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| dialectic examples in literature: A Dictionary of Literary Terms and Literary Theory J. A. Cuddon, 2012-11-07 With new entries and sensitive edits, this fifth edition places J.A. Cuddon’s indispensable dictionary firmly in the 21st Century. Written in a clear and highly readable style Comprehensive historical coverage extending from ancient times to the present day Broad intellectual and cultural range Expands on the previous edition to incorporate the most recent literary terminology New material is particularly focused in areas such as gender studies and queer theory, post-colonial theory, post-structuralism, post-modernism, narrative theory, and cultural studies. Existing entries have been edited to ensure that topics receive balanced treatment |
| dialectic examples in literature: Hegel's Undiscovered Thesis-Antithesis-Synthesis Dialectics Leonard F. Wheat, 2012-12-25 For over fifty years, Hegel interpreters have rejected the former belief that Hegel used thesis-antithesis-synthesis dialectics. In this incisive analysis of Hegel's philosophy, Leonard F. Wheat shows that the modern interpretation is false. Wheat rigorously demonstrates that there are in fact thirty-eight well-concealed dialectics in Hegel's two most important works--twenty-eight in Phenomenology of Spirit and ten in The Philosophy of History. Wheat also develops other major new insights: • Hegel's chief dialectical format consists of a two-concept thesis, a two-concept antithesis, and a two-concept synthesis that borrows one concept from the thesis and one from the antithesis. • All dialectics are analogically based on the Christian separation-and-return myth: the dialectic separates from and returns to a thesis concept. • Hegel's enigmatic Spirit is a four-faceted, deliberately fictitious, nonsupernatural entity that exists only as an atheistic redefinition of God. • Spirit's divine life begins not with consciousness but with unconsciousness, in the prehuman state of nature-before Spirit acquires its human mind. • Hegel's concept of freedom is not a sociopolitical concept but release from bondage to religious superstition (belief in a supernatural God). • In Hegel's widely misinterpreted master-and-slave parable, the master is God, the slave is man, and the slave's gaining his freedom is man's becoming an atheist. • The standard non-Hegelian base-superstructure interpretation of Marx's dialectics is false. Marx's basic dialectic is actually this: thesis = communal ownership poverty, antithesis = private ownership wealth, synthesis = communal ownership wealth. Wheat also shows that Marx and Tillich, who subtly used Hegelian dialectics in their own works, are the only authors who have understood Hegelian dialectics. Thoroughly researched and exhaustive in detail, this radical reinterpretation of Hegel's philosophy should greatly interest Hegel scholars and students. |
| dialectic examples in literature: Persuasion: History, Theory, Practice George Pullman, 2013-09-15 George Pullman's lively and accessible introduction to the study of persuasion is an ideal text for use in courses where the understanding and practice of argumentation, rhetoric, and critical thinking are central. Continually challenging his readers to seek and recognize sound evidence, to question the obvious, and to assess and reassess the credibility of claims made by others--including the author's own--Pullman shows the way to strong writing, effective speaking, and rigorous critical thinking. |
| dialectic examples in literature: The dialect and provincialisms John Greaves Nall, 1866 |
| dialectic examples in literature: Living Christianly Sylvia Walsh, 2010-11 The pseudonymous works Kierkegaard wrote during the period 1843&–46 have been responsible for establishing his reputation as an important philosophical thinker, but for Kierkegaard himself, they were merely preparatory for what he saw as the primary task of his authorship: to elucidate the meaning of what it is to live as a Christian and thus to show his readers how they could become truly Christian. The more overtly religious and specifically Christian works Kierkegaard produced in the period 1847&–51 were devoted to this task. In this book Sylvia Walsh focuses on the writings of this later period and locates the key to Kierkegaard&’s understanding of Christianity in the &“inverse dialectic&” that is involved in &“living Christianly.&” In the book&’s four main chapters, Walsh examines in detail how this inverse dialectic operates in the complementary relationship of the negative qualifications of Christian existence&—sin, the possibility of offense, self-denial, and suffering&—to the positive qualifications&—faith, forgiveness, new life/love/hope, and joy and consolation. It was Kierkegaard&’s aim, she argues, &“to bring the negative qualifications, which he believed had been virtually eliminated in Christendom, once again into view, to provide them with conceptual clarity, and to show their essential relation to, and necessity in, securing a correct understanding and expression of the positive qualifications of Christian existence.&” |
| dialectic examples in literature: The Dialectical Forge Walter Edward Young, 2016-12-13 The Dialectical Forge identifies dialectical disputation (jadal) as a primary formative dynamic in the evolution of pre-modern Islamic legal systems, promoting dialectic from relative obscurity to a more appropriate position at the forefront of Islamic legal studies. The author introduces and develops a dialectics-based analytical method for the study of pre-modern Islamic legal argumentation, examines parallels and divergences between Aristotelian dialectic and early juridical jadal-theory, and proposes a multi-component paradigm—the Dialectical Forge Model—to account for the power of jadal in shaping Islamic law and legal theory.In addition to overviews of current evolutionary narratives for Islamic legal theory and dialectic, and expositions on key texts, this work shines an analytical light upon the considerably sophisticated “proto-system” of juridical dialectical teaching and practice evident in Islam’s second century, several generations before the first “full-system” treatises of legal and dialectical theory were composed. This proto-system is revealed from analyses of dialectical sequences in the 2nd/8th century Kitāb Ikhtilāf al-ʿIrāqiyyīn / ʿIrāqiyyayn (the “subject-text”) through a lens molded from 5th/11th century jadal-theory treatises (the “lens-texts”). Specific features thus uncovered inform the elaboration of a Dialectical Forge Model, whose more general components and functions are explored in closing chapters. |
| dialectic examples in literature: The Dialectics of Art John Molyneux, 2020-08-04 To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all. |
| dialectic examples in literature: Dialect, Diction, and Style in Greek Literary and Inscribed Epigram Evina Sistakou, Antonios Rengakos, 2016-10-24 Language and style of epigram is a topic scarcely discussed in the related bibliography. This edition aspires to fill the gap by offering an in-depth study of dialect, diction, and style in Greek literary and inscribed epigram in a collection of twenty-one contributions authored by international scholars. The authors explore the epigrammatic Kunstsprache and matters of dialectical variation, the interchange between poetic and colloquial vocabulary, the employment of hapax legomena, the formalistic uses of the epigrammatic discourse (meter, syntactical patterns, arrangement of words, riddles), the various categories of style in sepulchral, philosophical and pastoral contexts of literary epigrams, and the idiosyncratic diction of inscriptions. This is a book intended for classicists who want to review the connection between the stylistic features of epigram and its interpretation, as well as for scholars keen to understand how rhetoric and linguistics can be used as a heuristic tool for the study of literature. |
| dialectic examples in literature: Key Concepts in Modernist Literature Julian Hanna, Martin Coyle, 2008-11-24 Introducing the dynamic study of a literary period stretching from 1900 to the Second World War, the book reflects the exciting mix of European avant-garde, writers of the Harlem Renaissance and regional voices within Britain. Three distinct sections explore the major concepts, themes and issues that characterise the literature. |
| dialectic examples in literature: The Dialectics of Exile Sophia A. McClennen, 2004 The history of exile literature is as old as the history of writing itself. Despite this vast and varied literary tradition, criticism of exile writing has tended to analyze these works according to a binary logic, where exile either produces creative freedom or it traps the writer in restrictive nostalgia. The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures offers a theory of exile writing that accounts for the persistence of these dual impulses and for the ways that they often co-exist within the same literary works. Focusing on writers working in the latter part of the twentieth century who were exiled during a historical moment of increasing globalization, transnational economics, and the theoretical shifts of postmodernism, Sophia A. McClennen proposes that exile literature is best understood as a series of dialectic tensions about cultural identity. Through comparative analysis of Juan Goytisolo (Spain), Ariel Dorfman (Chile) and Cristina Peri Rossi (Uruguay), this book explores how these writers represent exile identity. Each chapter addresses dilemmas central to debates over cultural identity such as nationalism versus globalization, time as historical or cyclical, language as representationally accurate or disconnected from reality, and social space as utopic or dystopic. McClennen demonstrates how the complex writing of these three authors functions as an alternative discourse of cultural identity that not only challenges official versions imposed by authoritarian regimes, but also tests the limits of much cultural criticism. |
| dialectic examples in literature: Metaphor and Dialectic in Managing Diversity C. Schwabenland, 2012-06-12 Metaphor and dialectic are modes of thinking that influence the ways in which we identify what we have in common with others, how we differ and how we manage this diversity to achieve organizational goals. This book explores how we can become more aware of these unconscious processes and challenge stereotypes. |
| dialectic examples in literature: Swift And The Dialectical Tradition James A Rembret, Alan Sears, 1988-02-16 |
| dialectic examples in literature: Routledge Revivals: Bertolt Brecht: Dialectics, Poetry, Politics (1988) Peter Brooker, 2017-02-17 First published in 1988, this books argues with received accounts to reclaim Brecht’s emphasis on his self-described ‘dialectical theatre’, re-examining firstly the concepts of Gestus and Verfremdung and their realisation in Brecht’s poetry in terms of his attempt to consciously apply the methods of dialectical materialism to art and cultural practice. The author also takes issue with the customary view of Brecht’s career and politics which sees him as compromising either with Communist party dogma or bourgeois aesthetics, to find developing parallels between Brecht’s political and artistic though and the critical dialectics of Marx, Lenin and Mao. This development is examined in later chapters in relation to the early and late plays, The Measures Taken and Days of the Commune as well as in relation to Brecht’s changed circumstances in the years of war-time exile and in post-war East Germany. |
| dialectic examples in literature: Handbook of Literary Rhetoric Heinrich Lausberg, 2023-12-28 Lausberg's Handbook of Literary Rhetoric, here made available for the first time in English, received high critical acclaim on its first publication in 1963. It is a monumental work of extraordinary erudition, organisation and comprehensiveness, and enjoys unrivalled authority in its formal description of rhetorical techniques. The present edition is a translation of the second edition of 1973, which was reprinted in 1990. The Handbook has for many years been a standard reference work for all engaged in the study of literature and rhetoric. This translation will ensure its accessibility to a new generation of students of rhetoric. |
| dialectic examples in literature: Reader's Guide to Literature in English Mark Hawkins-Dady, 1996 First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company. |
| dialectic examples in literature: Renaissance Literature and Linguistic Creativity James Harmer, 2016-03-31 Renaissance Literature and Linguistic Creativity interrogates notions of linguistic creativity as presented in English literary texts of the late sixteenth century. It considers the reflections of Renaissance English writers upon the problem of how linguistic meaning is created in their work. The book achieves this consideration by placing its Renaissance authors in the context of the dominant conceptualisation of the thought-language relationship in the Western tradition: namely, that of 'introspection'. In taking this route, author James Harmer undertakes to provide a comprehensive overview of the notion of 'introspection' from classical times to the Renaissance, and demonstrates how complex and even strange this notion is often seen to be by thinkers and writers. Harmer also shows how poetry and literary discourse in general stands at the centre of the conceptual consideration of what linguistic thinking is. He then argues, through a range of close readings of Renaissance texts, that writers of the Shakespearean period increase the fragility of the notion of 'introspection' in such a way as to make the prospect of any systematic theory of meaning seem extremely remote. Embracing and exploring the possibility that thinking about meaning can only occur in the context of extreme cognitive and psychological limitation, these texts emerge as proponents of a human mind which is remarkably free in its linguistic nature; an irresistible mode of life unto itself. The final argumentative stratum of the book explores the implications of this approach for understanding the relationship between literary criticism, philosophy, and other kinds of critical activity. Texts discussed at length include Edmund Spenser's The Faerie Queene and shorter poetry, George Chapman's Ovids Banquet of Sence, Shakespeare's Titus Andronicus and Hamlet, and John Donne's Elegies. |
| dialectic examples in literature: Philosophical Foundations of Mixed Methods Research Yafeng Shan, 2023-12-01 Philosophical Foundations of Mixed Methods Research provides a comprehensive examination of the philosophical foundations of mixed methods research. It offers new defences of the seven main approaches to mixed methods (the pragmatist approach, the transformative approach, the indigenous approach, the dialectical approach, the dialectical pluralist approach, the performative approach, and the realist approach) written by leading mixed methods researchers. Each approach is accompanied by critical reflections chapter from philosophers’ point of view. The book shows the value of the use of mixed methods from a philosophical point of view and offers a systematic and critical examination of these positions and approaches from a philosophical point of view. The volume also offers a platform to promote a dialogue between mixed methods researchers and philosophers of science and provides foundations for further research and teaching of this hotly debated topic. This volume is ideal for researchers and advanced students, and anyone who is interested in research methods and the social sciences more generally. |
| dialectic examples in literature: Contrary Things Catherine Brown, 1998-08-01 This work of intellectual and cultural history seeks to understand the recurring connection of teaching with contradiction in some major texts of the European Middle Ages. It moves comfortably between patristic and monastic exegesis, the Paris schools of the twelfth and thirteenth centuries, and late medieval Spain; between Latin and vernacular, between religious and secular. It assimilates the methodologies of religious and erotic texts, thereby displaying the investment of each in the sensuality and analytical power of language. The book begins by exploring Christian exegesis, in which biblical contradiction is the textual incarnation of a Truth that is at once and paradoxically singular and multiple. Exegesis teaches us of the possibility of maintaining the truth in one biblical proposition and, equally and simultaneously, in its apparent opposite. Under the aegis of dialectic and the Aristotelian rule of non-contradiction, however, we are next taught to read either/or, and to resolve contradiction not through suspension and multiplicity, as in exegesis, but rather through a judgment that favors either one proposition or the other. The writers studied here are John of Salisbury, whose Metalogicon is an ostensibly moderating critique of the intellectual extremism of the School of Paris logicians, and Peter Abelard, in whose life and writing the forces of contradiction work with maiming and illuminating violence. The book then considers the teaching-textuality of two great secular works of the Middle Ages, formed under the double instruction of the master disciplines of monastic exegesis and dialectic and under the tutelage of Ovid. Calling simultaneously on the both-and of exegesis and the either/or of dialectic, the teaching of these two texts is both biblical and worldly—impossibly, both at once, always in motion. The De Amore of Andreas Capellanus teaches two opposite propositions and commands that either one or the other must be chosen, yet in practice shows each proposition to be deeply embedded in the other. The concluding chapter turns from the Latin to the vernacular tradition to study one of the lesser-known examples of contradictory teaching, the fourteenth-century Libro de Buen Amor of Juan Ruiz, whose titular good love conflates the contrary things of spiritual and carnal love, while reminding readers that the difference between the two is urgently consequential. |
| dialectic examples in literature: Argument, Inference and Dialectic R.C. Pinto, 2013-03-14 This volume contains 12 papers addressed to researchers and advanced students in informal logic and related fields, such as argumentation, formal logic, and communications. Among the issues discussed are attempts to rethink the nature of argument and of inference, the role of dialectical context, and the standards for evaluating inferences, and to shed light on the interfaces between informal logic and argumentation theory, rhetoric, formal logic and cognitive psychology. |
| dialectic examples in literature: A Psychoanalytic Perspective on Reading Literature Merav Roth, 2019-08-14 What are the unconscious processes involved in reading literature? How does literature influence our psychological development and existential challenges? A Psychoanalytic Perspective on Reading Literature offers a unique glimpse into the unconscious psychic processes and development involved in reading. The author listens to the 'free associations' of various literary characters, in numerous scenarios where the characters are themselves reading literature, thus revealing the mysterious ways in which reading literature helps us and contributes to our development. The book offers an introduction both to classic literature (Poe, Proust, Sartre, Semprún, Pessoa, Agnon and more) and to the major psychoanalytic concepts that can be used in reading it – all described and widely explained before being used as tools for interpreting the literary illustrations. The book thus offers a rich lexical psychoanalytic source, alongside its main aim in analysing the reader’s psychological mechanisms and development. Psychoanalytic interpretation of those literary readers opens three main avenues to the reader’s experience: the transference relations toward the literary characters; the literary work as means to transcend beyond the reader’s self-identity and existential boundaries; and mobilization of internal dialectic tensions towards new integration and psychic equilibrium. An Epilogue concludes by emphasising the transformational power embedded in reading literature. The fascinating dialogue between literature and psychoanalysis illuminates hitherto concealed aspects of each discipline and contributes to new insights in both fields. A Psychoanalytic Perspective on Reading Literature will be of great interest not only to psychoanalytic-psychotherapists and literature scholars, but also to a wider readership beyond these areas of study. |
| dialectic examples in literature: Byron's Dialectic Terence Allan Hoagwood, 1993 This book includes commentaries on the major poems Manfred, Childe Harold's Pilgrimage, and Don Juan, with substantial consideration of Byron's prose and with one of the most comprehensive studies of Cain ever written. |
| dialectic examples in literature: Rhetoric & Dialectic in the Time of Galileo Jean Dietz Moss, William A. Wallace, 2003 Examines the teaching and practice of the twin arts of argumentation -- rhetoric and dialectic -- in the time of Galileo. Galileo was an ardent controversialist on behalf of his astronomical theories, yet many today are unacquainted with the kinds of argument that became a focal point in his famous trial. The authors combine their vast knowledge of rhetoric, history, and philosophy to explain the background of the dispute between science and religion. They present an engaging discussion of the prevailing modes of rhetorical and scientific arguments in Northern Italy during the Renaissance. They display primary texts on the arts of rhetoric and dialectic by authors whose thought was known to Galileo. |
| dialectic examples in literature: An Introduction to Dialectics Theodor W. Adorno, 2017-05-23 This volume comprises Adorno's first lectures specifically dedicated to the subject of the dialectic, a concept which has been key to philosophical debate since classical times. While discussing connections with Plato and Kant, Adorno concentrates on the most systematic development of the dialectic in Hegel's philosophy, and its relationship to Marx, as well as elaborating his own conception of dialectical thinking as a critical response to this tradition. Delivered in the summer semester of 1958, these lectures allow Adorno to explore and probe the significant difficulties and challenges this way of thinking posed within the cultural and intellectual context of the post-war period. In this connection he develops the thesis of a complementary relationship between positivist or functionalist approaches, particularly in the social sciences, as well as calling for the renewal of ontological and metaphysical modes of thought which attempt to transcend the abstractness of modern social experience by appeal to regressive philosophical categories. While providing an account of many central themes of Hegelian thought, he also alludes to a whole range of other philosophical, literary and artistic figures of central importance to his conception of critical theory, notably Walter Benjamin and the idea of a constellation of concepts as the model for an 'open or fractured dialectic' beyond the constraints of method and system. These lectures are seasoned with lively anecdotes and personal recollections which allow the reader to glimpse what has been described as the 'workshop' of Adorno's thought. As such, they provide an ideal entry point for all students and scholars in the humanities and social sciences who are interested in Adorno's work as well as those seeking to understand the nature of dialectical thinking. |
| dialectic examples in literature: The Globe encyclopaedia of universal information, ed. by J.M. Ross Globe encyclopaedia, 1879 |
| dialectic examples in literature: The Globe Encyclopaedia of Universal Information John Merry Ross, 1879 |
| dialectic examples in literature: Conspiracy Theory in Latin Literature Victoria Emma Pagán, 2012-12-15 Conspiracy theory as a theoretical framework has emerged only in the last twenty years; commentators are finding it a productive way to explain the actions and thoughts of individuals and societies. In this compelling exploration of Latin literature, Pagán uses conspiracy theory to illuminate the ways that elite Romans invoked conspiracy as they navigated the hierarchies, divisions, and inequalities in their society. By seeming to uncover conspiracy everywhere, Romans could find the need to crush slave revolts, punish rivals with death or exile, dismiss women, denigrate foreigners, or view their emperors with deep suspicion. Expanding on her earlier Conspiracy Narratives in Roman History, Pagán here interprets the works of poets, satirists, historians, and orators—Juvenal, Tacitus, Suetonius, Terence, and Cicero, among others—to reveal how each writer gave voice to fictional or real actors who were engaged in intrigue and motivated by a calculating worldview. Delving into multiple genres, Pagán offers a powerful critique of how conspiracy and conspiracy theory can take hold and thrive when rumor, fear, and secrecy become routine methods of interpreting (and often distorting) past and current events. In Roman society, where knowledge about others was often lacking and stereotypes dominated, conspiracy theory explained how the world worked. The persistence of conspiracy theory, from antiquity to the present day, attests to its potency as a mechanism for confronting the frailties of the human condition. |
| dialectic examples in literature: Marx's Scientific Dialectics Paul B. Paolucci, 2007-06-30 While Karl Marx's ideas remain influential in the social sciences, there is considerable disagreement and debate on the methodological principles that inform his work. Marx often aligned himself with both scientific and dialectical principles, at least once referring to his method as a scientific dialectic, suggesting he believed dialectical reason could be incorporated into scientific method. By debunking several misconceptions about Marx’s work and examining how he brought scientific methods to bear on his general sociological thinking, his materialist historical perspective, and within his political economy, this book brings new insight to the methodological principles that animate Marx’s writings. What emerges from such a perspective is an approach to sociological inquiry that remains vital and useful for contemporary research on capitalist society and its possible futures. |
| dialectic examples in literature: The Routledge International Handbook of Dialectical Thinking Nick Shannon, Michael F. Mascolo, Anastasia Belolutskaya, 2024-07-23 The Routledge International Handbook of Dialectical Thinking is a landmark volume offering a multi-disciplinary compendium of the research, theory and practice that defines dialectical thinking, its importance and how it develops over the lifespan. For the first time, this handbook brings together theory and research on dialectical thinking as a psychological phenomenon from early childhood through the human lifespan. Grounding dialectical thinking in multiple philosophical traditions stemming from antiquity, it explores current psychological models of such thought patterns and shows how these can be applied in everyday life and across multiple disciplines, including philosophy, physics, mathematics and international relations. The handbook explains the nature of dialectical thinking, why it is important and how it can be developed in children and in adults. It concludes with a final chapter depicting a discussion among the authors, exploring the question how could dialectical thinking be the antidote to dogma Written by a group of international scholars, this comprehensive publication is an essential reference for researchers and graduate students in psychology and the social sciences, as well as scholars interested in integrating different perspectives and issues from a wide variety of disciplines. |
| dialectic examples in literature: On Referring in Literature Anna Whiteside, Michael Issacharoff, 1987 What is the relationship between the real world and fictional constructs? How is referential illusion created? The purpose of this volume is to show the close links between reference and interpretation. It examines types of literary reference, showing what it is and how it works. |
| dialectic examples in literature: Dialectical Approaches to Studying Personal Relationships Barbara M. Montgomery, Leslie A. Baxter, 2013-09-13 This book describes many different and useful ways of understanding personal relationships from a dialectical perspective. It is written for scholars in higher education, both faculty and students, across many fields within the social sciences and the humanities who seek answers to questions about how people relate to one another. The book is valuable for all scholars who pursue new ideas because it models a form of scholarly communication in which: * multiple voices can be acknowledged as valid; * the worth of one perspective is not measured by the denigration of another; and * difference is celebrated as conducive to learning rather than threatening to it. The contributors emphasize the characteristics of their dialectical view that set them apart from other dialectical authors and describe their methods of studying relationships from a dialectical perspective. Following the Bakhtinian perspective, they honor the values of dialogism by respecting different and sometimes contradictory views, assuming that these views can be valid, and joining in a discussion with the editors and other contributors about their emerging work. They also acknowledge that the chapters in this text are part of an ongoing process to frame and reframe emerging ideas, and allow the dialogue that occurs within this frame the freedom to express creative, unique ideas. |
| dialectic examples in literature: Ramus, Pedagogy and the Liberal Arts Emma Annette Wilson, 2016-04-08 Most early modern scholars know that Petrus Ramus (1515-1572) is important, but may be rather vague as to where his importance lies. This new collection of essays analyses the impact of the logician, rhetorician and pedagogical innovator across a variety of countries and intellectual disciplines, reappraising Ramus in the light of scholarly developments in the fifty years since the publication of Walter Ong's seminal work Ramus, Method, and the Decay of Dialogue. Chapters reflect the broad impact of Ramus and the Ramist 'method' of teaching across many subjects, including logic and rhetoric, pedagogy, mathematics, philosophy, and new scientific and taxonomic developments in the sixteenth and seventeenth centuries. There is no current work that offers such a broad survey of Ramus and Ramism, or that looks at him in such an interdisciplinary fashion. Ramus' influence extended across many disciplines and this book skillfully weaves together studies in intellectual history, pedagogy, literature, philosophy and the history of science. It will prove a useful starting point for those interested in Ramus and his impact, as well as serving to redefine the field of Ramist studies for future scholars. |
| dialectic examples in literature: The Development of Dialectic from Plato to Aristotle Jakob Leth Fink, 2012-11-01 The period from Plato's birth to Aristotle's death (427–322 BC) is one of the most influential and formative in the history of Western philosophy. The developments of logic, metaphysics, epistemology, ethics and science in this period have been investigated, controversies have arisen and many new theories have been produced. But this is the first book to give detailed scholarly attention to the development of dialectic during this decisive period. It includes chapters on topics such as: dialectic as interpersonal debate between a questioner and a respondent; dialectic and the dialogue form; dialectical methodology; the dialectical context of certain forms of arguments; the role of the respondent in guaranteeing good argument; dialectic and presentation of knowledge; the interrelations between written dialogues and spoken dialectic; and definition, induction and refutation from Plato to Aristotle. The book contributes to the history of philosophy and also to the contemporary debate about what philosophy is. |
| dialectic examples in literature: Engaging Theories in Family Communication Dawn O. Braithwaite, Leslie A. Baxter, 2005-08-26 Engaging Theories in Family Communication: Multiple Perspectives covers uncharted territory in its field, as it is the first book on the market to deal exclusively with family communication theory. In this volume, editors Dawn O. Braithwaite and Leslie A. Baxter bring together a group of contributors that represent a veritable Who's Who in the family communication field. These scholars examine both classic and cutting-edge theories to guide family communication research in the coming years. |
| dialectic examples in literature: A Complete Guide to Literary Analysis and Theory Michael Ryan, 2022-11-25 A Complete Guide to Literary Analysis and Theory offers an accessible introduction to all the current approaches to literary analysis. Ranging from stylistics and historicism to post-humanism and new materialism, it also includes chapters on media studies and screen studies. The Guide is designed for use in introductory literature courses and as a primer in theory courses. Each chapter summarizes the main ideas of each approach to the study of literature in clear prose, providing lucid introductions to the practice of each school, and conducts readings using classic and modern works of literature from around the world. The book draws on examples from a wide range of works from classics such as F. Scott Fitzgerald’s The Great Gatsby and Shakespeare's King Lear to contemporary works such as Ocean Vuong's On Earth We're Briefly Gorgeous and Amanda Gorman's The Hill We Climb. This wide-ranging introduction is ideal for students encountering literary study for the first time, as well as more advanced students who need a concise summary of critical methods. It strives to make complex ideas simple and provides readings that undergraduates should be able to understand and enjoy as well as training them to conduct analyses of their own. |
| dialectic examples in literature: A History of French Literature , 2019-08-20 This magnificent volume provides a complete history of the literature of France from its origins to the present day, taking us beyond traditional definitions of ‘literature' into the world of the best-seller and, beyond words, to graphic fiction and cinema Presents a definitive history of the literature of France from its origins to the present day. Incorporates coverage of Francophone writing in Europe, Canada, the West Indies and North and Sub-Saharan Africa. Links the development of literature to the mentalities and social conditions which produced it. Takes us beyond “literature” to study graphic fiction, cinema and the bestseller. Maps the rise of the Intellectual, and in so doing charts a progression from literary doctrine to critical theory. |
| dialectic examples in literature: Creating a Dialectical Social Science I.I. Mitroff, R.O. Mason, 2012-12-06 The depth, intensity, and long-standing nature of the disagreements between differing schools of social thought renders more critical than ever the treatment of dialectical reasoning and its relationship to the social sciences. The nature of these disagreements are deeply rooted in fundamentally differing beliefs regarding, among many things: (1) the nature of man, (2) the role of theory versus data in constructing social theories, (3) the place and function of values versus facts in inquiry, etc. It has become more and more apparent that such fundamental differences cannot be resolved by surface appeals to rationality or to consensus. Such for it is precisely the definitions of appeals are doomed to failure 'rationality' and 'consensus' that are at odds. That is, different schools not only have different definitions of rationality and consensus but different notions regarding their place and function within a total system of inquiry. A dialectical treatment of conflicts is called for because such conflicts demand a method which is capable of recognizing first of all how deep they lie. Secondly, a method is demanded which is capable of appreciating that the various sides of the conflict fundamentally depend on one another for their very existence; they depend, in other words, on one another not 'in spite of' their opposition but precisely 'because of' it. |
| dialectic examples in literature: Catholic Horror and Rhetorical Dialectics Gavin F. Hurley, 2024-06-15 Identifying an important subgenre of horror literature, this book argues that Catholic horror fiction works distinctively to inspire the philosophical, theological, and spiritual imaginations of readers from all backgrounds and faith traditions. Hurley analyzes four novels that are foundational to the genre of Catholic horror: J.K. Huysmans’s Là-Bas (1891), Robert Hugh Benson’s The Light Invisible (1903) and A Mirror of Shalott (1907), and William Peter Blatty’s The Exorcist (1971). Putting these texts in conversation with the classical liberal arts, the book shows how Catholic horror fiction coheres in a commitment to dialectical thinking that aims both to resolve—and to accommodate—contrasting world views. Given its use of this methodology, Catholic horror literature is uniquely positioned to draw readers into a contemplative mindset. In presenting ghost stories, tales of possession, and narratives about evil, Catholic horror invites audiences to confront and reflect on profound existential questions—questions about the line between life and death, the nature of being, and the meaning of reality. |
| dialectic examples in literature: Dictionary of the Old Testament: Wisdom, Poetry & Writings Tremper Longman III, Peter Enns, 2008-06-06 Tremper Longman III and Peter E. Enns edit this collection of 148 articles by over 90 contributors on Job, Psalms, Proverbs, Ecclesiastes, Song of Songs, Lamentations, Ruth and Esther. |
| dialectic examples in literature: The Aesthetics of LeRoi Jones / Amiri Baraka: The Rebel Poet Maurice A. Lee, 2011-11-28 Aquest llibre explora l'estètica de LeRoi Jones / Amiri Baraka des dels seus primers dies com poeta 'beat' fins a l'actualitat. Baraka ha estat considerat com el poeta rebel, el que sempre ataca la política, denuncia l'abús de poder i les errònies polítiques administratives dels Estats Units. Aquest volum examina alguns dels més importants assajos i obres de ficció, amb l'objectiu de clarificar la importància en el desenvolupament de l'obra de Baraka. |
| dialectic examples in literature: The Academy and Literature , 1886 |
Dialectic - Wikipedia
In classical philosophy, dialectic (Ancient Greek: διαλεκτική dialektikḗ) is a form of reasoning based upon dialogue of arguments and counter-arguments, advocating propositions (theses) …
DIALECTIC Definition & Meaning - Merriam-Webster
: any systematic reasoning, exposition (see exposition sense 2a), or argument that juxtaposes opposed or contradictory ideas and usually seeks to resolve their conflict : a method of …
DIALECTIC | English meaning - Cambridge Dictionary
DIALECTIC definition: 1. a way of discovering what is true by considering opposite theories 2. a way of discovering what…. Learn more.
What is Dialectic? From Heraclitus to Marx - TheCollector
Oct 21, 2023 · Dialectic in Ancient Greek philosophy is commonly understood as a form of reasoning based on argumentative dialogue. While Zeno of Elea and the Sophists employed …
What Is Dialectics? What Is The Triad Thesis? » ScienceABC
Apr 30, 2024 · Dialectics underscores reality’s dynamic and contradictory nature, as seen in the Hegelian triad of thesis, antithesis, and synthesis. Dialectics is a philosophical concept that …
DIALECTIC definition and meaning | Collins English Dictionary
People refer to the dialectic or dialectics of a situation when they are referring to the way in which two very different forces or factors work together, and the way in which their differences are …
Dialectic - Encyclopedia.com
Jun 11, 2018 · *dialectic* enquiry into metaphysical contradictions and their solutions. The ancient Greeks used the term to refer to various methods of reasoning and discussion in order to …
Dialectic | Hegelian, Synthesis & Antithesis | Britannica
May 30, 2025 · Dialectic, originally a form of logical argumentation but now a philosophical concept of evolution applied to diverse fields including thought, nature, and history. Among the …
What does dialectic mean? - Definitions.net
Dialectic is a method of discussion, argument, or discourse used to explore, investigate, and understand the truth about complex ideas or issues, usually through logical reasoning and …
Dialectic - Definition, Meaning & Synonyms | Vocabulary.com
Dialectic is a process of examining an issue using very careful steps. A "thesis," or argument, is offered, followed by the "antithesis," or counterargument. The goal is to extract the best points …
Dialectic - Wikipedia
In classical philosophy, dialectic (Ancient Greek: διαλεκτική dialektikḗ) is a form of reasoning based upon dialogue of arguments and counter …
DIALECTIC Definition & Meaning - Merriam-Webster
: any systematic reasoning, exposition (see exposition sense 2a), or argument that juxtaposes opposed or …
DIALECTIC | English meaning - Cambridge Dictionary
DIALECTIC definition: 1. a way of discovering what is true by considering opposite theories 2. a way of …
What is Dialectic? From Heraclitus to Marx - TheCollec…
Oct 21, 2023 · Dialectic in Ancient Greek philosophy is commonly understood as a form of reasoning based on argumentative dialogue. While Zeno …
What Is Dialectics? What Is The Triad Thesis? » ScienceABC
Apr 30, 2024 · Dialectics underscores reality’s dynamic and contradictory nature, as seen in the Hegelian triad …
