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| figurative language in the kite runner: A Study Guide for Khaled Hosseini's The Kite Runner Gale, Cengage Learning, 2015-03-13 A Study Guide for Khaled Hosseini's The Kite Runner, excerpted from Gale's acclaimed Literary News For Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Literary News For Students for all of your research needs. |
| figurative language in the kite runner: The Kite Runner Khaled Hosseini, 2007 Traces the unlikely friendship of a wealthy Afghan youth and a servant's son in a tale that spans the final days of Afghanistan's monarchy through the atrocities of the present day. |
| figurative language in the kite runner: The Kite Runner Khaled Hosseini, 2011-09-05 Afghanistan, 1975: Twelve-year-old Amir is desperate to win the local kite-fighting tournament and his loyal friend Hassan promises to help him. But neither of the boys can foresee what will happen to Hassan that afternoon, an event that is to shatter their lives. After the Russians invade and the family is forced to flee to America, Amir realises that one day he must return to Afghanistan under Taliban rule to find the one thing that his new world cannot grant him: redemption. |
| figurative language in the kite runner: Culture, Body, and Language Farzad Sharifian, René Dirven, Ning Yu, Susanne Niemeier, 2008-11-03 One of the central themes in cognitive linguistics is the uniquely human development of some higher potential called the mind and, more particularly, the intertwining of body and mind, which has come to be known as embodiment. Several books and volumes have explored this theme in length. However, the interaction between culture, body and language has not received the due attention that it deserves. Naturally, any serious exploration of the interface between body, language and culture would require an analytical tool that would capture the ways in which different cultural groups conceptualize their feelings, thinking, and other experiences in relation to body and language. A well-established notion that appears to be promising in this direction is that of cultural models, constituting the building blocks of a group's cultural cognition. The volume results from an attempt to bring together a group of scholars from various language backgrounds to make a collective attempt to explore the relationship between body, language and culture by focusing on conceptualizations of the heart and other internal body organs across a number of languages. The general aim of this venture is to explore (a) the ways in which internal body organs have been employed in different languages to conceptualize human experiences such as emotions and/or workings of the mind, and (b) the cultural models that appear to account for the observed similarities as well as differences of the various conceptualizations of internal body organs. The volume as a whole engages not only with linguistic analyses of terms that refer to internal body organs across different languages but also with the origin of the cultural models that are associated with internal body organs in different cultural systems, such as ethnomedical and religious traditions. Some contributions also discuss their findings in relations to some philosophical doctrines that have addressed the relationship between mind, body, and language, such as that of Descartes. |
| figurative language in the kite runner: Stargirl Jerry Spinelli, 2004-05-11 ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME • NEW YORK TIMES BESTSELLER A modern-day classic from Newbery Medalist Jerry Spinelli, this beloved celebration of individuality is now an original movie on Disney+! And don't miss the author's highly anticipated new novel, Dead Wednesday! Stargirl. From the day she arrives at quiet Mica High in a burst of color and sound, the hallways hum with the murmur of “Stargirl, Stargirl.” She captures Leo Borlock’ s heart with just one smile. She sparks a school-spirit revolution with just one cheer. The students of Mica High are enchanted. At first. Then they turn on her. Stargirl is suddenly shunned for everything that makes her different, and Leo, panicked and desperate with love, urges her to become the very thing that can destroy her: normal. In this celebration of nonconformity, Newbery Medalist Jerry Spinelli weaves a tense, emotional tale about the perils of popularity and the thrill and inspiration of first love. Don’t miss the sequel, Love, Stargirl, as well as The Warden’s Daughter, a novel about another girl who can't help but stand out. “Spinelli is a poet of the prepubescent. . . . No writer guides his young characters, and his readers, past these pitfalls and challenges and toward their futures with more compassion.” —The New York Times |
| figurative language in the kite runner: Boy Overboard Morris Gleitzman, 2002-08-01 Winner - KOALA Children's Choice Awards 2010 - Fiction for Years 7–9 Winner - YABBA Children's Choice Awards 2010 - Fiction for Years 7–9 Winner - COOL Children's Choice Awards 2010 - Fiction for Years 7–9 Longlisted - Family Award for Children's Books 2002 - Prize for Writing for Young Adults Shortlisted - BILBY Children's Choice Awards 2006 - Fiction for Older Readers Shortlisted - REAL Children's Choice Awards 2010 - Younger Readers Jamal and Bibi have a dream. To lead Australia to soccer glory in the next World Cup. But first they must face landmines, pirates, storms and assassins. Can Jamal and his family survive their incredible journey and get to Australia? Sometimes, to save the people you love, you have to go overboard. With its witty humor and powerful themes of courage, determination, and the importance of family, Boy Overboard is sure to leave you laughing, crying, and cheering for Jamal and his journey. Don't miss out on this must-read middle grade book that will have you on the edge of your seat from beginning to end. ------------------ PRAISE FOR MORRIS GLEITZMAN ‘Readers can't get enough of him.’ The Independent ‘A brilliantly funny writer’ Sunday Telegraph ‘A virtuoso demonstration of how you can make comedy out of the most unlikely subject’ Sunday Times ‘He is one of the finest examples of a writer who can make humour stem from the things that really matter in life.’ The Guardian |
| figurative language in the kite runner: A Thousand Splendid Suns Khaled Hosseini, 2008-09-18 A riveting and powerful story of an unforgiving time, an unlikely friendship and an indestructible love |
| figurative language in the kite runner: Something in Between Melissa de la Cruz, 2016-10-04 The thought-provoking and timely new novel from Melissa de la Cruz, the #1 New York Times bestselling author of Alex & Eliza: A Love Story, will have you crying with Jasmine as she finds out she’s undocumented – then cheering her on as she fights to stay in the country she loves. She had her whole life planned. She knew who she was and where she was going. Until the truth changed everything. Jasmine de los Santos has always done what’s expected of her. She’s studied hard, made her Filipino immigrant parents proud and is ready to reap the rewards in the form of a full college scholarship to the school of her dreams. And then everything shatters. Her parents are forced to reveal the truth: their visas expired years ago. Her entire family is illegal. That means no scholarships, maybe no college at all and the very real threat of deportation. As she’s trying to make sense of this new reality, her world is turned upside down again by Royce Blakely. He’s funny, caring and spontaneous—basically everything she’s been looking for at the worst possible time—and now he’s something else she may lose. Jasmine will stop at nothing to protect her relationships, family and future, all while fighting the hard truths of being undocumented. ***** “A great read!” —Rachel Cohn, New York Times bestselling coauthor of Nick & Norah’s Infinite Playlist “We’re obsessed—and you will be too.” —The Editors of Seventeen magazine “Heartbreaking and bursting with hope, this is the book we all need.” —Marie Lu, #1 New York Times bestselling author of the Young Elites and Legend series “This book will change you. A must-read.” —Dhonielle Clayton, coauthor of Tiny Pretty Things and Shiny Broken Pieces, and the forthcoming The Belles “A must-read!” —Ally Condie, author of the #1 New York Times bestselling Matched trilogy “An immigrant herself, de la Cruz succeeds in presenting a complicated and multifaceted topic in a manner that is light enough to keep readers engaged.” —Kirkus Reviews “De la Cruz presents a timely and thought-provoking look at the complex reality of being young and undocumented in the United States…Readers will root for Jasmine as she fights for her future and finds the power of her own voice.” —Publishers Weekly |
| figurative language in the kite runner: The Kitemaker Ruskin Bond, 2011-01-24 Ruskin Bond wrote his first short story, ‘Untouchable’, at the age of sixteen in 1950. Since then he has written over a hundred stories, including the classics ‘A Face in the Dark’, ‘The Kitemaker’, ‘The Tunnel’ and ‘Time Stops at Shamli’. Two of his autobiographical works, ‘Life with Father’ and ‘My Father’s Last Letter’, are also included in this selection. Filled with characteristic warmth, gentle humour and keen observations on daily life, this collection brings together some of the fi nest short fiction by one of India’s best-loved authors. |
| figurative language in the kite runner: The Flying Machine Ray Bradbury, 1953 |
| figurative language in the kite runner: The Cellist of Sarajevo Steven Galloway, 2009-02-24 This brilliant novel with universal resonance tells the story of three people trying to survive in a city rife with the extreme fear of desperate times, and of the sorrowing cellist who plays undaunted in their midst. One day a shell lands in a bread line and kills twenty-two people as the cellist watches from a window in his flat. He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope. Meanwhile, Kenan steels himself for his weekly walk through the dangerous streets to collect water for his family on the other side of town, and Dragan, a man Kenan doesn’t know, tries to make his way towards the source of the free meal he knows is waiting. Both men are almost paralyzed with fear, uncertain when the next shot will land on the bridges or streets they must cross, unwilling to talk to their old friends of what life was once like before divisions were unleashed on their city. Then there is “Arrow,” the pseudonymous name of a gifted female sniper, who is asked to protect the cellist from a hidden shooter who is out to kill him as he plays his memorial to the victims. In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress. |
| figurative language in the kite runner: The Diary of Anne Frank Frances Goodrich, Albert Hackett, Wendy Ann Kesselman, 2000 THE STORY: In this transcendently powerful new adaptation by Wendy Kesselman, Anne Frank emerges from history a living, lyrical, intensely gifted young girl, who confronts her rapidly changing life and the increasing horror of her time with astonis |
| figurative language in the kite runner: How to Read Like a Writer Mike Bunn, When you Read Like a Writer (RLW) you work to identify some of the choices the author made so that you can better understand how such choices might arise in your own writing. The idea is to carefully examine the things you read, looking at the writerly techniques in the text in order to decide if you might want to adopt similar (or the same) techniques in your writing. You are reading to learn about writing. Instead of reading for content or to better understand the ideas in the writing (which you will automatically do to some degree anyway), you are trying to understand how the piece of writing was put together by the author and what you can learn about writing by reading a particular text. As you read in this way, you think about how the choices the author made and the techniques that he/she used are influencing your own responses as a reader. What is it about the way this text is written that makes you feel and respond the way you do? |
| figurative language in the kite runner: Storming Heaven: A Novel Denise Giardina, 2010-07-05 This is the story of the miners and the union they wanted, of the people who loved them and the people who wanted to kill their dreams. Annadel, West Virginia, was a small town rich in coal, farms, and close-knit families, all destroyed when the coal company came in. It stole everything it hadn't bothered to buy—land deeds, private homes, and ultimately, the souls of its men and women. Four people tell this powerful, deeply moving tale: Activist Mayor C. J. Marcum. Fierce, loveless union man Rondal Lloyd. Gutsy nurse Carrie Bishop, who loved Rondal. And lonely, Sicilian immigrant Rosa Angelelli, who lost four sons to the deadly mines. They all bear witness to nearly forgotten events of history, culminating in the final, tragic Battle of Blair Mountain—when the United States Army greeted ten thousand unemployed pro-union miners with airplanes, bombs, and poison gas. It was the first crucial battle of a war that has yet to be won. |
| figurative language in the kite runner: A Little Piece of Ground Elizabeth Laird, 2016-02-01 A Little Piece Of Ground will help young readers understand more about one of the worst conflicts afflicting our world today. Written by Elizabeth Laird, one of Great Britain’s best-known young adult authors, A Little Piece Of Ground explores the human cost of the occupation of Palestinian lands through the eyes of a young boy. Twelve-year-old Karim Aboudi and his family are trapped in their Ramallah home by a strict curfew. In response to a Palestinian suicide bombing, the Israeli military subjects the West Bank town to a virtual siege. Meanwhile, Karim, trapped at home with his teenage brother and fearful parents, longs to play football with his friends. When the curfew ends, he and his friend discover an unused patch of ground that’s the perfect site for a football pitch. Nearby, an old car hidden intact under bulldozed building makes a brilliant den. But in this city there’s constant danger, even for schoolboys. And when Israeli soldiers find Karim outside during the next curfew, it seems impossible that he will survive. This powerful book fills a substantial gap in existing young adult literature on the Middle East. With 23,000 copies already sold in the United Kingdom and Canada, this book is sure to find a wide audience among young adult readers in the United States. |
| figurative language in the kite runner: Living Up The Street Gary Soto, 1992-02-01 In a prose that is so beautiful it is poetry, we see the world of growing up and going somewhere through the dust and heat of Fresno's industrial side and beyond: It is a boy's coming of age in the barrio, parochial school, attending church, public summer school, and trying to fall out of love so he can join in a Little League baseball team. His is a clarity that rings constantly through the warmth and wry reality of these sometimes humorous, sometimes tragic, always human remembrances. |
| figurative language in the kite runner: The Art of Secrets James Klise, 2014-02-05 Special Free Preview! A Fire Destroys . . . A Treasure Appears . . . A Crime Unfolds . . . When Saba Khan’s apartment burns in a mysterious fire, possibly a hate crime, her Chicago high school rallies around her. Her family moves rent-free into a luxury apartment, Saba’s Facebook page explodes, and she starts (secretly) dating a popular boy. Then a quirky piece of art donated to a school fund-raising effort for the Khans is revealed to be an unknown work by a famous artist, worth hundreds of thousands of dollars, and Saba’s life turns upside down again. Should Saba’s family have all that money? Or should it go to the students who found the art? Or to the school? And just what caused that fire? Greed, jealousy, and suspicion create an increasingly tangled web as students and teachers alike debate who should get the money and begin to point fingers and make accusations. The true story of the fire that sets events in motion and what happens afterward gradually comes together in an innovative narrative made up of journal entries, interviews, articles, letters, text messages, and other documents. |
| figurative language in the kite runner: Fly Away Peter David Malouf, 2012-10-31 For three very different people brought together by their love for birds, life on the Queensland coast in 1914 is the timeless and idyllic world of sandpipers, ibises and kingfishers. In another hemisphere civilization rushes headlong into a brutal conflict. Life there is lived from moment to moment. Inevitably, the two young men - sanctuary owner and employee - are drawn to the war, and into the mud and horror of the trenches of Armentieres. Alone on the beach, their friend Imogen, the middle-aged wildlife photographer, must acknowledge for all three of them that the past cannot be held. |
| figurative language in the kite runner: Trapped Michael Northrop, 2011-02-01 The day the blizzard started, no one knew that it was going to keep snowing for a week. That for those in its path, it would become not just a matter of keeping warm, but of staying alive. . . .Scotty and his friends Pete and Jason are among the last seven kids at their high school waiting to get picked up that day, and they soon realize that no one is coming for them. Still, it doesn't seem so bad to spend the night at school, especially when distractingly hot Krista and Julie are sleeping just down the hall. But then the power goes out, then the heat. The pipes freeze, and the roof shudders. As the days add up, the snow piles higher, and the empty halls grow colder and darker, the mounting pressure forces a devastating decision. . . .Michael Northrop is the New York Times bestselling author of TombQuest, an epic book and game adventure series featuring the magic of ancient Egypt. He is also the author of Trapped, an Indie Next List Selection, and Plunked, a New York Public Library best book of the year and an NPR Backseat Book Club selection. An editor at Sports Illustrated Kids for many years, he now writes full-time from his home in New York City. Learn more at www.michaelnorthrop.net. |
| figurative language in the kite runner: Wild Thorns Salar Khalifeh, 2023-08-01 In this tense modern literary classic, acclaimed Palestinian author Sahar Khalifeh depicts the humiliation, bitter resignation and determined resistance of Palestinians under Israeli military occupation. First published in 1976, Wild Thorns was the first Arab novel to offer a glimpse of everyday life under Israeli occupation. With uncompromising honesty, Khalifeh pleads elegantly for survival in the face of oppression. |
| figurative language in the kite runner: Someone Like Me Julissa Arce, 2018-09-18 A remarkable true story from social justice advocate and national bestselling author Julissa Arce about her journey to belong in America while growing up undocumented in Texas. Born in the picturesque town of Taxco, Mexico, Julissa Arce was left behind for months at a time with her two sisters, a nanny, and her grandma while her parents worked tirelessly in America in hopes of building a home and providing a better life for their children. That is, until her parents brought Julissa to Texas to live with them. From then on, Julissa secretly lived as an undocumented immigrant, went on to become a scholarship winner and an honors college graduate, and climbed the ladder to become a vice president at Goldman Sachs. This moving, at times heartbreaking, but always inspiring story will show young readers that anything is possible. Julissa's story provides a deep look into the little-understood world of a new generation of undocumented immigrants in the United States today--kids who live next door, sit next to you in class, or may even be one of your best friends. |
| figurative language in the kite runner: The Kite Fighters Linda Sue Park, 2010-06-07 A tale of two brothers in fifteenth-century Korea from theNewbery Medal winner and #1 New York Times–bestselling author of A Long Walk to Water. In this riveting novel, two brothers discover a shared passion for kites. Kee-sup can craft a kite unequaled in strength and beauty, but his younger brother, Young-sup, can fly a kite as if he controlled the wind itself. It’s like the kite is part of him—the part that wants to fly. Their combined skills attract the notice of Korea’s young king, who chooses Young-sup to fly the royal kite in the New Year kite-flying competition—an honor that is also an awesome responsibility. Although tradition decrees, and the boys’ father insists, that the older brother represent the family, both brothers know that this time the family’s honor is best left in Young-sup’s hands. But how do you stand up to the way things have always been? This touching and suspenseful historical novel from the author of A Single Shard, filled with the authentic detail and flavor of traditional Korean kite fighting, brings a remarkable setting vividly to life. “The final contest . . . is riveting. Though the story is set in medieval times, the brothers have many of the same issues facing siblings today.” —School Library Journal (starred review) “Readers will enjoy watching these engaging characters find ways of overcoming webs of social and cultural constraints to achieve a common goal, and the author expresses the pleasures of creating and flying kites—‘A few sticks, a little paper, some string. And the wind. Kite magic’—with contagious enthusiasm.” —Kirkus Reviews |
| figurative language in the kite runner: The Hazāras Hassan Poladi, 1989 |
| figurative language in the kite runner: Black Dog of Fate Peter Balakian, 2009-02-10 His visions are burning -- his poetry heartbreaking, wrote Elie Wiesel of American poet Peter Balakian. Now, in elegant prose, the prize-winning poet who James Dickey called an extraordinary talent has written a compelling memoir about growing up American in a family that was haunted by a past too fraught with terror to be spoken of openly. Black Dog of Fate is set in the affluent New Jersey suburbs where Balakian -- the firstborn son of his generation -- grew up in a close, extended family. At the center of what was a quintessential American baby boom childhood lay the dark specter of a trauma his forebears had experienced -- the Ottoman Turkish government's extermination of more than a million Armenians in 1915, the century's first genocide. In a story that climaxes to powerful personal and moral revelations, Balakian traces the complex process of discovering the facts of his people's history and the horrifying aftermath of the Turkish government's campaign to cover up one of the worst crimes ever committed against humanity. In describing his awakening to the facts of history, Balakian introduces us to a remarkable family of matriarchs and merchants, physicians, a bishop, and his aunts, two well-known figures in the world of literature. The unforgettable central figure of the story is Balakian's grandmother, a survivor and widow of the Genocide who speaks in fragments of metaphor and myth as she cooks up Armenian delicacies, plays the stock market, and keeps track of the baseball stats of her beloved Yankees. The book is infused with the intense and often comic collision between this family's ancient Near Eastern traditions and the American pop culture of the '50s and '60s.Balakian moves with ease from childhood memory, to history, to his ancestors' lives, to the story of a poet's coming of age. Written with power and grace, Black Dog of Fate unfolds like a tapestry its tale of survival against enormous odds. Through the eyes of a poet, here is the arresting story of a family's journey from its haunted past to a new life in a new world. |
| figurative language in the kite runner: Cry, the Beloved Country Alan Paton, 1953 |
| figurative language in the kite runner: The Girl who Can Ama Ata Aidoo, 2002 In this collection of short stories, Aidoo elevates the mundane in women's lives to an intellectual level in an attempt at challenging patriarchal structures and dominance in African society. |
| figurative language in the kite runner: The End of Days Jenny Erpenbeck, 2016-02-08 Winner of the Independent Foreign Fiction Prize for the best translated novel of 2014, now a New Directions paperback Winner of the Independent Foreign Fiction Prize and the Hans Fallada Prize, The End of Days, by the acclaimed German writer Jenny Erpenbeck, consists essentially of five “books,” each leading to a different death of the same unnamed female protagonist. How could it all have gone differently?—the narrator asks in the intermezzos. The first chapter begins with the death of a baby in the early twentieth-century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna after World War I, but a pact she makes with a young man leads to a second death. In the next scenario, she survives adolescence and moves to Russia with her husband. Both are dedicated Communists, yet our heroine ends up in a labor camp. But her fate does not end there…. A novel of incredible breadth and amazing concision, The End of Days offers a unique overview of the twentieth century. |
| figurative language in the kite runner: Bronx Masquerade Nikki Grimes, 2017-08-08 The beloved and award-winning novel now available in a new format with a great new cover! When Wesley Boone writes a poem for his high school English class, some of his classmates clamor to read their poems aloud too. Soon they're having weekly poetry sessions and, one by one, the eighteen students are opening up and taking on the risky challenge of self-revelation. There's Lupe Alvarin, desperate to have a baby so she will feel loved. Raynard Patterson, hiding a secret behind his silence. Porscha Johnson, needing an outlet for her anger after her mother OD's. Through the poetry they share and narratives in which they reveal their most intimate thoughts about themselves and one another, their words and lives show what lies beneath the skin, behind the eyes, beyond the masquerade. |
| figurative language in the kite runner: Beloved Toni Morrison, 2006-10-17 Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past. Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present. Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature. |
| figurative language in the kite runner: Sea Prayer Khaled Hosseini, 2018-09-18 **Please note that this will work best on a color device and will appear in a horizontal format** The #1 New York Times-bestselling author of The Kite Runner, A Thousand Splendid Suns, and And the Mountains Echoed responds to the heartbreak of the current refugee crisis with this deeply moving, beautifully illustrated short work of fiction for people of all ages, all over the world. Intensely moving. . .Powerfully evocative of the plight in which displaced populations find themselves.– Kirkus, STARRED Review Hosseini's story, aimed at readers of all ages, does not dwell on nightmarish fates; instead, its emotional power flows from the love of a father for his son.– Publishers Weekly, STARRED BOX Review A short, powerful, illustrated book written by beloved novelist Khaled Hosseini in response to the current refugee crisis, Sea Prayer is composed in the form of a letter, from a father to his son, on the eve of their journey. Watching over his sleeping son, the father reflects on the dangerous sea-crossing that lies before them. It is also a vivid portrait of their life in Homs, Syria, before the war, and of that city's swift transformation from a home into a deadly war zone. Impelled to write this story by the haunting image of young Alan Kurdi, the three-year-old Syrian boy whose body washed upon the beach in Turkey in September 2015, Hosseini hopes to pay tribute to the millions of families, like Kurdi's, who have been splintered and forced from home by war and persecution, and he will donate author proceeds from this book to the UNHCR (the UN Refugee Agency) and The Khaled Hosseini Foundation to help fund lifesaving relief efforts to help refugees around the globe. Khaled Hosseini is one of the most widely read writers in the world, with more than fifty-five million copies of his novels sold worldwide in more than seventy countries. Hosseini is also a Goodwill Envoy to the UNHCR, and the founder of The Khaled Hosseini Foundation, a nonprofit that provides humanitarian assistance to the people of Afghanistan. |
| figurative language in the kite runner: Reading Khaled Hosseini Rebecca Stuhr, 2009-09-03 Discusses Hosseini's fiction and its relation to current events and popular culture. |
| figurative language in the kite runner: Understanding the Global Experience Thomas Arcaro, Rosemary Haskell, Chinedu Eke, Robert Anderson, Stephen Braye, Ann Cahill, Brian Digre, Anne Bolin, Mathew Gendle, Duane McClearn, Jeffrey Pugh, Laura Roselle, Jean Schwind, Kerstin Sorensen, Anthony Weston, 2016-03-22 First Published in 2016. In this anthology of essays for Global Studies students, the editors hope to encourage readers to live intelligent and thoughtful lives, not only as citizens of their native countries, but also as citizens of the world. |
| figurative language in the kite runner: Lord of the Flies William Golding, 2012-09-20 A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance. First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern classics. Now fully revised and updated, this educational edition includes chapter summaries, comprehension questions, discussion points, classroom activities, a biographical profile of Golding, historical context relevant to the novel and an essay on Lord of the Flies by William Golding entitled 'Fable'. Aimed at Key Stage 3 and 4 students, it also includes a section on literary theory for advanced or A-level students. The educational edition encourages original and independent thinking while guiding the student through the text - ideal for use in the classroom and at home. |
| figurative language in the kite runner: Things Not Seen Andrew Clements, 2006-04-20 Winner of American Library Association Schneider Family Book Award! Bobby Phillips is an average fifteen-year-old-boy. Until the morning he wakes up and can't see himself in the mirror. Not blind, not dreaming-Bobby is just plain invisible. There doesn't seem to be any rhyme or reason to Bobby's new condition; even his dad the physicist can't figure it out. For Bobby that means no school, no friends, no life. He's a missing person. Then he meets Alicia. She's blind, and Bobby can't resist talking to her, trusting her. But people are starting to wonder where Bobby is. Bobby knows that his invisibility could have dangerous consequences for his family and that time is running out. He has to find out how to be seen again-before it's too late. |
| figurative language in the kite runner: Foreskin's Lament Greg McGee, 1981 One of the most successful and well-known New Zealand plays is also compelling reading on the page. The power, humour and irony of the language all serve to illustrate a penetrating analysis of New Zealand society, as seen through the lens of sport. |
| figurative language in the kite runner: POETRY TERMS NARAYAN CHANGDER, 2024-01-24 THE POETRY TERMS MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE POETRY TERMS MCQ TO EXPAND YOUR POETRY TERMS KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY. |
| figurative language in the kite runner: Sanctuary Somewhere Brenna Dimmig, 2019-04-01 Seventeen-year-old Osmel dreams of being a meteorologist. His world is shattered when he finds out he is undocumented. Osmel fears his dreams for college and career are now impossible. Then, ICE begins raiding the orchards his family works in. Will Osmel and his family ever find safety and peace in the place they call home? |
| figurative language in the kite runner: Murder Among Friends Candace Fleming, 2022-03-29 How did two teenagers brutally murder an innocent child...and why? And how did their brilliant lawyer save them from the death penalty in 1920s Chicago? Written by a prolific master of narrative nonfiction, this is a compulsively readable true-crime story based on an event dubbed the crime of the century. In 1924, eighteen-year-old college students Nathan Leopold and Richard Loeb made a decision: they would commit the perfect crime by kidnapping and murdering a child they both knew. But they made one crucial error: as they were disposing of the body of young Bobby Franks, whom they had bludgeoned to death, Nathan's eyeglasses fell from his jacket pocket. Multi-award-winning author Candace Fleming depicts every twist and turn of this harrowing case--how two wealthy, brilliant young men planned and committed what became known as the crime of the century, how they were caught, why they confessed, and how the renowned criminal defense attorney Clarence Darrow enabled them to avoid the death penalty. Following on the success of such books as The Rise and Fall of Charles Lindbergh and The Family Romanov, this acclaimed nonfiction writer brings to heart-stopping life one of the most notorious crimes in our country's history. |
| figurative language in the kite runner: Critical Encounters in Secondary English Deborah Appleman, 2015-04-28 Because of the emphasis placed on nonfiction and informational texts by the Common Core State Standards, literature teachers all over the country are re-evaluating their curriculum and looking for thoughtful ways to incorporate nonfiction into their courses. They are also rethinking their pedagogy as they consider ways to approach texts that are outside the usual fare of secondary literature classrooms. The Third Edition of Critical Encounters in Secondary English provides an integrated approach to incorporating nonfiction and informational texts into the literature classroom. Grounded in solid theory with new field-tested classroom activities, this new edition shows teachers how to adapt practices that have always defined good pedagogy to the new generation of standards for literature instruction. New for the Third Edition: A new preface and new introduction that discusses the CCSS and their implications for literature instruction. Lists of nonfiction texts at the end of each chapter related to the critical lens described in that chapter. A new chapter on new historicism, a critical lens uniquely suited to interpreting nonfiction and informational sources. New classroom activities created and field-tested specifically for use with nonfiction texts. Additional activities that demonstrate how informational texts can be used in conjunction with traditional literary texts. “What a smart and useful book!” —Mike Rose, University of California, Los Angeles “[This book] has enriched my understanding both of teaching literature and of how I read. I know of no other book quite like it.” —Michael W. Smith, Temple University, College of Education “I have recommended Critical Encounters to every group of preservice and practicing teachers that I have taught or worked with and I will continue to do so.” —Ernest Morrell, director of the Institute for Urban and Minority Education (IUME), Teachers College, Columbia University |
| figurative language in the kite runner: Onion Tears Diana Kidd, 1993 A little Vietnamese girl tries to come to terms with her grief over the loss of her family and her new life with an Australian family. |
FIGURATIVE Definition & Meaning - Merriam-Webster
The meaning of FIGURATIVE is representing by a figure or resemblance : emblematic. How to use figurative in a sentence. Did you know?
FIGURATIVE | English meaning - Cambridge Dictionary
FIGURATIVE definition: 1. (of words and phrases) used not with their basic meaning but with a more imaginative meaning, in…. Learn more.
Figurative Language - Definition and Examples - LitCharts
Figurative language is language that contains or uses figures of speech. When people use the term "figurative language," however, they often do so in a slightly narrower way.
20 Types of Figurative Language (Examples + Anchor Charts)
Figurative language is a powerful tool for writers and speakers. In this ultimate guide, we’ll explore what figurative language is, break down its essential elements, and examine 20 specific types …
Figurative Language - Examples and Definition - Literary Devices
Figurative language uses figures of speech to be more effective, persuasive, and impactful. Figures of speech such as metaphors, similes, and allusions go beyond the literal meanings of …
Figurative - definition of figurative by The Free Dictionary
1. of the nature of or involving a figure of speech, esp. a metaphor; metaphorical; not literal. 2. characterized by or abounding in figures of speech. 3. representing by means of a figure or …
FIGURATIVE definition and meaning | Collins English Dictionary
If you use a word or expression in a figurative sense, you use it with a more abstract or imaginative meaning than its ordinary literal one.
FIGURATIVE Definition & Meaning - Dictionary.com
Figurative definition: of the nature of or involving a figure of speech, especially a metaphor; metaphorical and not literal.. See examples of FIGURATIVE used in a sentence.
Figurative - Definition, Meaning & Synonyms - Vocabulary.com
Any figure of speech — a statement or phrase not intended to be understood literally — is figurative. You say your hands are frozen, or you are so hungry you could eat a horse. That's …
Figurative Language – Definition and Examples - Proofed
Apr 13, 2023 · Figurative language is language that uses words or expressions with a meaning that is different from the literal interpretation. It is often used to create imagery, evoke emotion, …
FIGURATIVE Definition & Meaning - Merriam-Webster
The meaning of FIGURATIVE is representing by a figure or resemblance : emblematic. How to use figurative in a sentence. Did you know?
FIGURATIVE | English meaning - Cambridge Dictionary
FIGURATIVE definition: 1. (of words and phrases) used not with their basic meaning but with a more imaginative meaning, in…. Learn more.
Figurative Language - Definition and Examples - LitCharts
Figurative language is language that contains or uses figures of speech. When people use the term "figurative language," however, they often do so in a slightly narrower way.
20 Types of Figurative Language (Examples + Anchor Charts)
Figurative language is a powerful tool for writers and speakers. In this ultimate guide, we’ll explore what figurative language is, break down its essential elements, and examine 20 specific types …
Figurative Language - Examples and Definition - Literary Devices
Figurative language uses figures of speech to be more effective, persuasive, and impactful. Figures of speech such as metaphors, similes, and allusions go beyond the literal meanings of …
Figurative - definition of figurative by The Free Dictionary
1. of the nature of or involving a figure of speech, esp. a metaphor; metaphorical; not literal. 2. characterized by or abounding in figures of speech. 3. representing by means of a figure or …
FIGURATIVE definition and meaning | Collins English Dictionary
If you use a word or expression in a figurative sense, you use it with a more abstract or imaginative meaning than its ordinary literal one.
FIGURATIVE Definition & Meaning - Dictionary.com
Figurative definition: of the nature of or involving a figure of speech, especially a metaphor; metaphorical and not literal.. See examples of FIGURATIVE used in a sentence.
Figurative - Definition, Meaning & Synonyms - Vocabulary.com
Any figure of speech — a statement or phrase not intended to be understood literally — is figurative. You say your hands are frozen, or you are so hungry you could eat a horse. That's …
Figurative Language – Definition and Examples - Proofed
Apr 13, 2023 · Figurative language is language that uses words or expressions with a meaning that is different from the literal interpretation. It is often used to create imagery, evoke emotion, …
