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| don t cheat in our hometown: Country Music Irwin Stambler, Grelun Landon, 2000-07-14 A comprehensive reference source on the history, impact, and current state of country music, offering portraits of figures in the country music world. |
| don t cheat in our hometown: Behind Closed Doors Alanna Nash, 2002 This book represents 27 compelling conversations with the creme de la creme of country music. 27 photos. |
| don t cheat in our hometown: Living and Working in India Kris Rao, 2008-04-25 As well as being a fascinating country, with a rich and varied culture, India is emerging as a major world economy. More and more people are going there to live and work. The purpose of this book is to ease the transition between western and Indian cultures. If you are going to India to do business or for long-term employment, or are being relocated there by your company, this book will tell you all you need to know to help you and your family settle quickly into your new environment - and to ensure that it is the experience of a lifetime.Beginning with an overview of the history of India, its geographical divisions, political system, religions, languages and ethnic and cultural divisions, this comprehensive guide goes on to provide detailed information on: how to get a work permit and find a job; Indian work practices, employment rights and benefits; taxes and pensions; the Indian health care system; how to set up a business and set up a company; how to buy or rent a property; what the cost of living is like; how to open a bank account and obtain a credit card; expatriate and Indian lifestyles; entertainment and leisure in India; Indian customs and habits food - the regional variations and local delicacies; and raising and educating your children. |
| don t cheat in our hometown: The Billboard Book of Top 40 Country Hits Joel Whitburn, 2006 All the information since the earliest Billboard charts were originally compiled in 1942 is gathered into this one essential reference on country music that has been updated and expanded to capture today's top recording artists and their biggest songs. Original. |
| don t cheat in our hometown: Billboard , 1992-08-15 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don t cheat in our hometown: The Bluegrass Reader Thomas Goldsmith, 2004 A chronological guide to bluegrass music that describes and traces the development of the musical genre. |
| don t cheat in our hometown: Country Ivan Tribe, 2006-03-30 Over its eighty-year history, country music has evolved from little-known local talents to multimillion-dollar superstar musicians. In the 1920s, the first country music was broadcast from WSB radio in Atlanta and WBAP in Fort Worth, and the first records were recorded for Victor. In the 1930s, the first singing cowboys, among them Gene Autry and Roy Rogers, became film stars. After the war years, recordings boomed, and the Country Music Association was founded in 1958. Country music programs began on television with Porter Waggoner's program in 1960, followed by The Johnny Cash Show and Hee Haw. The Nashville Network channel was established in 1993, and from then on, the popular stars of country music have continued to break records, selling millions of copies of their albums. This book examines country music as it developed in regions throughout the United States, noting characteristics of its various subgenres such as bluegrass, honkytonk, and neotraditional music. It provides an indepth look at the people and events that have shaped the industry, and identifies the landmark recordings that old and new fans alike will want to add to their collections. Provides a detailed history of the following subgenres: hillbilly music, cowboy music, western swing, country rock, bluegrass, Nashville sound, and neotraditional, among others. Includes a chronology of country music and an extensive chapter of biographical sketches of all the major songwriters, musicians, and people in the industry. |
| don t cheat in our hometown: Fool Me Twice at Christmas Camilla Isley, 2021-09-28 There are two types of relationships: fake and real. Chuck and Kate’s used to be real, oh-so-real. But after she broke his heart four months ago, leaving him, it became all just pretense for the sake of their entwined families. With parents who are best friends and business partners, it’s not easy for Chuck and Kate to announce they’ve split up. But with the holidays looming over them, they can no longer keep pretending. Chuck and Kate head home for Christmas, determined to tell the truth—and end up accidentally engaged instead. The more they try to pull apart, the more the Universe seems to push them back together, shortening the road to the altar. And when just-for-show kisses stir up forgotten feelings, things get even more complicated. Now, with the midnight hour approaching, will Chuck and Kate’s relationship turn out to be real or fake? |
| don t cheat in our hometown: The Guinness Encyclopedia of Popular Music Colin Larkin, 1995 |
| don t cheat in our hometown: Steve Earle David McGee, 2005 Along the way we see the growth of Earle's political consciousness and his courage in tackling thorny topics such as American Taliban John Walker Lindh (in the song John Walker's Blues), his opposition to the death penalty, and his recent appearance in support of Iraq war protester Cindy Sheehan. Author David McGee also examines the early '70s east Texas singer-songwriter scene - where Earle met his future mentors Guy Clark and Townes Van Zandt - and the rise of the New Traditionalist and Americana movements.. |
| don t cheat in our hometown: The Encyclopedia of Popular Music Colin Larkin, 2011-05-27 This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day. |
| don t cheat in our hometown: Country Music Kurt Wolff, 2000 Includes essays tracing Country's growth from hand-me-down folk to a major American industry; concise biographies; critical album reviews, from the earliest commercial recordings of the 1920s through the mulitplatinum artists of today; and vintage album jackets and previously unpublished photographs. |
| don t cheat in our hometown: The New Generation of Country Music Stars David Dicaire, 2014-11-21 This book highlights 50 of the most important entertainers in contemporary country music, providing a brief biography of each artist with special emphasis on experiences that influenced their musical careers. The artists are divided into five categories: The New Traditionalists (artists such as George Strait, Reba McEntire, and Clint Black who established the mainstream country sound in the 1980s); Alternative Country (artists such as Steve Earle and Bela Fleck who made country music on their own terms); Groups (ensemble acts such as Alabama, the Dixie Chicks, and Rascal Flatts that have carried on the traditions of the Carter Family and other prominent groups of the 1920s and 1930s); Country-Pop (artists such as Garth Brooks and Shania Twain who firmly established the countrypolitan sound as the cash cow of Nashville); and New Country (the next generation of country-pop artists, with particular attention paid to international megastars such as Keith Urban, and teen sensations, including LeAnn Rimes and Taylor Swift). |
| don t cheat in our hometown: Billboard , 1995-03-11 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don t cheat in our hometown: Hi Fi/stereo Review , 1985 |
| don t cheat in our hometown: Goldmine Record Album Price Guide Dave Thompson, 2019-04-02 Just like you, Goldmine is passionate about vinyl. It rocks our world. So trust us when we say that the Goldmine Record Album Price Guide is a vinyl collector's best friend. Inside these pages you'll find the latest pricing and identification information for rock, pop, alternative, jazz and country albums valued at $10 or more. And that's just for starters. Goldmine Record Album Price Guide features: • Updated prices for more than 100,000 American vinyl LPs released since 1948. • A detailed explanation of the Goldmine Grading Guide, the industry standard. • Tips to help you accurately grade and value your records--including promo pressings. • An easy-to-use, well-organized format. Whether you're new to the scene or a veteran collector, Goldmine Record Album Price Guide is here to help! |
| don t cheat in our hometown: The Color of Trouble Dyanne Davis, 2009-01-27 Kari Anderson, buckling under the pressure of society, breaks up with Jonathan because he is white, but regrets her decision when he unexpectedly comes back into her life. Original. |
| don t cheat in our hometown: Pretty Good for a Girl Murphy Hicks Henry, 2013-05-01 The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others. |
| don t cheat in our hometown: The International Who's Who in Popular Music 2002 Andy Gregory, 2002 TheInternational Who's Who in Popular Music 2002offers comprehensive biographical information covering the leading names on all aspects of popular music. It brings together the prominent names in pop music as well as the many emerging personalities in the industry, providing full biographical details on pop, rock, folk, jazz, dance, world and country artists. Over 5,000 biographical entries include major career details, concerts, recordings and compositions, honors and contact addresses. Wherever possible, information is obtained directly from the entrants to ensure accuracy and reliability. Appendices include details of record companies, management companies, agents and promoters. The reference also details publishers, festivals and events and other organizations involved with music. |
| don t cheat in our hometown: Highways and Heartaches Michael Streissguth, 2023-08-08 In this enlightening and entertaining book, experience the evolution of country music, from the rural routes of 1970s Appalachia to the 1980s country music boom that paved the way for modern Americana. In a dim clearing off a county road in Kentucky sits a sagging outdoor stage buried in moss and dead leaves. It used to be the centerpiece of carnival-like Sunday afternoons where local guitarists, fiddlers and mandolin players hammered out old mountain ballads and legends from the dawn of country music performed their classic hits. Most of the musicians who showed up have long since passed, but Nashville stars Ricky Skaggs and Marty Stuart survive. They were barely teenagers in the early 1970s when they visited this stage in the care of legends Ralph Stanley and Lester Flatt, respectively. Skaggs and Stuart followed their bosses to dozens of stages throughout Appalachia and deeper into the American southland. They were the children, absorbing the wondrous music and strange dramas around them as they became innovators and living symbols of country music. Highways and Heartaches takes readers on the rural circuit Skaggs and Stuart traveled, where an acoustic sound first assembled by masters such as Bill Monroe, Earl Scruggs, and Mother Maybelle Carter ruled the day. The young men were heirs to a bluegrass tradition transmitted to them early in life. One part mountain soul and another African American–influenced rhythm, the music they received was alternately celebrated and neglected in the more than fifty years after the two met in 1971, but since then it has never stopped evolving and influencing the wider American culture thanks to Skaggs and Stuart and other actors in this book, such as Jerry Douglas, Tony Rice, Keith Whitley, Emmylou Harris, and Linda Ronstadt. Riveting portraits of Johnny Cash, Ralph Stanley, Lester Flatt and other heartland-born figures emerge, too. Molded by forces in postwar southern culture such as racial conflict, fringe politics, evangelicalism, growing federal government influence, and stubborn patterns of Appalachian living and thinking, Skaggs and Stuart injected the spirit of bluegrass into their hard-wrought experiments in mainstream country music later in life, fueling the profitability and credibility of the fabled genre. Skaggs’s new traditionalism of the 1980s, integrating mountain instruments with elements of contemporary country music, created a new sound for the masses and placed him in the vanguard of Nashville’s recording artists while Stuart embraced seminal influences and attitudes from the riches of American culture to produce a catalog of significant recordings. Skaggs and Stuart’s friendship took years to jell, but their similar pathways reveal a shared dedication to the soul of country music and highlight the curious day-to-day experiences of two lads growing up on the demanding rural route in bluegrass culture. Their journeys—populated by grizzled mentors, fearsome undertows, and cultural upheaval—influenced their creativity and, ultimately, cut life-giving tributaries in the ungainly, eternal story of country music. |
| don t cheat in our hometown: Digital Audio's Guide to Compact Discs Larry Canale, 1986 |
| don t cheat in our hometown: Billboard , 1985-02-23 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don t cheat in our hometown: Pop Goes the Decade Thomas Harrison, 2017-08-24 This fascinating overview of popular culture in the 1980s describes the decade of excess that resulted from the social, political, and economic conditions of the time, documenting why so many milestones in entertainment, arts, and technology occurred the 80s. Popular culture in the United States in the 1980s—as reflected in film, television, music, technology, and art—serves to illustrate the general feeling of American citizens during this decade that the sky was the limit, and the only thing better than big was bigger. This title provides readers with an engaging, in-depth study of the 1980s and supplies the larger historical and social context of popular culture in an era when the extraordinary seemed normal and all the rules were being rewritten. The book's wide scope includes the concepts, fashions, foods, sports, television, movies, and music that became popular in the 1980s. Readers will see how specific elements of the decade, such as visual art and architecture, reflect the sense of change in the 1980s, often through excessive displays of expression that helped further movements into the avant-garde. The technological advances, entertainment developments, and game changers that were essential to establishing the popular culture of the decade are highlighted, as is the trend of how personal expression in the 80s began to penetrate a wider segment of American culture, spanning across all ages. The book also calls attention to the standout events and individuals who influenced society in the 1980s, with emphasis on the figures who intentionally used pop culture as an avenue for change as well as the influences from the 1980s that are still felt today. |
| don t cheat in our hometown: Billboard , 1985-03-30 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don t cheat in our hometown: Billboard , 1984-07-21 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don t cheat in our hometown: Weekly World News , 1994-11-15 Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site. |
| don t cheat in our hometown: Bluegrass Neil V. Rosenberg, 2005 The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written. |
| don t cheat in our hometown: He Cheated, She Cheated, We Cheated Ebony A. Utley, 2019-07-18 Infidelity raises questions: Why do women stay with a cheater? Why do women cheat? Why do women become the Other Woman? How do past experiences with infidelity impact future relationships? Drawing on interviews with U.S. women of various ages, racial backgrounds, educational attainments, and sexual orientations, this insightful study examines their personal experiences of being cheated on, cheating, being the Other Woman, or some combination of the three. Always engaging and equal parts uplifting and dispiriting, their narratives range from all-too-familiar stories to unconventional perspectives on love, life, and interpersonal communication. |
| don t cheat in our hometown: Billboard , 1985-10-26 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don t cheat in our hometown: Inside Country Music Larry E. Wacholtz, 1986 |
| don t cheat in our hometown: Billboard , 1985-03-02 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don t cheat in our hometown: List-o-tapes , 1900 |
| don t cheat in our hometown: The Penguin Encyclopedia of Popular Music Donald Clarke, 1990 From Abba to ZZ Top by way of James Brown, Artie Shaw, and Frank Sinatra, this comprehensive reference book on popular music encompasses the extraordinary range of modern music from country, cabaret, reggae, folk, gospel, rock 'n' roll, and swing. More than 3,000 entries illuminate the careers of top performers, sognwriters, and musicians and outline the histories of important record labels. |
| don t cheat in our hometown: The Encyclopedia of Country Music Michael McCall, John Rumble, Paul Kingsbury, 2004-12-16 Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The volume features hundreds of images, including a photo essay of album covers; a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards); and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Winner of the Best Reference Award from the Popular Culture Association Any serious country music fan will treasure this authoritative book. --The Seattle Times A long-awaited, major accomplishment, which educators, historians and students, broadcasters and music writers, artists and fans alike, will welcome and enjoy. --The Nashville Musician Should prove a valuable resource to those who work in the country music business. But it's also an entertaining read for the music's true fans. --Houston Chronicle This big, handsome volume spans the history of country music, listing not only artists and groups but also important individuals and institutions. --San Francisco Examiner Promises to be the definitive historical and biographical work on the past eight decades of country music. Well written and heavily illustratedan unparalleled work, worth its price and highly recommended. --Library Journal |
| don t cheat in our hometown: Billboard , 1985-01-12 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don t cheat in our hometown: Billboard , 1984-10-27 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don t cheat in our hometown: Legends of Rock Guitar Pete Prown, Harvey P. Newquist, 1997 Presents a comprehensive encyclopedia of rock guitar legends examining over three hundred artists beginning in the 1950s and covering a wide range of styles and includes performers such as Chuck Berry, Eric Clapton, Duane Eddy, Buddy Holly, Keith Richards, and more. |
| don t cheat in our hometown: Heartaches by the Number Bill Friskics-Warren, David Cantwell, 2003 Offers a fresh, inclusive, at times provocative way of listening to country music--one that champions innovation and tradition even as it challenges many of the genre's prevailing assumptions. |
| don t cheat in our hometown: Billboard , 1985-02-16 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don t cheat in our hometown: Music of the 1980s Thomas Harrison, 2011-06-16 Beyond coverage of mainstream 80s music, such as hair band hard rock, pop, new wave, and rap, this compilation of essential musical artists also covers genres like classical, jazz, outlaw country, and music theater. Popular music in the United States during the 1980s is well known for imports from abroad, such as A-ha, Def Leppard, Falco, and Men at Work, as well as homegrown American rock acts such as Guns 'N Roses, Huey Lewis and the News, Bon Jovi, and Poison. But there were many other types of genres of music that never received airplay on the radio or MTV that also experienced significant evolutions or growth in that decade. Music of the 1980s examines the key artists in specific genres of popular music: pop, hard rock/heavy metal, rock, and country. No other reference book for students has previously explored the surprisingly diverse categories of hard rock and heavy metal music with such detail and depth. Additionally, a chapter focuses on the prominent artists and composers of less-mainstream genres for specialized audiences, including music theater, jazz, and classical music. |
| don't cheat in our hometown: Country Music Irwin Stambler, Grelun Landon, 2000-07-14 A comprehensive reference source on the history, impact, and current state of country music, offering portraits of figures in the country music world. |
| don't cheat in our hometown: Behind Closed Doors Alanna Nash, 2002 This book represents 27 compelling conversations with the creme de la creme of country music. 27 photos. |
| don't cheat in our hometown: The Bluegrass Reader Thomas Goldsmith, 2004 A chronological guide to bluegrass music that describes and traces the development of the musical genre. |
| don't cheat in our hometown: Country Ivan Tribe, 2006-03-30 Over its eighty-year history, country music has evolved from little-known local talents to multimillion-dollar superstar musicians. In the 1920s, the first country music was broadcast from WSB radio in Atlanta and WBAP in Fort Worth, and the first records were recorded for Victor. In the 1930s, the first singing cowboys, among them Gene Autry and Roy Rogers, became film stars. After the war years, recordings boomed, and the Country Music Association was founded in 1958. Country music programs began on television with Porter Waggoner's program in 1960, followed by The Johnny Cash Show and Hee Haw. The Nashville Network channel was established in 1993, and from then on, the popular stars of country music have continued to break records, selling millions of copies of their albums. This book examines country music as it developed in regions throughout the United States, noting characteristics of its various subgenres such as bluegrass, honkytonk, and neotraditional music. It provides an indepth look at the people and events that have shaped the industry, and identifies the landmark recordings that old and new fans alike will want to add to their collections. Provides a detailed history of the following subgenres: hillbilly music, cowboy music, western swing, country rock, bluegrass, Nashville sound, and neotraditional, among others. Includes a chronology of country music and an extensive chapter of biographical sketches of all the major songwriters, musicians, and people in the industry. |
| don't cheat in our hometown: Living and Working in India Kris Rao, 2008-04-25 As well as being a fascinating country, with a rich and varied culture, India is emerging as a major world economy. More and more people are going there to live and work. The purpose of this book is to ease the transition between western and Indian cultures. If you are going to India to do business or for long-term employment, or are being relocated there by your company, this book will tell you all you need to know to help you and your family settle quickly into your new environment - and to ensure that it is the experience of a lifetime.Beginning with an overview of the history of India, its geographical divisions, political system, religions, languages and ethnic and cultural divisions, this comprehensive guide goes on to provide detailed information on: how to get a work permit and find a job; Indian work practices, employment rights and benefits; taxes and pensions; the Indian health care system; how to set up a business and set up a company; how to buy or rent a property; what the cost of living is like; how to open a bank account and obtain a credit card; expatriate and Indian lifestyles; entertainment and leisure in India; Indian customs and habits food - the regional variations and local delicacies; and raising and educating your children. |
| don't cheat in our hometown: Don't Judge A Book By Its Cover Steve Pyatte, 2005-03-15 Don’t Judge A Book By Its Cover is not a book written about a biker. This is Steve Pyatte in the first person. This is a book written by the man, about the man. This is a book about the man known to many as “Papaw”. A man many people have grown to love and respect. You may think you know “Papaw”, but now it is time you met Steve Pyatte, up close and personal. Don’t Judge A Book By Its Cover is filled with a nostalgic look at the past through the eyes of the author, as well as motivational and inspirational stories to make you smile, laugh and cry. Some of what you read may even surprise you. |
| don't cheat in our hometown: Billboard , 1992-08-15 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don't cheat in our hometown: The Guinness Encyclopedia of Popular Music Colin Larkin, 1995 |
| don't cheat in our hometown: The Encyclopedia of Popular Music Colin Larkin, 2011-05-27 This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day. |
| don't cheat in our hometown: Hometown Pasadena Joseph C. Dunn, Sandy Gillis, Jill Alison Ganon, 2006 Hometown Pasadena is a new breed of city guide, an in-depth, personality-rich, four-color book written by locals for locals. The five co-authors Colleen Dunn Bates, Jill Ganon, Sandy Gillis, Mel Malmberg and Mary Jane Horton are all longtime San Gabriel Valley residents, and the foreword authors are Larry Mantle (from NPR's KPCC) and Larry Wilson (editor of the Pasadena Star-News). The book is rich in history, arts, culture, restaurants, gardens, architecture, children's activities, sports and much more, and it is filled with interviews with people who make a difference in the community. It is written and designed with wit, style and intelligence. Hometown Pasadena became an immediate success, going into its fourth printing in less than one year. 256 pages, four-color throughout, flexibound binding with flaps, extensive photography and color maps |
| don't cheat in our hometown: The New Generation of Country Music Stars David Dicaire, 2014-11-21 This book highlights 50 of the most important entertainers in contemporary country music, providing a brief biography of each artist with special emphasis on experiences that influenced their musical careers. The artists are divided into five categories: The New Traditionalists (artists such as George Strait, Reba McEntire, and Clint Black who established the mainstream country sound in the 1980s); Alternative Country (artists such as Steve Earle and Bela Fleck who made country music on their own terms); Groups (ensemble acts such as Alabama, the Dixie Chicks, and Rascal Flatts that have carried on the traditions of the Carter Family and other prominent groups of the 1920s and 1930s); Country-Pop (artists such as Garth Brooks and Shania Twain who firmly established the countrypolitan sound as the cash cow of Nashville); and New Country (the next generation of country-pop artists, with particular attention paid to international megastars such as Keith Urban, and teen sensations, including LeAnn Rimes and Taylor Swift). |
| don't cheat in our hometown: Billboard , 1995-03-11 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don't cheat in our hometown: Pretty Good for a Girl Murphy Hicks Henry, 2013-05-01 The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others. |
| don't cheat in our hometown: Goldmine Record Album Price Guide Dave Thompson, 2019-04-02 Just like you, Goldmine is passionate about vinyl. It rocks our world. So trust us when we say that the Goldmine Record Album Price Guide is a vinyl collector's best friend. Inside these pages you'll find the latest pricing and identification information for rock, pop, alternative, jazz and country albums valued at $10 or more. And that's just for starters. Goldmine Record Album Price Guide features: • Updated prices for more than 100,000 American vinyl LPs released since 1948. • A detailed explanation of the Goldmine Grading Guide, the industry standard. • Tips to help you accurately grade and value your records--including promo pressings. • An easy-to-use, well-organized format. Whether you're new to the scene or a veteran collector, Goldmine Record Album Price Guide is here to help! |
| don't cheat in our hometown: Country Music Kurt Wolff, 2000 Includes essays tracing Country's growth from hand-me-down folk to a major American industry; concise biographies; critical album reviews, from the earliest commercial recordings of the 1920s through the mulitplatinum artists of today; and vintage album jackets and previously unpublished photographs. |
| don't cheat in our hometown: Steve Earle David McGee, 2005 Along the way we see the growth of Earle's political consciousness and his courage in tackling thorny topics such as American Taliban John Walker Lindh (in the song John Walker's Blues), his opposition to the death penalty, and his recent appearance in support of Iraq war protester Cindy Sheehan. Author David McGee also examines the early '70s east Texas singer-songwriter scene - where Earle met his future mentors Guy Clark and Townes Van Zandt - and the rise of the New Traditionalist and Americana movements.. |
| don't cheat in our hometown: Digital Audio's Guide to Compact Discs Larry Canale, 1986 |
| don't cheat in our hometown: Highways and Heartaches Michael Streissguth, 2023-08-08 In this enlightening and entertaining book, experience the evolution of country music, from the rural routes of 1970s Appalachia to the 1980s country music boom that paved the way for modern Americana. In a dim clearing off a county road in Kentucky sits a sagging outdoor stage buried in moss and dead leaves. It used to be the centerpiece of carnival-like Sunday afternoons where local guitarists, fiddlers and mandolin players hammered out old mountain ballads and legends from the dawn of country music performed their classic hits. Most of the musicians who showed up have long since passed, but Nashville stars Ricky Skaggs and Marty Stuart survive. They were barely teenagers in the early 1970s when they visited this stage in the care of legends Ralph Stanley and Lester Flatt, respectively. Skaggs and Stuart followed their bosses to dozens of stages throughout Appalachia and deeper into the American southland. They were the children, absorbing the wondrous music and strange dramas around them as they became innovators and living symbols of country music. Highways and Heartaches takes readers on the rural circuit Skaggs and Stuart traveled, where an acoustic sound first assembled by masters such as Bill Monroe, Earl Scruggs, and Mother Maybelle Carter ruled the day. The young men were heirs to a bluegrass tradition transmitted to them early in life. One part mountain soul and another African American–influenced rhythm, the music they received was alternately celebrated and neglected in the more than fifty years after the two met in 1971, but since then it has never stopped evolving and influencing the wider American culture thanks to Skaggs and Stuart and other actors in this book, such as Jerry Douglas, Tony Rice, Keith Whitley, Emmylou Harris, and Linda Ronstadt. Riveting portraits of Johnny Cash, Ralph Stanley, Lester Flatt and other heartland-born figures emerge, too. Molded by forces in postwar southern culture such as racial conflict, fringe politics, evangelicalism, growing federal government influence, and stubborn patterns of Appalachian living and thinking, Skaggs and Stuart injected the spirit of bluegrass into their hard-wrought experiments in mainstream country music later in life, fueling the profitability and credibility of the fabled genre. Skaggs’s new traditionalism of the 1980s, integrating mountain instruments with elements of contemporary country music, created a new sound for the masses and placed him in the vanguard of Nashville’s recording artists while Stuart embraced seminal influences and attitudes from the riches of American culture to produce a catalog of significant recordings. Skaggs and Stuart’s friendship took years to jell, but their similar pathways reveal a shared dedication to the soul of country music and highlight the curious day-to-day experiences of two lads growing up on the demanding rural route in bluegrass culture. Their journeys—populated by grizzled mentors, fearsome undertows, and cultural upheaval—influenced their creativity and, ultimately, cut life-giving tributaries in the ungainly, eternal story of country music. |
| don't cheat in our hometown: The International Who's Who in Popular Music 2002 Andy Gregory, 2002 TheInternational Who's Who in Popular Music 2002offers comprehensive biographical information covering the leading names on all aspects of popular music. It brings together the prominent names in pop music as well as the many emerging personalities in the industry, providing full biographical details on pop, rock, folk, jazz, dance, world and country artists. Over 5,000 biographical entries include major career details, concerts, recordings and compositions, honors and contact addresses. Wherever possible, information is obtained directly from the entrants to ensure accuracy and reliability. Appendices include details of record companies, management companies, agents and promoters. The reference also details publishers, festivals and events and other organizations involved with music. |
| don't cheat in our hometown: Inside Country Music Larry E. Wacholtz, 1986 |
| don't cheat in our hometown: The Encyclopedia of Country Music Michael McCall, John Rumble, Paul Kingsbury, 2004-12-16 Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The volume features hundreds of images, including a photo essay of album covers; a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards); and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Winner of the Best Reference Award from the Popular Culture Association Any serious country music fan will treasure this authoritative book. --The Seattle Times A long-awaited, major accomplishment, which educators, historians and students, broadcasters and music writers, artists and fans alike, will welcome and enjoy. --The Nashville Musician Should prove a valuable resource to those who work in the country music business. But it's also an entertaining read for the music's true fans. --Houston Chronicle This big, handsome volume spans the history of country music, listing not only artists and groups but also important individuals and institutions. --San Francisco Examiner Promises to be the definitive historical and biographical work on the past eight decades of country music. Well written and heavily illustratedan unparalleled work, worth its price and highly recommended. --Library Journal |
| don't cheat in our hometown: Pop Goes the Decade Thomas Harrison, 2017-08-24 This fascinating overview of popular culture in the 1980s describes the decade of excess that resulted from the social, political, and economic conditions of the time, documenting why so many milestones in entertainment, arts, and technology occurred the 80s. Popular culture in the United States in the 1980s—as reflected in film, television, music, technology, and art—serves to illustrate the general feeling of American citizens during this decade that the sky was the limit, and the only thing better than big was bigger. This title provides readers with an engaging, in-depth study of the 1980s and supplies the larger historical and social context of popular culture in an era when the extraordinary seemed normal and all the rules were being rewritten. The book's wide scope includes the concepts, fashions, foods, sports, television, movies, and music that became popular in the 1980s. Readers will see how specific elements of the decade, such as visual art and architecture, reflect the sense of change in the 1980s, often through excessive displays of expression that helped further movements into the avant-garde. The technological advances, entertainment developments, and game changers that were essential to establishing the popular culture of the decade are highlighted, as is the trend of how personal expression in the 80s began to penetrate a wider segment of American culture, spanning across all ages. The book also calls attention to the standout events and individuals who influenced society in the 1980s, with emphasis on the figures who intentionally used pop culture as an avenue for change as well as the influences from the 1980s that are still felt today. |
| don't cheat in our hometown: Billboard , 1985-03-30 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don't cheat in our hometown: List-o-tapes , 1900 |
| don't cheat in our hometown: Billboard , 1984-07-21 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don't cheat in our hometown: Hi Fi/stereo Review , 1985 |
| don't cheat in our hometown: Billboard , 1985-03-02 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don't cheat in our hometown: Billboard , 1985-01-12 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don't cheat in our hometown: Billboard , 1984-10-27 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don't cheat in our hometown: Billboard , 1985-10-26 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| don't cheat in our hometown: The Penguin Encyclopedia of Popular Music Donald Clarke, 1990 From Abba to ZZ Top by way of James Brown, Artie Shaw, and Frank Sinatra, this comprehensive reference book on popular music encompasses the extraordinary range of modern music from country, cabaret, reggae, folk, gospel, rock 'n' roll, and swing. More than 3,000 entries illuminate the careers of top performers, sognwriters, and musicians and outline the histories of important record labels. |
| don't cheat in our hometown: Orientalism & Occidentalism Robin D. Gill, 2004 1. Identity - collective -- Japan 2. Orientalism -- Occidentalism 3. Intercultural communication - stereotypes 4. Translation theory - Japanese/English 5. Japanese - sociolinguistics Languages exotic to one another, such as English and Japanese, create false images of their respective speakers which form and confirm stereotypes that can be denied by Cultural Relativism but not disproved, much less vanquished. Being in denial is not the same as being cured. This book, like the author's seven books published in Japan/ese, treats prejudice by uncovering its roots and exposing them to the healthy light of reason. At the same time, it rethinks Orientalism together with Occidentalism by including the Sinosphere's perspective of what is East and West. While students of translation, sociolinguistics and cross-cultural studies may benefit most from the discussion (there are copious notes and indices of names and of ideas), the heart of the work is pure essay, a work of travel by the path of language that leads us through delicious nuances . . . into important mysteries. Robin D. Gill is an American, who began to study Japanese as an adult and published his first seven books in that language while working as an acquisitions editor and translation checker of fine nonfiction for Japanese publishers. His most recent book, and first in English, Rise, Ye Sea Slugs! boasts close to 1000 holothurian haiku. The three most common adjectives used by reviewers describing him and his work are eclectic, erudite and fun. |
| don't cheat in our hometown: Bluegrass Neil V. Rosenberg, 2005 The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written. |
| don't cheat in our hometown: The Billboard Book of Top 40 Country Hits Joel Whitburn, 2006 All the information since the earliest Billboard charts were originally compiled in 1942 is gathered into this one essential reference on country music that has been updated and expanded to capture today's top recording artists and their biggest songs. Original. |
| don't cheat in our hometown: The Encyclopedia of Popular Music: Rich, Young and Pretty - Swift, Richard Colin Larkin, 2006 Containing 27,000 entries and over 6,000 new entries, the online edition of the Encyclopedia of Popular Music includes 50% more material than the Third Edition. Featuring a broad musical scope covering popular music of all genres and periods from 1900 to the present day, including jazz, country, folk, rap, reggae, techno, musicals, and world music, the Encyclopedia also offers thousands of additional entries covering popular music genres, trends, styles, record labels, venues, and music festivals. Key dates, biographies, and further reading are provided for artists covered, along with complete discographies that include record labels, release dates, and a 5-star album rating system. |
| don't cheat in our hometown: Heartaches by the Number Bill Friskics-Warren, David Cantwell, 2003 Offers a fresh, inclusive, at times provocative way of listening to country music--one that champions innovation and tradition even as it challenges many of the genre's prevailing assumptions. |
| don't cheat in our hometown: Legends of Rock Guitar Pete Prown, Harvey P. Newquist, 1997 Presents a comprehensive encyclopedia of rock guitar legends examining over three hundred artists beginning in the 1950s and covering a wide range of styles and includes performers such as Chuck Berry, Eric Clapton, Duane Eddy, Buddy Holly, Keith Richards, and more. |
| don't cheat in our hometown: Fool Me Twice at Christmas Camilla Isley, 2021-09-28 There are two types of relationships: fake and real. Chuck and Kate’s used to be real, oh-so-real. But after she broke his heart four months ago, leaving him, it became all just pretense for the sake of their entwined families. With parents who are best friends and business partners, it’s not easy for Chuck and Kate to announce they’ve split up. But with the holidays looming over them, they can no longer keep pretending. Chuck and Kate head home for Christmas, determined to tell the truth—and end up accidentally engaged instead. The more they try to pull apart, the more the Universe seems to push them back together, shortening the road to the altar. And when just-for-show kisses stir up forgotten feelings, things get even more complicated. Now, with the midnight hour approaching, will Chuck and Kate’s relationship turn out to be real or fake? |
| don't cheat in our hometown: Joel Whitburn's Music Yearbook , 1983 |
| don't cheat in our hometown: Music of the 1980s Thomas Harrison, 2011-06-16 Beyond coverage of mainstream 80s music, such as hair band hard rock, pop, new wave, and rap, this compilation of essential musical artists also covers genres like classical, jazz, outlaw country, and music theater. Popular music in the United States during the 1980s is well known for imports from abroad, such as A-ha, Def Leppard, Falco, and Men at Work, as well as homegrown American rock acts such as Guns 'N Roses, Huey Lewis and the News, Bon Jovi, and Poison. But there were many other types of genres of music that never received airplay on the radio or MTV that also experienced significant evolutions or growth in that decade. Music of the 1980s examines the key artists in specific genres of popular music: pop, hard rock/heavy metal, rock, and country. No other reference book for students has previously explored the surprisingly diverse categories of hard rock and heavy metal music with such detail and depth. Additionally, a chapter focuses on the prominent artists and composers of less-mainstream genres for specialized audiences, including music theater, jazz, and classical music. |
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DON Definition & Meaning - Merriam-Webster
The meaning of DON is to put on (an article of clothing). How to use don in a sentence.
DON | English meaning - Cambridge Dictionary
DON definition: 1. a lecturer (= a college teacher), especially at Oxford or Cambridge University in England 2. …
DON Definition & Meaning | Dictionary.com
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Don (franchise) - Wikipedia
Don is an Indian media franchise, centered on Don, a fictional Indian underworld boss. The franchise originates from the 1978 Hindi …
Home | Edward Don & Company
Edward Don & Company offers a wide range of foodservice equipment and supplies for various needs.
DON Definition & Meaning - Merriam-Webster
The meaning of DON is to put on (an article of clothing). How to use don in a sentence.
DON | English meaning - Cambridge Dictionary
DON definition: 1. a lecturer (= a college teacher), especially at Oxford or Cambridge University in England 2. to…. Learn more.
DON Definition & Meaning | Dictionary.com
Don definition: Mr.; Sir: a Spanish title prefixed to a man's given name.. See examples of DON used in a sentence.
Don (franchise) - Wikipedia
Don is an Indian media franchise, centered on Don, a fictional Indian underworld boss. The franchise originates from the 1978 Hindi …
