obscure Sorrows “creates beautiful new words that we need but do not yet have,” says John Green, bestselling author of The Fault in Our Stars. By turns poignant, relatable, and mind-bending, the definitions include whimsical etymologies drawn from languages around the world, interspersed with otherworldly collages and lyrical essays that explore forgotten corners of the human condition—from “astrophe,” the longing to explore beyond the planet Earth, to “zenosyne,” the sense that time keeps getting faster. The Dictionary of Obscure Sorrows is for anyone who enjoys a shift in perspective, pondering the ineffable feelings that make up our lives. With a gorgeous package and beautiful illustrations throughout, this is the perfect gift for creatives, word nerds, and human beings everywhere. |
| describe fear in creative writing: Shatter Me (Shatter Me) Tahereh Mafi, 2018-03-06 Stranger Things meets Shadow and Bone in this first instalment of an epic and romantic YA fantasy series – perfect for fans of Leigh Bardugo, Sarah J. Maas and Victoria Aveyard. Now a TikTok phenomenon. |
| describe fear in creative writing: Matilda Windsor Is Coming Home Anne Goodwin, 2021-05-29 In the dying days of the old asylums, three paths intersect. Henry was only a boy when he waved goodbye to his glamorous grown-up sister; approaching sixty, his life is still on hold as he awaits her return. As a high-society hostess renowned for her recitals, Matty’s burden weighs heavily upon her, but she bears it with fortitude and grace. Janice, a young social worker, wants to set the world to rights, but she needs to tackle challenges closer to home. A brother and sister separated by decades of deceit. Will truth prevail over bigotry, or will the buried secret keep family apart? In this, her third novel, Anne Goodwin has drawn on the language and landscapes of her native Cumbria and on the culture of long-stay psychiatric hospitals where she began her clinical psychology career. |
| describe fear in creative writing: The Emotional Wound Thesaurus: A Writer's Guide to Psychological Trauma Becca Puglisi , Angela Ackerman, 2017-10-25 Readers connect to characters with depth, ones who have experienced life’s ups and downs. To deliver key players that are both realistic and compelling, writers must know them intimately—not only who they are in the present story, but also what made them that way. Of all the formative experiences in a character’s past, none are more destructive than emotional wounds. The aftershocks of trauma can change who they are, alter what they believe, and sabotage their ability to achieve meaningful goals, all of which will affect the trajectory of your story. Identifying the backstory wound is crucial to understanding how it will shape your character’s behavior, and The Emotional Wound Thesaurus can help. Inside, you’ll find: * A database of traumatic situations common to the human experience * An in-depth study on a wound’s impact, including the fears, lies, personality shifts, and dysfunctional behaviors that can arise from different painful events * An extensive analysis of character arc and how the wound and any resulting unmet needs fit into it * Techniques on how to show the past experience to readers in a way that is both engaging and revelatory while avoiding the pitfalls of info dumps and telling * A showcase of popular characters and how their traumatic experiences reshaped them, leading to very specific story goals * A Backstory Wound Profile tool that will enable you to document your characters’ negative past experiences and the aftereffects Root your characters in reality by giving them an authentic wound that causes difficulties and prompts them to strive for inner growth to overcome it. With its easy-to-read format and over 100 entries packed with information, The Emotional Wound Thesaurus is a crash course in psychology for creating characters that feel incredibly real to readers. |
| describe fear in creative writing: Nerve Eva Holland, 2020-04-07 SHORTLISTED for the 2021 BC and Yukon Book Prizes' Hubert Evans Non-Fiction Prize A personal story about not only facing but conquering fears. In 2015, Eva Holland was forced to confront her greatest fear when her mother had a stroke and suddenly passed away. After the shock and grief subsided, Holland began to examine the extent to which her many fears had limited her, and wondered whether or not it was possible to move past them. This sent Holland on a deep dive into the science of fear, digging into an array of universal and personal questions: Why do we feel fear? Where do phobias come from and how are they related to anxiety disorders and trauma? Can you really smell fear? (Yes.) What would it be like to feel no fear? Is there a cure for fear? Or, put differently, is there a better way to feel afraid? On her journey, Holland meets with scientists who are working to eliminate phobias with a single pill, she explores the lives of the few individuals who suffer from a rare disease that prevents them from ever feeling fear, and she immerses herself in her own fears including hurling herself out of a plane for her first skydive (and in the process, learns that there are right and wrong ways to face your fears). Fear is a universal human experience, and Nerve answers these questions in a refreshingly accessible way, offering readers an often personal, sometimes funny, and always rigorously researched journey through the science of facing our fears. |
| describe fear in creative writing: Eileen Ottessa Moshfegh, 2015-08-18 Now a major motion picture streaming on Hulu, starring Anne Hathaway and Thomasin McKenzie Shortlisted for the Man Booker Prize “Eileen is a remarkable piece of writing, always dark and surprising, sometimes ugly and occasionally hilarious. Its first-person narrator is one of the strangest, most messed-up, most pathetic—and yet, in her own inimitable way, endearing—misfits I’ve encountered in fiction. Trust me, you have never read anything remotely like Eileen.” —Washington Post So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes—a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings. Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature. Ottessa Moshfegh is also the author of My Year of Rest and Relaxation, Homesick for Another World: Stories, and McGlue. |
| describe fear in creative writing: Fear of Writing Millie I. Thornton, 2003 Fear of Writing is for writers (including closet writers!) who experience a familiar thud in the pit of the stomach when they visualize sitting down to write. The process of learning to flow is demystified, and a triage of fun is applied to heal the old writing scars. Through short stories about fictional characters with fear of writing, you'll realize you're not alone. Through writing exercises known as Fertile Material, you'll learn the skills you need to have F-U-N with writing . . . even if you've never written a story before! See sample below for Chapter One, testimonials, and a profile of the writing exercises. You can also see four complete Fertile Material exercises at fearofwriting.com |
| describe fear in creative writing: The House in the Cerulean Sea TJ Klune, 2020-03-17 A NEW YORK TIMES, USA TODAY, and WASHINGTON POST BESTSELLER! A 2021 Alex Award winner! The 2021 RUSA Reading List: Fantasy Winner! An Indie Next Pick! One of Publishers Weekly's Most Anticipated Books of Spring 2020 One of Book Riot’s “20 Must-Read Feel-Good Fantasies” Lambda Literary Award-winning author TJ Klune’s bestselling, breakout contemporary fantasy that's 1984 meets The Umbrella Academy with a pinch of Douglas Adams thrown in. (Gail Carriger) Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He's tasked with determining whether six dangerous magical children are likely to bring about the end of the world. Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light. The House in the Cerulean Sea is an enchanting love story, masterfully told, about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours. 1984 meets The Umbrella Academy with a pinch of Douglas Adams thrown in. —Gail Carriger, New York Times bestselling author of Soulless At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. |
| describe fear in creative writing: Scream Margee Kerr, 2015-09-29 Shiver-inducing science not for the faint of heart. No one studies fear quite like Margee Kerr. A sociologist who moonlights at one of America's scariest and most popular haunted houses, she has seen grown men laugh, cry, and push their loved ones aside as they run away in terror. And she's kept careful notes on what triggers these responses and why. Fear is a universal human experience, but do we really understand it? If we're so terrified of monsters and serial killers, why do we flock to the theaters to see them? Why do people avoid thinking about death, but jump out of planes and swim with sharks? For Kerr, there was only one way to find out. In this eye-opening, adventurous book, she takes us on a tour of the world's scariest experiences: into an abandoned prison long after dark, hanging by a cord from the highest tower in the Western hemisphere, and deep into Japan's mysterious suicide forest. She even goes on a ghost hunt with a group of paranormal adventurers. Along the way, Kerr shows us the surprising science from the newest studies of fear -- what it means, how it works, and what it can do for us. Full of entertaining science and the thrills of a good ghost story, this book will make you think, laugh -- and scream. |
| describe fear in creative writing: Behold the Dawn K. M. Weiland, 2009-08 Acclaim for Behold the Dawn Enough action to satisfy the adventure lover; enough impossible awakening love to satisfy the romantic; enough research to satisfy the historian, enough intrigue, betrayal and murder to satisfy the mystery lover, and enough mercy and forgiveness to satisfy the Christ-follower.-Jeannie Campbell, The Character Therapist I consider literary-induced insomnia, inspiring writing, and mild fictional character obsession the marks of a great story. K.M. Weiland's thrilling historical fiction novel, Behold the Dawn, provides all of the above.-Kerry Johnson Meticulously researched and so beautifully written, it reads like poetry.-S.L. Coelho About the Book The vengeance of a monk. The love of a countess. The secrets of a knight. Marcus Annan, a knight famed for his prowess in the deadly tourney competitions, thought he could keep the bloody secrets of his past buried forever. But when a mysterious crippled monk demands Annan help him wreak vengeance on a corrupt bishop, Annan is forced to leave the tourneys and join the Third Crusade in the Holy Land. Wounded in battle and hunted on every side, he agrees to marry-in name only-the traumatized widow of an old friend, in order to protect her from the obsessive pursuit of a mutual enemy. Together, they escape an infidel prison camp and flee the Holy Land. But, try as he might, he cannot elude the past-or his growing feelings for the Lady Mairead. Amidst the pain and grief of a war he doesn't even believe in, he is forced at last to face long-hidden secrets and sins and to bare his soul to the mercy of a God he thought he had abandoned years ago. More Praise for Behold the Dawn ...there is a beauty in the way her theme emerges naturally and powerfully from within the story. Really, the story has much of the gut-wrenching drama and emotional roller-coaster ride of a Shakespearean play.-William Polm Marcus Annan is a compelling, tragic character, struggling against dark knights, darker men of the cloth, and darkest still, his own inner demons.-Joseph M. Fraser I found myself returning to several passages even before completing the book-not to remind myself of events, but to savor them. O]ne of the few historical novels ... so beautifully written.-B. Howard |
| describe fear in creative writing: Why Poetry Matthew Zapruder, 2017-08-15 An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone. |
| describe fear in creative writing: The Good Daughter Karin Slaughter, 2017-08-08 Don’t miss the next Will Trent thriller, This Is Why We Lied, coming this August! SOON TO BE A PEACOCK LIMITED SERIES STARRING JESSICA BIEL “The Good Daughter is like Law and Order meets The Good Wife.” —theSkimm The stunning new novel from the New York Times bestselling author of Pieces of Her— a searing, spellbinding blend of cold-case thriller and psychological suspense. Two girls are forced into the woods at gunpoint. One runs for her life. One is left behind… Twenty-eight years ago, Charlotte and Samantha Quinn's happy small-town family life was torn apart by a terrifying attack on their family home. It left their mother dead. It left their father — Pikeville's notorious defense attorney — devastated. And it left the family fractured beyond repair, consumed by secrets from that terrible night. Twenty-eight years later, and Charlie has followed in her father's footsteps to become a lawyer herself — the ideal good daughter. But when violence comes to Pikeville again — and a shocking tragedy leaves the whole town traumatized — Charlie is plunged into a nightmare. Not only is she the first witness on the scene, but it's a case that unleashes the terrible memories she's spent so long trying to suppress. Because the shocking truth about the crime that destroyed her family nearly thirty years ago won't stay buried forever… Packed with twists and turns, brimming with emotion and heart, The Good Daughter is fiction at its most thrilling. |
| describe fear in creative writing: How to Write what You Want and Sell what You Write Skip Press, 1995 Not loaded with theory, Skip's invaluable book contains concise, easily understood and applied advice for both writing and marketing any kind of book, article, story, play, screen-play, report, proposal or anything else you can think of.How to Write What You Want and Sell What You Write is for every writer or wannabe who needs to sort out his or her desires, capabilities and strengths and, even more importantly, learn the particular formats for the kind of writing in which he or she is interested. |
| describe fear in creative writing: The Word on College Reading and Writing Carol Burnell, Jaime Wood, Monique Babin, Susan Pesznecker, Nicole Rosevear, 2020 An interactive, multimedia text that introduces students to reading and writing at the college level. |
| describe fear in creative writing: Letter from Birmingham Jail Martin Luther King, 2025-01-14 A beautiful commemorative edition of Dr. Martin Luther King's essay Letter from Birmingham Jail, part of Dr. King's archives published exclusively by HarperCollins. With an afterword by Reginald Dwayne Betts On April 16, 1923, Dr. Martin Luther King Jr., responded to an open letter written and published by eight white clergyman admonishing the civil rights demonstrations happening in Birmingham, Alabama. Dr. King drafted his seminal response on scraps of paper smuggled into jail. King criticizes his detractors for caring more about order than justice, defends nonviolent protests, and argues for the moral responsibility to obey just laws while disobeying unjust ones. Letter from Birmingham Jail proclaims a message - confronting any injustice is an acceptable and righteous reason for civil disobedience. This beautifully designed edition presents Dr. King's speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality. |
| describe fear in creative writing: A Good Girl's Guide to Murder (A Good Girl’s Guide to Murder, Book 1) Holly Jackson, 2019-05-02 The New York Times No.1 bestselling YA crime thriller that everyone is talking about. Soon to be a major BBC series! |
| describe fear in creative writing: Fahrenheit 451 Ray Bradbury, 1968 A fireman in charge of burning books meets a revolutionary school teacher who dares to read. Depicts a future world in which all printed reading material is burned. |
DESCRIBE Definition & Meaning - Merriam-Webster
The meaning of DESCRIBE is to represent or give an account of in words. How to use describe in a sentence.
DESCRIBE | English meaning - Cambridge Dictionary
DESCRIBE definition: 1. to say or write what someone or something is like: 2. If you describe a shape, you draw it or…. Learn more.
DESCRIBE Definition & Meaning | Dictionary.com
Describe definition: to tell or depict in written or spoken words; give an account of.. See examples of DESCRIBE used in a sentence.
DESCRIBE definition and meaning | Collins English Dictionary
If you describe a person, object, event, or situation, you say what they are like or what happened.
Describe - definition of describe by The Free Dictionary
describe - to give an account or representation of in words; "Discreet Italian police described it in a manner typically continental"
Describe - Definition, Meaning & Synonyms - Vocabulary.com
To describe is to report details about something either out loud or in writing. "Since we can't come to Paris with you, please describe it in your letter!" Describe is from the Latin word describere …
describe verb - Definition, pictures, pronunciation and usage notes ...
Definition of describe verb in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
describe - definition and meaning - Wordnik
Describe applies primarily to what exists—space, and by extension to what occurs—time, but narrate applies only to the latter: as, to describe a view, a race, or a siege; to narrate an …
Describe Definition & Meaning | Britannica Dictionary
DESCRIBE meaning: 1 : to tell someone the appearance, sound, smell, events, etc., of (something or someone) to say what something or someone is like often + as; 2 : to make a motion or draw a …
describe - Wiktionary, the free dictionary
Jun 8, 2025 · describe (third-person singular simple present describes, present participle describing, simple past and past participle described) To represent in words.
DESCRIBING A FOREST COLOUR LEVEL 1 LEVEL 2 LEVEL 3 …
LEVEL 3: CREATIVE PARAGRAPHS The forest we entered was oak-brown and primitive. The grasses we stepped on were crackly beneath our feet because of the recent dry spell. We were …
Personal narrative writing worksheet - K5 Learning
Personal narrative writing Grade 4 Writing Worksheet Write about a time when you overcame a fear, such as trying a new food or riding a roller coaster. Your story should have a beginning, …
DESCRIBING THE RAIN - Best Descriptive Writing Sites
to write something about the sun coming out. This will vary your writing style. LEVEL 2 I quickened my pace as the clouds began to gather in the sky. Up to now, the sky had been …
Investigation of Writing Strategies, Writing Apprehension, …
Writing apprehension has been deemed as a critical issue that teachers have to learn how to address (Smith, 1984). Writing anxiety was defined as a fear of the writing process which …
Creative Writing Fundamentals - The University of Adelaide
Creative Writing Fundamentals _____ 1 Creative Writing is a very subjective discipline and mode of writing. However, there are some universal elements to consider and strengthen, no matter …
DESCRIBING THE SUN - Best Descriptive Writing Sites
That is just one example of how to give your writing a more interesting slant. Using a different grouping of words, you can write the following: I sat down by a glass-clear lake. The sun was …
CHAPTER 3: CREATIVE MESSAGE STRATEGY - University of …
The creative brief provides an outline of the objectives and tactics that will be used in creating the advertising message. These will be discussed next. 3.2.1 The creative brief . A creative brief is …
Descriptive Writing example - fairground - Harlow Green
Example busy fairground description: Relative clause Simile, metaphor or personification As night falls, the fairground grows luminous against the black sky.
What is creative writing ? Give examples. - Chhatrapati …
Creative writing is a form of writing where creativity is at the forefront of its purpose through using imagination, creativity, and innovation in order to tell a story through strong written ... The …
Writing War, Writing Peace - The National Archives
writing are some of the results. It’s been fascinating to see the creative responses of these writers to the material held here and continues to demonstrate how archives can inspire creative …
Using Writing in Mathematics to Deepen Student Learning - ed
solving because the writer must organize and describe internal thoughts. Like most things, learning to write well requires instruction and practice. In this booklet, I aim to nudge secondary …
Rivers of life - Talk for Writing
Short-burst writing In order for children to appreciate the importance of rivers, they also need to recognise and appreciate the beauty of them and their surrounding habitats. This is a good …
ABOUT WRITING - West Virginia University
about writing that are tied to the production, circulation, cultural use of, evaluation, and teaching of writing in multiple ways. The categories are bad ideas about: • The features of good writing • …
Fear, Darkness, & Mystery - Peter Smagorinsky
In the past, “women took up writing Gothic novels as a way to make a living,” which means that there are plenty of female Gothic texts to choose from (Sime 276). ... both formal and creative. …
Styles of English Describing a Car Accident in 15+ Different
of a child writing a letter, which uses simpler vocabulary and sentence structures. A description in the style of a politician making a speech uses more persuasive language and rhetorical …
How To Describe Fear And Panic In Writing
How To Describe Fear And Panic In Writing Carol Burnell,Jaime Wood,Monique Babin,Susan Pesznecker,Nicole Rosevear The Emotion Thesaurus: A Writer's Guide to Character …
Inspiring Habitats on Farms: Descriptive Writing for Key …
6. Ask students to make a connection between what they have done and writing to describe? What are the similarities? 7. Students return to the original drawing they have completed and …
How To Describe Fear And Panic In Writing (book)
How To Describe Fear And Panic In Writing The Emotion Thesaurus: A Writer's Guide to Character Expression (2nd Edition) Becca Puglisi,Angela Ackerman,2019-02-19 The …
How To Describe Fear And Panic In Writing (2024)
interactive multimedia text that introduces students to reading and writing at the college level The Artist's Way Julia Cameron,1995 With this book you can discover how to unlock your latent …
Descriptive Writing and the Five Senses
Sight is the most important sense to engage in good creative writing. Novels are made out of words on paper, not celluloid. To enable the readers to "see" you must paint ... Another …
Innovative Practices in Creative Writing Teaching
teaching creative writing can have many motivating factors. For that reason, and at different levels of education, some of those who teach creative writing are not necessarily regular creative …
Talk for Writing consultant Jamie Thomas explains how a …
Talk for Writing consultant Jamie Thomas explains how a model text can be used to help pupils explore character through levels of formality and perspective. Below is the model text, teaching …
The Relationship between Writing Anxiety and Writing …
writing anxiety as a multidimensional construct that causes a negative psychological reaction to writing. Writing anxiety is a kind of emotion with psychological and physiological aspects. The …
Creative Writing in the Digital Age: Theory, Practice, and
imaginary cultural decline, creative writing instructors can lead the way to the future” (57). The challenges and rewards of expanding the creative writing workshop to include digital media are …
Creative Writing Activity Packet - Open Books
Wonka Words is a creative argument-writing game. Works for slightly older students, although all can compete. Groups of three players or more. One player is the judge, and the judge thinks of …
0500 s20 ms 23 - Best Exam Help
Section A: Directed Writing Question 1 This question tests the following writing assessment objectives (25 marks) W1 articulate experience and express what is thought, felt and imagined …
English GCSE Level 9 Ready - Archer Academy
wild, savage (That beast looks so feral that I would fear being alone with it). forsake (v). to give up, renounce (I won't forsake my conservative principles). fractious (adj). troublesome or irritable …
Desert setting vocabulary - parkfieldprimary.com
Desert setting vocabulary Words Nouns: sand, dunes, horizon, heat, furnace, wind, storm Adjectives: rocky, flat, thorny, bare, stark, barren, burning, shimmering ...
On Writing Well, 30th Anniversary Edition: An Informal Guide …
fear of writing is up there with air-conditioning and the lightbulb. But, as always, there’s a catch. Nobody told all the new computer writers that the essence of writing is rewriting. Just because …
Strategies for Essay Writing - Harvard College Writing Center
provide when you are writing a paper. Here are some useful guidelines: o If you’re writing a research paper, do not assume that your reader has read all the sources that you are writing …
Describing a tree in summer, spring, autumn and winter.
10. You can follow the leaf-carpeted path to find your way home. OTHERS A WINTER TREE 1. In winter, the trees become bare of leaf. SIGHT 2. The sound of snapping branches fills the …
Talk for Writing/ English Curriculum Talk for Writing/ En
Note: Year 6s may do a shorter writing unit or a non-fiction text instead. For focussing on GD children it may be appropriate to allow them to choose their genre of writing (Mysteries of …
L e a r n i n g Re s o u r c e Ce n te r – Wr i ti n g Ce n te r
L e a r n i n g Re s o u r c e Ce n te r – Wr i ti n g Ce n te r S en so ry Wo rd s S ensory words are descri pt i ve words appl yi ng t o t he senses such as t ouch, sound, si ght ,
arXiv:2211.05030v1 [cs.HC] 9 Nov 2022
published writers from a diverse set of creative writing backgrounds to craft stories using Wordcraft, a text editor with built-in AI-powered writing assistance tools. Using interviews and …
Creative Writing Summer Assignment: “Write Like Nobody’s …
Jun 20, 2022 · an alternate universe. Describe their day, their problem, or their secret. You can write it as a diary, scene, or letter. 8. “The 100-Word Challenge” Write exactly 100 words about …
Writing a Reflection Paper - Lewis University
Writing a Reflection Paper A reflection paper is an assignment where you analyze what you have read or experienced and ... Describe the main idea of the paragraph with a topic sentence. 2. …
Year 7 descriptive writing task - Chantry Academy
Year 7 descriptive writing task This image shows a mythical creature called Scylla. Can you spot it? Your job is to write a detailed descriptive of this scene. You should aim to include: - lots of …
Mark scheme: Paper 1 Explorations in creative reading and …
How does the writer use language here to describe the conflict between Kino and the scorpion? You could include the writer’s choice of: • words and phrases • language features and …
How To Describe Fear In Writing - wiki.morris.org.au
How To Describe Fear In Writing Nerve Eva Holland, 2021-04-06 AN INTERNATIONAL BESTSELLER FINALIST FOR THE 2021 HUBERT EVANS NON-FICTION PRIZE A personal …
Creative approaches to GCSE English Language Julie Hughes
Reading - take the fear away. I hated him. I hated his _____ ways and his _____ manners; I hated his handsome boyish face, with its frame of golden hair, and its blue, beaming, hopeful eyes; I …
23 German Idioms To Spice Up Your Conversations
used to describe someone who is slow or takes a long time to do something. It suggests that the person moves at a leisurely pace, like a snail. “Wie die Made im Speck leben” . Translation: To …
ITEM WRITING GUIDELINES - Boston College
item-writing sessions, please ask staff or consult these guidelines if you have any questions. General Issues in Writing Items for the TIMSS 2015 Assessments Item writing is a task that …
Language Paper 1: Question 5 Descriptive Writing Practice
Panoramic – describe the scene, broadly. Introduce the time and atmosphere. Zoom – focus your lens in on one segment of the image (draw a box) Single line – emphasise the key feeling of …
Creative Writing Assignments in a Second Language …
Creative writing increases students’ enthusiasm for writing skills development and supports students’ creativity, which is a fundamental aspect of education. In order ... L2 teachers can …
Description Of Fear Creative Writing (PDF)
Description Of Fear Creative Writing and Bestseller Lists 5. Accessing Description Of Fear Creative Writing Free and Paid eBooks Description Of Fear Creative Writing Public Domain …
Creative Writing from Theory to Practice:Multi-Tasks for ... - ed
Creative writing multi-tasks have a significant impact on developing the experimental group’s creative writing competence, compared to the control group. The findings indicate that using …
DESCRIBING THE MOON - descriptivewriting.wordpress.com
2. Dyad moon: from the word duo, meaning two, when the sun and moon appeared in the sky together. 3. Mead moon: named after a drink of honey and ale used for celebrations.Hunting …
Describing a tree in summer, spring, autumn and winter.
10. You can follow the leaf-carpeted path to find your way home. OTHERS A WINTER TREE 1. In winter, the trees become bare of leaf. SIGHT 2. The sound of snapping branches fills the …
