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| filmmakers and financing business plans for independents: Filmmakers and Financing Louise Levison, 1998 The Second Edition of Filmmakers and Financing: Business Plans for Independents contains completely revised and updated financial and industry data. The book will teach the reader how to create a business plan to present to a potential investor. With its easy-to-follow format and its step-by-step approach, this unique guide will bridge the gap between the filmmaker and business, whether you are looking to create a plan for one film or multiple films. Each chapter concentrates on a specific section of the business plan, such as the executive summary, industry, market, distribution financial planning, etc. There is also a sample business plan for reference as you write your own. Ms. Levision provides you with the information you need to approach potential investors, including: · defining your goals and objectives; · describing your proposed films; · researching your markets and distribution systems; · developing complete financial projections; · applying the plan to the management of your company. Even if you have no previous financial experience, the book will give you the tools necessary to write a direct, dynamic business plan that will attract investors to your projects. Louise Levison is president and founder of Business Strategies, a ten-year-old business consulting firm, which specializes in writing business plans for film, Internet, and other entertainment related companies, developing corporate strategies, and guiding entrepreneurs in looking for and working with equity financing. She has taught Creating a Business Plan for the Start-up Film Company and Creating a Multimedia Business Plan for the Entertainment Studies Department of the Extension Program at UCLA. |
| filmmakers and financing business plans for independents: Filmmakers and Financing Louise Levison, 2016-11-25 In this new and updated ultimate filmmaker’s guide, Louise Levison gives you easy-to-use steps for writing an investor-winning business plan for a feature film, including: A comprehensive explanations for each of the eight sections of a plan Full financial section with text and tables A sample business plan A companion website with additional information for various chapters and detailed financial instructions ― advanced math not needed An explanation on how feature documentary, animated and large-format films differ A guide to pitching to investors: who they are, what they want and what to tell them Words of advice: Filmmakers share their experiences raising money from equity investors |
| filmmakers and financing business plans for independents: Filmmakers and Financing Louise Levison, 2013-01-17 The first, most crucial step in making a film is finding the funds to do it. Let Louise Levison, who wrote the innovative business plan for The Blair Witch Project, show you how. This unique guide teaches you not only how to create a business plan, but also how to avoid common business plan mistakes, so that you can attract and secure an investor. In jargon-free terms, the author leads you through every step. Each chapter concentrates on a different section of the business plan, including the industry, marketing, financing, and distribution. Large format films, new media and shorts are also discussed. The included companion web site features supplementary exercises and spreadsheets so that you get comfortable crunching the numbers--no math degree required! The sixth edition contains completely revised and updated industry data along with updated information on distribution including online and foreign markets. Plus, new interviews and case studies with filmmakers will show you real-world examples of equity investors and markets. |
| filmmakers and financing business plans for independents: The Independent Filmmaker's Guide to Writing a Business Plan for Investors, 2d ed. Gabriel Campisi, 2012-04-19 Filmmakers need more than heart, talent and desire to realize their dreams: they need production capital. Finding willing investors can be the most difficult step in an aspiring filmmaker's pursuit of higher-budget, entertaining motion pictures. This practical guide provides detailed instructions on preparing the most important tool for recruiting investors, a persuasive business plan. Included in this new edition are suggested ways to approach potential investors; lists of various financial sources available to Hollywood productions, and tips on spotting unscrupulous financiers. Interviews with key Hollywood producers offer real-world insight. |
| filmmakers and financing business plans for independents: Business Plans for Filmmakers John W. Cones, 2010-10-28 The practical and legal aspects of writing a business plan for a film venture can be daunting to navigate without a firm grasp of know-how. With this in mind, John W. Cones's Business Plans for Filmmakers arms independent movie-makers and students with everything they need to successfully tackle the confusing intersection of law, business, and art when creating a business plan for a movie. This pragmatic volume offers plenty of examples and strategies for success, sharing straightforward insight into some of the toughest challenges independent filmmakers face when encountering these documents. With simple yet thorough detail and clarity, Cones outlines the legal requirements affecting movie proposals, including ways to evaluate the necessity for a business plan or a securities disclosure document, as well as the legal definition of an active investor. Also addressed are the numerous subjects filmmakers and students must consider before a film offering, including the efficacy of a business plan to fund the development, production, and distribution phases of a film; common elements of fraud of which fledgling filmmakers should beware; the intricacies of revenue sharing; and how to render financial projections. Cones also imparts useful distinctions between such industry terms as company financing versus project financing, along with many others. This bookalso includes in-depth guidance through the murky paths of investor analysis and key strategies to find and attract parties interested in financing film. Drawing upon his many years as a securities and entertainment attorney, and his experiences advising independent film producers, Cones offers the tools necessary not only to understand investors' motivations but also to use that knowledge to the filmmaker's advantage. Also provided are perceptive studies of the investment vehicles commonly used in business plans seeking investors, with analysis of each method's pros and cons. Throughout the volume, Cones uses sample plans to offer a real-world grasp of the intricacies of the business. In the business of this art, knowledge is power. Business Plans for Filmmakers dispels the myths and misinformation circulating among filmmakers to provide accurate and useful advice.!--?xml:namespace prefix = o ns = urn:schemas-microsoft-com:office:office /-- |
| filmmakers and financing business plans for independents: Filmmakers and Financing Louise Levison, 2013-04-26 First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company. |
| filmmakers and financing business plans for independents: Scheduling and Budgeting Your Film Paula Landry, 2017-06-26 Budgeting and scheduling are easy in principle but hard in practice. The successful producer has a solid plan for juggling dozens of activities and costs while retaining the flexibility to cope with those inevitable last-minute changes and stay on course. Preplanning the budget and schedule of any media project is absolutely essential, and the 2nd edition of Scheduling and Budgeting Your Film: A Panic-Free Guide shows you the intricacies of handling both budgeting and scheduling successfully. This new and updated edition explains the fundamentals of line producing in an easy-to-understand style, and includes tips and techniques that apply no matter what kind of scheduling or budgeting software you’re using. Author Paula Landry includes detailed examples of breakdown forms, organizing resources, distribution expenses, and hidden costs, and discusses how to set realistic priorities and find industry and state tax incentives. The new edition also includes discussions of transmedia and multi-purpose shooting, special considerations for VR, 4K and 3D shooting, new web platforms and mobile technology, crowd funding, film festivals, and much more. Each chapter is filled with handy checklists, tips, practical advice, and anecdotes, showing how scheduling and budgeting are done in the real world; Principles apply to any type of media project: film, video, music video, projects hosted online, and corporate and educational videos; An accompanying eResources page offers downloadable forms and templates, and other essential resources. |
| filmmakers and financing business plans for independents: Understanding the Business of Entertainment Gregory Bernstein, 2015-05-15 Understanding the Business of Entertainment: The Legal and Business Essentials All Filmmakers Should Know is an indispensable guide to the business aspects of the entertainment industry, providing the legal expertise you need to break in and to succeed. Written in a clear and engaging tone, this book covers the essential topics in a thorough but reader-friendly manner and includes plenty of real-world examples that bring business and legal concepts to life. Whether you want to direct, produce, write, edit, photograph or act in movies, this book covers how to find work in your chosen field and examines the key provisions in employment agreements for creative personnel. If you want to make films independently, you’ll find advice on where to look for financing, what kinds of deals might be made in the course of production, and important information on insurance, releases, and licenses. Other topics covered include: Hollywood’s growth and the current conglomerates that own most of the media How specific entertainment companies operate, including facts about particular studios and employee tasks. How studios develop projects, manage production, seek out independent films, and engage in marketing and distribution The kinds of revenues studios earn and how they account for these revenues How television networks and new media-delivery companies like Netflix operate and where the digital revolution might take those who will one day work in the film and TV business As an award- winning screenwriter and entertainment attorney, Gregory Bernstein give us an inside look at the business of entertainment. He proves that knowing what is behind filmmaking is just as important as the film itself. |
| filmmakers and financing business plans for independents: Independent Film Producing Paul Battista, 2013-10-08 The number of independent films produced each year has almost doubled in the past decade, yet only a fraction will succeed. If, like many filmmakers, you have no industry connections, little to no experience, and a low or ultra-low budget, this outsider’s guide will teach you what you need to know to produce a standout, high-quality film and get it into the right hands. Written by an entertainment lawyer and experienced director and producer, this handbook covers all the most essential business, legal, and practical aspects of producing on a low budget, including: Scripts Business plans Copyright issues Equity and non-equity financing Fund-raising Tax considerations Talent recruiting Scheduling Distribution Securities laws Film festivals And more Also discussed are the new crowd funding laws covered by the JOBS Act, making this book a must-read for every indie producer in today’s economy. If you want to produce a film that gets attention, pick up the book that is recommended or required reading at film, business, and law schools from UCLA to NYU. Whether you’re a recent film school graduate or simply a Hollywood outsider, Independent Film Producing will be like having a best friend who is an experienced, well-connected insider. |
| filmmakers and financing business plans for independents: The Marketing Edge for Filmmakers: Developing a Marketing Mindset from Concept to Release Russell Schwartz, Katherine MacDonald, 2019-08-08 Written for working and aspiring filmmakers, directors, producers and screenwriters, The Marketing Edge for Filmmakers walks through every stage of the marketing process - from concept to post-production - and illustrates how creative decisions at each stage will impact the marketability of a film. In this book, marketing experts Schwartz and MacDonald welcome you behind the curtain into the inner workings of Marketing department at both the studios and independents. They also track films of different budgets (studio, genre, independent and documentary) through the marketing process, examining how each discipline will approach your film. Featuring interviews with both marketers and filmmakers throughout, an extensive glossary and end-of-chapter exercises, The Marketing Edge for Filmmakers offers a unique introduction to film marketing and a practical guide for understanding the impact of marketing on your film. |
| filmmakers and financing business plans for independents: Jumpstart Your Awesome Film Production Company Sara Caldwell, 2012-02-07 Firsthand knowledge and advice on every aspect of forming a film production company can be found in this one source. Film production company owners, entertainment attorneys, accountants, and distributors answer the most commonly asked questions on forming and running a successful film production company. They provide proven tips for setting up shop, following a financial plan, working with investors, forming a marketing strategy, getting a film distributed, and more. Real-life anecdotes from a wide range of professionals from the production company trenches are both informing and entertaining. |
| filmmakers and financing business plans for independents: The Film Finance Handbook Adam P. Davies, Nicol Wistreich, 2007 This is a complete guide to film finance around the world, from first web short film to mainstream international multi-million dollar co-production. |
| filmmakers and financing business plans for independents: The Producer's Business Handbook John J. Lee, Jr., Rob Holt, 2012-11-12 The Producer's Business Handbook provides a model for making a successful business of independent filmmaking. It will give you a comprehensive understanding of the business of entertainment and supply you with the information and tools you'll need to successfully engage all related aspects of global production and exploitation. The handbook also provides a global orientation to the relationships that the most successful producers have with the various participants in the motion picture industry. This includes how producers direct their relationships with domestic and foreign studios, agencies, attorneys, talent, completion guarantors, banks, and private investors. It provides a thorough orientation to operating production development and single purpose production companies, from solicitation of literary properties through direct rights sales, and the management of global distribution relationships. Also presented is an in-depth discussion of the team roles needed to operate these companies, as well as how to attach and direct them. For those outside of the US, this book also includes information about how to produce successful films without government funding. This edition has been updated to include comprehensive information on the internal greenlighting process, government financing, and determining actual cost-of-money. It includes new simplified project evaluation tools, expediting funding and distribution. Together with its companion CD-ROM, which contains valuable forms and spreadsheets; tutorials; and samples, this handbook presents both instruction and worksheet support to independent producers at all levels of experience. |
| filmmakers and financing business plans for independents: The Business of Film Paula Landry, Stephen Greenwald, 2018-06-14 The updated second edition of this text introduces readers to the business of film at every stage of the filmmaking lifecycle, from planning and production to distribution. Authors Paula Landry and Stephen R. Greenwald offer a practical, hands-on guide to the business aspects of this evolving industry, exploring development, financing, regional/global/online distribution, business models, exhibition, multi-platform delivery, marketing, film festivals, production incentives, VR/AR, accounting, and more. The book is illustrated throughout with sample financing scenarios and charts/graphics, and includes detailed case studies from projects of different budgets and markets. This new and expanded edition has further been updated to reflect the contemporary media landscape, including analysis on major new players and platforms like Netflix, Amazon, Google and Vimeo, shifting trends due to convergence and disruption from new technology, as well as the rise of independent distribution and emergent mobile and online formats. An eResource also includes downloadable forms and templates, PowerPoint slides, quizzes and test banks, and other additional resources. |
| filmmakers and financing business plans for independents: The Art of Film Funding Carole Lee Dean, 2012 The Art of Film Funding is written for documentaries, shorts, and feature producers for funding via grants, individual investments/donations, online crowd funding, and distribution through streaming video. It also covers new online financing written by a woman who gives three grants a year valued at $100,000. |
| filmmakers and financing business plans for independents: How to Work the Film & TV Markets Heather Hale, 2017-07-28 How to Work the Film & TV Markets takes independent filmmakers, television and digital content creators on a virtual tour of the entertainment industry’s trade shows — the circulatory system of the entire global media landscape. This book highlights the most significant annual events around the world, details a dossier of all the players that frequent them and examines all the elements that drive the market value and profitability of entertainment properties. In-the-trenches insights from our modern, real-world marketplace are contextualized into immediately implementable practical advice. Make the most of your finite investments of funds, time and creative energy to optimize your odds for success within the mainstream, business-to-business circuit but learn how to select, apply and scale prudent, proven principles to drive your own Do-It-Yourself/Direct-to-the-Consuming-Crowd fundraising, distribution and promotional success. Heather Hale demystifies these markets, making them less intimidating, less confusing and less overwhelming. She shows you how to navigate these events, making them far more accessible, productive — and fun! This creative guide offers: An in-depth survey of the most significant film, TV and digital content trade shows around the world; An overview of the co-production market circuit that offers financing and development support to independent producers; An outline of the market-like festivals and key awards shows; A breakdown of who’s who at all these events — and how to network with them; Hot Tips on how to prepare for, execute and follow up on these prime opportunities; Low-budget key art samples and game plans; A social media speed tour with a wealth of audience engagement ideas. Visit the book’s space on www.HeatherHale.com for additional resources and up-to-date information on all these events. |
| filmmakers and financing business plans for independents: Produce Your Own Damn Movie! Lloyd Kaufman, 2012-09-10 Often low-budget filmmakers get thrown into the position of being not only the director, but their own producer. Using tips from the finest washed-up has-been producers in the business, this book will give the low-budget filmmaker practical tools for getting a movie shoot started, and keeping it going until it is supposed to end. From budgeting concerns to production-damaging acts of God, all will be discussed. |
| filmmakers and financing business plans for independents: Investing in Movies Joseph N. Cohen, 2021-12-30 In this second edition of Investing in Movies, industry veteran Joseph N. Cohen provides investors and producers with an analytical framework to assess the opportunities and pitfalls of film investments. The book traces macroeconomic trends and the globalization of the business, including the rise of streamers, as well as the impact these have on potential returns. It offers a broad range of guidelines on how to source interesting projects and advice on what kinds of projects to avoid, as well as numerous ways to maximize risk-adjusted returns. While focusing primarily on investments in independent films, Cohen also provides valuable insights into the studio and independent slate deals that have been marketed to the institutional investment community. As well, this new edition has been updated to fully optimize the current film industry climate including brand new chapters on the Chinese film market, new media/streaming services, and the effects of COVID-19 on the global film market. Written in a detailed and approachable manner, this book is essential for students and aspiring professionals looking to gain an insider perspective against the minefield of film investing. |
| filmmakers and financing business plans for independents: First-time Filmmaker F*# Ups Daryl Bob Goldberg, 2012 First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company. |
| filmmakers and financing business plans for independents: The Big Picture Ben Fritz, 2018 A chronicle of the massive transformation in Hollywood since the turn of the century and the huge changes yet to come, drawing on interviews with key players, as well as documents from the 2014 Sony hack |
| filmmakers and financing business plans for independents: The Guerrilla Rep Ben Yennie, 2016-08-31 The first and so far only book on Film Markets. A Film Market is the best place a filmmaker can go to get traditional, non-DIY Distribution. The first edition of this book was used as a text at more than ten film schools in the US, and the book has an endorsement from the host of the #1 Filmmaking podcast on iTunes, and advice from 8 distributors. |
| filmmakers and financing business plans for independents: Hollywood Drive Eve Light Honthaner, 2005 Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry is the essential guide to starting and succeeding at a career in film and TV. Written by a Hollywood insider, Honthaners invaluable experience and advice will give those attempting to enter and become successful in the entertainment industry the edge they need to stand out among the intense competition. Because while film school prepares students to write a script, direct a scene and operate a camera, few newcomers enter the job market understanding how this business truly works and how to land a first jobmuch less succeed in the industry. Hollywood Drive is not merely a book about what it takes to get your foot in the door. It goes beyond that by offering you the tools, attitude, philosophy and road map youll need to give yourself a good fighting chance at success -- whether youre looking for your very first job or for a strategy to move your career to the next level. This book will allow you to proceed with your eyes wide open, knowing exactly what to expect. Hollywood Drive explores the realities of the industry: various career options, effective job search strategies, how to write an effective cover letter and resume, what to expect on your first job, the significance of networking and building solid industry relationships, how a project is sold, and how a reel production office and set operate. Youll learn how to define your goals and make a plan to achieve them, how to survive the tough times, how to deal with big egos and bad tempers, and how to put your passion to work for you. * Hollywood insider with 20+ years of experience provides realistic advice and tips on getting a first job and moving up in a tough industry * Covers a variety of career choices and the basics of how a production is set up and run * Includes must-have information on breaking into both Hollywood and smaller markets nationwide |
| filmmakers and financing business plans for independents: The Independent Filmmaker's Law and Business Guide Jon M. Garon, 2009-06 Preparing independent or guerrilla filmmakers for the legal, financial, and organizational questions that can doom a project if unanswered, this guide demystifies issues such as developing a concept, founding a film company, obtaining financing, securing locations, casting, shooting, granting screen credits, distributing, exhibiting, and marketing a film. Updated to include digital marketing and distribution strategies through YouTube or webisodes, it also anticipates the problems generated by a blockbuster hit: sound tracks, merchandizing, and licensing. Six appendices provide sample contracts, copyright forms and circulars, Writer's Guild of America definitions for writing credits, and studio contact information. |
| filmmakers and financing business plans for independents: American Independent Cinema Geoff King, 2014-09-08 The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions. |
| filmmakers and financing business plans for independents: Becoming a Film Producer Boris Kachka, 2021-05-25 A revealing guide to a career as a film producer written by acclaimed author Boris Kachka and based on the real-life experiences of award-winning producers—required reading for anyone considering a path to this profession. At the center of every successful film is a producer. Producers bring films to life by orchestrating the major players—screenwriters, directors, talent, distributors, financiers—to create movie magic. Bestselling author and journalist Boris Kachka shadows award-winning producers Fred Berger and Michael London and emerging producer Siena Oberman as movies are pitched, financed, developed, shot, and released. Fly between Los Angeles and New York, with a stop in Utah at the Sundance Film Festival, for a candid look at this high-stakes profession. Learn how the industry has changed over the decades—from the heyday of studios to the reign of streaming platforms. Gain insight and wisdom from these masters’ years of experience producing films, from the indie darlings Sideways and Milk to Academy Award–winning blockbusters like La La Land. Here is how the job is performed at the highest level. |
| filmmakers and financing business plans for independents: American Independent Cinema Yannis Tzioumakis, 2006 This introduction to American Independent Cinema offers both a comprehensive industrial and economic history of the sector from the early twentieth century to the present and a study of key individual films, filmmakers and film companies. Readers will develop an understanding of the complex dynamic relations between independent and mainstream American cinema.The main argument revolves around the idea that independent American cinema has developed alongside mainstream Hollywood cinema with institutional, industrial and economic changes in the latter shaping and informing the former. Consequently the term ‘independent’ has acquired different meanings at different points in the history of Hollywood cinema, evolving according to the impact of changing conditions in the American film industry. These various meanings are examined in the course of the book.The book is ordered chronologically, beginning with Independent Filmmaking in the Studio Era (examining both top-rank and low-end independent film production), moving to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking) and finishing with contemporary American Independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalisation of independent cinema in the 1990s). Each chapter includes case studies which focus on specific films and/or filmmakers, while independent production and distribution companies are also discussed in the text.Films, filmmakers and film companies examined include:*Cagney Productions and Johnny Come Lately, Blood on the Sunand The Time of Your Life*The Charlie Chan series*Lomitas Productions, Stanley Kramer and The Defiant Ones, On the Beachand Inherit the Wind*Sam Katzman and Rock Around the Clock*Roger Corman and The Wild Angels*John Cassavetes and |
| filmmakers and financing business plans for independents: Producing and Directing the Short Film and Video David K. Irving, Peter W. Rea, 2013-03-20 Producing and Directing the Short Film and Video is the definitive book on the subject for beginning filmmakers and students. The book clearly illustrates all of the steps involved in preproduction, production, postproduction, and distribution. Its unique two-fold approach looks at filmmaking from the perspectives of both producer and director, and explains how their separate energies must combine to create a successful short film or video, from script to final product. This guide offers extensive examples from award-winning shorts and includes insightful quotes from the filmmakers themselves describing the problems they encountered and how they solved them. The companion website contains useful forms and information on grants and financing sources, distributors, film and video festivals, film schools, internet sources for short works, and professional associations. |
| filmmakers and financing business plans for independents: The Pocket Lawyer for Filmmakers Thomas A. Crowell, 2012-11-12 * How can you use a state's film tax credits to fund your film? SEE PAGE 63. * You have an idea you want to pitch to a production company; how do you safeguard your concept? SEE PAGE 77. * How can you fund your production with product placement? SEE PAGE 157. * How do you get a script to popular Hollywood actors and deal with their agents? SEE PAGE 222. Find quick answers to these and hundreds of other questions in this new edition of The Pocket Lawyer for Filmmakers. This no-nonsense reference provides fast answers in plain English-no law degree required! Arm yourself with the practical advice of author Thomas Crowell, a TV-producer-turned-entertainment-lawyer. This new edition features: * New sections on product placement, film tax credits and production incentive financing, Letters of Intent, and DIY distribution (four-walling, YouTube, Download-to-own, Amazon.com, iTunes, and Netflix) * Updated case law * Even more charts and graphics to help you find the information you need even more quickly. This book is the next best thing to having an entertainment attorney on retainer! |
| filmmakers and financing business plans for independents: The Movie Business Kelly Crabb, 2005-04-26 A straightforward business and legal guide for novice movie producers covers a wide range of topics, including intellectual property laws, financing, and production challenges, in a guide that also provides in-depth coverage of understanding and negotiating a movie contract. |
| filmmakers and financing business plans for independents: The African Film Industry UNESCO, 2021-10-01 The production and distribution of film and audiovisual works is one of the most dynamic growth sectors in the world. Thanks to digital technologies, production has been growing rapidly in Africa in recent years. For the first time, a complete mapping of the film and audiovisual industry in 54 States of the African continent is available, including quantitative and qualitative data and an analysis of their strengths and weaknesses at the continental and regional levels.The report proposes strategic recommendations for the development of the film and audiovisual sectors in Africa and invites policymakers, professional organizations, firms, filmmakers and artists to implement them in a concerted manner. |
| filmmakers and financing business plans for independents: Entertainment Finance Today Jeanette Milio, 2019-12-19 This book covers the actual financial aspects of the Hollywood industry. It is a comprehensive and up to date guide on film and television financing today. It lays out each step of the motion picture and television project value chain, from development through profit participation, and illustrates the implications and risks of financial choices. Filmmakers and investors alike gain a thorough understanding of how to maneuver safely through a complex industry in a way that reduces risk and optimizes profits. |
| filmmakers and financing business plans for independents: Filmmakers and Financing Louise Levison, 2013-04-26 First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company. |
| filmmakers and financing business plans for independents: The Economics of the Audiovisual Industry: Financing TV, Film and Web Mario La Torre, 2016-12-23 This book is open access under a CC BY licence. Recent reductions in public funding for audiovisual products have led to dramatic changes in the industry. The lack of interaction between the industry and capital markets has made sourcing funds for audiovisual products especially difficult. This book explains why the distance between the audiovisual and financial markets exists, and considers the perspective of both audiovisual companies and financial intermediaries. Providing a thorough overview of the audiovisual industry in three major categories (television, cinema and web), it analyses the financing behind each. The author adapts the traditional assessment methods to include exploitation rights, distribution deals and risk determinants ; he also proposes a pricing model for the audiovisual products demonstrating that prices and values in a industry of prototype goods do not depend solely on cost and revenue. The book also includes a methodology for analysing the economics of the sector, the different sales agreements between broadcasters and the distribution deals between distributors and independent producers. Finally, a description of the main financial products for private finance is provided, as well as an explanation of how public funds can act as leverage to catalyze private resources through the use of guarantee funds. In The Economics of the Audiovisual Industry the author suggests that rather than relying on subsidized public support, the audiovisual industry should foster private-public partnerships and market dynamics to promote an alternative funding model based on a profitable and long-lasting connection between the audiovisual and financial markets. The valuation model, both for products and firms, proposed in this book are at the basis of this new approach. |
| filmmakers and financing business plans for independents: Crowdsourcing for Filmmakers Richard Botto, 2017-09-11 Whether you’re a producer, screenwriter, filmmaker, or other creative, you probably have a project that needs constant exposure, or a product to promote. But how do you rise above the noise? In Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd, Richard Botto explains how to put crowdsourcing to use for your creative project, using social media, networking, branding, crowdfunding, and an understanding of your audience to build effective crowdsourcing campaigns, sourcing everything from film equipment to shooting locations. Botto covers all aspects of crowdsourcing: how to create the message of your brand, project, or initiative; how to mold, shape, and adjust it based on mass response; how to broadcast a message to a targeted group and engage those with similar likes, beliefs, or interests; and finally, how to cultivate those relationships to the point where the message is no longer put forth solely by you, but carried and broadcasted by those who have responded to it. Using a wealth of case studies and practical know-how based on his years of experience in the industry and as founder of Stage 32—the largest crowdsourced platform for film creatives—Richard Botto presents a comprehensive and hands-on guide to crowdsourcing creatively and expertly putting your audience to work on your behalf. |
| filmmakers and financing business plans for independents: Producer to Producer Maureen A. Ryan, 2017 This is a comprehensive bible to low-budget film producing for emerging and professional producers. Structured to guide the reader through production meetings, every aspect of the film-production pro-cess is outlined in detail. Invaluable checklists -- which begin 12 weeks before shooting and continue through principal (and secondary) photography and postproduction -- keep the filmmaker on track and on target. Ryan is co-producer of James Marsh's Man on Wire, winner of the 2009 Academy Award for Best Documentary |
| filmmakers and financing business plans for independents: The Movie Business Book Jason E Squire, 2016-08-05 Tapping experts in an industry experiencing major disruptions, The Movie Business Book is the authoritative, comprehensive sourcebook, covering online micro-budget movies to theatrical tentpoles. This book pulls back the veil of secrecy on producing, marketing, and distributing films, including business models, dealmaking, release windows, revenue streams, studio accounting, DIY online self-distribution and more. First-hand insider accounts serve as primary references involving negotiations, management decisions, workflow, intuition and instinct. The Movie Business Book is an essential guide for those launching or advancing careers in the global media marketplace. |
| filmmakers and financing business plans for independents: The Independent Film Producers Survival Guide: A Business and Legal Sourcebook Gunnar Erickson, Harris Tulchin, Mark Halloran, 2011-08-01 In this comprehensive guidebook, three experienced entertainment lawyers tell you everything you need to know to produce and market an independent film from the development process to deal making, financing, setting up the production, hiring directors and actors, securing location rights, acquiring music, calculating profits, digital moving making, distribution, and marketing your movie. |
| filmmakers and financing business plans for independents: Think Outside the Box Office Jon Reiss, 2010-01-01 As the digital revolution has democratised film production, a new hybrid model of distribution is the way independent filmmakers can take control of their own distribution. This approach is not just DIY or Web-based - it combines the best techniques from each distribution arena, old and new. In Think Outside the Box Office, Reiss explains audience identification and targeting, negotiating split-rights agreements, the new role of film festivals and more. |
| filmmakers and financing business plans for independents: Make Your Story a Movie John Robert Marlow, 2012-12-11 $50 Billion of Advice in One Book* Have you ever wondered why some books and stories are adapted into movies, and others aren't? Or wished you could sit down and pick the brains of the people whose stories have been adapted--or the screenwriters, producers, and directors who adapted them? Author John Robert Marlow has done it for you. He spoke to book authors, playwrights, comic book creators and publishers, as well as Hollywood screenwriters, producers and directors responsible for adapting fictional and true stories into Emmy-winning TV shows, Oscar-winning films, billion-dollar megahits and smaller independents. Then he talked to the entertainment attorneys who made the deals. He came away with a unique understanding of adaptations--an understanding he shares in this book: which stories make good source material (and why); what Hollywood wants (and doesn't); what you can (and can't) get in a movie deal; how to write and pitch your story to maximize the chances of a Hollywood adaptation--and how much (and when) you can expect to be paid. *This book contains the distilled experience of creators, storytellers and others whose works have earned over $50 billion worldwide. Whether you're looking to sell film rights, adapt your own story (alone or with help), or option and adapt someone else's property--this book is for you. |
| filmmakers and financing business plans for independents: Film Directing Fundamentals Nicholas Proferes, 2012-08-06 Visualize your films before shooting! |
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Filmmakers is the new cloud based online casting platform enabling Casting Directors, actors, producers and agents to work together.
Sophie Olsen - Filmmakers
Sophie Olsen, Comédien(ne), féminin, Âge de jeu: 31-46 ans, représenté par Agence Nova Talents
Schubert Schauspiel-Management - Filmmakers
Bereits als Casting Director bei Filmmakers Europe registriert? Hier einloggen. Jonas K. Susanne Schubert +49 30 420 93957 info@agentur-schubert.de. In Filmmakers öffnen. Wird geladen...
FilmArtists - Filmmakers
Dieses Profil kann nur von Casting Professionals geöffnet werden, welche bei Filmmakers Europe registriert sind. Bereits als Casting Director bei Filmmakers Europe registriert? Hier einloggen. …
Felix Prinzel - Filmmakers
Felix Prinzel, Darsteller, männlich, Spielalter: 19-26 Jahre
Charleen Weiss - Filmmakers
Charleen Weiss, Actor, female, Acting age: 26-35 years, represented by CAAY
Zülal Dagkiran - Filmmakers
Zülal Dagkiran, Schauspielerin, weiblich, Spielalter: 27-37 Jahre, vertreten von together casting GmbH
Julian König - Filmmakers
Julian König, Schauspieler, männlich, Spielalter: 18-25 Jahre, vertreten von Agentur Bahl For Actors
Ben Ole Knobbe - Filmmakers
Ben Ole Knobbe, Schauspieler, männlich, Spielalter: 16-19 Jahre, vertreten von Renate Starke
Adèle Simphal - Filmmakers
Adèle Simphal, Actor, female, represented by Time Art. Matthieu Delaporte et Alexandre de la Patellière Pathé film et Chapter 2 Elodie Demey Matthieu Delaporte et Alexandre de la Patellière
Filmmakers
Filmmakers is the new cloud based online casting platform enabling Casting Directors, actors, producers and agents to work together.
Sophie Olsen - Filmmakers
Sophie Olsen, Comédien(ne), féminin, Âge de jeu: 31-46 ans, représenté par Agence Nova Talents
Schubert Schauspiel-Management - Filmmakers
Bereits als Casting Director bei Filmmakers Europe registriert? Hier einloggen. Jonas K. Susanne Schubert +49 30 420 93957 info@agentur …
FilmArtists - Filmmakers
Dieses Profil kann nur von Casting Professionals geöffnet werden, welche bei Filmmakers Europe registriert sind. Bereits als Casting Director bei …
Felix Prinzel - Filmmakers
Felix Prinzel, Darsteller, männlich, Spielalter: 19-26 Jahre
