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| film and video studies major: Zoological Surrealism James Leo Cahill, 2019-02-19 An archive-based, in-depth analysis of the surreal nature and science movies of the pioneering French filmmaker Jean Painlevé Before Jacques-Yves Cousteau, there was Jean Painlevé, a pioneering French scientific and nature filmmaker with a Surrealist’s eye. Creator of more than two hundred films, his studies of strange animal worlds doubled as critical reimaginations of humanity. With an unerring eye for the uncanny and unexpected, Painlevé and his assistant Geneviève Hamon captured oneiric octopuses, metamorphic crustaceans, erotic seahorses, mythic vampire bats, and insatiable predatory insects. Zoological Surrealism draws from Painlevé’s early oeuvre to rethink the entangled histories of cinema, Surrealism, and scientific research in interwar France. Delving deeply into Painlevé’s archive, James Leo Cahill develops an account of “cinema’s Copernican vocation”—how it was used to forge new scientific discoveries while also displacing and critiquing anthropocentric viewpoints. From Painlevé’s engagements with Sergei Eisenstein, Georges Franju, and competing Surrealists to the historiographical dimensions of Jean Vigo’s concept of social cinema, Zoological Surrealism taps never-before-examined sources to offer a completely original perspective on a cutting-edge filmmaker. The first extensive English-language study of Painlevé’s early films and their contexts, it adds important new insight to our understanding of film while also contributing to contemporary investigations of the increasingly surreal landscapes of climate change and ecological emergency. |
| film and video studies major: Los Angeles Documentary and the Production of Public History, 1958-1977 Joshua Glick, 2018-01-23 Los Angeles Documentary and the Production of Public History, 1958–1977 explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood documentarians such as David Wolper and Mel Stuart, along with lesser-known independents and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño. While the former group reinvigorated a Cold War cultural liberalism, the latter group advocated for social justice in a city plagued by severe class stratification and racial segregation. Glick examines how mainstream and alternative filmmakers turned to the archives, civic institutions, and production facilities of Los Angeles in order to both change popular understandings of the city and shape the social consciousness of the nation. |
| film and video studies major: Declarations of Dependence Scott Ferguson, 2018-07-01 Critique after modern monetary theory -- Transcending the aesthetic -- Declarations of dependence -- Medium congruentissimum -- Allegories of the aesthetic -- Becoming second nature |
| film and video studies major: Dashiell Hammett and the Movies William H. Mooney, 2014-11-03 As the father of the hardboiled detective genre, Dashiell Hammett had a huge influence on Hollywood. Yet, it is easy to forget how adaptable Hammett’s work was, fitting into a variety of genres and inspiring generations of filmmakers. Dashiell Hammett and the Movies offers the first comprehensive look at Hammett’s broad oeuvre and how it was adapted into films from the 1930s all the way into the 1990s. Film scholar William H. Mooney reveals the wide range of films crafted from the same Hammett novels, as when The Maltese Falcon was filmed first as a pre-Code sexploitation movie, then as a Bette Davis screwball comedy, and finally as the Humphrey Bogart classic. He also considers how Hammett rose to Hollywood fame not through the genre most associated with him, but through a much fizzier concoction, the witty murder mystery The Thin Man. To demonstrate the hold Hammett still has over contemporary filmmakers, the book culminates in an examination of the Coen brothers’ pastiche Miller’s Crossing. Mooney not only provides us with an in-depth analysis of Hammett adaptations, he also chronicles how Hollywood enabled the author’s own rise to stardom, complete with a celebrity romance and a carefully crafted public persona. Giving us a behind-the-scenes look at the complex power relationships, cultural contexts, and production concerns involved in bringing Hammett’s work from the page to the screen, Dashiell Hammett and the Movies offers a fresh take on a literary titan. |
| film and video studies major: Cinema Is a Cat Daisuke Miyao, 2019-10-31 Watching movies every night at home with his cats, film scholar and cat lover Daisuke Miyao noticed how frequently cats turned up on screen. They made brief appearances (think of Mafia boss Marlon Brando gently stroking a cat in a scene from The Godfather); their looks provided inspiration to film creators (Avatar); they even held major roles (The Lion King). In Cinema Is a Cat, Miyao uses the fascinating relationship between cats and cinema to offer a uniquely appealing introduction to film studies. Cats are representational subjects in the nine films explored in this book, and each chapter juxtaposes a feline characteristic—their love of dark places, their “star” quality—with discussion of the theories and histories of cinema. The opening chapters explore three basic elements of the language of cinema: framing, lighting, and editing. Subsequent chapters examine the contexts in which films are made, exhibited, and viewed. Miyao covers the major theoretical and methodological concepts of film studies—auteurism, realism, genre, feminist film theory, stardom, national cinema, and modernity theory—exploring fundamental questions. Who is the author of a film? How does a film connect to reality? What connections does one film have to other films? Who is represented in a film and how? How is a film viewed differently by people of different cultural and social backgrounds? How is a film located in history? His focus on the innate qualities of cats—acting like prima donnas, born of mixed blood, devoted to the chase—offers a memorable and appealing approach to the study of film. How to read audio-visual materials aesthetically and culturally is of limitless value in a world where we are constantly surrounded by moving images—television, video, YouTube, streaming, GPS, and virtual reality. Cinema Is a Cat offers an accessible, user-friendly approach that will deepen viewers’ appreciation of movies, from Hollywood classics like Breakfast at Tiffany’s and To Catch a Thief, to Japanese period dramas like Samurai Cat. The book will be attractive to a wide audience of students and scholars, movie devotees, and cat lovers. |
| film and video studies major: Drive Daniel H. Pink, 2011-04-05 The New York Times bestseller that gives readers a paradigm-shattering new way to think about motivation from the author of When: The Scientific Secrets of Perfect Timing Most people believe that the best way to motivate is with rewards like money—the carrot-and-stick approach. That's a mistake, says Daniel H. Pink (author of To Sell Is Human: The Surprising Truth About Motivating Others). In this provocative and persuasive new book, he asserts that the secret to high performance and satisfaction-at work, at school, and at home—is the deeply human need to direct our own lives, to learn and create new things, and to do better by ourselves and our world. Drawing on four decades of scientific research on human motivation, Pink exposes the mismatch between what science knows and what business does—and how that affects every aspect of life. He examines the three elements of true motivation—autonomy, mastery, and purpose-and offers smart and surprising techniques for putting these into action in a unique book that will change how we think and transform how we live. |
| film and video studies major: Film Art David Bordwell, Kristin Thompson, 2004 Film is an art form with a language and an aesthetic all its own, and since 1979 David Bordwell and Kristin Thompson's Film Art has been the most repected introduction to the art and analysis of cinema. In the new seventh edition, Film Art continues its commitment to providing the best introduction to the fundamentals of serious film study - images throughout the book are collected from actual film frames, not from production stills or advertising photos - but the book has been extensively re-designed to improve readability and teachability. Additionally, the text can be packaged with the award-winning Film, Form, and Culture CD-ROM, and is supported by an extensive Instructor's Manual and text-specific website. |
| film and video studies major: Unlikely Angel Lydia R. Hamessley, 2020-10-12 Dolly Parton's success as a performer and pop culture phenomenon has overshadowed her achievements as a songwriter. But she sees herself as a songwriter first, and with good reason. Parton's compositions like I Will Always Love You and Jolene have become American standards with an impact far beyond country music. Lydia R. Hamessley's expert analysis and Parton’s characteristically straightforward input inform this comprehensive look at the process, influences, and themes that have shaped the superstar's songwriting artistry. Hamessley reveals how Parton’s loving, hardscrabble childhood in the Smoky Mountains provided the musical language, rhythms, and memories of old-time music that resonate in so many of her songs. Hamessley further provides an understanding of how Parton combines her cultural and musical heritage with an artisan’s sense of craft and design to compose eloquent, painfully honest, and gripping songs about women's lives, poverty, heartbreak, inspiration, and love. Filled with insights on hit songs and less familiar gems, Unlikely Angel covers the full arc of Dolly Parton's career and offers an unprecedented look at the creative force behind the image. |
| film and video studies major: Marine Tom Clancy, 1996-11-01 An in-depth look at the United States Marine Corps-in the New York Times bestselling tradition of Submarine, Armored Cav, and Fighter Wing Only the best of the best can be Marines. And only Tom Clancy can tell their story--the fascinating real-life facts more compelling than any fiction. Clancy presents a unique insider's look at the most hallowed branch of the Armed Forces, and the men and women who serve on America's front lines. Marine includes: An interview with the Commandant of the Marine Corps, General Charles Chuck Krulak The tools and technology of the Marine Expeditionary Unit The role of the Marines in the present and future world An in-depth look at recruitment and training Exclusive photographs, illustrations, and diagrams |
| film and video studies major: The Cinema of Richard Linklater Rob Stone, 2018-04-10 From Slacker (1991), a foundational work of independent American cinema, to the Before trilogy, Richard Linklater’s critically acclaimed films and aesthetic ambition have earned him a place as one of the most important contemporary directors. In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work. He offers critical discussions and analysis of all of Linklater’s films, including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014), hailed as one of the best films of the twenty-first century. Stone explores the theoretical, practical, contextual, and metaphysical elements in Linklater’s filmography, especially his experimentation with cinematic representations of time and growth. He demonstrates that fanciful lives and lucid dreams are as central as alternative notions of America and time to Linklater’s films. Stone also considers Linklater’s collaborative working practices, his deployment of such techniques as rotoscoping, and his innovative distribution strategies. Thoroughly revised, updated, and extended, the book includes analysis of all of Linklater’s films, including Dazed and Confused (1993), Waking Life (2011), and A Scanner Darkly (2006) as well as his documentaries, short films, and side projects. |
| film and video studies major: Adaptation and the New Art Film William H. Mooney, 2022-05-07 Since the 1990s, the expropriation of canonical works of cinema has been a fundamental dimension of art-film exploration. Rainer Werner Fassbinder provides an early model of open adaptation of film classics, followed ever more boldly by the Coen Brothers, Chantal Akerman, Alex Carax, Todd Haynes, Florian Henckel von Donnersmarck, Baz Luhrmann, and Olivier Assayas. This book devotes chapters to each of these directors to examine how their films redeploy landmark precursors such as City Lights (1931), Citizen Kane (1941), Rome Open City (1945), All About Eve (1950), and Vertigo (1958) in order to probe our psychological, philosophical, and historical situations in a postmodern société du spectacle. In broadly diverse ways, each of these directors complicates received notions of the past and its representation, while probing the transformative media evolution and dislocation of the present, in film art and in society. |
| film and video studies major: A Little Life Hanya Yanagihara, 2016-01-26 NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise. |
| film and video studies major: Japanese Cinema Alastair Phillips, Julian Stringer, 2007-12-18 Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries. |
| film and video studies major: Writing with Light Vittorio Storaro, 2019-07-30 A unique tribute to art films as seen through the eyes of master cinematographer Vittorio Storaro, the winner of three Academy Awards. The volume is a compendium of Storaro's extraordinary fifty-year career and a tribute to the creative sources of his work, as celebrated through more than 500 illustrations that reflect his singular style. In cinematography, there is not just one kind of light, but an infinite range of variants: not only the day and night specified in the screenplays, but also the daylight and artificial light, the darkness and the twilight, the sunrise and the sunset, the sun and the moon. And each one tells a story, expresses an idea or an emotion, and digs down into the subconscious. The Muses are the female figures of Greek mythology who have inspired the cinematography of Storaro in terms of aesthetics, light, color, and value. |
| film and video studies major: Citizen Kane Laura Mulvey, 2019-07-25 Citizen Kane's reputation as one of the greatest films of all time is matched only by the accumulation of critical commentary that surrounds it. What more can there be to say about a masterpiece so universally acknowledged? Laura Mulvey, in a fresh and original reading, illuminates the richness of the film, both thematically and stylistically, relating it to Welles's political background and its historical context. In a lucid and perceptive critique she also investigates the psychoanalytic structure that underlies the film's presentation of Kane's biography, for once taking seriously what Orson Welles himself disparagingly referred to as 'dollar-book Freud.' In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Laura Mulvey focuses on the film's politics, highlighting the contemporary 'rhymes' in Kane's portrayal of a scandal-prone press baron in a time of economic crisis. |
| film and video studies major: Terrorism TV Stacy Takacs, 2012-04-30 The Fox-TV series 24 might have been in production long before its premier just two months after 9/11, but its storyline—and that of many other television programs—has since become inextricably embedded in the nation's popular consciousness. This book marks the first comprehensive survey and analysis of War on Terror themes in post-9/11 American television, critiquing those shows that—either blindly or intentionally—supported the Bush administration's security policies. Stacy Takacs focuses on the role of entertainment programming in building a national consensus favoring a War on Terror, taking a close look at programs that comment both directly and allegorically on the post-9/11 world. In show after show, she chillingly illustrates how popular television helped organize public feelings of loss, fear, empathy, and self-love into narratives supportive of a controversial and unprecedented war. Takacs examines a spectrum of program genres—talk shows, reality programs, sitcoms, police procedurals, male melodramas, war narratives—to uncover the recurrent cultural themes that helped convince Americans to invade Afghanistan and Iraq and compromise their own civil liberties. Spanning the past decade of the ongoing conflict, she reviews not only key touchstones of post-9/11 popular culture such as 24, Rescue Me, and Sleeper Cell, but also less remarked-upon but relevant series like JAG, Off to War, Six Feet Under, and Jericho. She also considers voices of dissent that have emerged through satirical offerings like The Daily Show and science fiction series such as Lost and Battlestar Galactica. Takacs dissects how the War on Terror has been broadcast into our living rooms in programs that routinely offer simplistic answers to important questions—Who exactly are we fighting? Why do they hate us?—and she examines the climate of fear and paranoia they've created. Unlike cultural analyses that view the government's courting of Hollywood as a conspiracy to manipulate the masses, her book considers how economic and industry considerations complicate state-media relations throughout the era. Terrorism TV offers fresh insight into how American television directly and indirectly reinforced the Bush administration's security agenda and argues for the continued importance of the medium as a tool of collective identity formation. It is an essential guide to the televisual landscape of American consciousness in the first decade of the twenty-first century. |
| film and video studies major: Discorrelated Images Shane Denson, 2020-09-18 In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency. |
| film and video studies major: Post-Fordist Cinema Jeff Menne, 2019-02-26 The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood’s corporate project. Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas’s Bryna Productions, Altman’s Lion’s Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system’s sclerotic production process—with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the “creative economy.” |
| film and video studies major: American Militarism on the Small Screen Anna Froula, Stacy Takacs, 2016-03-17 Anna Froula is Associate Professor of Film Studies in the Department of English at East Carolina University, USA Stacy Takacs is Associate Professor and Director of American Studies at Oklahoma State University, USA |
| film and video studies major: Intermediate Horizons Mark Vareschi, Heather Wacha, 2022-09-27 Foreword: Intermediate horizons / Matthew Kirschenbaum -- Section I. Approach -- Benjamin Franklin's postal work / Christy L. Pottroff -- Linking book history and the digital humanities via museum studies / Jayme Yahr -- Section II. Access -- Material and digital traces in patterns of nature: early modern botany books and seventeenth-century needlework / Mary Learner -- Opening the book: the utopian dreams and uncertain future of open access textbook publishing / Joseph L. Locke and Ben Wright -- Books of ours: what libraries can learn about social media from books of hours / Alexandra Alvis -- Section III. Assessment -- Whose books are online? Diversity, equity, and inclusion in online text collections / Catherine A. Winters and Clayton P. Michaud -- Electronic versioning and digital editions / Paul A. Broyles -- Materialisms and the cultural turn in digital humanities / Mattie Burkert. |
| film and video studies major: The Berlin School and Its Global Contexts Jaimey Fisher, Marco Abel, 2018-06-04 This volume will be of great interest to scholars of German and global cinema. |
| film and video studies major: Jordan Peele's Get Out Dawn Keetley, 2020-04-14 Essays explore Get Out's roots in the horror tradition and its complex and timely commentary on twenty-first-century US race relations. |
| film and video studies major: Film Cultures Janet Harbord, 2002-09-20 Film Cultures is thought-provoking and challenging. By opening film theory up to the many simultaneous networks of relation (that is, the cultures) of film, it asks both viewer and student to take film more seriously. - Communication Research Trends Film Cultures weaves together insights from cultural theory and film studies to provide a complex and absorbing theoretical account of contemporary film culture. Harbord writes with authority, imagination and wit and her delicate deployment of modernist and postmodernist cultural accounts makes rewarding reading. - Christine Geraghty, Professor of Film and Television, University of Glasgow Film Cultures argues that our tastes for film connect us to social, spatial and temporal networks of exchange and meaning. Whether we view film in the multiplex, arthouse or the gallery, as cinema premiere, video hire or from a cable channel, whether we approach film as a singular object or a hypertext linked to ancillary products, our relationship to film is inhabiting a culture. Shifting the focus of film analysis from the text to paths of circulation, Film Cultures questions how film connects us to social status, and national and global affiliations. |
| film and video studies major: Directing for the Screen Anna Weinstein, 2017-02-24 Directing for the Screen is a collection of essays and interviews exploring the business of directing. This highly accessible guide to working in film and television includes perspectives from industry insiders on topics such as breaking in; developing and nurturing business relationships; the director’s responsibilities on set and in the field; and more. Directing for the Screen is an ideal companion to filmmaking classes, demystifying the industry and the role of the director with real-world narratives and little-known truths about the business. With insight from working professionals, you’ll be armed with the information you need to pursue your career as a director. Contains essays by and interviews with television directors, feature directors, documentary filmmakers, commercial directors, producers, and professors. Offers expert opinions on how to get started, including landing and succeeding in an internship and getting your first gig. Reveals details about working with actors, overseeing the work of often hundreds of crewmembers, writing last-minute on set, and developing a working relationship with producers and screenwriters. Explores strategies for doing creative work under pressure, finding your directorial voice, financing shorts and independent films, breaking down barriers and overcoming discrimination, shooting in less-than-ideal situations, and recovering from bad reviews or box office results. Illuminates the business of directing in the United States (New York and Los Angeles) as compared to other countries around the globe, including England, Ireland, Spain, Australia, Denmark, Pakistan, Belgium, and Canada. |
| film and video studies major: The Filmmaker's Handbook Steven Ascher, 2012-11-27 The authoritative guide to producing, directing, shooting, editing, and distributing your video or film. Whether you aspire to be a great filmmaker yourself or are looking for movie gifts, this comprehensive guide to filmmaking is the first step in turning a hobby into a career. Widely acknowledged as the “bible” of video and film production, and used in courses around the world, The Filmmaker’s Handbook is now updated with the latest advances in HD and digital formats. For students and teachers, professionals and novices, this indispensable handbook covers all aspects of movie making. • Techniques for making dramatic features, documentaries, corporate, broadcast, and experimental videos and films • Shooting with DSLRs, video, film, and digital cinema cameras • In-depth coverage of lenses, lighting, sound recording, editing, and mixing • Understanding HDR, RAW, Log, 4K, UHD, and other formats • The business aspects of funding and producing your project • Getting your movie shown in theaters, on television, streaming services, and online |
| film and video studies major: Directing Motion Pictures Terence St. John Marner, 1972 |
| film and video studies major: Expanded Cinema Gene Youngblood, 2020-03-03 Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication. |
| film and video studies major: Red Oleanders Rabindranath Tagore, 1925 |
| film and video studies major: The Strategic Producer Federico Arditti Muchnik, 2016-06-17 Today’s technologies and economic models won’t settle for a conventional approach to filmmaking. The Strategic Producer: On the Art and Craft of Making Your First Feature combines history, technology, aesthetics, data, decision-making strategies, and time-tested methods into a powerful new approach to producing. An ideal text for aspiring filmmakers, The Strategic Producer orients the reader’s mind-set towards self-empowerment by sharing essential and timeless techniques producers need to get the job done while also embracing the constantly evolving production landscape. - Written in clear, succinct, and non-technical prose. - Includes six sidebar in depth interviews with industry professionals providing additional perspectives. - Clearly presented line drawings help readers quickly understand complex ideas like production timelines, story structure, and business models. - Includes samples from key documents such as script pages, budgets, shooting schedules, and business plans for potential investors. |
| film and video studies major: Write Screenplays that Sell Hal Ackerman, 2003 Professional screenwriting technique is the first subject covered by a virtuoso in teaching the art of story structure, substance, and style, while offering a treasure trove of information on the writing of quality, saleable screenplays. |
| film and video studies major: Film as a Subversive Art Amos Vogel, 2005 By Amos Vogel. Foreword by Scott MacDonald. |
| film and video studies major: Latino TV Mary Beltrán, 2022-01-25 This book surveys the history of Latina and Latino depictions, narratives, and authorship in U.S. English-language television since the 1950s, with a focus on the navigations and impact of Latina/o series writers and creators as they have been able to enter the industrial landscape in recent decades. Based on archival research, interviews with dozens of media professionals who worked on or performed in these series, textual analysis of available episodes and promotional materials, and analysis of news media coverage, the chapters examine Latina/o representation in children's television Westerns in the 1950s, in Chicana/o and Puerto Rican activist-led public affairs series in the 1970s, in sitcoms from the 1970s through the 2010s, including many considered failed, and in Latina and Latino-led series in the 2000s and 2010s on broadcast, cable, and streaming outlets, including George Lopez, Ugly Betty, One Day at a Time, and Vida. These series and their creators and writers are explored in relation to the social and political contexts of these junctures in U.S. and Latina/o history and to the evolving industry with respect to whether Latina/o creatives were allowed entrée and to the cultural climate for writers and other creative professionals working in television development and production. As such, it also highlights how television has been key to both the marginalization and to the incremental growth of Latina/o cultural citizenship in the United States, as well as how Latina/o creative professionals are gaining numbers and agency within the television industry and are continuing to push to be able to produce and share their stories-- |
| film and video studies major: Film Studies Warren Buckland, 2003 Both film buffs and students of the cinema will find this reference indispensable. It gives a chronological overview of film, analyzing genres such as westerns and sci-fi; explores different artistic approaches, techniques, and effects; and profiles a wide variety of directors, from Alfred Hitchcock to Steven Spielberg.. . The book uncovers the secrets of film reviewing and the conventions reviewers adopt when they evaluate films. This new edition includes an expanded section concerning film studies on the Internet. Whatever readers' interest in film, Teach Yourself Film Studies will provide them with the skills to turn them into well-informed film critics.. |
| film and video studies major: Introduction to Film Study Daniel Kazel, 2009 |
| film and video studies major: Mass Communication Research Methods Anders Hansen, 2009-02-03 This essential set brings together leading articles on the three major domains of the communication process: 1) Institutions/Organisations/Production; 2) Content/Representation; and 3) Audiences/Consumption. |
| film and video studies major: Maps and Dreams Hugh Brody, 2002-01-01 The Canadian sub-arctic is a world of forest, prairie and muskeg; of rainbow trout, moose, and caribou; of Indian hunters and trappers. It is also a world of boomtowns and bars, oil rigs and seismic soundings; of white energy speculators, ranchers and sports hunters. Hugh Brody came to this dual wold with the job of 'mapping' the lands of northwest British Columbia as well as the way of life of a small group of Beaver Indians with a viable hunting economy living in the path of a projected oil pipeline.Maps and Dreams is his account of an extraordinary 18-month journey through the world of a people who have no intention of vanishing into the past. Brody's powerful commentary retraces the history of the ever-expanding white frontier, from the first 18th-century explorer to the wildest corporate energy dreams of the present day. |
| film and video studies major: Transmedia Cultures Simon Bacon, 2021 This volume offers a fresh approach to transmedia cultures, including not only franchises like Star Wars and Harry Potter but also contemporary transmedia worlds like Buffy the Vampire Slayer, The Walking Dead, and BTS Universe and urgent topics like such as COVID-19, Black Lives Matter, and human rights on the internet. |
| film and video studies major: Asian Cinema Wimal Dissanayake, 2008 This anthology showcases the variety of Asian cinema that has developed during the course of the last hundred years by focusing on different critical approaches. ASIAN CINEMA contains some of the finest essays written on films made in Asia, using a variety of theoretical, disciplinary and methodological perspectives. |
| film and video studies major: Film Analysis and Criticism Virginia Bonner, 2018-10-15 |
| film and video studies major: Michigan Ensian , |
「film」「movie」「cinema」等词之间的区别是什么？ - 知乎
film经常也指某部具体的影片，a good film，这时候才译作“影片”，和movie的意思相同，但按一般的习惯，film更严肃一点，高雅一点，movie显得较通俗一点。 movie的词源也和运动有关，它 …
大模型推理框架，SGLang和vLLM有哪些区别？ - 知乎
文章中的TODO有待补充，第一次认真写知乎，有任何问题欢迎大家在评论区指出. 官方vllm和sglang均已支持deepseek最新系列模型(V3,R)，对于已经支持vllm和sglang的特定硬件（ …
如何评价美剧《黑镜》第七季第三集「Hotel Reverie 白日梦酒店 …
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
什么是cmp工艺？ - 知乎
Apr 12, 2020 · 将层间介质层无缝隙地嵌入布线之间的Gap中，这种技术称为间隙填充（Gap Fill），在成膜工艺（Thin Film）中提高台阶覆盖率（Step Coverage）非常重要，各种CVD的 …
入职半导体公司，八大工艺和部门应该怎么选择和规划？ - 知乎
于是Thin Film区的工艺工程师根据这几批产品在Thin Film区的RUN记录找到了当初RUN这几批货的A CVD机台; 并查阅了RUN货当天的测机记录本;从本子的测机记录看来该班的MA按时测机; …
导师让写审稿意见怎么写？ - 知乎
What was the rationale for the film/SBF volume ratio? 对研究问题的定义： Try to set the problem discussed in this paper in more clear,write one section to define the problem. 如何凸现原创性 …
有什么好的ed2k下载器？ - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
家庭影院没片源？什么是PT？手把手教你下载4K蓝光原盘电影
Dec 6, 2023 · 由于有 passkey，用户上传及下载即可统计，在大多数的 PT 站会以上下载比例（分享率） 规定用户需上传多少后才可下载多少，分享率过低者会被系统取消使用 PT 的资格。
"Best" series of colors to use for differentiating series in ...
Oct 6, 2014 · $\begingroup$ "Best" for what purpose? This is not a trivial or flippant question. To impress readers of an internet forum, I use graphical symbols that work without color and then …
【影视推荐】30多部高颜值、有内涵的经典爱情电影，（内附经典 …
May 18, 2024 · 4、时空恋旅人. 豆瓣评分：8.8. 简介：Tim（多姆纳尔·格利森 Domhnall Gleeson 饰）21岁了，他的老爸（比尔·奈伊 Bill Nighy 饰）告诉他，他们家族的男人都有时光旅行的超 …
Introduction To Film And Media Studies (FMST 01) Syllabus
towards a minor or a major in Film and Media Studies, has two basic goals. First, it will develop skills in film analysis. You will become fluent in the vocabulary of film form and learn to …
A Guide to the Film & Media Studies Major at UC Irvine - 202
Film & Media Studies 85 - Introduction to Film and Visual Analysis To be taken in Fall of sophomore or junior year. Prerequisite: Satisfaction of the UC Entry Level ... Residency …
Course Equivalency Project 2022-2023 - okhighered.org
Film and Video Studies OBU. FV 251 Multiple Camera Video Production. EMPD 3153. Film and Video Studies OCU. FV 251 Multiple Camera Video Production. MCBC 3243. Film and Video …
ART HISTORY ARH200. Introduction to the Visual Arts. 3 Credits.
Childhood Education (B-6) and Early Childhood Studies (non-certification) programs. Students may also choose an interdisciplinary minor in Film & Video Studies, jointly coordinated by the …
REQUIREMENTS FOR THE BACHELOR OF ARTS COLLEGE OF …
MAJOR REQUIREMENTS MAJOR REQUIREMENTS - continued I. FVS 1013, Intro. to Film & Video ENGL 2243, Film Narrative FVS 2013, Film History to 1945 FVS 2023, Film History, …
Elizondo Joaquin Editor and Assist Resume Nov2024 web
FILM UNDE R T HE S I LV E R L AKE A24 Feature Film Di recto r: David Robert Mitchell Assistant Editor E d i to r: Julio Perez, ACE S O UNDWAV E Foggy Bottom Pictures ...
Course Equivalency Project 2023-2024 - Oklahoma State …
Film and Video Studies OBU. FV 251 Multiple Camera Video Production. EMPD 3153. Film and Video Studies OCU. FV 251 Multiple Camera Video Production. MCBC 3243. Film and Video …
DECLARATION OF MINOR/CHANGE OF MINOR - State …
complete minor programs must also satisfy all college degree requirements and complete an academic major. In addition, the following applies: • at least half of the credits for the minor …
FILM PRODUCTION, B.A. - undergraduate.bulletins.psu.edu
Film Production, B.A. 1 FILM PRODUCTION, B.A. Begin Campus: Any Penn State Campus End Campus: University Park Degree Requirements For the Bachelor of Arts degree in Film …
J. Brian Houston, PhD - University of Missouri
Major: Film & Video Studies. EXPERIENCE : Academic Appointments . 2015-Current Associate Professor, Department of Communication, College of Arts and Science, University of Missouri …
Bachelor of Arts in - Nicholson School of Communication and …
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2024-2025 CEP: Film and Video Studies - okhighered.org
Film and Video Studies CASC FV 101 Introduction to Moving Image Studies (with writing component) FILM 1113 ... /Major Figures ENG 4203 Film and Video Studies OU FV 401 …
Media Arts Talent Award Application Process
• Film/Video major • Film/Video Production minor • Film/Video Studies minor • Integrated Media major or minor • Journalism major or minor • Communication Design minor • Communications …
Course Equivalency Project 2021-2022 - okhighered.org
Film and Video Studies CASC FV 101 Introduction to Moving Image Studies (with writing component) FILM 1113 ... /Major Figures ENG 4203 Film and Video Studies OU FV 401 …
Media Arts Talent Award Application Process
• Film/Video major • Film/Video Production minor • Film/Video Studies minor • Integrated Media major or minor • Journalism major or minor • Communication Design minor • Communications …
Film & Media - University of California, Berkeley
FILM 35 Digital Media Studies 4 FILM 45 Television Studies 4 Upper Division Requirements ... After completing the Film & Media major, a student will have a working ... Film & Media Film & …
FILM & MEDIA STUDIES DEPARTMENT NAME 2433 SOCIAL …
FILM AND MEDIA STUDIES MAJOR, B.A. – 2024-2025 Students will be admitted to full Film and Media Studies major status only after they complete Film and Media Studies 46, 70, and 96 …
Media Arts Talent Award Application Process
• Film/Video major • Film/Video Production minor • Film/Video Studies minor • Integrated Media major or minor • Journalism major or minor • Communication Design minor • Communications …
J. Brian Houston, PhD - University of Missouri
Major: Film & Video Studies. EXPERIENCE ; Academic and Research Appointments . 2020-Current Core Faculty, Institute for Korean Studies, University of Missouri 2015-Current …
S.89-45
as set forth in S.89-45 the proposed Major in Film Production including . New courses FPA233-2 FPA236-3 EPA 237-3 FPA331-5 FPA338-3 EPA 339-3 FPA393-3 EPA 431-5 Deletion of FPA …
Riverside City College
All courses in the major must be completed with a grade of “C” or better. Short Film Production List C: Select one CSU transferable FTV or FST course below: FTV 38A Beginning Film, …
FILM PRODUCTION - Santa Monica College
discretion to waive the 50% minimum units required at SMC to meet the major or area of emphasis. All ... for any UC campus that offers Film and Media Studies. For more information, …
Film and Media Studies - Columbia University
Major in Film & Media Studies The major in film studies requires a minimum of 36 points distributed as follows: Introductory Courses FILM UN1000 INTRO TO FILM # MEDIA STUDIES …
CURRICULUM VITAE BENJAMIN RAY LAWTON Address …
Ben Lawton Page 1 2/28/2019 CURRICULUM VITAE BENJAMIN RAY LAWTON Born: October 8, 1944, Louisville, Kentucky Address: 1711 N. Salisbury St. West Lafayette, IN 47906 tel.: (765) …
JOAQUIN ELIZONDO, ACE
University of Michigan – Bachelor of Arts, Double Major - Film/Video Studies and Communications Member of the ACE Diversity Mentorship Program (2021-2023) Fluent in Spanish . Author: …
Course Equivalency Project 2017-2018 - okhighered.org
Film and Video Studies TCC FV 101 Introduction to Moving Image Studies (with writing component) HUMN 2443 Film and Video Studies UCO FV 101 Introduction to Moving Image …
Course Equivalency Project 2018-2019 - okhighered.org
Film and Video Studies TCC FV 101 Introduction to Moving Image Studies (with writing component) HUMN 2443 Film and Video Studies UCO FV 101 Introduction to Moving Image …
Course Equivalency Project 2020-2021 - okhighered.org
3/13/2020 Page 1 of 6 * Codes to the "Notes" can be found here: http://www.okhighered.org/transfer-students/2020-2021/appendix.pdf Course Equivalency …
Dance Production Design And Technology English Edition By …
May 19, 2025 · requirements arts courses amp penn state. bachelor of arts in theatre studies film video track. glenn howells architects creates a translucent dezeen. dr min liu. courses …
Chicana/o Studies (CAS) Major Checklist - UCLA Chavez
PREPARATION FOR THE MAJOR: Quarter Completed _____ _____ Lower Division (3 required; 14 units) CCAS 10A - Introduction to Chicana/o Studies: History and Culture CCAS 10B - …
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Film BA or Film BFA—Deciding Which is Best for You . The Nicholson School of Communication and Media Film program offers both a Bachelor of Arts (BA) degree and a Bachelor of Fine Arts …
Introduction to Film - University of Pittsburgh
Major/minor: This course can count as an elective in the Film and Media Studies major and minor. Electives: Individual Schools and Colleges of the University (such as Engineering, Arts & …
Bachelor of Arts in Theatre Studies - YSU
About the Major YSU’s Bachelor of Arts (B.A.) in Theatre Studies is a professional and flexible course of study that combines a major emphasis in theatre, grounded in theory ... Students …
Listed below with code numbers are major fields of study
Area Studies - 141 Ethnic, Cultural Minority, Gender, and Group Studies - 142 ... Film/Video and Photographic Arts - 946 Fine and Studio Art - 947 Game and Interactive Media ... Undecided - …
Portraits and Landscapes in Digital Media • Marsha Kinder …
Film & Video at the center of an innovative experience in education. With a great deal of nostalgia, I announce that this is my last newsletter message as director of Film & Video. My ten-year …
Practicum for the Screenwriter • James Gindin Visiting Artists …
FILM & VIDEO PARTNERSHIPS ENHANCE THE UNDERGRADUATE EXPERIENCE 2 Film & Video Studies in conjunction with other units from across campus continue to co-sponsor …
Major Transfer Guide: Film/Film Studies - Bellevue College
Once students transfer to a university, they may study Film or Film Studies as a major, depending on the university and pursue ... also offers a Video Production course (DMA 108) that may …
“astonishing accomplishment” - U-M LSA
Update: Rachel Hollar (Film & Video staff) resigned in August ‘02. We wish Rachel all the best. THANKS GEOFF! In fall 2002, Professor Geoff Eley was the interim director of Film & Video …
Film Studies (Minor) - North Carolina State University
• A maximum of TWO (2) courses may double-count between major departmental requirements and courses counting toward the minor. • A maximum of TWO (2) courses may double-count …
FILM & MEDIA STUDIES DEPARTMENT - Film and Media …
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UC SAN DIEGO DEPARTMENT OF VISUAL ARTS - University of …
MEDIA MAJOR For Students Declared FA21 and Later (rev. 03 May 2021) Major Code: VA27 The Media program is designed for students who want to redefine the possibilities of photography, …
College Majors by Academic Area of Study
Intended Major. question. ... Area studies 141 Ethnic, cultural minority, gender, and group studies 142 Biological and Biomedical Sciences ... Film/video and photographic arts 946 Fine and …
The Arts at SUNY - SUNY - The State University of New York
film to learning filmmaking tactics, you’ll receive a solid foundation that will prepare you for numerous careers within the cinema and film industries. Film. Purchase (BFA. P) Film and …
School of Art, Communication and English Semester 1 & 2 …
another major/minor from Table A or S Film Studies minor pathway Year 1 Sem 1 Core: FILM1000 Introduction to Film Studies Sem 2 Core: : FILM1001 Hollywood: Art, Industry, Entertainment …
J. Brian Houston, PhD - University of Missouri
Major: Film & Video Studies. EXPERIENCE . Academic and Research Appointments . 2021-Current Professor, Departm ent of Communication, University of Missouri 2020-Current Core …
September 2018 - cla.purdue.edu
FVS 49900- Capstone in Film/Video/Media Production New Course The Capstone In Film/Video/Media Production is intended to be the culminating experience of the Film/Video …
FILM AND SCREEN STUDIES - Pace University
Production Design, Editing of Film and Television, Major Film Movements, Cinematography, Race and Representation, Topics in Horror, Writing for Television , and many others. BA IN FILM …
Chicana/o Studies Major Checklist - UCLA Chavez
Jul 13, 2022 · CCAS 10A - Introduction to Chicana/o Studies: History and Culture . CCAS 10B - Introduction to Chicana/o Studies: Social Structure and Contemporary Conditions Spanish 5 or …
