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| facts about art history: Artifacts Phaidon Editors, 2022-02-03 The perfect miscellany for every art lover - an essential and engaging collection of facts, figures, and findings about art, artists, and the art world, past and present This extraordinary compendium of compelling facts, figures, and findings gathers and distils obscure and fascinating information about art, artists, and the art world. Fun, surprising, and compelling, in this covetable book you will learn: - which artist's work is stolen most often (Picasso) - names of artists' pets: Fat Fat & Cous-Cous (Louise Nevelson's cats), Giotto and Goya (John Baldessari's dogs) - artist couples (Nancy Rubins and Chris Burden; Niki de Saint Phalle and Jean Tinguely; Dorothea Tanning and Max Ernst) - things artists collect: prosthetic arms and legs (Sophie Calle), glass eyes (Hiroshi Sugimoto) - odd jobs and side hustles: telephone marketer (Tomma Abts), crop duster (James Turrell) - artists who were rejected from art school (Francisco Goya, Auguste Rodin) ... and hundreds of other miscellaneous details. Thoughtfully and thoroughly researched, this intriguing book offers refreshing and surprising perspectives on the world of art. The five page-turning chapters cover: - Artists - Art School - Art Studio - Art Museum - Art World |
| facts about art history: ArtCurious Jennifer Dasal, 2020-09-15 A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore. |
| facts about art history: How To Read World History in Art Flavio Febbraro, Burkhard Shwetje, 2010-10-01 How does an artist’s interpretation of historical events alter our understanding of them? Kings, queens, presidents, and generals from Alexander the Great to Theodore Roosevelt have commissioned paintings, drawings, sculptures, and photographs of major events, and artists have responded to important moments with works that forever shape historical memory. The book deals with specific episodes, from the proclamation of the Code of Hammurabi to more recent events such as the fall of the Berlin Wall and the terrorist attacks of September 11, 2001. It also deals with broader themes, such as the founding of states (Persia, Rome, the Chinese Empire, the United States) and war (Delacroix’s Liberty Leading the People, Picasso’s Guernica). Here too are the great voyages of exploration, the industrial revolution, and much more. World history is vividly elucidated in these works of art. |
| facts about art history: Saving Leonardo Nancy Pearcey, 2010-09-01 Is secularism a positive force in the modern world? Or does it lead to fragmentation and disintegration? In Saving Leonardo, best-selling award-winning author Nancy Pearcey (Total Truth, coauthor How Now Shall We Live?) makes a compelling case that secularism is destructive and dehumanizing. Pearcey depicts the revolutionary thinkers and artists, the ideas and events, leading step by step to the unleashing of secular worldviews that undermine human dignity and liberty. She crafts a fresh approach that exposes the real-world impact of ideas in philosophy, science, art, literature, and film--voices that surround us in the classroom, in the movie theater, and in our living rooms. A former agnostic, Pearcey offers a persuasive case for historic Christianity as a holistic and humane alternative. She equips readers to counter the life-denying worldviews that are radically restructuring society and pervading our daily lives. Whether you are a devoted Christian, determined secularist, or don't know quite where you stand, reading Saving Leonardo will unsettle established views and topple ideological idols. Includes more than 100 art reproductions and illustrations that bring the book's themes to life. Praise for Saving Leonardo: A feast for the mind and for the eye. Nancy Pearcey not only is a trustworthy guide for a nuanced discussion on the relationship between culture and the gospel, but she is a gifted teacher as well . . . Saving Leonardo is a rare, precious gift to the churches and universities alike. Makoto Fujimura, artist and author of Refractions: A Journey of Faith, Art, and Culture Nancy Pearcey has done it again and better than ever. She has taken the complex sophistication of the best cultural analysis and laid it out for any person to grasp, enjoy and use to live out their daily lives honoring Christ. An astounding accomplishment! James W. Sire, author of The Universe Next Door G. K. Chesterton said 'the danger when Men stop believing in God is not that they'll believe in nothing; but that they will believe in anything.' Nancy Pearcey understands where believing in anything leads and in this book she reveals where a secular philosophy is taking us. A balanced, fair, and impacting work! Cal Thomas, syndicated and USA Today columnist Nancy Pearcey helps a new generation of evangelicals to understand the worldview challenges we now face and to develop an intelligent and articulate Christian understanding . . . Saving Leonardo should be put in the hands of all those who should always be ready to give an answer--and that means all of us. R. Albert Mohler, Jr., president, The Southern Baptist Theological Seminary Nancy Pearcey is an intellectual prophet in our day and one of Evangelicalism's foremost cultural observers. Saving Leonardo is a tour de force. In it, Pearcey provides a penetrating analysis of the nature of contemporary secularism, a helpful exposition of how we got to the present situation, and a well-crafted strategy for changing the situation. This is her best effort yet . . . a must read. J. P. Moreland, distinguished professor of Philosophy, Biola University and author of The God Question Nancy Pearcey is unsurpassed in the current generation of Christian thinkers . . . The magic continues with this book. Pearcey's virtues as a writer and thinker are once again fully evident in the range of material that she has mastered, the encyclopedic collection of data that she presents, and the analytic rigor with which she separates truth from error in worldviews. She is a prophetic voice for contemporary Christians. Leland Ryken, Clyde S. Kilby professor of English, Wheaton College Brilliant . . . The book brings complex, abstract ideas down-to-earth -- or rather, down-to-life. . . . Saving Leonardo bridges the gaps between the arts and the sciences, the theoretical and the practical. The book not only argues for the unity of Christian truth but exemplifies that unity and shows it in action. Gene Edward Veith, provost, Patrick Henry College |
| facts about art history: Three Women Artists Amy Von Lintel, Bonnie Roos, 2022 Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a decentered modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century. |
| facts about art history: A Chronology of Art Iain Zaczek, 2024-10-29 A fresh take on the history of art, using cultural timelines to reveal little-known connections and influences between artworks and artistic movements. |
| facts about art history: Akhenaten: Son of the Sun Moyra Caldecott, 2003-11-01 In ancient Egypt during the magnificent eighteenth dynasty the Pharaoh Akhenaten and his queen, the strong and beautiful Nefertiti, are engaged in a dramatic battle against the wealthy, corrupt and dangerously powerful priests of Amun. Haunting and full of surprises, The Son of the Sun, gives a fascinating glimpse into an ancient civilisation. It is a story about hate and love, despair and hope, but more than that it is the story of extraordinary spiritual and psychic powers being tested to their limits. |
| facts about art history: Van Gogh Paintings Belinda Thomson, 2007-08-28 A dazzling selection of Van Gogh’s most famous paintings, as well as some lesser-known masterpieces, many drawn from the collection of the Van Gogh Museum in Amsterdam. Nearly 130 years after his death, Vincent van Gogh continues to exert a powerful fascination over viewers and historians. This superb book offers readers a selection of the artist’s most unforgettable canvases, as well as some lesser-known examples, many drawn from the collection of the Van Gogh Museum in Amsterdam. The volume explores the works in the context of Van Gogh’s short but brilliant career, in which frequent spells of isolation were paired with lively engagement with his peers and the popular ideas of his time. Additionally, Van Gogh’s continuous stream of letters written to family and friends—one of the most important archival resources of nineteenth-century art—provides a narrative thread around which this study develops. In the text, art historian Belinda Thomson considers Van Gogh as a cosmopolitan figure who combined his art experiences and native traditions absorbed in Holland and in Victorian England, and later succeeded in making his mark upon the painting scene in France at one of its richest periods. This book will be a welcome resource for art lovers, offering a different take on one of history’s most interesting artists. |
| facts about art history: Famous Painters in Art History Davina Rush, 2016-12-01 Learning about art history doesn't have to be all textbooks, essays and tests-- at least not in this book! Here, you will learn fun and interesting facts about The Famous Painters in Art History through an easy-to-read, bulleted format AND you'll get to enjoy coloring hand-drawn illustrations of paintings from each one of the masters. Challenge yourself to color like the Famous Painters in Art History by referencing the colored photos of the original artwork, available online, using the titles and dates provided for each painting. Or create your own version of these masterpieces, changing colors and textures as you please. Most importantly-- learn something new and HAVE FUN! |
| facts about art history: Exercises and Activities for Short Lessons in Art History Phyllis Clausen Barker, 2002 Help students explore art history with this companion to Short Lessons in Art History. Included in this revised edition are - Interesting and engaging activities - New and revised discussion questions geared to student's interests and abilities - Research projects that promote a deeper understanding of the lives and works of the artists. In addition, it still includes and features that have made this a Walch best seller! - Assesses student understanding of major artists and art movements - Develops critical-thinking skills through insightful writing activities - Increases student awareness of artists and their work with hands-on art activities, independent research projects, and more. [adapted from back cover]. |
| facts about art history: A History of Art History Christopher S. Wood, 2021-03-02 In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history.--from book jacket |
| facts about art history: The Collector of Lives: Giorgio Vasari and the Invention of Art Noah Charney, Ingrid Rowland, 2017-10-03 “Readers curious about the making of Renaissance art, its cast of characters and political intrigue, will find much to relish in these pages.” —Wall Street Journal Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Lauded by Sarah Bakewell as “insightful, gripping, and thoroughly enjoyable,” The Collector of Lives reveals how one Renaissance scholar completely redefined how we look at art. |
| facts about art history: The Brilliant History of Color in Art Victoria Finlay, 2014-11-01 The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration. |
| facts about art history: What is “Islamic” Art? Wendy M. K. Shaw, 2019-10-10 An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music. |
| facts about art history: The Shadow Drawing Francesca Fiorani, 2020-11-17 [The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best. —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten. |
| facts about art history: A History of Art Lawrence Gowing, 1995 |
| facts about art history: Fictions of Art History Mark Ledbury, 2013-10-28 DIV Fictions of Art History, the most recent addition to the Clark Studies in the Visual Arts series, addresses art history’s complex relationships with fiction, poetry, and creative writing. Inspired by a 2010 conference, the volume examines art historians’ viewing practices and modes of writing. How, the contributors ask, are we to unravel the supposed facts of history from the fictions constructed in works of art? How do art historians employ or resist devices of fiction, and what are the effects of those choices on the reader? In styles by turns witty, elliptical, and plain-speaking, the essays in Fictions of Art History are fascinating and provocative critical interventions in art history. /div |
| facts about art history: Art History's History Vernon Hyde Minor, 1994 This undergraduate text covers the standard (old and new) methodological approaches to art history, in a clear, direct and understandable way. |
| facts about art history: Provenance Gail Feigenbaum, Inge Jackson Reist, 2012 This volume of essays offers new arguments regarding the significance of the social biography of art and the transformative power of ownership. It realigns the traditional art-historical paradigm that focuses on the moment of an object's origin and instead considers the longue durée of ownership. Whereas the term provenance may call to mind little more than a list of owners or the legal questions raised by competing entitlement claims, the essays in this book demonstrate that a nuanced approach recuperates important, even dramatic, aspects of the history of art. The authors present a broad perspective on provenance, investigating examples from Europe, Asia, Africa, and the Americas, and from ancient archaeology to conceptual art. They explore how stories of ownership are attached to objects, analyze important distinctions between provenance and provenience, and show how provenance can be monetized, politicized, suppressed, or otherwise instrumentalized.--Page 4 of cover. |
| facts about art history: A to Z of American Women in the Visual Arts Carol Kort, Liz Sonneborn, 2014-05-14 Presents biographical profiles of American women of achievement in the field of visual arts, including birth and death dates, major accomplishments, and historical influence. |
| facts about art history: Hatshepsut: Daughter of Amun Moyra Caldecott, 2001-03-01 The dramatic and passionate story of Hatshepsut, Queen of Egypt during the Eighteenth dynasty. Ambitious, ruthless and worldly, Hatshepsut established Amun as the chief god of Egypt, bestowing his Priesthood with unprecedented riches and power. This is a story of vision and obsession, of mighty projects and heartbreaking failures -- the story of a woman possessed by the desire for power and the need to love. Hatshepsut: Daughter of Amun is part of Moyra Caldecott's magnificent Egyptian sequence. Don't miss Akhenaten: Son of the Sun, Tutankhamun and the Daughter of Ra and The Ghost of Akhenaten. |
| facts about art history: A General Theory of Visual Culture Whitney Davis, 2011 What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls visuality is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon. |
| facts about art history: After the End of Art Arthur C. Danto, 2021-06-08 The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative. |
| facts about art history: Art in History/History in Art David Freedberg, Jan de Vries, 1996-07-11 Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture. |
| facts about art history: Flexible History of Fluxus Facts and Fictions Emmett Williams, 2006 Explores the roots and fruits of this radical art movement. Here Emmett Williams turns cartoonist, in the footsteps of Lyonel Feininger, Rube Goldberg, and Ad Reinhardt. His pseudo-historical collage-drawings, digitally remastered by Ann Noel for this edition, are peopled with often-irreverent images of his real-life friends and colleagues. Williams, the oldest living member of Fluxus, assumes the role of know-it-all ringmaster in a three-ring circus that highlights the fanciful antics of the stars of Fluxus, Happenings, and Performance Art: George Maciunas, John Cage, Claes Oldenburg, Yoko Ono, Nam June Paik, Joseph Beuys, Christo and Jeanne-Claude, and Williams and Noel themselves. On the left-hand pages, opposite each cartoon, are documents from the author's personal archives relating some of the amusing and unexpected things that really happened in Fluxus events over the years. 140 color illustrations. |
| facts about art history: The Shaping of Art History: Meditations on a Discipline , |
| facts about art history: Lives of the Most Eminent Painters, Sculptors, and Architects Giorgio Vasari, 1910 |
| facts about art history: Early Medieval Art Lawrence Nees, 2002 Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography. |
| facts about art history: History of Art H. W. Janson, Anthony F. Janson, 1999 The definitive survey of Western art is now available in a deluxe, one-volume slipcased edition, bound in rich cloth and stamped in gold foil. 1,243 illustrations, 736 in color. 111 line drawings. 12 maps. |
| facts about art history: Keith Haring: The Boy Who Just Kept Drawing Kay Haring, 2017-02-14 Iconic pop artist Keith Haring comes to life for young readers in this picture book biography lovingly written by his sister This one-of-a-kind book explores the life and art of Keith Haring from his childhood through his meteoric rise to fame. It sheds light on this important artist’s great humanity, his concern for children, and his disregard for the establishment art world. Reproductions of Keith's signature artwork appear in scenes boldly rendered by Robert Neubecker. This is a story to inspire, and a book for Keith Haring fans of all ages to treasure. |
| facts about art history: Facts and Artefacts - Art in the Islamic World Annette Hagedorn, Avinoam Shalem, 2007-11-13 The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the pre-Islamic, period as well as 'orientalized' European artefacts of the modern era are included, there is an overarching theme – the linking of the interpretation of objects and their specific aesthetics to textual sources and the aim of setting them in historical and artistic context. In this impressive collection honouring the German scholar of Islamic art Jens Kröger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together contributions from a highly distinguished group of scholars of Asiatic, Sasanian, Islamic as well as European art history. Unpublished artefacts and new interpretations are presented in this book. |
| facts about art history: Art History Michael Hatt, Charlotte Klonk, 2006-04-30 This book provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates. |
| facts about art history: The Renaissance : an Illustrated Encyclopedia , 1979 |
| facts about art history: Everything You Know About Art is Wrong Matt Brown, 2017-08-24 A highly entertaining read for anyone with even a passing interest in art and art history. This myth-busting book takes you on a great ride through the lives of starving (and not so starving) artists, unusual exhibitions and painting blunders throughout history. In the intriguing, outrageous and often provoking world of the visual arts, nothing is quite as it seems. From the world’s first intance of photobombing in 1843 to the Damien Hirst spot painting that landed on Mars, the destruction of Vincent van Gogh’s Sunflowers during World War II and the £3,500 sheet of paper crumpled into a ball, Everything You Know About Art is Wrong will confound your assumptions about the world of art – and perhaps even the place of art in the world. |
| facts about art history: The History of American Graffiti Roger Gastman, Caleb Neelon, 2011-09-20 Book description to come. |
| facts about art history: Facts & Feelings Hannelore Magnus, Katlijne van der Stighelen, 2015 The history of emotions has gained more and more scholarly attention, evidenced by an 'affective turn' or 'emotional turn' in historical research. Many publications have appeared, and internationally oriented research centres and conferences have been set up and organized. This volume brings the importance of a clear understanding of historical feelings into the research area of art historians. Even though the depiction of emotions is an important discipline in its own right, in this volume the concept of the artist and his or her own personal feelings, often in connection with the creation of a work of art, is prioritised. Although it is argued that a painter had to be able to feel emotions in order to depict them correctly, the articles brought together in this volume focus primarily on the traces of artist's emotions (feelings) that can be derived from archival documents, secondary sources, and paintings (facts). Each author has tried in his or her own way to elucidate both the written and visual expressions of an artist's (personal) emotions. |
| facts about art history: How to Read Paintings Christopher Jones, 2021-03-18 How to Read Paintings provides a fascinating analysis of a variety of paintings made in the Western tradition. **Note: Images in paperback are printed in black and white. From works by Raphael to Monet, this wide-ranging book will introduce you to a selection of paintings and teach you how to understand their meaning. Reassuringly accessible and quietly erudite, How to Read Paintings will improve your art appreciation through a series of intimate encounters with some of art's most fascinating paintings. Including artists like Gustav Klimt and Albrect Durer, this book will guide you through the meaning of works of art by taking a closer look at what these paintings actually show, including their symbolism, technique and composition. Engagingly written and utterly absorbing, How to Read Paintings is an exploration of art from famous works to lesser-known masterpieces. Dip in at random or read from beginning to end, How to Read Paintings is an accessible tour of some of the most beautiful objects in art. Whether you are a complete beginner or an experienced art-lover, this book has something for everyone. **Note: Images in paperback are printed in black and white. About the author Christopher Jones is a writer, art critic and art historian. He has been looking at and writing about art for over 20 years. His particular areas of interests are 20th century German Expressionism, 19th century French art, and contemporary painting. He is currently working on an idiosyncratic guide to the National Gallery, London. |
| facts about art history: The World Factbook 2003 United States. Central Intelligence Agency, 2003 By intelligence officials for intelligent people |
| facts about art history: Look! Anne D'Alleva, 2010 For one or two semester Introductory Art History Survey courses. This handbook is designed to accompany the major textbooks used in the art history survey, presenting various methods for analysis of art as well as extensive tips on writing about art. Professor Anne D'Alleva created this handbook to accompany the major textbooks used in art history survey courses. Because the main survey texts focus on the artworks themselves, she saw the need for a complementary handbook that introduces students to the methodologies of art history in an open, accessible way. Look! discusses basic art historical practices, such as visual and contextual analysis, and provides guidelines for writing papers and taking examinations in art history. It provides a short history of the discipline and provides links to related academic disciplines to provide students with a sense of intellectual context for their work. |
| facts about art history: Art History: Eighteenth to twenty-first century art Marilyn Stokstad, Michael Watt Cothren, 2011 ART HISTORY provides students with the most student-friendly, contextual, and inclusive art history survey text on the market. These hallmarks make ART HISTORY the choice for instructors who seek to actively engage their students in the study of art. This new edition of ART HISTORY is the result of a happy and productive collaboration between two scholar-teachers (Marilyn Stokstad and Michael Cothren) who share a common vision that survey courses on the history of art should be filled with as much enjoyment as erudition, and that they should foster an enthusiastic, as well as an educated, public for the visual arts. Like its predecessors, this new edition seeks to balance formal and iconographic analysis with contextual art history in order to craft interpretations that will engage a diverse student population. Throughout the text, the visual arts are treated as part of a larger world, in which geography, politics, religion, economics, philosophy, social life, and the other fine arts are related components of a vibrant and cultural landscape. Art History Portable Edition offers exactly the same content as Art History, Fourth Edition but in smaller individual booklets for maximum student portability. The combined six segment set consists of four booklets that correspond to major periods in Western art and two that cover global art. Each book is available individually, making them ideal for courses focused on individual periods. |
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From inquiry to enrollment, FACTS helps you manage your entire admission process with a satisfying process for parents and an all-in-one platform for school admission …
Student Information System - FACTS Management
Your school needs a tool that works as hard as your administrators and teachers. FACTS SIS is your single source of truth, allowing you to track all school and student …
FACTS Management
FACTS Giving. Looking to manage donors and fundraising efforts? Video Coaching and Observation (Vosaic) Looking for video …
