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| extreme history with roger daltrey: Roger Daltrey Stafford Hildred, Tim Ewbank, 2012-09-06 'Hope I die before I get old', sang Roger Daltrey over forty years ago, but it didn't quite work out like that. The wild and passionate lead singer for supergroup The Who is still very much alive. The premature deaths of fellow group members Keith Moon and John Entwistle leaves Daltrey and Pete Townshend as the only survivors of the legendary band. Roger Daltrey's life is extraordinary from start to finish: he was expelled from school and written off as a violent thug - before he made his first guitar out of a block of wood, and music and The Who became his salvation. For many years he was the vouce of a generation, strutting bare-chested on stage, swinging the mic around like a lariat at The Who's dynamic concerts. Drawing on interviews with Daltrey himself, as well as his friends and fellow musicians, this is the most complete and revealing biography of one of rock's most powerful personalities. |
| extreme history with roger daltrey: A Companion to Television Janet Wasko, 2009-12-21 A Companion to Television is a magisterial collection of 31 original essays that charter the field of television studies over the past century Explores a diverse range of topics and theories that have led to television’s current incarnation, and predict its likely future Covers technology and aesthetics, television’s relationship to the state, televisual commerce; texts, representation, genre, internationalism, and audience reception and effects Essays are by an international group of first-rate scholars For information, news, and content from Blackwell's reference publishing program please visit www.blackwellpublishing.com/reference/ |
| extreme history with roger daltrey: The Who FAQ Mike Segretto, 2014-03-01 Fifty years after Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon made their first ruckus together onstage, the world is still fascinated with its greatest rock-and-roll band. Whether their music is popping up in TV commercials and the various incarnations of CSI or the remaining members are performing at the Super Bowl, the Olympics, or multitudinous charity events, the Who have never faded away. Yet while such artists as the Beatles, Bob Dylan, and Led Zeppelin have been pored over, flipped on their backs, and examined from every imaginable angle, the Who remain somewhat mysterious. Questions persist. Who were their most important influences, and which other bands were their most loyal followers? Did they really create the very first rock opera? What were their most important collaborations, gigs, solo projects, and phases? Where do they stand on politics, religion, and philanthropy? The answers to these questions don't amount to mere trivia but create a clearer portrait of the enigma that is the Who. Whether they were Mods or punk pioneers, rock Wagners, or a gang of guitar-smashing thugs, the Who are a band beyond categorization or comparison, a band that constantly poses new questions – and The Who FAQ digs deep to find the answers. |
| extreme history with roger daltrey: Slam Dunks and No-Brainers Leslie Savan, 2006-10-10 In this marvelously original book, three-time Pulitzer Prize finalist Leslie Savan offers fascinating insights into why we’re all talking the talk—Duh; Bring it on!; Bling; Whatever!—and what this reveals about America today. Savan traces the paths that phrases like these travel from obscure slang to pop stardom, selling everything from cars (ads for VWs, Mitsubishis, and Mercurys all pitch them as “no-brainer”s) to wars (finding WMD in Iraq was to be a “slam dunk”). Real people create these catchy phrases, but once media, politics, and businesses broadcast them, they burst out of our mouths as celebrity words, newly glamorous and powerful. Witty, fun, and full of thought-provoking stories about the origins of popular expressions, Slam Dunks and No-Brainers is for everyone who loves the mysteries of language. |
| extreme history with roger daltrey: Lincoln’s Unfinished Work Orville Vernon Burton, Peter Eisenstadt, 2022-05-18 In his Gettysburg Address, Abraham Lincoln promised that the nation’s sacrifices during the Civil War would lead to a “new birth of freedom.” Lincoln’s Unfinished Work analyzes how the United States has attempted to realize—or subvert—that promise over the past century and a half. The volume is not solely about Lincoln, or the immediate unfinished work of Reconstruction, or the broader unfinished work of America coming to terms with its tangled history of race; it investigates all three topics. The book opens with an essay by Richard Carwardine, who explores Lincoln’s distinctive sense of humor. Later in the volume, Stephen Kantrowitz examines the limitations of Lincoln’s Native American policy, while James W. Loewen discusses how textbooks regularly downplay the sixteenth president’s antislavery convictions. Lawrence T. McDonnell looks at the role of poor Blacks and whites in the disintegration of the Confederacy. Eric Foner provides an overview of the Constitution-shattering impact of the Civil War amendments. Essays by J. William Harris and Jerald Podair examine the fate of Lincoln’s ideas about land distribution to freedpeople. Gregory P. Downs focuses on the structural limitations that Republicans faced in their efforts to control racist violence during Reconstruction. Adrienne Petty and Mark Schultz argue that Black land ownership in the post-Reconstruction South persisted at surprisingly high rates. Rhondda Robinson Thomas examines the role of convict labor in the construction of Clemson University, the site of the conference from which this book evolved. Other essays look at events in the twentieth and twenty-first centuries. Randall J. Stephens analyzes the political conservatism of white evangelical Christianity. Peter Eisenstadt uses the career of Jackie Robinson to explore the meanings of integration. Joshua Casmir Catalano and Briana Pocratsky examine the debased state of public history on the airwaves, particularly as purveyed by the History Channel. Gavin Wright rounds out the volume with a striking political and economic analysis of the collapse of the Democratic Party in the South. Taken together, the essays in this volume offer a far-reaching, thought-provoking exploration of the unfinished work of democracy, particularly as it pertains to the legacy of slavery and white supremacy in America. |
| extreme history with roger daltrey: Music Supervision: Selecting Music for Movies, TV, Games & New Media Ramsay Adams, David Hnatiuk, David Weiss, 2017-07-10 Music Supervision, or matching music to TV, film, new media, video games, live events, brands, and a host of other media, is a fast-growing career path. This book guides you through real-world scenarios and legal landmines, profiles key players, explores mixing and sound design, and provides time-saving project form templates. For those who want to break into the field of music supervision, this book tells you how to get the job. Artists, publishers and labels seeking more effective sync licensing for their catalogues will also benefit from the unique insights of Music Supervision “The definitive guide to music supervision.” - Brad Hatfield, Associate Professor, Berklee College of Music |
| extreme history with roger daltrey: Roger Daltrey: Thanks a lot Mr Kibblewhite, The Sunday Times Bestseller Roger Daltrey, 2018-10-18 'Before the sixties, you were a child and then you were a man. You went to school and then you went to work. That changed. Our generation changed it.' Roger Daltrey is the voice of a generation, and this is his story. This is the story of his tempestuous school days and his expulsion, age 15, thanks to his authoritarian headmaster, Mr Kibblewhite. That could have been where the story ended, as the life of a factory worker beckoned, but then came rock and roll. Making his first guitar from factory off-cuts, Roger formed a band that would become The Who, one of the biggest bands on the planet. This is the story of My Generation, Tommy and Quadrophenia, of smashed guitars, exploding drums, cars in swimming pools, fights, arrests and redecorated hotel rooms, but also how all those post-war kids redefined the rules of youth. This is not just a hilarious and frank account of more than 50 wild years on the road, it is the definitive story of The Who and of the sweeping revolution that was British rock 'n' roll. |
| extreme history with roger daltrey: The American Television Industry Michael Curtin, Jane Shattuc, 2017-11-07 The American Television Industry offers a concise and accessible introduction to TV production, programming, advertising, and distribution in the United States. The authors outline how programs are made and marketed, and furthermore provide an insightful overview of key players, practices, and future trends. |
| extreme history with roger daltrey: The Battle Of New Orleans Reconsidered Curtis Manning, 2014-12-12 The Battle of New Orleans Reconsidered arose organically from the rich heritage of St. Bernard Parish, Louisiana. The same land that was witness to the Battle of New Orleans would also spawn a unique and vibrant culture known for close-knit families, good food, refineries and the activities centered around the bountiful wetlands. Academic cultural offerings were rare when the Nunez History Lecture Series began in 2001. Some folks at Nunez Community College, the only institution of higher education in the Parish, decided to tell the stories of the people of St. Bernard and Louisiana, hoping that a handful of others might also be interested. After 14 seasons of over 100 lectures and an average attendance of over 100 people, the Lecture Series is still finding new stories to tell. A natural outgrowth of the Lecture Series was to feature a more detailed treatment of the second most important historical event in St. Bernard Parish history, the Battle of New Orleans. And the College was the natural place since the battlefield was in sight of the campus on a clear day. However, the plans for the first Symposium were delayed by a few years when the most important historical event in St. Bernard Parish history, Hurricane Katrina, left six feet of water across the Nunez campus and up to seventeen feet of water across the rest of the Parish. By January of 2013, the first Battle of New Orleans Historical Symposium was held at the College, with the audience likely sitting in the exact spot that soldiers mustered for the Battle. Once the Symposium became established and successful, the only nagging problem was the ephemeral nature of the knowledge being created. With some of the most passionate and knowledgeable speakers in the nation, it just seemed natural to expand and preserve the great information being presented. So in a labor of love, many of the top lecturers agreed to put pen to paper and tell the story of the Battle of New Orleans in greater detail. The result is The Battle of New Orleans Reconsidered |
| extreme history with roger daltrey: A Visit from the Goon Squad Jennifer Egan, 2010-06-08 NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” (The Chicago Tribune). One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect.... Darkly, rippingly funny.... Egan possesses a satirist’s eye and a romance novelist’s heart.” —The New York Times Book Review |
| extreme history with roger daltrey: TV Guide , 2004 |
| extreme history with roger daltrey: Who Are You: The Life Of Pete Townshend Mark Wilkerson, 2009-10-28 An accurate, detailed and fascinating account of the life of a man whose story should have been told in this much detail long ago. Author Mark Wilkerson interviewed Townshend himself and several of Townshend's friends and associates for this biography. |
| extreme history with roger daltrey: Prehistoric Humans in Film and Television Michael Klossner, 2015-01-09 From the early days of the movies, cavemen have been a popular subject for filmmakers--not surprisingly, since the birth of cinema occurred only a few decades after the earliest scientific studies of prehistoric man. Filmmakers, however, were not constrained by the emerging science; instead they most often took a comedic look at prehistory, a trend that continued throughout the 20th century. Prehistoric humans also populated adventure-fantasy films, with the original One Million B.C. (1940) leading the charge. Documentaries were also made, but it was not until the 1970s that accurate film accounts of prehistoric humans finally emerged. This exhaustive work provides detailed accounts of 581 film and television productions that feature depictions of human prehistory. Included are dramas and comedies set in human prehistory; documentaries; and films and television shows in which prehistoric people somehow exist in historical periods--from the advent of civilization up to the present--or in extraterrestrial settings. Each entry includes full filmographic data, including year of release, running time, production personnel, cast information, and format. A description of each film provides background on the prehistoric elements. Contemporary critical commentary is included for many of the works. |
| extreme history with roger daltrey: The Who by Numbers Steve Grantley, Alan Parker, Sean Body, 2010 Emerging from the mid-1960s R&B mod scene with furious teenage anthems like 'My Generation', The Who were the wildest, angriest and loudest kids on the block. And in spite of Townshend's most famous line - 'hope I die before I get old' - and unlike so many of their rivals, The Who lived to forge more mature works in the late 1960s and the 1970s with the phenomenal success of their pioneering rock opera, Tommy, their revered song collection Who's Next and Townshend's mod masterpiece Quadrophenia. |
| extreme history with roger daltrey: Extreme Money Satyajit Das, 2011-08-04 The human race created money and finance: then, our inventions recreated us. In Extreme Money, best-selling author and global finance expert Satyajit Das tells how this happened and what it means. Das reveals the spectacular, dangerous money games that are generating increasingly massive bubbles of fake growth, prosperity, and wealth--while endangering the jobs, possessions, and futures of virtually everyone outside finance. ...virtually in a category of its own — part history, part book of financial quotations, part cautionary tale, part textbook. It contains some of the clearest charts about risk transfer you will find anywhere. ...Others have laid out the dire consequences of financialisation (the conversion of everything into monetary form, in Das’s phrase), but few have done it with a wider or more entertaining range of references...[Extreme Money] does... reach an important, if worrying, conclusion: financialisation may be too deep-rooted to be torn out. As Das puts it — characteristically borrowing a line from a movie, Inception — the hardest virus to kill is an idea. -Andrew Hill Eclectic Guide to the Excesses of the Crisis Financial Times (August 17, 2011) Extreme Money named to the longlist for the 2011 FT and Goldman Sachs Business Book of the Year award. |
| extreme history with roger daltrey: Before I Get Old Dave Marsh, 2015-07 NEW REISSUE! The Who burst upon a startled world in the early sixties and since then have maintained a pre-eminent position in shaping the sound and style of a generation. Best-selling Rolling Stone writer Dave Marsh’s Before I Get Old is the first book to discard the myth and nonsense; it tells the story of not one but six personalities; guitarist Pete Townshend, bassist John Entwistle, drummer Keith Moon and singer Roger Daltrey and their original managers Kit Lambert and Chris Stamp. It charts their origins in the steamy nightlife of London as well as their meteoric rise to fame, describing the creation of the rock opera Tommy, which turned the Who into superstars. In short, this story contains every line of fascinating, shocking, hilarious material on the Who and their wild, crazy lives and careers.--Publisher's website. |
| extreme history with roger daltrey: Thanks a Lot Mr Kibblewhite Roger Daltrey, 2018-10-23 The frontman of one of the greatest bands of all time tells the story of his rise from nothing to rock 'n' roll megastar, and his wild journey as the voice of The Who. “It’s taken me three years to unpack the events of my life, to remember who did what when and why, to separate the myths from the reality, to unravel what really happened at the Holiday Inn on Keith Moon’s 21st birthday,” says Roger Daltrey, the powerhouse vocalist of The Who. The result of this introspection is a remarkable memoir, instantly captivating, funny and frank, chock-full of well-earned wisdom and one-of-a-kind anecdotes from a raucous life that spans a tumultuous time of change in Britain and America. Born during the air bombing of London in 1944, Daltrey fought his way (literally) through school and poverty and began to assemble the band that would become The Who while working at a sheet metal factory in 1961. In Daltrey’s voice, the familiar stories—how they got into smashing up their kit, the infighting, Keith Moon’s antics—take on a new, intimate life. Also here is the creative journey through the unforgettable hits including My Generation, Substitute, Pinball Wizard, and the great albums, Who’s Next, Tommy, and Quadrophenia. Amidst all the music and mayhem, the drugs, the premature deaths, the ruined hotel rooms, Roger is our perfect narrator, remaining sober (relatively) and observant and determined to make The Who bigger and bigger. Not only his personal story, this is the definitive biography of The Who. |
| extreme history with roger daltrey: My Mother the Cheerleader Robert Sharenow, 2009-02-06 Share this harrowing and painfully honest historical novel* at home or in the classroom. Through this extraordinary debut effort from the Sydney Taylor Award winner Robert Sharenow, readers will explore how ingrained prejudices—whether acted upon or not—help destroy lives and shatter a community.** In 1960 New Orleans, thirteen-year-old Louise is pulled out of class by her mother to protest court-ordered integration of her school. Louise’s mother is one of the jeering “Cheerleaders.” Each morning the Cheerleaders gather at the school to harass the school's first black student, six-year-old Ruby Bridges, as she enters the building. After a mysterious man from New York named Morgan arrives in town and takes up residence in the family's crumbling boarding house, Louise's acceptance of the way things are begins to crumble. Through conversations with Morgan and firsthand observations, Louise begins to wonder about the morality of the Cheerleaders’ activities—and everything Louise thinks she knows about her mother, her world, and herself will change. In a starred review, Booklist commented: Readers will be held fast by the history told from the inside as adult Louise remembers the vicious role of ordinary people. *School Library Journal (starred review) ; **Chicago Tribune |
| extreme history with roger daltrey: A History of Film Music Mervyn Cooke, 2008-09-25 This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices. |
| extreme history with roger daltrey: Romanticism and Film Will Kitchen, 2020-11-26 The relationship between Romanticism and film remains one of the most neglected topics in film theory and history, with analysis often focusing on the proto-cinematic significance of Richard Wagner's music-dramas. One new and interesting way of examining this relationship is by looking beyond Wagner, and developing a concept of audio-visual explanation rooted in Romantic philosophical aesthetics, and employing it in the analysis of film discourse and representation. Using this concept of audio-visual explanation, the cultural image of the Hungarian pianist and composer Franz Liszt, a contemporary of Wagner and another significant practitioner of Romantic audio-visual aesthetics, is examined in reference to specific case studies, including the rarely-explored films Song Without End (1960) and Lisztomania (1975). This multifaceted study of film discourse and representation employs Liszt as a guiding-thread, structuring a general exploration of the concept of Romanticism and its relationship with film more generally. This exploration is supported by new theories of representation based on schematic cognition, the philosophy of explanation, and the recently-developed film theory of Jacques Rancière. Individual chapters address the historical background of audio-visual explanation in Romantic philosophical aesthetics, Liszt's role in the historical discourses of film and film music, and various filmic representations of Liszt and his compositions. Throughout these investigations, Will Kitchen explores the various ways that films explain, or 'make sense' of things, through a 'Romantic' aesthetic combination of sound and vision. |
| extreme history with roger daltrey: Who I Am Pete Townshend, 2012-10-09 Long acknowledged as one of rock music’s most intelligent and literary performers, Pete Townshend—guitarist, songwriter, singer and founding member of The Who—at last tells his wild story in this candid and immersive autobiography. Raised in west London by an eccentric grandmother, while his parents were off living the early post-war, rock ’n’ roll lifestyle, Townshend describes a frenetic childhood of displacement and abuse. Then, in high school, everything changed when he met Roger Daltrey and formed a band that would travel the world, earning fame, fortune and critical acclaim. In Who I Am, Townshend brings us from the inner sanctum of Eric Clapton’s drug-ridden hotel rooms to the feet of Jimi Hendrix and his electric kool-aid guitar; from the first trial performance of Townshend’s rock opera, Tommy, in a London bar to his infamous arrest (and acquittal) on child pornography charges. With his trademark eloquence, fierce intelligence and brutal honesty, Pete Townshend has created a work of literature that stands as a primary source for popular music’s greatest epoch. Readers will be confronted by a man laying bare who he is, an artist who has asked for nearly sixty years: who are you? |
| extreme history with roger daltrey: Total F*cking Godhead Corbin Reiff, 2020-07-28 “Total F*cking Godhead brings Chris Cornell, the voice of a generation, alive on the page. Impressively researched and compulsively readable, Godhead pulls no punches in recounting Cornell’s remarkable life and prolific career. It’s an inspired chronicle of an impassioned soul. Read it!” —Greg Renoff, author of Van Halen Rising With input from those who knew and worked with him—together with his own words—Total F*cking Godhead recounts the rise of Chris Cornell and his immortal band Soundgarden as they emerged from the 1980s post-punk underground to dominate popular culture in the ’90s alongside Pearl Jam, Alice In Chains, and Nirvana. “From his days as a struggling Seattle musician at the forefront of the grunge scene to becoming a global icon, Total F*cking Godhead thoroughly chronicles the life story and prolific output of one of the greatest and most influential singers of all time. You will discover the man and his music all over again.” —David de Sola, author of Alice in Chains: The Untold Story Seattle resident and rock writer Corbin Reiff also examines Cornell’s dynamic solo career as well as his time in Audioslave. He delves into his hard-fought battle with addiction, and the supercharged reunion with the band that made him famous before everything came to a shocking end. “For those of us still trying to sort out the tragedy of Chris Cornell's death comes this loving look back at the man's life and music. I wrote my own book about grunge, and I still learned a lot from this excellent biography. —Mark Yarm, author of Everybody Loves Our Town: An Oral History of Grunge |
| extreme history with roger daltrey: Nigel Kennedy Uncensored! Nigel Kennedy, 2021-12-02 Nigel Kennedy changed the course of classical music in the late 1980s with his interpretation of Vivaldi’s ‘Four Seasons’. He was revolutionary: in his performance and presentation; in his technique and his open-minded attitude. A natural boundary-pusher and musical adventurer, Nigel Kennedy blew minds - and sales records - as he became the best-selling violinist of all time. Instead of an Introduction, Nigel opens with a tongue-in-cheek ‘Warning’: readers should beware of his politically incorrect writing style and his frank take on the BBC, record companies, the Bavarian Police and any other ‘self-appointed wielders of power.’ It sets the tone for a truly original memoir that is as playful, unconventional and carefully executed as his music. The book is structured like a musical performance, with ‘Interludes’, ‘Outros’ and an ‘Encore’ separating the regular chapters which cover Nigel’s life story, from his humble beginnings and scholarship to the newly created Yehudi Menuhin School - and then New York at The Juilliard School - to his flourishing career and break-through as a world-class superstar. ‘Interludes’ cover subjects varying from Nigel’s best and worst gigs (“It might seem strange that shit gigs stick in the mind so much more than the good ones but I suppose it makes sense…”), to run-ins with rock stars and Police forces around the world. His anecdote on the London Metropolitan Police’s handling of a noise complaint at an after-show all-star jam is particularly funny: “These guys (the Met) were cheerful, they dealt with the situation and didn’t escalate the problem when there wasn’t one. 10/10” ‘Outros’ cover Nigel’s thoughts on classical music today - fascinating reading from the perspective of a virtuoso - to Brexit, where the spelling of the word alone leaves the reader in little doubt as to which side of the fence the author sits. ‘Encores’ is a comprehensive section on Nigel’s recorded output, covering his early classical work, the Four Seasons and later albums. There are insights into his work with rock musicians including Robert Plant, the late drummer Michael Lee, Killing Joke singer Jaz Coleman, and producers Eddie Kramer (Jimmy Hendrix) and John Leckie (Stone Roses). Nigel’s writing on Gershwin, Yehudi Menuhin, Stephan Grappelli (‘my biggest inspiration’), Jimi Hendrix and the Doors is compelling. Nigel writes of his interests outside music - boxing and football - which provide inspiration and balance to his creative output (on Aston Villa - “a true blessing for me to have an outlet in which I was surrounded by normal, honest, hard-working people who did ‘proper jobs’”). There is a splendid chapter on ‘Kitchen Golf’, a not-without-risk variation of the game, conjured up with close friend and mischief-maker Gary Lineker, during a messy late night kitchen session. “My whole life has been spent breaking down barriers between people and this book is proof of that.” states Nigel in his ‘Warning’. It’s a Mission Statement borne out in ‘Uncensored’ with aplomb. |
| extreme history with roger daltrey: Anyway, Anyhow, Anywhere Andrew Neill, Matthew Kent, 2009 The complete chronicle ... For two turbulent decades, Roger Daltrey, John Entwistle, Keith Moon and Pete Townshend went on a rock and roll rampage that would forever alter the course of rock music history. Anyway Anyhow Anywhere: The Compete Chronicle of The Who 1958-1978 - packed with original, accurate information and an awesome collection of photographs and memorabilia - is the most dynamic and indispensable day-to-day chronicle of the band's wild ride ever completed. |
| extreme history with roger daltrey: The Who on Record John Atkins, 2015-06-14 More than just a biography or discography, this work is a thoroughly detailed guide to every known recording of the legendary British rock band The Who--their entire range, from their early hits of the 1960s through the ambitious concept works to their later successes. Many previously uncovered facts are incorporated into the text, and the author has been able to glean exclusive information from The Who's archives. Unrealized Who projects are discussed and analyzed for the first time in print. Finally, the work contains a discography of CDs and an exhaustive appendix of every known Who song. |
| extreme history with roger daltrey: Confess Rob Halford, 2020-09-29 The legendary frontman of Judas Priest, one of the most successful heavy metal bands of all time, celebrates five decades of heavy metal in this tell-all memoir. Most priests hear confessions. This one is making his. Rob Halford, front man of global iconic metal band Judas Priest, is a true Metal God. Raised in Britain's hard-working, heavy industrial heartland, he and his music were forged in the Black Country. Confess, his full autobiography, is an unforgettable rock 'n' roll story-a journey from a Walsall council estate to musical fame via alcoholism, addiction, police cells, ill-fated sexual trysts, and bleak personal tragedy, through to rehab, coming out, redemption . . . and finding love. Now, he is telling his gospel truth. Told with Halford's trademark self-deprecating, deadpan Black Country humor, Confess is the story of an extraordinary five decades in the music industry. It is also the tale of unlikely encounters with everybody from Superman to Andy Warhol, Madonna, Jack Nicholson, and the Queen. More than anything else, it's a celebration of the fire and power of heavy metal. Rob Halford has decided to Confess. Because it's good for the soul. Named one of the Best Music Books of 2020 by Rolling Stone and Kirkus Reviews |
| extreme history with roger daltrey: Nelida Marie d'Agoult, 2012-02-01 Winner of the 2004 Soeurette Diehl Fraser Award for Best Translation presented by the Texas Institute of Letters First published in 1846 under the pen name Daniel Stern, Nelida tells the story of a beautiful French heiress who surrenders everything—marriage, reputation, and an aristocratic way of life—for the love of a talented young middle class painter. Based on the author's own ten-year relationship with the pianist and composer Franz Liszt, the novel quickly became the scandalous bestseller of its day. Its author, Marie d'Agoult, has emerged as one of the most remarkable women of her time. An aristocratic Parisian woman who left her husband and child to become the companion of Liszt, d'Agoult became an accomplished woman of letters whose works included a major history of the 1848 revolution in Paris. In Nelida, her only major novel, she brings to life the deeply intimate parts of her own story and the era in which it took place. Written with a keen sensitivity to social mores and psychological nuances, the novel reveals the primal cry of a woman determined to control her own destiny without betraying her womanhood. Appearing here for the first time in English, Lynn Hoggard's translation of Nelida is ripe for rereading by today's readers. |
| extreme history with roger daltrey: The Age of Anxiety Pete Townshend, 2019-11-05 The Age of Anxiety is a great rock novel, but that is one of the less important things about it. The narrator is a brilliant creation - cultured, witty and unreliable. The novel captures the craziness of the music business and displays Pete Townshend's sly sense of humour and sharp ear for dialogue. First conceived as an opera, The Age of Anxiety deals with mythic and operatic themes including a maze, divine madness and long-lost children. Hallucinations and soundscapes haunt this novel, which on one level is an extended meditation on manic genius and the dark art of creativity. |
| extreme history with roger daltrey: Living with a SEAL Jesse Itzler, 2015-11-03 Entrepreneur Jesse Itzler chronicles his month of living and extreme fitness training with a Navy SEAL in the New York Times and #1 LA Times bestseller Living With a Seal, now with two bonus chapters. Entrepreneur Jesse Itzler will try almost anything. His life is about being bold and risky. So when Jesse felt himself drifting on autopilot, he hired a rather unconventional trainer to live with him for a month-an accomplished Navy SEAL widely considered to be the toughest man on the planet! Living With a Seal is like a buddy movie if it starred the Fresh Prince of Bel- Air. . .and Rambo. Jesse is about as easy-going as you can get. SEAL is. . . not. Jesse and SEAL's escapades soon produce a great friendship, and Jesse gains much more than muscle. At turns hilarious and inspiring, Living With a Seal ultimately shows you the benefits of stepping out of your comfort zone. |
| extreme history with roger daltrey: Pretend You're In A War Mark Blake, 2014-09-18 'A definitive tome for both Who fans and newcomers alike’ ***** Q Magazine Pete Townshend was once asked how he prepared himself for The Who’s violent live performances. His answer? ‘Pretend you’re in a war.’ For a band as prone to furious infighting as it was notorious for acts of ‘auto-destructive art’ this could have served as a motto. Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘I Can’t Explain’, ‘My Generation’ and ‘I Can See For Miles’. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties. From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties. As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘rock opera’ was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war. |
| extreme history with roger daltrey: Shakin' All Over George McKay, 2013-10-28 Given the explosion in recent years of scholarship exploring the ways in which disability is manifested and performed in numerous cultural spaces, it’s surprising that until now there has never been a single monograph study covering the important intersection of popular music and disability. George McKay’s Shakin’ All Over is a cross-disciplinary examination of the ways in which popular music performers have addressed disability: in their songs, in their live performances, and in various media presentations. By looking closely into the work of artists such as Johnny Rotten, Neil Young, Johnnie Ray, Ian Dury, Teddy Pendergrass, Curtis Mayfield, and Joni Mitchell, McKay investigates such questions as how popular music works to obscure and accommodate the presence of people with disabilities in its cultural practice. He also examines how popular musicians have articulated the experiences of disability (or sought to pass), or have used their cultural arena for disability advocacy purposes. |
| extreme history with roger daltrey: Silhouettes And Shadows Adam Steiner, 2023-07-15 An avant-garde pop album rich with tension and fear, 1980’s Scary Monsters (and Super Creeps) marked a pivotal point in David Bowie’s career. Standing at the bleeding edge of the new decade between the experimental Berlin Trilogy (Low, Heroes, and Lodger) and 1983’s wildly successful Let’s Dance, it was here Bowie sought to bury the ghosts of his past and the golden decade of the 1970s to become a global superstar reaching millions of new fans. Featuring fresh insights and exclusive interviews with close collaborators, Adam Steiner’s Silhouettes and Shadows uncovers the studio stories, meanings behind, and secret history of Scary Monsters. Steiner gives a nuanced, memorable portrait of Bowie at a personal and professional crossroads, drawing on his own struggle with addiction, growing paranoia, and political turmoil. Despite the album’s confrontational themes, it included the hit singles “Fashion” and “Ashes to Ashes,” with Bowie riding a new wave of inspiration, from the post-punk of Joy Division, The Specials’ two-tone revolution, and the stadium synth-pop of Gary Numan. Most importantly, it marked a final goodbye to Major Tom, Ziggy Stardust, and The Thin White Duke, characters and personas that had defined his career: in this rare moment, David Bowie, the costumed clown of romance, suffering, and song, let his mask slip to reveal David Jones, the man within. |
| extreme history with roger daltrey: Metallica Chris Crocker, 1993 Biographies of the members of the rock group, Metallica. |
| extreme history with roger daltrey: What You Want Is in the Limo Michael Walker, 2013-07-23 An epic joyride through three history-making tours in 1973 that defined rock and roll superstardom—the money, the access, the excess—forevermore. The Who’s Quadrophenia. Led Zeppelin’s Houses of the Holy. Alice Cooper’s Billion Dollar Babies. These three unprecedented tours—and the albums that inspired them—were the most ambitious of these artists’ careers, and they forever changed the landscape of rock and roll: the economics, the privileges, and the very essence of the concert experience. On these juggernauts, rock gods—and their entourages—were born, along with unimaginable overindulgence and the legendary flameouts. Tour buses were traded for private jets, arenas replaced theaters, and performances transmogrified into over-the-top, operatic spectacles. As the sixties ended and the seventies began, an altogether more cynical era took hold: peace, love, and understanding gave way to sex, drugs, and rock and roll. But the decade didn’t become the seventies, acclaimed journalist Michael Walker writes, until 1973, a historic and mind-bogglingly prolific year for rock and roll that saw the release of countless classic albums, from The Dark Side of the Moon to Goat’s Head Soup; Goodbye Yellow Brick Road; Greetings from Asbury Park, N.J.; and The Wild, the Innocent & the E Street Shuffle. Aerosmith, Queen, and Lynyrd Skynyrd released their debut albums. The Roxy and CBGB opened their doors. Every major act of the era—from Fleetwood Mac to Black Sabbath—was on the road that summer, but of them all, Walker writes, it was The Who, Led Zeppelin, and Alice Cooper who emerged as the game changers. Walker revisits each of these three tours in memorable, all-access detail: he goes backstage, onto the jets, and into the limos, where every conceivable wish could be granted. He wedges himself into the sweaty throng of teenage fans (Walker himself was one of them) who suddenly were an economic force to be reckoned with, and he vividly describes how a decade’s worth of decadence was squeezed into twelve heart-pounding, backbreaking, and rule-defying months that redefined, for our modern times, the business of superstardom. Praise for What You Want Is in the Limo “Required reading . . . 1973 is a turning point in popular music — the border between hippie-ethos ’60s rock ’n’ roll and conspicuous-consumption excess ’70s rock.”—New York Post “Loud and boisterous . . . Like a good vinyl-era single, it’s over before it wears out its welcome. You may even want to flip it over and start again when you’re finished.”—Fort Worth Star-Telegram “You don’t have to love the music or personas of the three bands highlighted here . . . to appreciate the vital roles that all three played in creating the modern rock star. . . . [Walker] is convincing and entertaining in explaining why 1973 was a seminal year in rock.”—The Daily Beast “[There’s] so much rock n' roll history packed inside.”—GQ “Very well written . . . It gives an intellectual immersion into these bands’ lives.”—Led-Zeppelin.org “[Walker] argues for [1973] as a tipping point, when big tours—and bigger money—became a defining ethos in rock music.”—NPR |
| extreme history with roger daltrey: The Who's Tommy Pete Townshend, 1993 Provides a history of Tommy from rock opera to its staging as a Broadway musical. |
| extreme history with roger daltrey: Terror Down Under Daniel Best, 2023-07-20 In 1948, the Australian government banned the production, importation and exhibition of horror films in a move to appease religious communities and entertainment watchdogs. Drawing upon previously unseen government documents, private letters and contemporary newspaper accounts, this book is the first to extensively cover the history of censorship and the early production of horror movies in Australia. Beginning its examination in the late 19th century, the book documents the earliest horror films like Georges Melies' The Haunted Castle (1896), and how Australians enjoyed such films before the ban. The book then explains how certain imports, like 1954's Creature from the Black Lagoon, were able to circumvent the ban while others were not. It also reveals how Australian television, though similarly impacted by government censorship, was occasionally able to broadcast films technically banned from cinematic release. The work concludes with a look at the first Australian horror films produced after the ban was formally lifted in 1969, like Terry Bourke's Night of Fear (1973). |
| extreme history with roger daltrey: Dark Horse Records Aaron Badgley, 2024-11-06 In 1974, with Apple winding down, George Harrison still aspired to help new artists, so rather than trying to salvage Apple, he set up his own label Dark Horse Records, on a much smaller scale. His plan was to release records from new artists as well as some of his old friends, with an eye to eventually releasing his own music. While Dark Horse had an encouraging beginning with a hit single from Splinter, the label Suffered increasing problems, failing to establish itself in the way Harrison hoped. However, some incredible and varied music was created from 1974 to 1977, including some of Harrison’s best solo material. Towards the end of its initial life, Dark Horse dropped most of its artists and released mainly Harrison’s solo work. Thankfully, since 2020, Dhani Harrison has taken the reins and has made Dark Horse viable once again, signing Cat Stevens and Billy Idol and releasing music from Joe Strummer and Leon Russell. Finally, in 2023, it was announced that Harrison’s entire solo catalog was going to be re-released on Dark Horse. This book tells the story of the label from the beginning, through its struggles and on to its exciting renaissance in the new millennium. At a very young age, Aaron Badgley developed a profound love of The Beatles and music in general, also developing a fascination with record labels. At the age of 19, he started working in radio and by the age of 20, he was a production manager for a number of stations in Canada. In 2005 he debuted his syndicated radio show The Beatles Universe, which ran for six years. Currently, he is the host of Here Today and Backwards Traveller radio shows and co-hosts From Memphis To Merseyside and The Way-Back Music Machine (with Tony Stuart). He writes for Spill Magazine and Immersive Audio Album. He has also contributed to the All Music Guide. Aaron resides in Toronto, Canada. |
| extreme history with roger daltrey: Deceived from Within Darren Radke, 2021-06-10 Ever wake up one day to see part of your body look out of the ordinary? Unusual swelling and discolored? Followed by tremendous chest pain that makes sleep impossible. A pain that ranks as a number ten on the pain scale. You have both a Deep Vein Thrombosis and a Pulmonary Embolism. Two blood clots. My whole life changed. Welcome to my story. What once was a thriving life, changed in a matter of years. Lost two jobs, unable to find the right Doctors to treat me. The lack of interest to do more. To help find answers. The shame and the depression they caused. How close I was to giving up. To move forward while ignoring my body. I no longer cared. After five long years, life changed. All I needed was a push in the right direction. Finding the right person to trust and provide guidance to find the answers. Her guidance helped me with a change in Doctors. New Doctors who were looking out for my best interests. Providing the answers for what ails me. Answers that would help me understand my health issues and how to move forward. I was diagnosed with both Antiphospholipid Syndrome and Lupus. Autoimmune disease I had no clue what they were or meant. 90% who have both Antiphospholipid Syndrome and Lupus are usually women! I’m amongst the 10 percenters, men living with both APS and Lupus. My book details when my life was changing for the better and eventually the worst. The challenges I continue to live with and how I live with those. My outlets that guide me through the tough times. And appreciating what life has to offer instead of living in the past. |
| extreme history with roger daltrey: Phallic Frenzy Joseph Lanza, 2007-08-01 Ken Russell has made some of the most daring, disturbing, and beautifully photographed films of all time. Drawing from a wealth of historic and literary references, Russell's subjects are astounding: deranged Ursuline nuns in a 17th-century French province, the inner demons of Mary Shelley and Lord Byron, the sexual angst of Tchaikovsky, the emotionally drained life of Rudolph Valentino, the messianism of a pinball wizard, the fury of lesbian vampires, the introspections of prostitutes. Russell's movies offer not just brazen sensationalism but food for thought; they horrify yet inspire. And through it all, Russell maintains a simultaneously impish and intellectual sense of humor. The first full biography of the director, Phallic Frenzy is far from a dry, film-by-film analysis. It shows how Russell's real life has often been as engaging and vibrant as his film scenarios. Here you'll learn how Alan Bates and Oliver Reed compared their penis sizes for the nude wrestling scene in Women in Love; how Russell disfigured Paddy Chayevsky's script for Altered States by having the actors holler out the lines as fast as possible, accompanied by spewed food and streams of spittle; and how Russell was slated to direct Evita, starring Liza Minnelli, and the “creative differences” that ensued. A madcap tale full of wild ideas, surreal situations, and a cavalcade of colorful personalities, Phallic Frenzy is as thrilling a ride as any Ken Russell film. |
| extreme history with roger daltrey: My Generation Roger Daltrey, 2019-02-25 Sex and Fun and Rock'n'Roll Zertrümmerte Instrumente waren lange ihr Markenzeichen: The Who haben aber nicht nur damit Rockgeschichte geschrieben. Gründer und bis heute zentrale Figur der englischen Superband ist neben Pete Townshend Sänger Roger Daltrey. In seiner Autobiografie spannt er den Bogen von der armen, aber glücklichen Kindheit in einer Londoner Arbeiterfamilie, dem Schulrauswurf des aufmüpfigen Jugendlichen über erste Bandversuche mit Pete Townshend, John Entwistle und Keith Moon bis hin zu den Welterfolgen seit „My Generation“ und der Rockoper „Tommy“. Für alte und junge Fans öffnet er den Kosmos von sex and drugs and rock’n’roll, enthüllt die kreative Dynamik innerhalb der Band und erzählt, wie er selbst geerdet blieb und auch ein Leben als Familienmensch führen kann. |
Extreme (band) - Wikipedia
Extreme is an American rock band formed in Boston, Massachusetts, in 1985, that reached the height of their popularity in the late 1980s and early 1990s. They have released six studio …
EXTREME Definition & Meaning - Merriam-Webster
The meaning of EXTREME is existing in a very high degree. How to use extreme in a sentence. Synonym Discussion of Extreme.
Extreme | New Album Out Now!
The official site of EXTREME, featuring the latest news, band updates, tour dates, merch, and more.
EXTREME | English meaning - Cambridge Dictionary
EXTREME definition: 1. very large in amount or degree: 2. very severe or bad: 3. Extreme beliefs and political…. Learn more.
Extreme - definition of extreme by The Free Dictionary
Most remote in any direction; outermost or farthest: the extreme edge of the field. 2. Being in or attaining the greatest or highest degree; very intense: extreme pleasure; extreme pain. 3. …
EXTREME Definition & Meaning | Dictionary.com
Extreme definition: of a character or kind farthest removed from the ordinary or average.. See examples of EXTREME used in a sentence.
Extreme Lyrics, Songs, and Albums - Genius
Extreme is an American rock band, currently headed by frontman Gary Cherone and guitarist Nuno Bettencourt. The band reached the height of their popularity in the late 1980s and...
OfficiallyExtreme - YouTube
They’re the rare band whose music has appeared in an actual cult series a la Bill & Ted as well as the Netflix juggernaut “Stranger Things.”
What does Extreme mean? - Definitions.net
What does Extreme mean? This dictionary definitions page includes all the possible meanings, example usage and translations of the word Extreme. Each of the things at opposite ends of a …
THE 10 BEST Austin Extreme & Thrilling Activities - Tripadvisor
Mar 16, 2025 · Things to do ranked using Tripadvisor data including reviews, ratings, number of page views, and user location. No place captures the slogan, "Keep Austin Weird," quite like …
Extreme (band) - Wikipedia
Extreme is an American rock band formed in Boston, Massachusetts, in 1985, that reached the height of their popularity in the late 1980s and early 1990s. They have released six studio …
EXTREME Definition & Meaning - Merriam-Webster
The meaning of EXTREME is existing in a very high degree. How to use extreme in a sentence. Synonym Discussion of Extreme.
Extreme | New Album Out Now!
The official site of EXTREME, featuring the latest news, band updates, tour dates, merch, and more.
EXTREME | English meaning - Cambridge Dictionary
EXTREME definition: 1. very large in amount or degree: 2. very severe or bad: 3. Extreme beliefs and political…. Learn more.
Extreme - definition of extreme by The Free Dictionary
Most remote in any direction; outermost or farthest: the extreme edge of the field. 2. Being in or attaining the greatest or highest degree; very intense: extreme pleasure; extreme pain. 3. …
EXTREME Definition & Meaning | Dictionary.com
Extreme definition: of a character or kind farthest removed from the ordinary or average.. See examples of EXTREME used in a sentence.
Extreme Lyrics, Songs, and Albums - Genius
Extreme is an American rock band, currently headed by frontman Gary Cherone and guitarist Nuno Bettencourt. The band reached the height of their popularity in the late 1980s and...
OfficiallyExtreme - YouTube
They’re the rare band whose music has appeared in an actual cult series a la Bill & Ted as well as the Netflix juggernaut “Stranger Things.”
What does Extreme mean? - Definitions.net
What does Extreme mean? This dictionary definitions page includes all the possible meanings, example usage and translations of the word Extreme. Each of the things at opposite ends of a …
THE 10 BEST Austin Extreme & Thrilling Activities - Tripadvisor
Mar 16, 2025 · Things to do ranked using Tripadvisor data including reviews, ratings, number of page views, and user location. No place captures the slogan, "Keep Austin Weird," quite like …
