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| dragostea din tei what language: Videocracy Kevin Allocca, 2018-01-25 From YouTube's Head of Culture and Trends, a rousing and illuminating behind-the-scenes exploration of internet video's massive impact on our world. Whether your favorite YouTube video is a cat on a Roomba, “Gangnam Style,” the “Bed Intruder” song, an ASAPscience explainer, Rebecca Black's “Friday,” or the “Evolution of Dance,” Kevin Allocca's Videocracy reveals how these beloved videos and famous trends--and many more--came to be and why they mean more than you might think. YouTube is the biggest pool of cultural data since the beginning of recorded communication, with four hundred hours of video uploaded every minute. (It would take you more than sixty-five years just to watch the vlogs, music videos, tutorials, and other content posted in a single day!) This activity reflects who we are, in all our glory and ignominy. As Allocca says, if aliens wanted to understand our planet, he'd give them Google. If they wanted to understand us, he'd give them YouTube. In Videocracy, Allocca lays bare what YouTube videos say about our society and how our actions online--watching, sharing, commenting on, and remixing the people and clips that captivate us--are changing the face of entertainment, advertising, politics, and more. Via YouTube, we are fueling social movements, enforcing human rights, and redefining art--a lot more than you'd expect from a bunch of viral clips. |
| dragostea din tei what language: Billboard , 2004-08-14 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| dragostea din tei what language: Billboard , 2004-07-31 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| dragostea din tei what language: Romania: Transylvania Lucy Mallows, Paul Brummell, 2024-03-15 This new, fourth edition of Bradt’s Romania: Transylvania remains the only standalone, full-length, English-language travel guidebook to Transylvania – the legendary, enchanting and increasingly popular region of Romania. Co-authored by former British Ambassador to Romania Paul Brummell, Romania: Transylvania has been thoroughly updated by prolific travel writer Tim Burford, who wrote his first Romania guide in 1991. Transylvania (the ‘land beyond the forest’) is a wild, wooded, intensely romantic region, filled with mountains and gorges, myths and legends, dragons, bears, wolves – and vampires. Bram Stoker called it ‘one of the wildest and least-known parts of Europe’, a description that remains true today. Comprehensive chapter-per-county coverage caters for a diverse range of interests, from city breaks to rural escapes, skiing to wildlife watching. One of the most beautiful regions in central Europe and home to three UNESCO World Heritage sites, Transylvania preserves its cultural and artistic treasures in a landscape bordered on three sides by the Carpathian Mountains, which provide Romania’s finest skiing and hiking destinations. Hay meadows in the Lower Carpathians form a grassland ecosystem of extraordinary diversity, offering beautiful wildflower displays. The Carpathians are home too to lynx, wild boar and one of Europe’s largest populations of brown bear. Other natural phenomena include the Scarisoara Ice Cave in the Apuseni Mountains and the Sfanta Ana volcanic crater lake in Harghita County. Transylvania’s cultural riches include the Dacian fortresses of the Orastie Mountains, including Sarmizegetusa Regia, conquered by Roman Emperor Trajan in AD106. Historic Sighisoara is a picture-perfect medieval hill town. The fortified churches of southern Transylvania are testament to the perils of life in medieval Saxon communities, subject to frequent attacks from Ottoman raiders. The historic cities of Cluj, Sibiu and Brasov are rightly feted (and host internationally renowned film, electronic music and theatre festivals). At Turda’s salt mine, you can ride the big wheel in an underground amusement park. And, if you’re inspired by the Hotel Transylvania or Twilight films, why not follow the Dracula trail, visiting sites linked to Bram Stoker’s novel? Whatever your interests, with Bradt’s Romania: Transylvania, you can discover the region’s many and varied attractions. |
| dragostea din tei what language: Music and Embodied Cognition Arnie Cox, 2016-09-06 Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the mimetic hypothesis, the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition. |
| dragostea din tei what language: Communicating Specialized Knowledge Marina Bondi, Silvia Cacchiani, Silvia Cavalieri, 2019-06-13 This book was born out of the idea that domain-specific knowledge has two major dimensions, since, on the one hand, peer-to-peer communication is primarily intended to further research within specific disciplines, while, on the other, domain-external, asymmetric communication of ‘filtered’ knowledge caters to different types of lay-audiences. Collectively, the chapters in the volume take the reader on a journey through knowledge communication and knowledge (re)presentation strategies that are able to successfully disseminate and communicate. The domains under scrutiny are medicine and health, corporate communication, cultural heritage and tourism. A number of issues are addressed at the interface of corpus linguistics, genre studies and multimodal analysis. The variety of questions posed and methods used to explore corpus data will contribute to further debate among scholars in applied linguistics, sociolinguistics, multimodality, media studies and computer-mediated communication. |
| dragostea din tei what language: The Routledge Handbook of Popular Music and Politics of the Balkans Catherine Baker, 2024-07-10 The Routledge Handbook of Popular Music and Politics of the Balkans is a comprehensive overview of major topics, established debates and new directions in the study of popular music and politics in this region. The vibrant growth of this subject area since the 1990s has been intertwined with the region’s political and socio-economic transformations, including the collapse of state socialism in much of the region, the break-up of Yugoslavia, the advent of neoliberal capitalism, the rise of Romani activism, the complex politics of ‘Europeanization’ before and after the global financial crisis, and the region’s relationship to the European Union border regime. The handbook illustrates the wide range of disciplines and methods that contribute to this field’s interdisciplinary dialogue and highlights emerging approaches such as the study of Black diasporas in the region, popular music’s links with LGBTQ+ communities, and the impact of digital technologies on musical cultures. This volume will benefit specialist researchers, tutors creating or refreshing courses on popular music in the region, and students interested in these topics, especially those who are at the point of developing their own independent research projects. |
| dragostea din tei what language: Pop Culture in Asia and Oceania Jeremy A. Murray, Kathleen Nadeau, 2016-08-15 This ready reference is a comprehensive guide to pop culture in Asia and Oceania, including topics such as top Korean singers, Thailand's sports heroes, and Japanese fashion. This entertaining introduction to Asian pop culture covers the global superstars, music idols, blockbuster films, and current trends—from the eclectic to the underground—of East Asia and South Asia, including China, Japan, Korea, India, the Philippines, Thailand, Vietnam, and Pakistan, as well as Oceania. The rich content features an exploration of the politics and personalities of Bollywood, a look at how baseball became a huge phenomenon in Taiwan and Japan, the ways in which censorship affects social media use in these regions, and the influence of the United States on the movies, music, and Internet in Asia. Topics include contemporary literature, movies, television and radio, the Internet, sports, video games, and fashion. Brief overviews of each topic precede entries featuring key musicians, songs, published works, actors and actresses, popular websites, top athletes, video games, and clothing fads and designers. The book also contains top-ten lists, a chronology of pop culture events, and a bibliography. Sidebars throughout the text provide additional anecdotal information. |
| dragostea din tei what language: Billboard , 2005-03-12 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| dragostea din tei what language: Words in a French Life Kristin Espinasse, 2007-05 Based on the popular blog (French-word-a-day.com) and newsletter comes a heart-winning collection from an American woman raising two very French children with her French husband in Provence, and carrying on a lifelong love affair with the language. |
| dragostea din tei what language: The Click Moment Frans Johansson, 2012-10-04 In The Click Moment, Frans Johansson, author of The Medici Effect, shows how to stay ahead when you can't predict the future Success is random. But we can capture this randomness and turn it in our favour. According to bestselling author Frans Johansson, planning and careful analysis no longer guarantee success. But dig deep into the actions of successful people and organizations and you find one common theme. A turning point occurs and they take advantage of that 'click moment' to change their fate. Diane von Furstenberg saw a matching skirt and top on TV and the wrap-dress was born. Microsoft Windows was on the brink of being shut down until two people met at a party. Starbucks sold brewing equipment until Howard Schultz experienced his first latte. These people capitalized on their luck and altered the course of their lives. The Click Moment shows how we can follow them by opening ourselves up to chance encounters and harnessing the forces of success that follow. |
| dragostea din tei what language: Digital Media Criticism Anandam P. Kavoori, 2010 Digital Media Criticism is an introductory text about media criticism - the act of interpreting and making sense of a range of new media texts that we use (and create) on a daily basis - offering a critical language and a methodological template for interrogating and analyzing the complex texts of digital media. Individual chapters connect key methods of media criticism - genre, auteur, cultural/ideological, and ethnographic - with digital culture. Case studies of social media, user generated content, cell phones, and video games are provided, which include everything from downloading ring tones and making new (Facebook) friends, to creating an avatar, texting, and opening a window on RL (real-life). Insightful and accessible, the book looks at the possibilities and limits of the digital age for us - as creators, consumers, and distributors of content. It will be useful to undergraduates studying media criticism, digital culture and communication, and media literacy, and is written to invite them into a conversation about the culture of the digital age. |
| dragostea din tei what language: Always On Naomi S. Baron, 2010-03-03 In Always On, Naomi S. Baron reveals that online and mobile technologies--including instant messaging, cell phones, multitasking, Facebook, blogs, and wikis--are profoundly influencing how we read and write, speak and listen, but not in the ways we might suppose. Baron draws on a decade of research to provide an eye-opening look at language in an online and mobile world. She reveals for instance that email, IM, and text messaging have had surprisingly little impact on student writing. Electronic media has magnified the laid-back whatever attitude toward formal writing that young people everywhere have embraced, but it is not a cause of it. A more troubling trend, according to Baron, is the myriad ways in which we block incoming IMs, camouflage ourselves on Facebook, and use ring tones or caller ID to screen incoming calls on our mobile phones. Our ability to decide who to talk to, she argues, is likely to be among the most lasting influences that information technology has upon the ways we communicate with one another. Moreover, as more and more people are always on one technology or another--whether communicating, working, or just surfing the web or playing games--we have to ask what kind of people do we become, as individuals and as family members or friends, if the relationships we form must increasingly compete for our attention with digital media? Our 300-year-old written culture is on the verge of redefinition, Baron notes. It's up to us to determine how and when we use language technologies, and to weigh the personal and social benefits--and costs--of being always on. This engaging and lucidly-crafted book gives us the tools for taking on these challenges. |
| dragostea din tei what language: Between The Suns Justin White, 2018-12-25 Justin White's memoir takes us on a journey from the Virginia suburbs to the cloistered precincts of Israel's Sephardic ultra-orthodox. Along the way, he experiences a cross-section of Israeli life, working in Israel's high-tech sector and attending some of the country's most prestigious universities as well as learning and living in the ghetto-like neighborhoods of the extremely religious. Many of the characters he meets, religious or secular, Sephardic or Ashkenazi, immigrant or native-born, have, in common with the State of Israel itself, the quality of being neither here nor there, caught between different worlds, living in that liminal space between the suns where, according to mystical lore, nothing is quite real and anything is possible. And so this record of one man's time in Israel provides us with a glimpse into the conflicts-between religious and secular, high-tech and Torah, European and Arab-that roil Israeli society and whose resolution will determine the fate of the Land and its people. |
| dragostea din tei what language: Gaming Democracy Adrienne L. Massanari, 2024-10-29 How play and gaming culture have mainstreamed far right ideology through social media platforms. From #Gamergate to the ongoing Big Lie, the far right has gone mainstream. In Gaming Democracy, Adrienne Massanari tracks the flames of toxicity found in the far right and “alt-right” movements as they increasingly take up oxygen in American and global society. In this pathbreaking contribution to the fields of internet studies, game studies, and gender studies, Massanari argues that Silicon Valley’s emphasis on meritocracy and free speech absolutism has driven this rightward slide. These ideologies have been coded into social media spaces that implicitly silence marginalized communities and subject them to rampant abuse by groups that have learned to “game” the ecology of platforms, algorithms, and attention economies. While populist movements are not new, phenomena such as QAnon, parental rights activism, and COVID denialism are uniquely “of the internet,” with supporters demonstrating both technical acumen and an ability to use memes and play as a way of both building community and fomenting dissent. Massanari explores the ways that the far right uses memetic humor and geek masculinity as tools both to create a sense of community within these leaderless groups and to obfuscate their intentions. Using the lens of play and game studies as well as the concept of “metagaming,” Gaming Democracy is a novel contribution to our understanding of online platforms and far right political activism. |
| dragostea din tei what language: The Globalization of Musics in Transit Simone Krüger, Ruxandra Trandafoiu, 2013-12-04 This book traces the particularities of music migration and tourism in different global settings, and provides current, even new perspectives for ethnomusicological research on globalizing musics in transit. The dual focus on tourism and migration is central to debates on globalization, and their examination—separately or combined—offers a useful lens on many key questions about where globalization is taking us: questions about identity and heritage, commoditization, historical and cultural representation, hybridity, authenticity and ownership, neoliberalism, inequality, diasporization, the relocation of allegiances, and more. Moreover, for the first time, these two key phenomena—tourism and migration—are studied conjointly, as well as interdisciplinary, in order to derive both parallels and contrasts. While taking diverse perspectives in embracing the contemporary musical landscape, the collection offers a range of research methods and theoretical approaches from ethnomusicology, anthropology, cultural geography, sociology, popular music studies, and media and communication. In so doing, Musics in Transit provides a rich exemplification of the ways that all forms of musical culture are becoming transnational under post-global conditions, sustained by both global markets and musics in transit, and to which both tourists and diasporic cosmopolitans make an important contribution. |
| dragostea din tei what language: Billboard , 2004-05-15 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| dragostea din tei what language: Billboard , 2004-05-08 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| dragostea din tei what language: Come On Up Jordi Nopca, 2021-02-09 Global capitalism fails young Barcelona couples in this dynamic debut “Heartbreaking and hilarious” —New York Times Book Review “Nopca’s stories, written with clarity and flair, are smart and modern, filled with sharply observed detail. They capture the unease of the times and the flux of contemporary life in Barcelona with wit, wisdom, moments of pure hilarity, and a mixture of sympathy and dark laughter.” —Colm Tóibín, author of Brooklyn and House of Names What happens when the hopes of a generation are dashed by austerity policies and underemployment? Come On Up is a group portrait of contemporary Barcelona, beaten by the economic crisis and divided by a secessionist movement. Always witty, often absurdist, these stories offer a mesmerizing glimpse into the daily lives of couples, families, and neighbors living the new normal of the 21st century. A husband seeks revenge on his wife as they stalk author Peter Stamm; an out-of-work bartender fills his empty days by shoving bananas into the tailpipes of parked cars; a mysterious ritual, spied through a neighbor’s window, arouses deadly spirits. Masterfully paced, the eleven mordant stories of Come On Up draw us into an embattled world whose past is unresolved and whose future is uncertain. |
| dragostea din tei what language: Perspectives on American Dance Jennifer Atkins, Sally R. Sommer, Tricia Henry Young, 2020-02-25 Dancing embodies cultural history and beliefs, and each dance carries with it features of the place where it originated. Influenced by different social, political, and environmental circumstances, dances change and adapt. American dance evolved in large part through combinations of multiple styles and forms that arrived with each new group of immigrants. Perspectives on American Dance is the first anthology in over twenty-five years to focus exclusively on American dance practices across a wide span of American culture. This volume and its companion show how social experience, courtship, sexualities, and other aspects of life in America are translated through dancing into spatial patterns, gestures, and partner relationships. This volume of Perspectives on American Dance features essays by a young generation of authors who write with familiarity about their own era, exploring new parameters of identity and evaluating a wide variety of movement practices being performed in spaces beyond traditional proscenium stages. Topics include dorky dancing on YouTube; same-sex competitors on the TV show So You Think You Can Dance; racial politics in NFL touchdown dances; the commercialization of flash mobs; the connections between striptease and corporate branding; how 9/11 affected dance; the criminalization of New York City club dancing; and the joyous ironies of hipster dance. This volume emphasizes how dancing is becoming more social and interactive as technology opens up new ways to create and distribute dance. The accessible essays use a combination of movement analysis, thematic interpretation, and historical context to convey the vitality and variety of American dance. They offer new insights on American dance practices while simultaneously illustrating how dancing functions as an essential template for American culture and identity. Contributors: Jennifer Atkins | Jessica Berson | J. Ellen Gainor | Patsy Gay | Ansley Jones | Kate Mattingly | Hannah Schwadron | Sally Sommer, Ph.D. | Ina Sotirova | Dawn Springer | Michelle T. Summers | Latika L. Young | Tricia Henry Young |
| dragostea din tei what language: Celeb 2.0 Kelli S. Burns, 2009-10-22 This volume looks at how the new capabilities of Web 2.0 are changing the worlds of celebrity fandom and gossip. With Ashton Kutcher's record-breaking tweeting more famous than his films, and Perez Hilton actually getting more attention than Paris, the actress often covered in his blog, the worlds of celebrity celebration and online social networking are pushing the public's crush on the famous and infamous into overdrive. Celeb 2.0: How Social Media Foster Our Fascination with Popular Culture explores this phenomenon. Celeb 2.0 looks at how blogs, video sharing sites, user-news sites, social networks, and message boards are fueling America's already voracious consumption of pop culture. Full of fascinating insights and interviews, the book looks at how celebrities use blogs, Twitter, and other tools, how YouTube and other sites create celebrity, how Web 2.0 shortens the distance between fans and stars, and how the new social media influences news reporting and series television. |
| dragostea din tei what language: Star Struck Sam Riley, 2009-12-09 This balanced examination looks at America's pervasive celebrity culture, concentrating on the period from 1950 to the present day. Star Struck: An Encyclopedia of Celebrity Culture is neither a stern critic nor an apologist for celebrity infatuation, a phenomenon that sometimes supplants more weighty matters yet constitutes one of our nation's biggest exports. This encyclopedia covers American celebrity culture from 1950 to 2008, examining its various aspects—and its impact—through 86 entries by 30 expert contributors. Demonstrating that all celebrities are famous, but not all famous people are celebrities, the book cuts across the various entertainment medias and their legions of individual stars. It looks at sports celebrities and examines the role of celebrity in more serious pursuits and institutions such as the news media, corporations, politics, the arts, medicine, and the law. Also included are entries devoted to such topics as paranoia and celebrity, one-name celebrities, celebrity nicknames, family unit celebrity, sidekick celebrities, and even criminal celebrities. |
| dragostea din tei what language: British Singles Chart - All Time Top 1000 - 2nd Edition Michael Churchill, 2017-11-11 On 14 November 1952, the New Musical Express published the first British singles chart. In the 65 years since, 21922 records have entered the top 40. This book lists the 1000 biggest of those hits. The list is calculated solely from chart positions, not sales figures. These are the biggest chart performers, not the biggest sellers. Indeed, Candle In The Wind 1997 by Elton John, the biggest selling single ever in the UK, is only at no. 182 in this list. The ranking is compiled from the weekly charts starting with that first chart in November 1952 up to the last chart published before the 65th anniversary, the one dated 16 November 2017 and first revealed on 10 November. |
| dragostea din tei what language: The Oxford Handbook of Social Media and Music Learning Janice L. Waldron, Stephanie Horsley, Kari K. Veblen, 2020-10-02 The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to this everyday aspect of modern life. The Oxford Handbook of Social Media and Music Learning investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musical learning are increasingly entwined. In five sections of newly commissioned chapters, a refreshing mix of junior and senior scholars tackle questions concerning the potential for formal and informal musical learning in a networked society. Beginning with an overview of community identity and the new musical self through social media, scholars explore intersections between digital, musical, and social constructs including the vernacular of born-digital performance, musical identity and projection, and the expanding definition of musical empowerment. The fifth section brings this handbook to full practical fruition, featuring firsthand accounts of digital musicians, students, and teachers in the field. The Oxford Handbook of Social Media and Music Learning opens up an international discussion of what it means to be a musical community member in an age of technologically mediated relationships that break down the limits of geographical, cultural, political, and economic place. |
| dragostea din tei what language: Twenty-First Century Celebrity David C. Giles, 2018-09-13 David Giles examines digital culture’s impact on established celebrities from traditional media while charting the rise of new forms of celebrity such as vloggers and influencers, offering novel insights on topics such as parasocial relationships, micro-celebrity, memes and celetoids. |
| dragostea din tei what language: Punk Slash! Musicals David Laderman, 2010-04-01 Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of slip-sync. Riffing on the commonplace lip-sync phenomenon, slip-sync refers to moments in the films when the punk performer slips out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture. |
| dragostea din tei what language: YouTube Alan Lastufka, Michael Dean, 2008-11-25 Explains how to view, upload, and share videos with friends and the Internet community using the YouTube website. |
| dragostea din tei what language: Making Money, Making Music David Bruenger, 2016-09-06 Musical experience as transaction -- Transience to permanence -- The rise of commercial markets -- Media revolutions -- Convergence and crossover -- Masssification -- Scaling and selling live performance -- Visual media -- Artists, audiences, and brands -- Digitization -- State of the art. |
| dragostea din tei what language: YouTube: Company and Its Founders Rebecca Rowell, 2011-01-01 This title examines the remarkable lives of Steve Chen, Chad Hurley, and Jawed Karim and their work building the groundbreaking company YouTube. Readers will learn about Chen, Hurley, and Karim’s backgrounds and education, as well as their early careers. Also covered is a look at how YouTube operates and issues the company faces, such as handling copyright violations, controlling inappropriate content, and selling the company to Google. Color photos, detailed maps, and informative sidebars accompany easy-to-read, compelling text. Features include a timeline, facts, additional resources, web sites, a glossary, a bibliography, and an index. Technology Pioneers is a series in Essential Library, an imprint of ABDO Publishing Company. |
| dragostea din tei what language: New Austrian Film Robert von Dassanowsky, Oliver C. Speck, 2011-04-01 Out of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are now achieving the international recognition that they deserve: Barbara Albert, Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four examples. This comprehensive critical anthology, by leading scholars of Austrian film, is intended to introduce and make accessible this much under-represented phenomenon. Although the book covers the full development of the Austrian new wave it focuses on the period that has brought it global attention: 1998 to the present. New Austrian Film is the only book currently available on this topic and will be an essential reference work for academics, students and filmmakers, interested in modern Austrian film. |
| dragostea din tei what language: Dirty South Ben Westhoff, 2011-05-01 Rap music from New York and Los Angeles once ruled the charts, but nowadays the southern sound thoroughly dominates the radio, Billboard, and MTV. Coastal artists like Wu-Tang Clan, Nas, and Ice-T call southern rap &“garbage,&” but they're probably just jealous, as artists like Lil Wayne and T.I. still move millions of copies, and OutKast has the bestselling rap album of all time. In Dirty South, author Ben Westhoff investigates the southern rap phenomenon, watching rappers &“make it rain&” in a Houston strip club and partying with the 2 Live Crew's Luke Campbell. Westhoff visits the gritty neighborhoods where T.I. and Lil Wayne grew up, kicks it with Big Boi in Atlanta, and speaks with artists like DJ Smurf and Ms. Peachez, dance-craze originators accused of setting back the black race fifty years. Acting both as investigative journalist and irreverent critic, Westhoff probes the celebrated-but-dark history of Houston label Rap-A-Lot Records, details the lethal rivalry between Atlanta MCs Gucci Mane and Young Jeezy, and gets venerable rapper Scarface to open up about his time in a mental institution. Dirty South features exclusive interviews with the genre's most colorful players. Westhoff has written a journalistic tour de force, the definitive account of the most vital musical culture of our time. |
| dragostea din tei what language: Beyond Viral Kevin Nalty, 2010-08-20 Promote your product using the most visceral form of social media-online video Learn how to create cost-effective videos, engage your customers, compel them to measurable behaviors (awareness, intent, and purchase), and sustain your brand online. Beyond Viral gives you the tools and tricks to successfully use online video to reach your business goals. Author Kevin Nalty is the only career marketer who doubles as one of the most-viewed YouTube comedians Foreword by veteran vlogger David Meerman Scott First-hand case studies of leading brands include Microsoft, Starbucks, GE, MTV, Mentos, Holiday Inn, and Fox Broadcasting Learn from the successes of top companies and startups as well as the pitfalls and mistakes many of them are making Online video has huge potential, mostly untapped. Put your business at the forefront of this important medium with the proven methods described by Beyond Viral. |
| dragostea din tei what language: Word Natan Last, 2012-01-01 Created by Natan Last, a senior at Brown University, three-time intern with Will Shortz, and in 2008 the youngest person to have a puzzle published in the Sunday New York Times, Word kicks the crossword puzzle squarely into the 21st century for a new generation of puzzle-lovers, replacing fusty crossword-ese with hip cultural references, modern wordplay, and a lively mix of high-and low-brow pop trivia. A Word puzzle begins with the shared knowledge of a literate but not-so-reverent generation, and celebrates the knowingness with a deft touch. Your parents' crosswords make solvers feel smart. Word puzzles make solvers feel smart and cool, getting the references to The Daily Show, Mario Brothers, the Goo Goo Dolls, and a hefty dose of nostalgia (the name of the motel in Psycho). But they also know the core curriculum: Charlotte Bronte's Jane, Roman generals, Berlioz and von Bismarck, Homer—and not just Homer Simpson. The puzzles are constructed with all the smarts of a daily Times crossword: themes, interconnected clues, titles that unlock the overall puzzle (solve all the clues and the circle letters will spell out a famous name at Hogwarts). Assisting Mr. Last is a group of five more top “under 25” constructors, all of whom have published puzzles in The New York Times. |
| dragostea din tei what language: Rewind, Play, Fast Forward Henry Keazor, Thorsten Wübbena, 2015-07-31 Due to shifts in the contexts of the production and presentation of the music video, more and more people start to talk about a possible end of this genre. At the same time disciplines such as visual-, film- and media-studies, art- and music-history begin to realize that despite the fact that the music video obviously has come of age, they still lack a well defined and matching methodical approach for analyzing and discussing videoclips. For the first time this volume brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future. |
| dragostea din tei what language: Tainted R. Guzman, 2005-06 I am the last of a dying breed. I have the capacity to dramatically alter your life; I also have the ability to take your life at my leisure. At the minimum, I have the power to do so. Sebastian Alzmek has it all influence, power, beauty, and AIDS. When he emotionally died a decade ago, he buried an insecure, unattractive individual and erased his past. Now he lives a second life based on society's perception, using his silence to mark his victims and make them part of his secret society of the undead. Sebastian is on a one-man campaign to remind the world that AIDS is still alive. No one can stop him from his hunt-not the law, the CDC or even the victims themselves. His charisma not only intoxicates them, but also fools them into believing he is normal. His past soon catches up with him, and he is reminded that life itself is beautiful, even though it is too late. At the end of the journey, Sebastian asks the ultimate question: was it worth the fight, or will history repeat itself? |
| dragostea din tei what language: Lipsynching Merrie Snell, 2020-01-09 What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity. |
| dragostea din tei what language: The A to Z of Moldova Andrei Brezianu, Vlad Spânu, 2010-05-26 The Republic of Moldova claims a European lineage reaching back in time long before its 14th century accession to statehood. In the 15th century, it managed against all odds to avoid being conquered by Islam and-albeit an intermittent vassal after 1485-it maintained its autonomy and was never turned into a province of the Ottoman Empire. After this period, however, Moldova would not be so fortunate, as it altered between Russian, Romanian, and Soviet control until it finally gained its independence in 1991 from the Soviet Union. The A to Z of Moldova, through its chronology, introduction, appendixes, maps, bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions and significant political, economic, social, and cultural aspects, traces the history of this small, but densely populated country, providing a compass for the direction it is heading. |
| dragostea din tei what language: Voicing Girlhood in Popular Music Jacqueline Warwick, Allison Adrian, 2016-06-10 This interdisciplinary volume explores the girl’s voice and the construction of girlhood in contemporary popular music, visiting girls as musicians, activists, and performers through topics that range from female vocal development during adolescence to girls’ online media culture. While girls’ voices are more prominent than ever in popular music culture, the specific sonic character of the young female voice is routinely denied authority. Decades old clichés of girls as frivolous, silly, and deserving of contempt prevail in mainstream popular image and sound. Nevertheless, girls find ways to raise their voices and make themselves heard. This volume explores the contemporary girl’s voice to illuminate the way ideals of girlhood are historically specific, and the way adults frame and construct girlhood to both valorize and vilify girls and women. Interrogating popular music, childhood, and gender, it analyzes the history of the all-girl band from the Runaways to the present; the changing anatomy of a girl’s voice throughout adolescence; girl’s participatory culture via youtube and rock camps, and representations of the girl’s voice in other media like audiobooks, film, and television. Essays consider girl performers like Jackie Evancho and Lorde, and all-girl bands like Sleater Kinney, The Slits and Warpaint, as well as performative 'girlishness' in the voices of female vocalists like Joni Mitchell, Beyoncé, Miley Cyrus, Taylor Swift, Kathleen Hanna, and Rebecca Black. Participating in girl studies within and beyond the field of music, this book unites scholarly perspectives from disciplines such as musicology, ethnomusicology, comparative literature, women’s and gender studies, media studies, and education to investigate the importance of girls’ voices in popular music, and to help unravel the complexities bound up in music and girlhood in the contemporary contexts of North America and the United Kingdom. |
| dragostea din tei what language: Historical Dictionary of Moldova Andrei Brezianu, Vlad Spânu, 2007-04-23 The Republic of Moldova claims a European lineage reaching back in time long before its 14th century accession to statehood. In the 15th century, it managed against all odds to avoid being conquered by Islam and_albeit an intermittent vassal after 1485_it maintained its autonomy and was never turned into a province of the Ottoman Empire. After this period, however, Moldova would not be so fortunate, as it altered between Russian, Romanian, and Soviet control until it finally gained its independence in 1991 from the Soviet Union. The second edition of the Historical Dictionary of Moldova, through its chronology, introduction, appendixes, maps, bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions and significant political, economic, social, and cultural aspects, traces the history of this small, but densely populated country, providing a compass for the direction it is heading. |
| dragostea din tei what language: Guinness World Records 2008 Craig Glenday, 2008-04-29 Lists records, superlatives, and unusual facts in the areas of fame, business, crime, the natural world, technology, war, the arts, music, fashion, and sports. |
O-Zone - Dragostea Din Tei [Official Video] - YouTube
"Dragostea Din Tei" by O-Zone was one of the most played singles by the Italian radio stations and reached NR 1 in all the European sales charts: Nr 1 in France for 15 weeks (Platinum …
Dragostea din tei - Wikipedia
"Dragostea din tei", a 1980s-inspired dance-pop, synth-pop, Eurodisco and Europop song, is performed in Romanian, with its lyrics about having sexual intercourse under trees according …
O-Zone – Dragostea din tei Lyrics - Genius
“Dragostea Din Tei” is the first and most successful song in Romania, and is a single of Moldovan pop group O-Zone. It shot to the number one spot on the Eurochart Hot 100, where it remained ...
O-Zone - Dragostea din tei (English translation)
O-Zone - Dragostea din tei lyrics (Romanian) + English translation: Mai-ha-hi / Mai-ha-hu / Mai-ha-ha / Mai-ha-ha-ha (x2) / Hallo, Hey / It's me, an out
Dragoste - Wikipedia
Dragoste Dragostea este un sentiment complex, manifestat prin afecțiune puternică. Definirea sa este un demers dificil, cauzat de complexitatea manifestării sale, dar și de diversitatea …
O-Zone – “Ma Ya Hi (Dragostea Din Tei)” Lyrics Meaning
Oct 9, 2023 · “Dragostea Din Tei”, also known as the “Numa Numa” song, is a tune many recognize, but few grasp its essence. This Moldovan hit, performed by O-Zone, circles around …
Dragostea Din Tei | O-Zone Wiki | Fandom
Dragostea Din Tei (also known as Numa Numa) is a song by O-Zone written by Dan Bălan in 2003. It quickly rose to the charts in Europe during 2003 and 2004. However the song would …
O-Zone - Dragostea Din Tei [Official Video] - YouTube
"Dragostea Din Tei" by O-Zone was one of the most played singles by the Italian radio stations and reached NR 1 in all the European sales charts: Nr 1 in …
Dragostea din tei - Wikipedia
"Dragostea din tei", a 1980s-inspired dance-pop, synth-pop, Eurodisco and Europop song, is performed in Romanian, with its lyrics about …
O-Zone – Dragostea din tei Lyrics - Genius
“Dragostea Din Tei” is the first and most successful song in Romania, and is a single of Moldovan pop group O-Zone. It shot to the number one spot on …
O-Zone - Dragostea din tei (English translation)
O-Zone - Dragostea din tei lyrics (Romanian) + English translation: Mai-ha-hi / Mai-ha-hu / Mai-ha-ha / Mai-ha-ha-ha (x2) / Hallo, Hey / It's me, an out
Dragoste - Wikipedia
Dragoste Dragostea este un sentiment complex, manifestat prin afecțiune puternică. Definirea sa este un demers dificil, cauzat de complexitatea …
