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| documentary on chinese history: Documentary, World History, and National Power in the PRC Gotelind Mueller, 2013-10-30 Documentaries have recently become a favourite format for Chinese state-directed media to present an officially sanctioned view of history. Indeed, this is not confined to Chinese national history. In stark contrast to the earlier self-centred preoccupation with Chinese history, there has been an upsurge in interest in foreign history, with a view to illuminating China’s role not only in world history, but also on the global stage today, and in the future. This book examines three recent Chinese documentary television series which present the officially sanctioned view of the rise of the modern West, the reasons for the end of the Soviet Union, and the legitimisation of the present-day Chinese government via a specific reading of modern Chinese history to argue for a ‘Chinese rise’ in the future. With a focus on these documentaries, Gotelind Müller discusses how history is presented on screen, and explores the function of visual history for memory culture and wider society. Further, this book reveals how the presentation of Chinese and foreign history in a global framework impacts on the officially transmitted views on Self and Other, and thus provides a keen insight into how the Chinese themselves regard their ‘global rise’. Documentary, World History, and National Power in the PRC will be welcomed by students and scholars working across a number of fields, including Chinese studies, East Asian studies, media studies, television studies, history and memory studies. |
| documentary on chinese history: The Story of China Michael Wood, 2020-09-03 'A learned, wise, wonderfully written single volume history of a civilisation that I knew I should know more about' Tom Holland 'Masterful and engrossing...well-paced, eminently readable and well-timed. A must-read for those who want – and need – to know about the China of yesterday, today and tomorrow' Peter Frankopan China’s story is extraordinarily rich and dramatic. Now Michael Wood, one of the UK's pre-eminent historians, brings it all together in a major new one-volume history of China that is essential reading for anyone who wants to understand its burgeoning role in our world today. China is the oldest living civilisation on earth, but its history is still surprisingly little known in the wider world. Michael Wood's sparkling narrative, which mingles the grand sweep with local and personal stories, woven together with the author’s own travel journals, is an enthralling account of China’s 4000-year-old tradition, taking in life stationed on the Great Wall or inside the Forbidden City. The story is enriched with the latest archaeological and documentary discoveries; correspondence and court cases going back to the Qin and Han dynasties; family letters from soldiers in the real-life Terracotta Army; stories from Silk Road merchants and Buddhist travellers, along with memoirs and diaries of emperors, poets and peasants. In the modern era, the book is full of new insights, with the electrifying manifestos of the feminist revolutionaries Qiu Jin and He Zhen, extraordinary eye-witness accounts of the Japanese invasion, the Great Famine and the Cultural Revolution under Chairman Mao, and fascinating newly published sources for the great turning points in China’s modern history, including the Tiananmen Square crisis of 1989, and the new order of President Xi Jinping. A compelling portrait of a single civilisation over an immense period of time, the book is full of intimate detail and colourful voices, taking us from the desolate Mongolian steppes to the ultra-modern world of Beijing, Shanghai and Hong Kong. It also asks what were the forces that have kept China together for so long? Why was China overtaken by the west after the 18th century? What lies behind China’s extraordinary rise today? The Story of China tells a thrilling story of intense drama, fabulous creativity and deep humanity; a portrait of a country that will be of the greatest importance to the world in the twenty-first century. |
| documentary on chinese history: The New Chinese Documentary Film Movement Chris Berry, Lu Xinyu, Lisa Rofel, 2010-06-01 The New Chinese Documentary Film Movement is a groundbreaking project unveiling recent documentary film work that has transformed visual culture in China, and brought new immediacy along with a broader base of participation to Chinese media. As a foundational text, this volume provides a much-needed introduction to the topic of Chinese documentary film, the signature mode of contemporary Chinese visual culture. These essays examine how documentary filmmakers have opened up a unique new space of social commentary and critique in an era of rapid social changes amid globalization and marketization. The essays cover topics ranging from cruelty in documentary to the representation of Beijing; gay, lesbian and queer documentary; sound in documentary; the exhibition context in China; authorial intervention and subjectivity; and the distinctive on the spot aesthetics of contemporary Chinese documentary. This volume will be critical reading for scholars in disciplines ranging from film and media studies to Chinese studies and Asian studies. |
| documentary on chinese history: The Great Famine in China, 1958-1962 Xun Zhou, 2012-07-10 Drawing on previously closed archives that have since been made inaccessible again, this volume contains the most crucial primary documents concerning the fate of the Chinese peasantry between 1957 and 1962, covering everything from cannibalism and selective killing to mass murder. |
| documentary on chinese history: China's Leaders David Shambaugh, 2021-06-25 Since the founding of the People’s Republic of China over 70 years ago, five paramount leaders have shaped the fates and fortunes of the nation and the ruling Chinese Communist Party: Mao Zedong, Deng Xiaoping, Jiang Zemin, Hu Jintao, and Xi Jinping. Under their leaderships, China has undergone an extraordinary transformation from an undeveloped and insular country to a comprehensive world power. In this definitive study, renowned Sinologist David Shambaugh offers a refreshing account of China’s dramatic post-revolutionary history through the prism of those who ruled it. Exploring the persona, formative socialization, psychology, and professional experiences of each leader, Shambaugh shows how their differing leadership styles and tactics of rule shaped China domestically and internationally: Mao was a populist tyrant, Deng a pragmatic Leninist, Jiang a bureaucratic politician, Hu a technocratic apparatchik, and Xi a modern emperor. Covering the full scope of these leaders’ personalities and power, this is an illuminating guide to China’s modern history and understanding how China has become the superpower of today. |
| documentary on chinese history: The Last Kings of Shanghai Jonathan Kaufman, 2020-06-02 In vivid detail... examines the little-known history of two extraordinary dynasties.--The Boston Globe Not just a brilliant, well-researched, and highly readable book about China's past, it also reveals the contingencies and ironic twists of fate in China's modern history.--LA Review of Books An epic, multigenerational story of two rival dynasties who flourished in Shanghai and Hong Kong as twentieth-century China surged into the modern era, from the Pulitzer Prize-winning journalist Shanghai, 1936. The Cathay Hotel, located on the city's famous waterfront, is one of the most glamorous in the world. Built by Victor Sassoon--billionaire playboy and scion of the Sassoon dynasty--the hotel hosts a who's who of global celebrities: Noel Coward has written a draft of Private Lives in his suite and Charlie Chaplin has entertained his wife-to-be. And a few miles away, Mao and the nascent Communist Party have been plotting revolution. By the 1930s, the Sassoons had been doing business in China for a century, rivaled in wealth and influence by only one other dynasty--the Kadoories. These two Jewish families, both originally from Baghdad, stood astride Chinese business and politics for more than 175 years, profiting from the Opium Wars; surviving Japanese occupation; courting Chiang Kai-shek; and losing nearly everything as the Communists swept into power. In The Last Kings of Shanghai, Jonathan Kaufman tells the remarkable history of how these families participated in an economic boom that opened China to the world, but remained blind to the country's deep inequality and to the political turmoil at their doorsteps. In a story stretching from Baghdad to Hong Kong to Shanghai to London, Kaufman enters the lives and minds of these ambitious men and women to forge a tale of opium smuggling, family rivalry, political intrigue, and survival. The book lays bare the moral compromises of the Kadoories and the Sassoons--and their exceptional foresight, success, and generosity. At the height of World War II, they joined together to rescue and protect eighteen thousand Jewish refugees fleeing Nazism. Though their stay in China started out as a business opportunity, the country became a home they were reluctant to leave, even on the eve of revolution. The lavish buildings they built and the booming businesses they nurtured continue to define Shanghai and Hong Kong to this day. As the United States confronts China's rise, and China grapples with the pressures of breakneck modernization and global power, the long-hidden odysseys of the Sassoons and the Kadoories hold a key to understanding the present moment. |
| documentary on chinese history: The Search for Modern China Pei-kai Cheng, Michael Elliot Lestz, Jonathan D. Spence, 1999 This collection of primary source documents--many translated into English for the first time and available only in this book--gather proclamations, treaties, laws, and other public acts with pieces reflecting everyday life, family, social networks, and culture. |
| documentary on chinese history: The Search for Modern China Jonathan D. Spence, 2013 This rich gathering of primary-source documents puts students in direct contact with the major characters and events in modern Chinese history. Revised to reflect updates to The Search for Modern China, third edition, this outstanding collection displays a strong blend of social history (pieces dealing with everyday life, family, social networks, and culture) and political history (critical proclamations, treaties, laws, and other public acts). Many documents are translated into English for the first time and are available only in this book.-- |
| documentary on chinese history: New Chinese-Language Documentaries Kuei-fen Chiu, Yingjin Zhang, 2014-11-21 Documentary filmmaking is one of the most vibrant areas of media activity in the Chinese world, with many independent filmmakers producing documentaries that deal with a range of sensitive socio-political problems, bringing to their work a strongly ethical approach. This book identifies notable similarities and crucial differences between new Chinese-language documentaries in mainland China and Taiwan. It outlines how documentary filmmaking has developed, contrasts independent documentaries with dominant official state productions, considers how independent documentary filmmakers go about their work, including the work of exhibiting their films and connecting with audiences, and discusses the content of their documentaries, showing how the filmmakers portray a wide range of subject matter regarding places and people, and how they deal with particular issues including the underprivileged, migrants and women in an ethical way. Throughout the book demonstrates how successful Chinese-language independent documentary filmmaking is, with many appearances at international film festivals and a growing number of award-winning titles. |
| documentary on chinese history: Independent Chinese Documentary Dan Edwards, 2015-05-15 Through detailed analyses of key contemporary documentary titles, this book reveals the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in China's state-sanctioned media. |
| documentary on chinese history: A Documentary History of Chinese Communism Conrad Brandt, Benjamin Schwartz, John K. Fairbank, 2013-10 This is a new release of the original 1952 edition. |
| documentary on chinese history: China's Response to the West Ssu-yü Teng, John King Fairbank, 1979 Contains primary source material. |
| documentary on chinese history: "Chink!" A Documentary History of Anti-Chinese Prejudice in America Cheng-Tsu Wu, 1972 |
| documentary on chinese history: Tang China and the Collapse of the Uighur Empire Michael Drompp, 2021-11-29 This book considers the Tang response to the collapse of the Uighur steppe empire in 840 C.E. and the large number of refugees who fled to China's northern frontier. It examines the workings of late Tang bureaucracy through translations of some seventy relevant Chinese documents. |
| documentary on chinese history: Thread Of The Silkworm Iris Chang, 2008-08-06 The definitive biography of Tsien Hsue-Shen, the pioneer of the American space age who was mysteriously accused of being a communist, deported, and became -- to America's continuing chagrin -- the father of the Chinese missile program. |
| documentary on chinese history: Fanshen William Hinton, Fred Magdoff, 2008-04 More than forty years after its initial publication, William Hinton’s Fanshen continues to be the essential volume for those fascinated with China’s revolutionary process of rural reform and social change. A pioneering work, Fanshan is a marvelous and revealing look into life in the Chinese countryside, where tradition and modernity have had both a complimentary and caustic relationship in the years since the Chinese Communist Party first came to power. It is a rare, concrete record of social struggle and transformation, as witnessed by a participant. Fanshen continues to offer profound insight into the lives of peasants and China’s complex social processes. Rediscover this classic volume, which includes a new preface by Fred Magdoff. |
| documentary on chinese history: Representing History in Chinese Media Gotelind Müller, 2007 Historical TV dramas are a highly popular genre in the People's Republic of China and an important, contested factor in shaping historical consciousness of the populace. The monumental TV drama Zou xiang gonghe made a stir when aired by China Central Television in the spring of 2003. Because of its unconventional representation of the historically critical time-span 1890-1917, the TV drama sparked a heated discussion in the print media as well as in the internet, and was ultimately taken off the program. This book aims at presenting a synopsis of the TV drama, analysing its background and impact on society. |
| documentary on chinese history: China and Japan Ezra F. Vogel, 2019-07-30 A Financial Times “Summer Books” Selection “Will become required reading.” —Times Literary Supplement “Elegantly written...with a confidence that comes from decades of deep research on the topic, illustrating how influence and power have waxed and waned between the two countries.” —Rana Mitter, Financial Times China and Japan have cultural and political connections that stretch back fifteen hundred years, but today their relationship is strained. China’s military buildup deeply worries Japan, while Japan’s brutal occupation of China in World War II remains an open wound. In recent years both countries have insisted that the other side must openly address the flashpoints of the past before relations can improve. Boldly tackling the most contentious chapters in this long and tangled relationship, Ezra Vogel uses the tools of a master historian to examine key turning points in Sino–Japanese history. Gracefully pivoting from past to present, he argues that for the sake of a stable world order, these two Asian giants must reset their relationship. “A sweeping, often fascinating, account...Impressively researched and smoothly written.” —Japan Times “Vogel uses the powerful lens of the past to frame contemporary Chinese–Japanese relations...[He] suggests that over the centuries—across both the imperial and the modern eras—friction has always dominated their relations.” —Sheila A. Smith, Foreign Affairs |
| documentary on chinese history: Filming the Everyday Paul G. Pickowicz, Yingjin Zhang, 2016-12-15 This cutting-edge book examines the rapidly developing scene of Chinese independent documentary, arguably the most courageous player in contemporary Chinese visual culture. The authors explore two areas that are of special interest to China studies and film studies, respectively: (1) filming the everyday in twenty-first-century China to foreground contestation and diversity and (2) exploring the aesthetic of remembering in an embodied documentary practice, which turns the gaze on artists themselves and encourages the viewer’s engagement with the filmed subjects and environment. Highlighting documentary contestation in China, the book traces its cacophony of expressions, some of it featuring confrontations with domineering elites, some of it highlighting negotiations among the independent filmmakers themselves. Their goal is not a “movement” that seeks to establish and impose a single truth, but rather a creative dynamic that fosters a community of tolerance and respects diverse forms of expression. Independent documentary is quite literally a moving target that is witnessing ongoing and widening diversity and complexity when it comes to directors, themes, aesthetics, human subjects, audiences, and impact. The authors stress the enormous potential of cultural production that features non-elites (including amateurs) and that dwells on the everyday, the bottom up, the grassroots, the seemingly mundane, and the apparently marginal. The book’s emphasis on contemporary issues and its discussion of aesthetic experiments will appeal to all readers interested in China’s culture, media, politics, and society. |
| documentary on chinese history: The Chinese in the West Indies, 1806-1995 Walton Look Lai, 1998 The Chinese in West Indies starts with an excellent introductory essay to place nineteenth-century Chinese immigration in its wider context: the worldwide Chinese migrations, the post-slavery Caribbean background, the contract labour schemes developed after emancipation . . . All the documents are well chosen, and together they deal with virtually every important aspect of the migration of Chinese people to the West Indies and their subsequent experiences. Foreword In the first seven chapters, nearly all the documents are 'official', generated by government agencies or officers. Colonial Office correspondence and papers, reports of Immigrations Department officials and British agents in South China, reports and papers of the Colonial Land and Emigration Commission in London, Parliamentary Papers these are the main sources from which Look Lai chooses his extracts . . . But in chapters 8 and 9, which deal with the post-indenture Chinese after 1870, and the free immigration starting around 1890, the type of documentation changes. The Chinese were no longer the responsibility of any governmental agency and their arrival and subsequent activities generated little official documentation. In these chapters, Look Lai relies on non-official sources . . . Although the documentary extracts do not go beyond 1950, the family biographies have been updated to the early 1990s. They are based on personal interviews with, or written accounts by, elderly family members. |
| documentary on chinese history: Unbound Voices Judy Yung, 1999-11-24 A landmark contribution. . . . These rich materials—including proverbs, immigration interrogations, poems, articles, photographs, social workers' reports, recipes, and oral histories—add a new dimension to Asian American studies, U.S. women's history, Chinese American history, and immigration studies.—Valerie Matsumoto, University of California, Los Angeles |
| documentary on chinese history: Fateful Ties Gordon H. Chang, 2015-04-13 Americans look to China with fascination and fear, unsure whether the rising Asian power is friend or foe but certain it will play a crucial role in America’s future. This is nothing new, Gordon Chang says. For centuries, Americans have been convinced of China’s importance to their own national destiny. Fateful Ties draws on literature, art, biography, popular culture, and politics to trace America’s long and varied preoccupation with China. China has held a special place in the American imagination from colonial times, when Jamestown settlers pursued a passage to the Pacific and Asia. In the eighteenth and nineteenth centuries, Americans plied a profitable trade in Chinese wares, sought Chinese laborers to build the West, and prized China’s art and decor. China was revered for its ancient culture but also drew Christian missionaries intent on saving souls in a heathen land. Its vast markets beckoned expansionists, even as its migrants were seen as a “yellow peril” that prompted the earliest immigration restrictions. A staunch ally during World War II, China was a dangerous adversary in the Cold War that followed. In the post-Mao era, Americans again embraced China as a land of inexhaustible opportunity, playing a central role in its economic rise. Through portraits of entrepreneurs, missionaries, academics, artists, diplomats, and activists, Chang demonstrates how ideas about China have long been embedded in America’s conception of itself and its own fate. Fateful Ties provides valuable perspective on this complex international and intercultural relationship as America navigates an uncertain new era. |
| documentary on chinese history: The Story of China Michael Wood, 2020-11-17 A single volume history of China, offering a look into the past of the global superpower and its significance today. Michael Wood has travelled the length and breadth of China, the world’s oldest civilization and longest lasting state, to tell a thrilling story of intense drama, fabulous creativity, and deep humanity that stretches back thousands of years. After a century and a half of foreign invasion, civil war, and revolution, China has once again returned to center stage as a global superpower and the world’s second largest economy. But how did it become so dominant? Wood argues that in order to comprehend the great significance of China today, we must begin with its history. The Story of China takes a fresh look at the Middle Kingdom in the light of the recent massive changes inside the country. Taking into account exciting new archeological discoveries, the book begins with China’s prehistory—the early dynasties, the origins of the Chinese state, and the roots of Chinese culture in the age of Confucius. Wood looks at particular periods and themes that are now being reevaluated by historians, such as the renaissance of the Song with its brilliant scientific discoveries. He paints a vibrant picture of the Qing Empire in the 18th century, just before the European impact, a time when China’s rich and diverse culture was at its height. Then, Wood explores the encounter with the West, the Opium Wars, the clashes with the British, and the extraordinarily rich debates in the late 19th century that pushed China along the path to modernity. Finally, he provides a clear up-to-date account of post-1949 China, including revelations about the 1989 crisis based on newly leaked inside documents, and fresh insights into the new order of President Xi Jinping. All woven together with landscape history and the author’s own travel journals, The Story of China is the indispensable book about the most intriguing and powerful country on the world stage today. |
| documentary on chinese history: The Blacks of Premodern China Don J. Wyatt, 2012-02-28 Premodern Chinese described a great variety of the peoples they encountered as black. The earliest and most frequent of these encounters were with their Southeast Asian neighbors, specifically the Malayans. But by the midimperial times of the seventh through seventeenth centuries C.E., exposure to peoples from Africa, chiefly slaves arriving from the area of modern Somalia, Kenya, and Tanzania, gradually displaced the original Asian blacks in Chinese consciousness. In The Blacks of Premodern China, Don J. Wyatt presents the previously unexamined story of the earliest Chinese encounters with this succession of peoples they have historically regarded as black. A series of maritime expeditions along the East African coastline during the early fifteenth century is by far the best known and most documented episode in the story of China's premodern interaction with African blacks. Just as their Western contemporaries had, the Chinese aboard the ships that made landfall in Africa encountered peoples whom they frequently classified as savages. Yet their perceptions of the blacks they met there differed markedly from those of earlier observers at home in that there was little choice but to regard the peoples encountered as free. The premodern saga of dealings between Chinese and blacks concludes with the arrival in China of Portuguese and Spanish traders and Italian clerics with their black slaves in tow. In Chinese writings of the time, the presence of the slaves of the Europeans becomes known only through sketchy mentions of black bondservants. Nevertheless, Wyatt argues that the story of these late premodern blacks, laboring anonymously in China under their European masters, is but a more familiar extension of the previously untold story of their ancestors who toiled in Chinese servitude perhaps in excess of a millennium earlier. |
| documentary on chinese history: Japan David John Lu, 1997 Covering the full spectrum of political, economic, diplomatic as well as cultural and intellectual history, this classroom resource offers insight not only into the past but also into Japan's contemporary civilization. This volume (the second of two) covers from the late 18th century up to 1995. |
| documentary on chinese history: Independent Chinese Documentary L. Robinson, 2013-01-28 The rise of independent documentary film production is the most radical development in the contemporary Chinese mediascape. This book is a sustained examination of Chinese independent documentary in relation to one of its central principles: xianchang, or being 'on the scene'. |
| documentary on chinese history: Death by China Peter Navarro, Greg Autry, 2011-05-05 The world's most populous nation and soon-to-be largest economy is rapidly turning into the planet's most efficient assassin. Unscrupulous Chinese entrepreneurs are flooding world markets with lethal products. China's perverse form of capitalism combines illegal mercantilist and protectionist weapons to pick off American industries, job by job. China's emboldened military is racing towards head-on confrontation with the U.S. Meanwhile, America's executives, politicians, and even academics remain silent about the looming threat. Now, best-selling author and noted economist Peter Navarro meticulously exposes every form of Death by China, drawing on the latest trends and events to show a relationship spiraling out of control. Death by China reveals how thousands of Chinese cyber dissidents are being imprisoned in Google Gulags; how Chinese hackers are escalating coordinated cyberattacks on U.S. defense and America's key businesses; how China's undervalued currency is damaging the U.S., Europe, and the global recovery; why American companies are discovering that the risks of operating in China are even worse than they imagined; how China is promoting nuclear proliferation in its pursuit of oil; and how the media distorts the China story--including a Hall of Shame of America's worst China apologists. This book doesn't just catalogue China's abuses: It presents a call to action and a survival guide for a critical juncture in America's history--and the world's. Publisher's note - in this book various quotes and viewpoints are attributed to a 'Ron Vara'. Ron Vara is not an actual person, but rather an alias created by Peter Navarro in order to present his views and opinions. |
| documentary on chinese history: Hong Kong Documentary Film Ian Aitken, 2014-03-17 Described as the 'lost genre', the tradition of documentary film making in Hong Kong is far less known than its martial arts films. However documentary film has always existed in Hong Kong and often trenchantly represents its troubled relationship to itself, China and the west. Including the period of colonial film-making, the high points of television documentary and the tradition of independent documentary film-making, this book is the first to present a comprehensive study of this lost genre. It explores the role of public-service television (including representations of the massacre at Tiananmen Square) and presents critical analysis of key films. Based on original archival research, it will be an invaluable resource for students and academics who work in the fields if film studies, colonial studies and Hong Kong cinema. |
| documentary on chinese history: The Future History of Contemporary Chinese Art Peggy Wang, 2021-01-26 A revelatory reclaiming of five iconic Chinese artists and their place in art history During the 1980s and 1990s, a group of Chinese artists (Zhang Xiaogang, Wang Guangyi, Sui Jianguo, Zhang Peili, and Lin Tianmiao) ascended to new heights of international renown. Even as their fame increased, they came to be circumscribed by simplistic Western interpretations of their artworks as social and political critiques, a perspective that privileged stories of dissidence over deep engagement with the art itself. Through in-depth case studies of these five artists, Peggy Wang offers a corrective to previous appraisals, demonstrating how their works address fundamental questions about the forms, meanings, and possibilities of art. By the end of the 1980s, Chinese artists were scrutinizing earlier waves of Western influence and turning instead to their own heritage and culture to forge their own future histories. As the national trauma of the 1989 Tiananmen Square massacre converged with the mounting expansion of the global art world, these artists turned to art as a profoundly generative site for grappling with their place in the world. Wang demonstrates how they consciously and energetically sought to make their own ideas about art and art history visible in contemporary art. Wang’s argument is informed by extensive primary research, including close examination of the artworks, analysis of Chinese language documents and archives, and deeply personal interviews with the artists. Their words uncover layers of meaning previously obscured by the popular and often recycled assessments that many of these works have received until now. Beyond Wang’s reinterpretation of these individual artists, she contributes to an urgent conversation on the future direction of art history: how do we map engagements between art from different parts of the world that are embedded within different art histories? What does it mean for histories of contemporary art—and art history more generally—to be inclusive? The new understandings offered in this book can and should be engaged when considering current hierarchies in histories of Chinese art, the global art world, and the intersections between them. |
| documentary on chinese history: China's Environmental Challenges Judith Shapiro, 2016-01-19 China's huge environmental challenges are significant for us all. They affect not only the health and well-being of China but the very future of the planet. In the second edition of this acclaimed, trailblazing book, noted China specialist and environmentalist Judith Shapiro investigates China's struggle to achieve sustainable development against a backdrop of acute rural poverty and soaring middle class consumption. Using five core analytical concepts to explore the complexities of this struggle - the implications of globalization, the challenges of governance; contested national identity, the evolution of civil society, and problems of environmental justice and displacement of environmental harm - Shapiro poses a number of pressing questions: Can the Chinese people equitably achieve the higher living standards enjoyed in the developed world? Are China's environmental problems so severe that they may shake the government's stability, legitimacy and control? To what extent are China's environmental problems due to world-wide patterns of consumption? Does China's rise bode ill for the displacement of environmental harm to other parts of the world? And in a world of increasing limits on resources, how can we build a system in which people enjoy equal access to resources without taking them from successive generations, from the vulnerable, or from other species? China and the planet are at a pivotal moment; transformation to a more sustainable development model is still possible. But - as Shapiro persuasively argues - doing so will require humility, creativity, and a rejection of business as usual. The window of opportunity will not be open much longer. |
| documentary on chinese history: A History of Cultic Images in China Alain Arrault, 2019-07-15 In the past twenty years, work on the local culture of central Hunan has been one of the most exciting sources for rethinking the nature and variety of Chinese local society. At the heart of this society is a kind of statuary found nowhere else in China--sculpted images of local people, primarily religious specialists of a wide range, but also parents and ancestors who, according to Confucian orthodoxy, should be represented by tablets, not statues. While the consecration ceremonies of these statues include rites that are common to all China, they are embedded in unique local ritual traditions. Based on two decades of international collaborative research, Alain Arrault focuses on some 4,000 of these statues and studies them on the basis of consecration certificates inserted in the statues, the earliest of which date to the sixteenth century. |
| documentary on chinese history: Filming History from Below Efrén Cuevas, 2022-01-11 Traditional historical documentaries strive to project a sense of objectivity, producing a top-down view of history that focuses on public events and personalities. In recent decades, in line with historiographical trends advocating “history from below,” a different type of historical documentary has emerged, focusing on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as “microhistorical documentaries” and examines how they push cinema’s capacity as a producer of historical knowledge in new directions. Cuevas pinpoints the key features of these documentaries, identifying their parallels with written microhistory: a reduced scale of observation, a central role given to human agency, a conjectural approach to the use of archival sources, and a reliance on narrative structures. Microhistorical documentaries also use tools specific to film to underscore the affective dimension of historical narratives, often incorporating autobiographical and essayistic perspectives, and highlighting the role of the protagonists’ personal memories in the reconstruction of the past. These films generally draw from family archives, with an emphasis on snapshots and home movies. Filming History from Below examines works including Péter Forgács’s films dealing with the Holocaust such as The Maelstrom and Free Fall; documentaries about the Israeli-Palestinian conflict; Rithy Panh’s work on the Cambodian genocide; films about the internment of Japanese Americans during the Second World War such as A Family Gathering and History and Memory; and Jonas Mekas’s chronicle of migration in his diary film Lost, Lost, Lost. |
| documentary on chinese history: Documentary, World History, and National Power in the PRC Gotelind Mueller, 2013-10-30 Documentaries have recently become a favourite format for Chinese state-directed media to present an officially sanctioned view of history. Indeed, this is not confined to Chinese national history. In stark contrast to the earlier self-centred preoccupation with Chinese history, there has been an upsurge in interest in foreign history, with a view to illuminating China’s role not only in world history, but also on the global stage today, and in the future. This book examines three recent Chinese documentary television series which present the officially sanctioned view of the rise of the modern West, the reasons for the end of the Soviet Union, and the legitimisation of the present-day Chinese government via a specific reading of modern Chinese history to argue for a ‘Chinese rise’ in the future. With a focus on these documentaries, Gotelind Müller discusses how history is presented on screen, and explores the function of visual history for memory culture and wider society. Further, this book reveals how the presentation of Chinese and foreign history in a global framework impacts on the officially transmitted views on Self and Other, and thus provides a keen insight into how the Chinese themselves regard their ‘global rise’. Documentary, World History, and National Power in the PRC will be welcomed by students and scholars working across a number of fields, including Chinese studies, East Asian studies, media studies, television studies, history and memory studies. |
| documentary on chinese history: Adapted for the Screen Hsiu-Chuang Deppman, 2010-04-30 Hsiu-Chang Deppman puts landmark contemporary Chinese films in the context of their literary origins & explores how the best Chinese directors adapt fictional narratives & styles for film. |
| documentary on chinese history: Manchu-Mongol Relations on the Eve of the Qing Conquest Nicola Di Cosmo, Dalizhabu Bao, 2021-10-01 In the seventeenth century the Manchu conquered the whole of China, replacing the Ming dynasty. The original Manchu and Mongol documents selected for the this publication, translated and amply annotated, provide fascinating new information about the relations between Manchus and Mongols before the Manchu conquest of China. They include diplomatic correspondence, military liaisons, legal cases, and records of tribute missions and present a detailed picture of the relative position of the various Mongol tribes vis-à-vis the future emperors of China. |
| documentary on chinese history: A Concise History of China J. A. G. Roberts, 1999 Presents an account of Chinese history, from prehistoric times through the post-Revolution era. |
| documentary on chinese history: The Chinese Cultural Revolution Paul Clark, 2008-03-24 This book analyzes the Cultural Revolution through the conflict between innovation and a top-down enforcement of modernity. |
| documentary on chinese history: Film and the Chinese Medical Humanities Vivienne Lo, Chris Berry, Guo Liping, 2019-12-06 Film and the Chinese Medical Humanities is the first book to reflect on the power of film in representing medical and health discourse in China in both the past and the present, as well as in shaping its future. Drawing on both feature and documentary films from mainland China, the chapters each engage with the field of medicine through the visual arts. They cover themes such as the history of doctors and their concepts of disease and therapies, understanding the patient experience of illness and death, and establishing empathy and compassion in medical practice, as well as the HIV/AIDs epidemic during the 1980s and 90s and changing attitudes towards disability. Inherently interdisciplinary in nature, the contributors therefore provide different perspectives from the fields of history, psychiatry, film studies, anthropology, linguistics, public health and occupational therapy, as they relate to China and people who identify as Chinese. Their combined approaches are united by a passion for improving the cross-cultural understanding of the body and ultimately healthcare itself. A key resource for educators in the Medical Humanities, this book will be useful to students and scholars of Chinese Studies and Film Studies as well as global health, medical anthropology and medical history. |
| documentary on chinese history: The Black Book of Communism Stéphane Courtois, 1999 This international bestseller plumbs recently opened archives in the former Soviet bloc to reveal the accomplishments of communism around the world. The book is the first attempt to catalogue and analyse the crimes of communism over 70 years. |
| documentary on chinese history: Rome and China Hyun Jin Kim, Samuel N.C. Lieu, Raoul McLaughlin, 2021-05-17 Rome and China provides an updated history and analysis of contacts and mutual influence between two of ancient Eurasia’s most prominent imperial powers, Rome and China. It highlights the extraordinary interconnectivity of ancient Eurasia which allowed for actual contacts between Rome and China (however fleeting) and examines in detail the influences from both ends of Eurasia which had cultural and political consequences for both Rome and China. This volume will be of interest to anyone working on the Roman Empire, Inner Asia, the Silk Routes and China in the Classical and Late Antique periods. |
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