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| dropkick murphys political views: New Kids on the Block 40th Anniversary Celebration Selena Fragassi, 2024-05-21 A must-have for every New Kids fan, this beautifully designed volume traces 40 years of the groundbreaking boy band through photos, interviews, and all the fascinating facts. Donnie, Danny, Jonathan, Jordan, and Joey: they are Boston’s own New Kids on the Block, an iconic boy band that sprang to the top of the charts (and into the hearts of millions of global fans) in the 1980s. Though each of the “kids” and the band itself has faced their ups and downs in the four decades since they came together, they continue to release new music and maintain a loyal fanbase lovingly known as “Blockheads.” In New Kids on the Block 40th Anniversary Celebration, music journalist and proud Blockhead Selena Fragassi delves into the band’s origins—from their manager Maurice Starr bringing them together and their earliest influences—to their biggest successes in the 1980s and ’90s, to their continued achievements today and the lasting legacy they’ve left in the boy-band canon. Along the way, readers will also explore: The creation of NKOTB’s biggest hits, such as “Please Don’t Go Girl” and “You Got It (The Right Stuff)” The fan culture that built up around the band, from the small gigs and mall tours of their earliest years to their inaugural fan convention in 2023 NKOTB’s influences, from R&B to pop, and their place in a boy-band history that begins with the Jackson 5 and continues in the modern day with bands like One Direction and BTS The lasting legacy of a band proudly celebrating their fortieth anniversary Step by step, through interviews, photos, and sidebars full of fun facts and trivia, you’ll learn something new about the band on every page. This book is the perfect companion to your everlasting love for NKOTB! |
| dropkick murphys political views: America's Dark History H. H. Charles, 2021-07-12 Trump’s “Make America Great Again” was a crass slogan intended to appeal to the most antiquated and base emotions, resentments, and bigotry that plague far too many “Americans” who still believe in white supremacy. Using historical sources found on various research platforms, Part I reviews the genocide, persecution, and bigotry practiced from Columbus to Trump on natives, immigrants, Africans, and others. There is no review of Trump as what he has done and is doing is well-covered by present-day media. Acknowledging it is hardly an exhaustive compilation, Part II lists the contributions made by those who suffered from their not being white Anglo immigrants to America. The book is an attempt to have Americans, who will listen and care, recognize that America does not need to be made “great again.” America needs to be made great. |
| dropkick murphys political views: Music and Politics James Garratt, 2019 Changes our picture of how music and politics interact through a rigorous and wide-ranging reappraisal of the field. |
| dropkick murphys political views: A People's Guide to Greater Boston Joseph Nevins, Suren Moodliar, Eleni Macrakis, 2020 Herein, we bring you to sites that have been central to the lives of 'the people' of Greater Boston over four centuries. You'll visit sites associated with the area's indigenous inhabitants and with the individuals and movements who sought to abolish slavery, to end war, challenge militarism, and bring about a more peaceful world, to achieve racial equity, gender justice, and sexual liberation, and to secure the rights of workers. We take you to some well-known sites, but more often to ones far off the well-beaten path of the Freedom Trail, to places in Boston's outlying neighborhoods. We also visit sites in numerous other municipalities that make up the Greater Boston region-from places such as Lawrence, Lowell and Lynn to Concord and Plymouth. The sites to which we do 'travel' include homes given that people's struggles, activism, and organizing sometimes unfold, or are even birthed in many cases in living rooms and kitchens. Trying to capture a place as diverse and dynamic as Boston is highly challenging. (One could say that about any 'big' place.) We thus want to make clear that our goal is not to be comprehensive, or to 'do justice' to the region. Given the constraints of space and time as well as the limitations of knowledge--both our own and what is available in published form--there are many important sites, cities, and towns that we have not included. Thus, in exploring scores of sites across Boston and numerous municipalities, our modest goal is to paint a suggestive portrait of the greater urban area that highlights its long-contested nature. In many ways, we merely scratch the region's surface--or many surfaces--given the multiple layers that any one place embodies. In writing about Greater Boston as a place, we run the risk of suggesting that the city writ-large has some sort of essence. Indeed, the very notion of a particular place assumes intrinsic characteristics and an associated delimited space. After all, how can one distinguish one place from another if it has no uniqueness and is not geographically differentiated? Nonetheless, geographer Doreen Massey insists that we conceive of places as progressive, as flowing over the boundaries of any particular space, time, or society; in other words, we should see places as processual or ever-changing, as unbounded in that they shape and are shaped by other places and forces from without, and as having multiple identities. In exploring Greater Boston from many venues over 400 years, we embrace this approach. That said, we have to reconcile this with the need to delimit Greater Boston--for among other reasons, simply to be in a position to name it and thus distinguish it from elsewhere-- |
| dropkick murphys political views: Bob Dylan Spencer Leigh, 2020-05-24 Bob Dylan: Outlaw Blues by Spencer Leigh is a fresh take on this famous yet elusive personality, a one-man hall of mirrors who continues to intrigue his followers worldwide. It is an in-depth account with new information and fascinating opinions, both from the author and his interviewees. Whether you are a Dylan fan or not, you will be gripped by this remarkable tale. Most performers create their work for public approval, but at the centre of this book is a mercurial man who doesn't trust his own audience. If he feels he is getting too much acclaim, he tends to veer off in another direction. Despite his age, Bob Dylan still tours extensively. Famously known for not looking happy, the author looks at what motivates him. 'Journalists are very fond of saying Bob Dylan is an enigma,' says Spencer Leigh, 'but that word is flawed. It's as good as saying you don't know... I have not called Bob Dylan an enigma at any point in the book as I have tried to find answers.' Spencer Leigh has spoken to over 300 musicians, friends and acquaintances of Bob Dylan in his research for this book. |
| dropkick murphys political views: Disturbing the Peace Bill Kopp, 2021-12-15 In the late '70s and early to mid 1980s, San Francisco was a creative incubator, bringing forth all manner of new music acts. Ground zero for the scene was the Mabuhay Gardens, home to huge barrels of popcorn, once-a-week spaghetti nights, colorful emcee Dirk Dirksen, and punk/new wave bands from all over the Bay Area. Concert booker and renegade radio deejay Howie Klein joined with Aquarius Records owner (and fellow deejay) Chris Knab to launch a record label in support of that scene.Disturbing the Peace: 415 Records and the Rise of New Wave is Bill Kopp's chronicle of the groundbreaking independent record label founded by Howie Klein & Chris Knab, featuring the stories of Romeo Void, Red Rockers, Translator, Wire Train, Roky Erickson, The Nuns, Pearl Harbor and Explosions, and nearly two dozen other bands.Based on nearly 100 interviews with the artists, industry execs, producers, friends, rivals, onlookers, journalists and hangers-on, Disturbing the Peace also features hundreds of photos and memorabilia from the personal archives of those who were there. |
| dropkick murphys political views: Maximum Rocknroll , 2001 |
| dropkick murphys political views: Music Marketing for the DIY Musician Bobby Borg, 2024-05-07 Unleash your music's potential by taking charge of your career! In Music Marketing for the DIY Musician, industry veteran Bobby Borg provides a step-by-step guide to producing a fully customized, low-budget plan of attack for marketing one’s music, helping to propel independent artists and other players toward success in the new music industry. This third edition provides major updates: Cutting-edge social media strategies: Dominate TikTok, master Instagram, and conquer YouTube with the latest tactics to amplify your online presence. Streaming secrets unveiled: Unlock the gateway to playlists and skyrocket your monthly listenership with fresh insights into the streaming world. Updated roadmaps for record releases: Navigate your way to a triumphant album launch with foolproof strategies and revamped timelines. New data analytics: Learn strategies to make educated decisions about the latest music marketing. Future forecasts: Embrace music innovation by leveraging artificial intelligence, exploring NFTs, diving into the metaverse, and more. Written in an easy-to-read style, this is a comprehensive resource with many templates covering the complete marketing process and time-tested strategies used by the most successful companies. Also included are interviews with top professionals and updated stories and case studies. This indispensable book for students and professionals alike will help you perfect a complete marketing plan to achieve your ultimate career vision. |
| dropkick murphys political views: Our Band Could Be Your Life Michael Azerrad, 2012-12-01 The definitive chronicle of underground music in the 1980s tells the stories of Black Flag, Sonic Youth, The Replacements, and other seminal bands whose DIY revolution changed American music forever. Our Band Could Be Your Life is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties -- when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives re-energized American rock with punk's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith is an indie rock classic in its own right. The bands profiled include: Sonic Youth Black Flag The Replacements Minutemen Husker Du Minor Threat Mission of Burma Butthole Surfers Big Black Fugazi Mudhoney Beat Happening Dinosaur Jr. |
| dropkick murphys political views: The Hard Times Matt Saincome, Bill Conway, Krissy Howard, 2019 From the comedic minds behind TheHardTimes.net comes the most accurate reporting on punk and hardcore culture in music history Since 2014, The Hard Times has been at the forefront of music journalism, delivering hard-hitting reports and in-depth investigations into the punk and hardcore scene. From their scathing takedown of Kim Jong-un after he appointed himself the new singer of Black Flag to their incisive coverage of a healthy Lars Ulrich being replaced by a hologram, the site has become a trusted source for all things counterculture. Now, in this zine-style historical retrospective, the writers behind the site reveal their humble roots, documenting The Hard Times' ascension alongside the rise of punk. With original articles from their 'archives' commenting on '70s, '80s, and '90s punk, as well as fan favorites from the aughts onward, this comprehensive examination of the scene will make readers dust off their Doc Martens and creepy crawl their way to the nearest pit. |
| dropkick murphys political views: NOFX NOFX, Jeff Alulis, 2016-04-12 The candid, hilarious, shocking, occasionally horrifying, and surprisingly moving New York Times bestselling autobiography of punk legends NOFX, their own story in their own words NOFX: The Hepatitis Bathtub and Other Stories is the first tell-all autobiography from one of the world's most influential and controversial punk bands. Alongside hilarious anecdotes about pranks and drunkenness and teenage failures-featuring the trademark NOFX sense of humor-the book also shares the ugliness and horror the band members experienced on the road to becoming DIY millionaires. Fans and non-fans alike will be shocked by stories of murder, suicide, addiction, counterfeiting, riots, bondage, terminal illness, the Yakuza, and pee...lots and lots of pee. Told by each of the band members (and two former members), NOFX looks back at more than thirty years of comedy, tragedy, and completely inexplicable success. |
| dropkick murphys political views: God, Guns, Grits, and Gravy Mike Huckabee, 2015-01-20 The New York Times bestseller from the conservative commentator and 2016 presidential candidate. In God, Guns, Grits and Gravy, Mike Huckabee explores today’s fractious American culture, where divisions of class, race, politics, religion, gender, age, and other fault lines make polite conversation dicey, if not downright dangerous. As Huckabee notes, the differences between the “Bubble-villes” of the big power centers and the “Bubba-villes” where most people live are profound, provocative, and sometimes pretty funny. Here, Huckabee takes on government bailouts, politician pig-outs, and popular culture provocations from Jay-Z and Beyoncé to Honey Boo-Boo and Duck Dynasty. The former Arkansas Governor also discusses gun rights, gay marriage, the decline of patriotism, and the mainstream media’s contempt for those who cherish a faith-based life. The trouble with Democrats, the even bigger trouble with Republicans, our national security complex, and how our Constitution is eroding under our noses. |
| dropkick murphys political views: Slaying the Dragon: The History of Addiction Treatment and Recovery in America William L. White, 2014-07-01 This is the remarkable story of America's personal and instituional responses to alcoholism and other addictions. It is the story of mutual aid societies: the Washingtonians, the Blue Ribbon Reform Clubs, the Ollapod Club, the United Order of Ex-Boozers, the Jacoby Club, Alcoholics Anonymous and Women for Sobriety. It is a story of addiction treatment institutions from the inebriate asylums and Keeley Institutes to Hazelden and Parkside. It is the story of evolving treatment interventions that range from water cures and mandatory sterilization to aversion therapies and methadone maintenance. William White has provided a sweeping and engaging history of one of America's most enduring problems and the profession that was birthed to respond to it -- BACK COVER. |
| dropkick murphys political views: Nation Like No Other Newt Gingrich, 2011-06-14 It’s become fashionable among the liberal elite to downplay, deride, even deny America’s greatness. The political correctness police insist that America is “hated” around the world for being too big, too powerful, too rich, too successful, too loud, too intrusive. And besides, it’s not nice to brag. They are completely missing the point. America’s greatness, America’s exceptional greatness, is not based on that fact that we are the most powerful, most prosperous—and most generous—nation on earth. Rather, those things are the result of American Exceptionalism. To understand American Exceptionalism, as Newt Gingrich passionately argues in A Nation Like No Other, one must understand our unique birth as a nation. American Exceptionalism is found in the simple yet utterly remarkable principles expressed in the Declaration of Independence, “that all men are created equal, that we are endowed by our Creator with certain unalienable rights, that among these are life, liberty, the pursuit of happiness.” Our nation is exceptional, continues Newt, because we—unlike any nation before or since—are united by the belief and the promise that no king, no government, no ruling class has the power to infringe upon the rights of the individual. And when such a government attempts to do so, we will vigorously reject them. Sadly, many politicians and leaders today have forgotten our sacred commitment to these ideals. Our government has strayed alarmingly far from the scope of limited powers framed by our Founders. Meanwhile, the liberal media seek out, and sometimes create, stories intended to portray America as a bully and a thief. Even our own president seems clueless, assuring us that yes, yes, he believes in American exceptionalism, just like the Greeks believe in Greek exceptionalism and the British in British exceptionalism. But American Exceptionalism is not about cheerleading for the home team. It’s about recognizing and honoring the history-making, world-changing ideals our Founding Fathers enshrined to make this a nation of the people, by the people, for the people. And, as Lincoln warned, we must rededicate ourselves to those principles, lest our truly exceptional nation perish from this earth. |
| dropkick murphys political views: A Drink with Shane MacGowan Shane MacGowan, Victoria Mary Clarke, 2001 But as A Drink with Shane MacGowan shows, the inspiration for his artistry and beliefs is as varied as his range of mind - embracing Ireland, religion, his family, esoteric philosophy and history.--Jacket. |
| dropkick murphys political views: Not Dead Yet Phil Collins, 2017-09-12 Phil Collins pulls no punches—about himself, his life, or the ecstasy and heartbreak that’s inspired his music. In his much-awaited memoir, Not Dead Yet, he tells the story of his epic career, with an auspicious debut at age 11 in a crowd shot from the Beatles’ legendary film A Hard Day’s Night. A drummer since almost before he could walk, Collins received on the job training in the seedy, thrilling bars and clubs of 1960s swinging London before finally landing the drum seat in Genesis. Soon, he would step into the spotlight on vocals after the departure of Peter Gabriel and begin to stockpile the songs that would rocket him to international fame with the release of Face Value and “In the Air Tonight.” Whether he’s recalling jamming with Eric Clapton and Robert Plant, pulling together a big band fronted by Tony Bennett, or writing the music for Disney’s smash-hit animated Tarzan, Collins’s storytelling chops never waver. And of course he answers the pressing question on everyone’s mind: just what does “Sussudio” mean? Not Dead Yet is Phil Collins’s candid, witty, unvarnished story of the songs and shows, the hits and pans, his marriages and divorces, the ascents to the top of the charts and into the tabloid headlines. As one of only three musicians to sell 100 million records both in a group and as a solo artist, Collins breathes rare air, but has never lost his touch at crafting songs from the heart that touch listeners around the globe. That same touch is on magnificent display here, especially as he unfolds his harrowing descent into darkness after his “official” retirement in 2007, and the profound, enduring love that helped save him. This is Phil Collins as you’ve always known him, but also as you’ve never heard him before. |
| dropkick murphys political views: Punk Record Labels and the Struggle for Autonomy Alan O'Connor, 2008 This book describes the emergence of DIY punk record labels in the early 1980s. Based on interviews with sixty-one labels, including four in Spain and four in Canada, it describes the social background of those who run these labels. Using the ideas of French sociologist Pierre Bourdieu, this book shows how the field of record labels operates. The choice of independent or corporate distribution is a major dilemma. Other tensions are about signing bands to contracts, expectations of extensive touring, and use of professional promotion. There are often rivalries between big and small labels over bands that have become popular and have to decide whether to move to a more commercial record label. Unlike approaches to punk that consider it a subcultural style, this book breaks new ground by describing punk as a social activity. One of the surprising findings is how many parents actually support their children's participation in the scene. Rather than attempting to define punk as resistance or commercial culture, this book shows the dilemmas that actual punks struggle with as they attempt to live up to what the scene means for them. Book jacket. |
| dropkick murphys political views: What Jefferson Read, Ike Watched, and Obama Tweeted Tevi Troy, 2013-09-02 From Cicero to Snooki, the cultural influences on our American presidents are powerful and plentiful. Thomas Jefferson famously said I cannot live without books, and his library backed up the claim, later becoming the backbone of the new Library of Congress. Jimmy Carter watched hundreds of movies in his White House, while Ronald Reagan starred in a few in his own time. Lincoln was a theater-goer, while Obama kicked back at home to a few episodes of HBO's The Wire. America is a country built by thinkers on a foundation of ideas. Alongside classic works of philosophy and ethics, however, our presidents have been influenced by the books, movies, TV shows, viral videos, and social media sensations of their day. In What Jefferson Read, Ike Watched, and Obama Tweeted: 200 Years of Popular Culturen in the White House presidential scholar and former White House aide Tevi Troy combines research with witty observation to tell the story of how our presidents have been shaped by popular culture. |
| dropkick murphys political views: Punk Rock is My Religion Francis Stewart, 2017-06-26 As religion has retreated from its position and role of being the glue that holds society together, something must take its place. Utilising a focused and detailed study of Straight Edge punk (a subset of punk in which adherents abstain from drugs, alcohol and casual sex) Punk Rock is My Religion argues that traditional modes of religious behaviours and affiliations are being rejected in favour of key ideals located within a variety of spaces and experiences, including popular culture. Engaging with questions of identity construction through concepts such as authenticity, community, symbolism and music, this book furthers the debate on what we mean by the concepts of ‘religion’ and ‘secular’. Provocatively exploring the notion of salvation, redemption, forgiveness and faith through a Straight Edge lens, it suggests that while the study of religion as an abstraction is doomed to a simplistic repetition of dominant paradigms, being willing to examine religion as a lived experience reveals the utility of a broader and more nuanced approach. |
| dropkick murphys political views: The Chronicles of Old Guy Timothy J. Gawne, 2012-12-01 |
| dropkick murphys political views: Sound Targets Jonathan R. Pieslak, 2009 'Sound Targets' explores the role of music in American military culture, focusing on the experiences of soldiers returning from active service in Iraq. Pieslak describes how American soldiers hear, share, use & produce music, both on & off duty. |
| dropkick murphys political views: Universal Burdens Anthony T. Fiscella, 2015 |
| dropkick murphys political views: Don't Stop Thinking About the Music Benjamin S. Schoening, Eric T. Kasper, 2011-12-16 In this insightful, erudite history of presidential campaign music, musicologist Benjamin Schoening and political scientist Eric Kasper explain how politicians use music in American presidential campaigns to convey a range of political messages. From “Follow Washington” to “I Like Ike” to “I Got a Crush on Obama,” they describe the ways that song use by and for presidential candidates has evolved, including the addition of lyrics to familiar songs, the current trend of using existing popular music to connect with voters, and the rapid change of music’s relationship to presidential campaigns due to Internet sites like YouTube, JibJab, and Facebook. Readers are ultimately treated to an entertaining account of American political development through popular music and the complex, two-way relationship between music and presidential campaigns. |
| dropkick murphys political views: The Road Beneath My Feet Frank Turner, 2016-02-02 The British folk/punk singer-songwriter shares an intimate rags-to-riches memoir of constant touring, artistic expression, and self-reinvention. In the fall of 2005, Frank Turner was virtually unheard of. His rock band, Millions Dead, was finishing up a grueling tour and had agreed that their show on September 23rd would be their last. The entry on the band’s schedule for September 24th read simply: “Get a job.” Cut to July 2012—the London Olympics, where Turner and his backing band, The Sleeping Souls, are playing the pre-show, after having headlined sold-out arena shows across the UK. The Road Beneath My Feet is the unvarnished story of how Turner went from drug-fueled house parties and the grimy club scene to international prominence and acclaim. Told through tour reminiscences, it is an intimate account of what it’s like to spend your life constantly on the road, sleeping on floors, invariably jetlagged, all for the love of playing live music. |
| dropkick murphys political views: Essential Building Science Jacob Deva Racusin, 2016-11-28 Down and dirty – a complete step-by-step guide to making, installing and living with beautiful, all-natural earthen floors Poor heat and moisture management are the enemies of durable, comfortable, and efficient housing, and good building design and construction starts with a solid understanding of good building science. Essential Building Science provides a highly visual and accessible introduction to the fundamentals of building science for residential construction. Part one covers the rationale behind high-performance design and the fundamentals of building physics, including thermal dynamics, moisture transfer, and hygro-thermal dynamics such as vapor drive and condensation. Part two teaches the vital critical thinking skills needed to consider buildings as whole systems and to develop thermal and moisture control strategies regardless of the specifics of the design. Case studies and examples from across North American climatic zones illuminate real-life problems and offer builders, designers, and DIYers the insights and tools required for creating better new buildings and dramatically improving old ones. Good science plus critical thinking equals high performance buildings. |
| dropkick murphys political views: Please Kill Me Legs McNeil, Gillian McCain, 2006 Now in paperback, this first oral history of the most nihilistic of all pop movements brings the sound of the punk generation chillingly to life with 50 new pages of depraved testimony. Please Kill Me reads like a fast-paced novel, but the tragedies it contains are all too human and all too real. photos. |
| dropkick murphys political views: World Music Michael B. Bakan, Heidi Senungetuk, Stephanie Shonekan, 2022-10 World Music: Traditions and Transformations, fourth edition, is an introductory-level survey of diverse musics from around the world. It assumes no prior formal training or education in music, and with one brief exception avoids the use of Western music notation entirely. It is written primarily for undergraduate nonmusic majors but is equally appropriate for music majors, and is therefore ideal for courses enrolling music and nonmusic stu-dents alike-- |
| dropkick murphys political views: Modern Dog Robynne Raye, Michael Strassburger, 2008-03-05 Showcases the unique art and raw humour of Michael Strassburger and Robynne Raye. 200 brilliant colour images showcase the last two decades of specially selected edgy pop-culture poster art. |
| dropkick murphys political views: Steal This Book Abbie Hoffman, 2002-02-25 A handbook of survival and warfare for the citizens of Woodstock Nation A classic of counterculture literature and one of the most influential--and controversial--documents of the twentieth century, Steal This Book is as valuable today as the day it was published. It has been in print continuously for more than four decades, and it has educated and inspired countless thousands of young activists. Conceived as an instruction manual for radical social change, Steal This Book is divided into three sections--Survive! Fight! and Liberate! Ever wonder how to start a guerilla radio station? Or maybe you want to brush up on your shoplifting techniques. Perhaps you're just looking for the best free entertainment in New York City. (The Frick Collection--Great when you're stoned.) Packed with information, advice, and Abbie's unique outlaw wisdom (Avoid all needle drugs--the only dope worth shooting is Richard Nixon.), Steal This Book is a timeless reminder that, no matter what the struggle, freedom is always worth fighting for. All Power to the Imagination was his credo. Abbie was the best.--Studs Terkel |
| dropkick murphys political views: American Hardcore Steven Blush, 2010-10-01 Hardcore, the hard-edged second generation of punk rock, whose peak period ranged from 1980 to 1986, has never before been captured in the way Steven Blushs authoritative, extensively illustrated oral history revisits its dynamic and sordid past. All the major hardcore scenes, particularly in Southern California, San Francisco, Washington D.C., Boston, New York City and Texas are given provocative voice through its major players, from drugged-out suburban Metal misfits to shit-kicking skinheads to vegan anti-drug pacifists. American Hardcore; A Tribal History not only recapitulates an important and influential scene, its provocative sociological snapshots reveal the apocalyptic desperation of a singular time in American history. Author Steven Blush was a prime mover in the scene he writes about; in the 80s, he promoted many hardcore tours and shows, DJ an influential college radio show, and ran a record label. Later Blush published Seconds magazine, and wrote for Paper, Spin, Interview, Village Voice, Details and High Times magazines. The primary photographers included in this volume are Edward Colver and Karen O Sullivan. Flyers, set lists, logos, and record covers have been provided by many collectors, and the book includes an extensive discography of Hard core rock releases from 1980 to 1986. |
| dropkick murphys political views: The Encyclopedia of Punk Brian Cogan, 2010 An alphabetically arranged resource covers the rebellious musical genre and the cultural movement it inspired. |
| dropkick murphys political views: City of Iron and Dust J.P. Oakes, 2021-07-06 Fast-paced and razor-sharp dark fantasy for readers of Nicholas Eames, Anna Smith Spark and Robert Jackson Bennett A fantastic book, full of wit and sharp humor, City of Iron and Dust careens through a modernized faerie at a breakneck pace, full of verve and unforgettable characters. Oakes spins a smart, electric, and sometimes snarky tale, showing that the beating heart of modern fantasy is alive and well. – John Hornor Jacobs, author of A Lush and Seething Hell and The Incorruptibles The Iron City is a prison, a maze, an industrial blight. It is the result of a war that saw the goblins grind the fae beneath their collective boot heels. And tonight, it is also a city that churns with life. Tonight, a young fae is trying to make his fortune one drug deal at a time; a goblin princess is searching for a path between her own dreams and others’ expectations; her bodyguard is deciding who to kill first; an artist is hunting for his own voice; an old soldier is starting a new revolution; a young rebel is finding fresh ways to fight; and an old goblin is dreaming of reclaiming her power over them all. Tonight, all their stories are twisting together, wrapped up around a single bag of Dust—the only drug that can still fuel fae magic—and its fate and theirs will change the Iron City forever. |
| dropkick murphys political views: The Year of Living Like Jesus Edward G. Dobson, Ed Dobson, 2009 Evangelical pastor Dobson chronicles his year of living like Jesus and obeying his teachings. As he discovers, living like Jesus is quite different from what Christians imagine. |
| dropkick murphys political views: Stockhausen Serves Imperialism and Other Articles Cornelius Cardew, 2020-03-24 A notorious, influential and radical critique of the avant-garde music of Stockhausen and Cage, by maverick composer Cornelius Cardew Originally published in 1974, Stockhausen Serves Imperialism is a collection of essays by the English avant-garde composer Cornelius Cardew that provides a Marxist and class critique of two of the more revered composers of the postwar era: Karlheinz Stockhausen and John Cage. A former assistant to Stockhausen and an early champion of Cage, Cardew provides a cutting rebuke of the composers, their work and their ideological positions (Cage's staged anarchism and Stockhausen's theatrical mysticism, in particular). Cardew considers the role of these composers and their works within the development of the 20th-century avant-garde, which he saw as reinforcing an imperialist order rather than spotlighting the struggles of the working class or spurring revolution against bourgeois oppression. Cardew's early works do not escape his own scrutiny, with the book containing critiques and repudiations of his canonical works from the 1960s and early 1970s: Treatise and The Great Learning. After abandoning the avant-garde, Cardew devoted his work to the people's struggle, creating music in service of his radical politics. This music mostly took the form of class-conscious arrangements of folk songs and melodic piano works with such titles as Revolution is the Main Trend and Smash the Social Contract. Cardew maintained a critical cultural stance throughout his life, later going on to denounce David Bowie and punk rock as fascist. He was killed by a hit-and-run driver in 1981--a death that some speculate could have been an assassination by the English government's MI5. Supplementing Cardew's writings are two essays by his Scratch Orchestra collaborators Rod Eley and John Tilbury. |
| dropkick murphys political views: Politics after Christendom David VanDrunen, 2020-04-21 For more than a millennium, beginning in the early Middle Ages, most Western Christians lived in societies that sought to be comprehensively Christian--ecclesiastically, economically, legally, and politically. That is to say, most Western Christians lived in Christendom. But in a gradual process beginning a few hundred years ago, Christendom weakened and finally crumbled. Today, most Christians in the world live in pluralistic political communities. And Christians themselves have very different opinions about what to make of the demise of Christendom and how to understand their status and responsibilities in a post-Christendom world. Politics After Christendom argues that Scripture leaves Christians well-equipped for living in a world such as this. Scripture gives no indication that Christians should strive to establish some version of Christendom. Instead, it prepares them to live in societies that are indifferent or hostile to Christianity, societies in which believers must live faithful lives as sojourners and exiles. Politics After Christendom explains what Scripture teaches about political community and about Christians' responsibilities within their own communities. As it pursues this task, Politics After Christendom makes use of several important theological ideas that Christian thinkers have developed over the centuries. These ideas include Augustine's Two-Cities concept, the Reformation Two-Kingdoms category, natural law, and a theology of the biblical covenants. Politics After Christendom brings these ideas together in a distinctive way to present a model for Christian political engagement. In doing so, it interacts with many important thinkers, including older theologians (e.g., Augustine, Aquinas, and Calvin), recent secular political theorists (e.g., Rawls, Hayek, and Dworkin), contemporary political-theologians (e.g., Hauerwas, O'Donovan, and Wolterstorff), and contemporary Christian cultural commentators (e.g., MacIntyre, Hunter, and Dreher). Part 1 presents a political theology through a careful study of the biblical story, giving special attention to the covenants God has established with his creation and how these covenants inform a proper view of political community. Part 1 argues that civil governments are legitimate but penultimate, and common but not neutral. It concludes that Christians should understand themselves as sojourners and exiles in their political communities. They ought to pursue justice, peace, and excellence in these communities, but remember that these communities are temporary and thus not confuse them with the everlasting kingdom of the Lord Jesus Christ. Christians' ultimate citizenship is in this new-creation kingdom. Part 2 reflects on how the political theology developed in Part 1 provides Christians with a framework for thinking about perennial issues of political and legal theory. Part 2 does not set out a detailed public policy or promote a particular political ideology. Rather, it suggests how Christians might think about important social issues in a wise and theologically sound way, so that they might be better equipped to respond well to the specific controversies they face today. These issues include race, religious liberty, family, economics, justice, rights, authority, and civil resistance. After considering these matters, Part 2 concludes by reflecting on the classical liberal and conservative traditions, as well as recent challenges to them by nationalist and progressivist movements. |
| dropkick murphys political views: Master of None John Borrowman, 1984 |
| dropkick murphys political views: Burning Britain Ian Glasper, 2014-08-01 As the Seventies drew to a close and the media declared punk dead and buried, a whole new breed of band was emerging from the gutter. Harder and faster than their ’76–’77 predecessors, not to mention more aggressive and political, the likes of Discharge, the Exploited, and G.B.H. were to prove not only more relevant but arguably just as influential. Several years in the making and featuring hundreds of new interviews and photographs, Burning Britain is the true story of the UK punk scene from 1980 to 1984 told for the first time by the bands and record labels that created it. Covering the country region by region, author Ian Glasper profiles legendary bands like Vice Squad, Angelic Upstarts, Blitz, Anti-Nowhere League, Cockney Rejects, and the UK Subs as well as the more obscure groups like Xtract, The Skroteez, and Soldier Dolls. The grim reality of being a teenage punk rocker in Thatcher’s Britain resulted in some of the most primal and potent music ever committed to plastic. Burning Britain is the definitive overview of that previously overlooked era. |
| dropkick murphys political views: The Question of Canon Michael J Kruger, 2020-05-21 For many years now, the topic of the New Testament canon has been the main focus of my research and writing. It is an exciting field of study that probes into questions that have long fascinated both scholars and laymen alike, namely when and how these 27 books came to be regarded as a new scriptural deposit. But, the story of the New Testament canon is bigger than just the when and the how. It is also, and perhaps most fundamentally, about the why. Why did Christians have a canon at all? Does the canon exist because of some later decision or action of the second- or third-century church? Or did it arise more naturally from within the early Christian faith itself? Was the canon an extrinsic phenomenon, or an intrinsic one? These are the questions this book is designed to address. And these are not micro questions, but macro ones. They address foundational and paradigmatic issues about the way we view the canon. They force us to consider the larger framework through which we conduct our research - whether we realized we had such a framework or not. Of course, we are not the first to ask such questions about why we have a canon. Indeed, for many scholars this question has already been settled. The dominant view today, as we shall see below, is that the New Testament is an extrinsic phenomenon; a later ecclesiastical development imposed on books originally written for another purpose. This is the framework through which much of modern scholarship operates. And it is the goal of this volume to ask whether it is a compelling one. To be sure, it is no easy task challenging the status quo in any academic field. But, we should not be afraid to ask tough questions. Likewise, the consensus position should not be afraid for them to be asked. |
| dropkick murphys political views: When We Were Good Robert Cantwell, 1996 When We Were Good traces the many and varied cultural influences on the folk revival of the late fifties and sixties. In his capacious analysis of the ideologies, traditions, and personalities that created an extraordinary moment in American popular culture, Cantwell explores the idea of folk at the deepest level. |
| dropkick murphys political views: Punk Rock Dad Jim Lindberg, 2009-10-13 Jim Lindberg is a Punk Rock Dad. When he drives his kids to school in the morning, they listen to the Ramones, the Clash, or the Descendents—and that's it. They can listen to Britney and Justin on their own time. Jim goes to soccer games, dance rehearsals, and piano recitals like all the other dads, but when he feels the need, he also goes to punk shows, runs into the slam pit, and comes home bruised and beaten . . . but somehow feeling strangely better. While the other dads dye their hair brown to cover the gray, Jim occasionally dyes his blue or green. He makes his daughters' lunches, kisses their boo-boos, and tucks them in at night—and then goes into the garage and plays Black Flag and Minor Threat songs at a criminal volume. He pays his taxes, votes in all the presidential and gubernatorial elections, serves on jury duty, and reserves the right to believe that there is a vast Right Wing Conspiracy—and that the head of the P.T.A. is possibly in on it. He is a Punk Rock Dad. |
Dropkick - Wikipedia
A dropkick is an attacking maneuver in professional wrestling. It is defined as an attack where the wrestler jumps up and kicks the opponent with the soles of both feet; this sees the wrestler …
Dropkick Murphys
May 15, 2025 · Dropkick Murphys official website with tour dates, news, links, and more!
Dropkick Murphys perform at DC veteran rally after lead singer
Dropkick Murphys performed at a rally in Washington, DC following the band's criticisms of U.S President Donald Trump. The Celtic punk band was part of the Unite for Veterans, Unite for …
Dropkick Murphys - YouTube
Dropkick Murphys music video for "Who'll Stand With Us?" from the forthcoming album 'For The People' out on streaming July 4, 2025, out on CD/LP October 10. Preorder & Presave album:...
Dropkick Murphys Announce New Album, Unveil Single “Who’ll
Jun 3, 2025 · Dropkick Murphys have announced a new album, For the People, arriving July 4th. The video for the politically charged lead single “Who’ll Stand with Us?” can be streamed now. …
Complete List Of Dropkick Murphys Band Members
Dropkick Murphys were originally formed in 1996 in Quincy, Massachusetts, initially consisting of lead vocalist Mike McColgan, bassist/vocalist Ken Casey, guitarist Rick Barton, and drummer …
Dropkick Murphys Announce New Album - Stereogum
Jun 3, 2025 · Boston’s Dropkick Murphys have been making extremely fun and fired-up Celtic punk for nearly 30 years, and they aren’t slowing down anytime soon. Today, the band …
Dropkick Murphys: Two Irish bands feature on new album
Jun 4, 2025 · Dropkick Murphys get an assist from two Irish bands on their new album "For The People," which will be released on July 4.
Dropkick Murphys - Wikipedia
Dropkick Murphys are an American Celtic punk band formed in Quincy, Massachusetts in 1996. [5] The current lineup consists of co-lead vocalist and bassist Ken Casey , drummer Matt Kelly …
Dropkick Murphys "Who'll Stand With Us?" Music Video
Jun 3, 2025 · Dropkick Murphys music video for "Who'll Stand With Us?" from the forthcoming album 'For The People' out on streaming July 4, 2025, out on CD/LP October 10.P...
Dropkick - Wikipedia
A dropkick is an attacking maneuver in professional wrestling. It is defined as an attack where the wrestler jumps up and kicks the opponent with the soles of both feet; this sees the wrestler …
Dropkick Murphys
May 15, 2025 · Dropkick Murphys official website with tour dates, news, links, and more!
Dropkick Murphys perform at DC veteran rally after lead singer
Dropkick Murphys performed at a rally in Washington, DC following the band's criticisms of U.S President Donald Trump. The Celtic punk band was part of the Unite for Veterans, Unite for …
Dropkick Murphys - YouTube
Dropkick Murphys music video for "Who'll Stand With Us?" from the forthcoming album 'For The People' out on streaming July 4, 2025, out on CD/LP October 10. Preorder & Presave album:...
Dropkick Murphys Announce New Album, Unveil Single “Who’ll
Jun 3, 2025 · Dropkick Murphys have announced a new album, For the People, arriving July 4th. The video for the politically charged lead single “Who’ll Stand with Us?” can be streamed now. …
Complete List Of Dropkick Murphys Band Members
Dropkick Murphys were originally formed in 1996 in Quincy, Massachusetts, initially consisting of lead vocalist Mike McColgan, bassist/vocalist Ken Casey, guitarist Rick Barton, and drummer …
Dropkick Murphys Announce New Album - Stereogum
Jun 3, 2025 · Boston’s Dropkick Murphys have been making extremely fun and fired-up Celtic punk for nearly 30 years, and they aren’t slowing down anytime soon. Today, the band …
Dropkick Murphys: Two Irish bands feature on new album
Jun 4, 2025 · Dropkick Murphys get an assist from two Irish bands on their new album "For The People," which will be released on July 4.
Dropkick Murphys - Wikipedia
Dropkick Murphys are an American Celtic punk band formed in Quincy, Massachusetts in 1996. [5] The current lineup consists of co-lead vocalist and bassist Ken Casey , drummer Matt Kelly …
Dropkick Murphys "Who'll Stand With Us?" Music Video
Jun 3, 2025 · Dropkick Murphys music video for "Who'll Stand With Us?" from the forthcoming album 'For The People' out on streaming July 4, 2025, out on CD/LP October 10.P...
