Advertisement
| face off in a 2004 science fiction: Science Fiction Television Series, 1990-2004 Frank Garcia, Mark Phillips, 2013-09-27 This is a detailed examination of 58 science fiction television series produced between 1990 and 2004, from the popular The X-Files to the many worlds of Star Trek (The Next Generation onward), as well as Andromeda, Babylon 5, Firefly, Quantum Leap, Stargate Atlantis and SG-I, among others. A chapter on each series includes essential production information; a history of the series; critical commentary; and amusing, often provocative interviews with overall more than 150 of the creators, actors, writers and directors. The book also offers updates on each series' regular cast members, along with several photographs and a bibliography. Fully indexed. |
| face off in a 2004 science fiction: Representations of Technology in Science Fiction for Young People Noga Applebaum, 2009-09-10 In this new book, Noga Applebaum surveys science fiction novels published for children and young adults from 1980 to the present, exposing the anti-technological bias existing within a genre often associated with the celebration of technology. Applebaum argues that perceptions of technology as a corrupting force, particularly in relation to its use by young people, are a manifestation of the enduring allure of the myth of childhood innocence and result in young-adult fiction that endorses a technophobic agenda. This agenda is a form of resistance to the changing face of childhood and technology’s contribution to this change. Further, Applebaum contends that technophobic literature disempowers its young readers by implying that the technologies of the future are inherently dangerous, while it neglects to acknowledge children’s complex, yet pleasurable, interactions with technology today. The study looks at works by well-known authors including M.T. Anderson, Monica Hughes, Lois Lowry, Garth Nix, and Philip Reeve, and explores topics such as ecology, cloning, the impact of technology on narrative structure, and the adult-child hierarchy. While focusing on the popular genre of science fiction as a useful case study, Applebaum demonstrates that negative attitudes toward technology exist within children’s literature in general, making the book of considerable interest to scholars of both science fiction and children’s literature. |
| face off in a 2004 science fiction: The Whedonverse Catalog Don Macnaughtan, 2018-06-04 Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations. |
| face off in a 2004 science fiction: Camouflage Joe Haldeman, 2005-07-26 Two aliens have wandered Earth for centuries. The Changeling has survived by adapting the forms of many different organisms. The Chameleon destroys anything or anyone that threatens it. Now, a sunken relic that holds the key to their origins calls to them to take them home—but the Chameleon has decided there's only room for one. Camouflage delivers a riveting exploration of alien presence and the eternal quest for identity. |
| face off in a 2004 science fiction: The Cambridge Companion to American Science Fiction Eric Carl Link, Gerry Canavan, 2015-01-26 This Companion explores the relationship between the ideas and themes of American science fiction and their roots in the American cultural experience. |
| face off in a 2004 science fiction: Childhood, Science Fiction, and Pedagogy David W. Kupferman, Andrew Gibbons, 2019-04-24 This book invites readers to both reassess and reconceptualize definitions of childhood and pedagogy by imagining the possibilities - past, present, and future - provided by the aesthetic turn to science fiction. It explores constructions of children, childhood, and pedagogy through the multiple lenses of science fiction as a method of inquiry, and discusses what counts as science fiction and why science fiction counts. The book examines the notion of relationships in a variety of genres and stories; probes affect in the convergence of childhood and science fiction; and focuses on questions of pedagogy and the ways that science fiction can reflect the status quo of schooling theory, practice, and policy as well as offer alternative educative possibilities. Additionally, the volume explores connections between children and childhood studies, pedagogy and posthumanism. The various contributors use science fiction as the frame of reference through which conceptual links between inquiry and narrative, grounded in theories of media studies, can be developed. |
| face off in a 2004 science fiction: The Language of Touch Mirt Komel, 2019-01-10 Offering an in-depth analysis of the relationship between touch and language through the history of philosophy, this book revitalizes the field of haptic studies, providing new insights into the philosophy of language and ontological nature of touch. The Language of Touch draws together an international team of linguists, anthropologists, and philosophers to demonstrate from a variety of disciplinary perspectives that the experience of touch is inextricable from the structure of language. Examining the intersections between phenomenology of touch and poststructural linguistics, this work draws upon figures such as Marx, Merleau-Ponty, Nancy, Derrida, and Lacan to question both how language structures touch and how touch structures language. |
| face off in a 2004 science fiction: Ethnobiology for the Future Gary Paul Nabhan, 2016-04-15 The book centers on a call to define/redefine the field of ethnobiology and the need for doing so. It points a major way forward for ethnobiology: toward engagement with people and communities that are saving ecosystems and lifestyles through reviving traditional agricultural items and techniques, and integrating them into the contemporary world--Provided by publisher. |
| face off in a 2004 science fiction: Teaching Music Differently Tim Cain, Joanna Cursley, 2017-07-14 Teaching Music Differently explores what music teachers do and why. It offers insightful analysis of eight in-depth studies of teachers in a range of settings – the early years, a special school, primary and secondary schools, a college, a prison, a conservatoire and a community choir – and demonstrates that pedagogy is not simply the delivery of a curriculum or an enactment of a teaching plan. Rather, a teacher’s pedagogy is complex, nuanced and influenced by a multitude of factors. Exploring the theories teachers hold about their own teaching, it reveals that, even when teachers are engaged with the same subject, their teaching varies substantially. It analyses the differences in terms of agency – the knowledge and skills that teachers bring to teaching, their expectations shaped by their life histories, the ways in which they relate to their students and the subject and their ideas about the content they teach – what is important, what is interesting, what is difficult for students to grasp. It also explores the constraints that are imposed upon the teachers – by curriculum, policy, institutions, society and the students themselves. Together with discussion of key ideas for understanding the case studies, historical influences on music pedagogy and the main discourses around music teaching, Teaching Music Differently invites all music education professionals to consider their own responses to pedagogical discourses and to use these discourses to further the development of the profession as a whole. |
| face off in a 2004 science fiction: Yellow Future , |
| face off in a 2004 science fiction: Captured by the Media Paul Mason, 2013-05-13 This book turns on the television, opens the newspaper, goes to the cinema and assesses how punishment is performed in media culture, investigating the regimes of penal representation and how they may contribute to a populist and punitive criminological imagination. It places media discourse in prisons firmly within the arena of penal policy and public opinion, suggesting that while Bad Girls, The Shawshank Redemption, internet jail cams, advertising and debates about televising executions continue to ebb and flow in contemporary culture, the persistence of this spectacle of punishment - its contested meaning and its politics of representation - demands investigation. Alongside chapters addressing the construction of popular images of prison and the death penalty in television and film, Captured by the Media also has contributions from prison reform groups and prison practitioners which discuss forms of media intervention in penal debate. This book provides a highly readable exploration of media discourse on prisons and punishment, and its relationship to public attitudes and government penal policy. At the same time it engages with the 'cultural turn' within criminology and offers an original contribution to discussion of the relationship between prison, public and the state. It will be essential reading for students in both media studies and criminology as well as practitioners and commentators in these fields. |
| face off in a 2004 science fiction: The Concise New Partridge Dictionary of Slang and Unconventional English Terry Victor, Tom Dalzell, 2007-12 Reviews of the two-volume New Partridge Dictionary of Slang and Unconventional English, 2005: The king is dead. Long live the king! The old Partridge is not really dead; it remains the best record of British slang antedating 1945 Now, however, the preferred source for information about English slang of the past 60 years is the New Partridge. James Rettig, Booklist, American Library Association Most slang dictionaries are no better than momgrams or a rub of the brush, put together by shmegegges looking to make some moola. The New Partridge Dictionary of Slang and Unconventional English, on the other hand, is the wee babes. Ian Sansom, The Guardian The Concise New Partridge presents, for the first time, all the slang terms from the New Partridge Dictionary of Slang and Unconventional English in a single volume. With over 60,000 entries from around the English-speaking world, the Concise gives you the language of beats, hipsters, Teddy Boys, mods and rockers, hippies, pimps, druggies, whores, punks, skinheads, ravers, surfers, Valley girls, dudes, pill-popping truck drivers, hackers, rappers and more. The Concise New Partridge is a spectacular resource infused with humour and learning its rude, its delightful, and its a prize for anyone with a love of language. |
| face off in a 2004 science fiction: Internet Horror, Science Fiction and Fantasy Television Series, 1998-2013 Vincent Terrace, 2014-05-19 This is the first ever compilation on Internet television and provides details of 405 programs from 1998 to 2013. Each entry contains the storyline, descriptive episode listings, cast and crew lists, the official website and comments. An index of personnel and programs concludes the book. From Barry the Demon Hunter to Time Traveling Lesbian to Hamilton Carver, Zombie P.I., it is a previously undocumented entertainment medium that is just now coming into focus. Forty-eight photos accompany the text. |
| face off in a 2004 science fiction: A Companion to Science Fiction David Seed, 2008-06-09 A Companion to Science Fiction assembles essays by an international range of scholars which discuss the contexts, themes and methods used by science fiction writers. This Companion conveys the scale and variety of science fiction. Shows how science fiction has been used as a means of debating cultural issues. Essays by an international range of scholars discuss the contexts, themes and methods used by science fiction writers. Addresses general topics, such as the history and origins of the genre, its engagement with science and gender, and national variations of science fiction around the English-speaking world. Maps out connections between science fiction, television, the cinema, virtual reality technology, and other aspects of the culture. Includes a section focusing on major figures, such as H.G. Wells, Arthur C. Clarke, and Ursula Le Guin. Offers close readings of particular novels, from Mary Shelley's Frankenstein to Margaret Atwood's The Handmaid's Tale. |
| face off in a 2004 science fiction: The Best of the Best, Volume 2 Gardner Dozois, 2007-02-06 For more than twenty years The Year's Best Science Fiction has been recognized as the best collection of short science fiction writing in the universe and an essential resource for every science fiction fan. In 2005 the original Best of the Best collected the finest short stories from that series and became a benchmark in the SF field. Now, for the first time ever, Hugo Award-winning editor Gardner Dozios sifts through hundreds of stories and dozens of authors who have gone on to become some of the most esteemed practitioners of the form, to bring readers the ultimate anthology of short science fiction novels from his legendary series. Included are such notable short novels as: Sailing to Byzantium by Robert Silverberg In the fiftieth century, people of Earth are able to create entire cities on a whim, including those of mythology and legend. When twentieth-century traveler Charles Philip accidentally lands in this aberrant time period, he is simultaneously obsessed with discovering more about this alluring world and getting back home. But in a world made entirely of man's creation, things are not always as they seem on the surface. Forgiveness Day by Ursula K. Le Guin Le Guin returns to her Hainish-settled interstellar community, the Edumen, to tell the tale of two star-crossed lovers who are literally worlds apart in this story of politics, violence, religion, and cultural disparity. Turquoise Days by Alastair Reynolds On a sea-wold planet covered with idyllic tropical oceans, peace seems pervasive. Beneath the placid water lurks an ominous force that has the potential to destroy all tranquility. Contributors include: Greg Egan; Joe Haldeman; James Patrick Kelly; Nancy Kress; Ursula K. Le Guin; Ian R. MacLeod; Ian McDonald; Maureen F. McHugh; Frederick Pohl; Alastair Reynolds; Robert Silverberg; Michael Swanwick; Walter Jon Williams With work spanning two decades, The Best of the Best, Volume 2 stands as the ultimate anthology of short science fiction novels ever published in the world. |
| face off in a 2004 science fiction: European Nightmares Patricia Allmer, Emily Brick, David Huxley, 2012 Essays focusing on European horror cinema from 1945 to the present. Features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. |
| face off in a 2004 science fiction: Science Fiction from Quebec Amy J. Ransom, 2009-05-20 This first book-length study of French-language science fiction from Canada provides an introduction to the subgenre known as SFQ (science fiction from Quebec). In addition, it offers in-depth analyses of SFQ sagas by Jacques Brossard, Esther Rochon, and Elisabeth Vonarburg. It demonstrates how these multivolume narratives of colonization and postcolonial societies exploit themes typical of postcolonial literatures, including the denunciation of oppressive colonial systems, the utopian hope for a better future, and the celebration of tolerant pluralistic societies. A bibliography of SFQ available in English translation is included. |
| face off in a 2004 science fiction: Critical Perspectives on Hollywood Science Fiction Stephen Trinder, 2019-12-18 The 2003 invasion of Iraq and the global recession of 2008 have contributed heavily to popular criticism of neoliberalism. This book investigates James Cameron’s Avatar (2009), Neill Blomkamp’s District 9 (2009) and Elysium (2013), Len Wiseman’s Total Recall (2012) and the Wachowskis’ and Tom Tykwer’s independent epic Cloud Atlas (2012) to examine how far this model is critically interrogated in science fiction cinema. The subject is a critical one upon reflection of the role that a heavily ingrained allegiance to neoliberal and colonial discourse in mainstream politics and media has played in the rise of populist right-wing politics, growing worldwide income inequality, and, in particular, cultivating racist attitudes towards the Other. |
| face off in a 2004 science fiction: The cultural politics of contemporary Hollywood film Chris Beasley, Heather Brook, 2019-01-21 Adopting and developing a ‘cultural politics’ approach, this comprehensive study explores how Hollywood movies generate and reflect political myths about social and personal life that profoundly influence how we understand power relations. Instead of looking at genre, it employs three broad categories of film. ‘Security’ films present ideas concerning public order and disorder, citizen–state relations and the politics of fear. ‘Relationalities’ films highlight personal and intimate politics, bringing norms about identities, gender and sexuality into focus. In ‘socially critical’ films, particular issues and ideas are endowed with more overtly political significance. The book considers these categories as global political technologies implicated in hegemonic and ‘soft power’ relations whose reach is both deep and broad. |
| face off in a 2004 science fiction: Off the Planet Philip Hayward, 2004-05-18 Explores the use of sound and music in Science Fiction films. |
| face off in a 2004 science fiction: Women's Cinema in Contemporary Portugal Mariana Liz, Hilary Owen, 2020-03-05 Women's Cinema in Contemporary Portugal brings together scholars from Portugal, UK and the USA, to discuss 14 women film directors in Portugal, focussing on their production in both feature film and documentary genres over the last half-century. It charts the specific cinematic visions that these women have brought to the re-emergence of Portuguese national cinema in the wake of the 1974 Revolution and African decolonisation, and to the growing internationalisation of Portugal's arguably 'minor' or 'small nation' cinema, with significant young women directors such as Leonor Teles achieving prominence abroad. The history of Portuguese women's cinema only begins systematically after the 1974 revolution and democratisation. This collection shows how female auteurs made their mark on Portugal's post-revolutionary conceptualisation of a differently 'national' cinema, through the ethnographic output of the late 1970s. It goes on to explore women's decisively gendered interventions in the cinematic memory practices that opened up around the masculine domain of the Colonial Wars in Africa. Feminist political issues such as Portugal's 30-year abortion campaign and LGBT status have become more visible since the 1990s, alongside preoccupations with global concerns relating to immigration, transit and minority status communities. The book also demonstrates how women have contributed to the evolution of soundscapes, the genre of essay cinema, film's relationship to the archive, and the adaptation of the written word. The result is a powerful, provocative and definitive challenge to the marginalisation of Portuguese female-directed film in terms of 'double minority'. |
| face off in a 2004 science fiction: Action Cinema Since 2000 Chris Holmlund, Lisa Purse, Yvonne Tasker, 2024-05-16 Action Cinema Since 2000 addresses an increasingly lively and evolving field of scholarship, probing the definition and testing the potential of action cinema to reframe the mode for the 21st century. Contributors examine a broad range of content, from blockbusters to smaller independent films, originating from China, Korea, India, France, the USA, and Mexico. Ranging from JSA: Joint Security Area (Gondonggeonygbi guyeok) (2000) to Polite Society (2023), they consider the changing modes of action cinema, with streaming assuming global importance and an ever-increasing number of generic blends. They consider under-explored areas of action film, particularly how race, ethnicity, gender, and age figure in narratives and through image and soundtracks. Overall, the book demonstrates how 21st century action cinema engages with and reflects geopolitical, creative, and industrial developments. Contributors argue that it continues to offer fantasies of empowerment and mobility that say much about how power is understood in diverse contexts today. |
| face off in a 2004 science fiction: The Cambridge Companion to the Graphic Novel Stephen E. Tabachnick, 2017-07-03 Since the graphic novel rose to prominence half a century ago, it has become one of the fastest growing literary/artistic genres, generating interest from readers globally. The Cambridge Companion to the Graphic Novel examines the evolution of comic books into graphic novels and the distinct development of this art form both in America and around the world. This Companion also explores the diverse subgenres often associated with it, such as journalism, fiction, historical fiction, autobiography, biography, science fiction and fantasy. Leading scholars offer insights into graphic novel adaptations of prose works and the adaptation of graphic novels to films; analyses of outstanding graphic novels, like Maus and The Walking Man; an overview which distinguishes the international graphic novel from its American counterpart; and analyses of how the form works and what it teaches, making this book a key resource for scholars, graduate students and undergraduate students alike. |
| face off in a 2004 science fiction: Forty Signs of Rain Kim Stanley Robinson, 2005-07-26 The bestselling author of the classic Mars trilogy and The Years of Rice and Salt presents a riveting new trilogy of cutting-edge science, international politics, and the real-life ramifications of global warming as they are played out in our nation’s capital—and in the daily lives of those at the center of the action. Hauntingly yet humorously realistic, here is a novel of the near future that is inspired by scientific facts already making headlines. When the Arctic ice pack was first measured in the 1950s, it averaged thirty feet thick in midwinter. By the end of the century it was down to fifteen. One August the ice broke. The next year the breakup started in July. The third year it began in May. That was last year. It’s a muggy summer in Washington, D.C., as Senate environmental staffer Charlie Quibler and his scientist wife, Anna, work to call attention to the growing crisis of global warming. But as these everyday heroes fight to align the awesome forces of nature with the extraordinary march of technology, fate puts an unusual twist on their efforts—one that will place them at the heart of an unavoidable storm. |
| face off in a 2004 science fiction: The Concise New Partridge Dictionary of Slang and Unconventional English Tom Dalzell, Terry Victor, 2014-11-27 The Concise New Partridge Dictionary of Slang and Unconventional English presents all the slang terms from The New Partridge Dictionary of Slang and Unconventional English in a single volume. Containing over 60,000 entries, this concise new edition of the authoritative work details the slang and unconventional English of from around the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge’s own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning. New to this second edition: a new preface noting slang trends of the last eight years over 1,000 new entries from the US, UK and Australia, reflecting important developments in language and culture new terms from the language of social networking from a range of digital communities including texting, blogs, Facebook, Twitter and online forums many entries now revised to include new dating and new glosses, ensuring maximum accuracy of content. The Concise New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language. |
| face off in a 2004 science fiction: German Expressionism in the Audiovisual Culture / Der deutsche Expressionismus in den Audiovisuellen Medien Paloma Ortiz-de-Urbina, 2022-12-19 Zu Beginn des 20. Jahrhunderts machte zeitgleich mit dem Expressionismus eine neue Kunstform ihre ersten Schritte, die Bild, Sprache und Musik in sich vereinte: der Kinofilm. In Deutschland hatte die expressionistische Ästhetik einen enormen Einfluss auf dieses neue Medium, der sich in Filmen wie Das Cabinet des Dr. Caligari (1920), Der Golem (1920), Nosferatu (1922) oder Metropolis (1927) zeigt und bis heute seine Spuren hinterlassen hat. Dieser Band analysiert, wie Themen, Motive, Mythen und Ästhetik des expressionistischen Kinos der 1920er Jahre in den audiovisuellen Medien bis ins 21. Jahrhundert fortwirken und welchen Einfluss sie auf Myth Criticism oder auf populäre Gattungen wie Fantasy, Horror oder Science Fiction nach wie vor ausüben. |
| face off in a 2004 science fiction: Better Off Dead Deborah Christie, Sarah Juliet Lauro, 2011 What has the zombie metaphor meant in the past? Why does it continue to be, so prevalent in our culture? This collection seeks to provide an archaeology of the zombietracing its lineage from Haiti, mapping its various cultural transformations, and suggesting the post-humanist direction in which the zombie is ultimately heading. |
| face off in a 2004 science fiction: Please Don't Bomb the Suburbs William Wimsatt, 2010-09-14 Wimsatt weaves a first-person tour of America's cultural and political movements from 1985-2010. It's a story about love, growing up, a generation coming of age and a vision for the movement young people will create in the new decade. With humour, story-telling and historical insight, Wimsatt lays out a provocative vision for the next 25 years of personal and historical transformation. |
| face off in a 2004 science fiction: The Rough Guide to Sci-fi Movies John Scalzi, 2005 This guide explores cinema's fascination with space exploration, time travel, and fantastical worlds and tells the stories behind the movies that have been expanding our universe since film began. |
| face off in a 2004 science fiction: Women of Science Fiction and Fantasy Television Karen A. Romanko, 2019-10-25 Samantha Stephens in Bewitched. Lieutenant Uhura on Star Trek. Wonder Woman, Xena, Warrior Princess, Buffy the Vampire Slayer, and many more. Television's women of science fiction and fantasy are iconic and unforgettable yet there hasn't been a reference book devoted to them until now. Covering 400 female characters from 200 series since the 1950s, this encyclopedic work celebrates the essential contributions of women to science fiction and fantasy TV, with characters who run the gamut from superheroes, extraterrestrials and time travelers to witches, vampires and mere mortals who deal with the fantastic in their daily lives. |
| face off in a 2004 science fiction: Channeling the Future Lincoln Geraghty, 2009-04-02 Though science fiction certainly existed prior to the surge of television in the 1950s, the genre quickly established roots in the new medium and flourished in subsequent decades. In Channeling the Future: Essays on Science Fiction and Fantasy Television, Lincoln Geraghty has assembled a collection of essays that focuses on the disparate visions of the past, present, and future offered by science fiction and fantasy television since the 1950s and that continue into the present day. These essays not only shine new light on often overlooked and forgotten series but also examine the 'look' of science fiction and fantasy television, determining how iconography, location and landscape, special effects, set design, props, and costumes contribute to the creation of future and alternate worlds. Contributors to this volume analyze such classic programs as The Twilight Zone, Voyage to the Bottom of the Sea, and The Man from U.N.C.L.E., as well as contemporary programs, including Star Trek: The Next Generation, Angel, Firefly, Futurama, and the new Battlestar Galactica. These essays provide a much needed look at how science fiction television has had a significant impact on history, culture, and society for the last sixty years. |
| face off in a 2004 science fiction: The Making of the New Spirituality James A. Herrick, 2004-12-02 James A. Herrick offers an intellectual history of the New Religious Synthesis, examining the challenges it poses to Judeo-Christian tradition, demonstrating its sources and manifestations in contemporary culture, and questioning its acceptance in church and society. |
| face off in a 2004 science fiction: Stardust Monuments Alison Trope, 2011 Hollywood is placeless, timeless, and iconic, a key fabricator and forger of American cultural myths and stories. How, then, will the history of Hollywood be written? |
| face off in a 2004 science fiction: 100 Science Fiction Films Barry Keith Grant, 2017-10-12 A comprehensive guide to science fiction films, which analyzes and contextualizes the most important examples of the genre, from Un voyage dans la lune (1902), to The Road (2009). |
| face off in a 2004 science fiction: A History of Horror, 2nd Edition Wheeler Winston Dixon, 2023-02-10 Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's fully revised and updated A History of Horror is still the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels. In covering the last decade, this new edition includes coverage of the resurgence of the genre, covering the swath of new groundbreaking horror films directed by women, Black and queer horror films, and a new international wave in body horror films. A History of Horror explores how the horror film fits into the Hollywood studio system, how the distribution and exhibition of horror films have changed in a post-COVID world, and how its enormous success in American and European culture expanded globally over time. Dixon examines key periods in the horror film-in which the basic precepts of the genre were established, then banished into conveniently reliable and malleable forms, and then, after collapsing into parody, rose again and again to create new levels of intensity and menace. A History of Horror, supported by rare stills from classic films, brings over sixty timeless horror films into frightfully clear focus, zooms in on today's top horror Web sites, and champions the stars, directors, and subgenres that make the horror film so exciting and popular with contemporary audiences. |
| face off in a 2004 science fiction: Philosophy and the Arts Bert Olivier, 2009 This collection of philosophical essays addresses important issues in the arts, encompassing painting, sculpture, photography, film and architecture. The author's point of departure is the conviction that art in all its manifestations is an extremely significant cultural practice because it embodies a creative, reflective appropriation of social, political, economic, religious, historical and ecological developments, and as such merits close philosophical scrutiny, reflection and interpretation. The question of whether painting is still a viable artistic practice in our technocratic society is considered here, and it is no accident that both this issue and that of artificial intelligence are approached from the perspective of the phenomenological thought of Maurice Merleau-Ponty, among other thinkers. Equally important is the consideration of the relationship between art and the ethical, as highlighted by significant recent artistic events, as well as discussion of the transformational influence of ecological art and the culturally symptomatic meaning of kitsch. Other themes discussed include play and artistic tradition, formulating a suitable model for art 'beyond' Kierkegaard's aesthetic and ethical models, the meaning of 9/11 for architecture, and Lyotard's claim that today only an aesthetic of the sublime, instead of the beautiful, can help us make sense of art. |
| face off in a 2004 science fiction: Cities and Cinema Barbara Mennel, 2008-03-19 Films about cities abound. They provide fantasies for those who recognize their city and those for whom the city is a faraway dream or nightmare. How does cinema rework city planners’ hopes and city dwellers’ fears of modern urbanism? Can an analysis of city films answer some of the questions posed in urban studies? What kinds of vision for the future and images of the past do city films offer? What are the changes that city films have undergone? Cities and Cinema puts urban theory and cinema studies in dialogue. The book’s first section analyzes three important genres of city films that follow in historical sequence, each associated with a particular city, moving from the city film of the Weimar Republic to the film noir associated with Los Angeles and the image of Paris in the cinema of the French New Wave. The second section discusses socio-historical themes of urban studies, beginning with the relationship of film industries and individual cities, continuing with the portrayal of war torn and divided cities, and ending with the cinematic expression of utopia and dystopia in urban science fiction. The last section negotiates the question of identity and place in a global world, moving from the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire, to end with the representation of the global city in transnational cinematic practices. The book suggests that modernity links urbanism and cinema. It accounts for the significant changes that city film has undergone through processes of globalization, during which the city has developed from an icon in national cinema to a privileged site for transnational cinematic practices. It is a key text for students and researchers of film studies, urban studies and cultural studies. |
| face off in a 2004 science fiction: The Ex-Human Michael Bérubé, 2024-05-28 Facing threats like climate change and nuclear warfare, science fiction authors have conjured apocalyptic scenarios of human extinction. Can such gloomy fates help us make sense of our contemporary crises? How important is the survival of our species if we wind up battling for an Earth that has become an unhabitable hellscape? What other possible futures do narratives of the end of humanity allow us to imagine? Michael Bérubé explores the surprising insights of classic and contemporary works of SF that depict civilizational collapse and contemplate the fate of Homo sapiens. In a lively, conversational style, he considers novels by writers including Ursula K. Le Guin, Margaret Atwood, Liu Cixin, Philip K. Dick, and Octavia Butler, as well as films that feature hostile artificial intelligence, such as 2001: A Space Odyssey, Blade Runner, and the Terminator and Matrix franchises. Bérubé argues that these works portray a future in which we have become able to see ourselves from the vantage point of something other than the human. Though framed by the possibility of human extinction, they are driven by a vision of the “ex-human”—a desire to imagine that another species is possible. For all science fiction readers worried about the fate of humanity, The Ex-Human is an entertaining yet sobering account of how key novels and films envision the world without us. |
| face off in a 2004 science fiction: The Underwater Eye Margaret Cohen, 2022-04-12 A rich history of underwater filmmaking and how it has profoundly influenced the aesthetics of movies and public perception of the oceans In The Underwater Eye, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality. Examining works by filmmakers ranging from J. E. Williamson, inventor of the first undersea film technology in 1914, to Wes Anderson, who filmed the underwater scenes of his 2004 The Life Aquatic with Steve Zissou entirely in a pool, The Underwater Eye traces how the radically alien qualities of underwater optics have shaped liquid fantasies for more than a century. Richly illustrated, the book explores documentaries by Jacques Cousteau, Louis Malle, and Hans Hass, art films by Man Ray and Jean Vigo, and popular movies and television shows such as 20,000 Leagues Under the Sea, Creature from the Black Lagoon, Sea Hunt, the Bond films, Jaws, The Abyss, and Titanic. In exploring the cultural impact of underwater filmmaking, the book also asks compelling questions about the role film plays in engaging the public with the remote ocean, a frontline of climate change. |
| face off in a 2004 science fiction: A History of Horror Wheeler W. Dixon, 2010 Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. A History of Horror, with rare stills from classic films, is the only book to offer a comprehensive survey of this ever-popular film genre. Chronologically examining over fifty horror films from key periods, this one-stop sourcebook unearths the historical origins of legendary characters and explores how the genre fits into the Hollywood studio system and how its enormous success in American and European culture expanded globally over time. |
Ability to hide split face lines - Autodesk Community
Sep 6, 2017 · Split face lines are still selectable when their hosts are hidden. I use working 3D views which hide walls, but the split faces on those walls are still selectable, which is unexpected …
Host a face-based family onto a reference plan in another family
Feb 21, 2023 · The reason I am trying to host the knob family onto the "Front" work plane in the door family is that the door family is swappable, and the "Front" work plane can be in a different …
Solved: Extruding at an angle? - Autodesk Community
Oct 2, 2015 · I swear that in a prior version of Fusion 360, the Extrude command (in Model) had an angle manipulator that let you pick the extrusion direction. Now it seems as though that is …
How to add text in new autodesk fusion 360 - Autodesk Community
Oct 5, 2019 · Step 1. Right click on the workplane or planar body face where you would like to place text. Step 2. Left click select New Sketch. Step 3. Select sketch Text as shown in @jhackney1972 …
Solved: Reveals + Splitting Wall Surface - Autodesk Community
Apr 11, 2018 · My problem was that I confused "Split Face" with the "Split Element" tool. Select a Wall > select "Split Face" (icon looks like a 90's computer screen) > go to a corner and draw a …
Solved: Is there a way to Merge Faces? - Autodesk Community
Feb 20, 2017 · Occasionally I may get an STL file that has no original source file and I will convert the mesh to a body so I can modify it. If the object is simple and has several faces on the …
How to explode 3D faces made up by lines? - Autodesk Community
Mar 13, 2023 · That's one hell of a trick to simulate a 3d face then, not helpful for me. I am familiar with the 2 links you sent, 3DF2PL LISP is what I use to explode 3DFACE to become POLYLINE …
Cannot place families on linked models - Autodesk Community
Dec 11, 2015 · To host families on elements in linked files, you need face-based families. Wall-based families won't attach to linked walls, Ceiling-based families won't attach to linked ceilings,... etc . …
Solved: Change Family Host Type - Autodesk Community
Apr 11, 2014 · 6. The Family is now converted to Face-Based and may be saved/exported from this Project to a separate file for later use. Note: Only certain Categories are available for …
Extrusion offset from surface, plane or sketch
Feb 9, 2018 · Yep, I'm coming back to Autodesk products from a lengthy stint with Solidworks. I'm recreating a few of my base models for practice and am noticing that some of the modeling …
Ability to hide split face lines - Autodesk Community
Sep 6, 2017 · Split face lines are still selectable when their hosts are hidden. I use working 3D views which hide walls, but the split faces on those walls are still selectable, which is …
Host a face-based family onto a reference plan in another family
Feb 21, 2023 · The reason I am trying to host the knob family onto the "Front" work plane in the door family is that the door family is swappable, and the "Front" work plane can be in a …
Solved: Extruding at an angle? - Autodesk Community
Oct 2, 2015 · I swear that in a prior version of Fusion 360, the Extrude command (in Model) had an angle manipulator that let you pick the extrusion direction. Now it seems as though that is …
How to add text in new autodesk fusion 360 - Autodesk Community
Oct 5, 2019 · Step 1. Right click on the workplane or planar body face where you would like to place text. Step 2. Left click select New Sketch. Step 3. Select sketch Text as shown in …
Solved: Reveals + Splitting Wall Surface - Autodesk Community
Apr 11, 2018 · My problem was that I confused "Split Face" with the "Split Element" tool. Select a Wall > select "Split Face" (icon looks like a 90's computer screen) > go to a corner and draw a …
Solved: Is there a way to Merge Faces? - Autodesk Community
Feb 20, 2017 · Occasionally I may get an STL file that has no original source file and I will convert the mesh to a body so I can modify it. If the object is simple and has several faces on …
How to explode 3D faces made up by lines? - Autodesk Community
Mar 13, 2023 · That's one hell of a trick to simulate a 3d face then, not helpful for me. I am familiar with the 2 links you sent, 3DF2PL LISP is what I use to explode 3DFACE to become …
Cannot place families on linked models - Autodesk Community
Dec 11, 2015 · To host families on elements in linked files, you need face-based families. Wall-based families won't attach to linked walls, Ceiling-based families won't attach to linked …
Solved: Change Family Host Type - Autodesk Community
Apr 11, 2014 · 6. The Family is now converted to Face-Based and may be saved/exported from this Project to a separate file for later use. Note: Only certain Categories are available for …
Extrusion offset from surface, plane or sketch
Feb 9, 2018 · Yep, I'm coming back to Autodesk products from a lengthy stint with Solidworks. I'm recreating a few of my base models for practice and am noticing that some of the modeling …
