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| dustin hoffman tootsie interview: A Life in Movies Irwin Winkler, 2019-05-07 “A lively memoir . . . a first-hand work of cinema history . . . the testament of a pivotal figure in American moviemaking.” —Martin Scorsese The list of films Irwin Winkler has produced in his more-than-fifty-year career is extraordinary: Rocky, Goodfellas, Raging Bull, De-Lovely, The Right Stuff, Creed, and The Irishman. His films have been nominated for fifty-two Academy Awards, including five movies for Best Picture, and have won twelve. In A Life in Movies, his charming and insightful memoir, Winkler tells the stories of his career through his many films as a producer and then as a writer and director, charting the changes in Hollywood over the past decades. Winkler started in the famous William Morris mailroom and made his first film—starring Elvis—in the last days of the old studio system. Beginning in the late 1960s, and then for decades to come, he produced a string of provocative and influential films, making him one of the most critically lauded, prolific, and commercially successful producers of his era. This is an engrossing and candid book, a beguiling exploration of what it means to be a producer, including purchasing rights, developing scripts, casting actors, managing directors, editing film, and winning awards. Filled with tales of legendary and beloved films, as well as some not-so-legendary and forgotten ones, A Life in Movies takes readers behind the scenes and into the history of Hollywood. “Charming and anecdote packed . . . popcorn for movie nerds.” —Newsweek “A deftly written recollection of an eventful and happy life in a precarious and, frankly, insane business; a remarkably clear-eyed look behind the scenes of moviemaking.” —Kevin Kline |
| dustin hoffman tootsie interview: Thirty-three Cecils Everett De Morier, 2015-03-15 |
| dustin hoffman tootsie interview: Appleblossom the Possum Holly Goldberg Sloan, 2016-08-02 Fans of E.B. White and Dick King-Smith will adore this heartwarming and funny animal adventure by the award-winning author of New York Times Bestseller Counting by 7s Mama has trained up her baby possums in the ways of their breed, and now it’s time for all of them—even little Appleblossom—to make their way in the world. Appleblossom knows the rules: she must never be seen during the day, and she must avoid cars, humans, and the dreaded hairies (sometimes known as dogs). Even so, Appleblossom decides to spy on a human family—and accidentally falls down their chimney! The curious Appleblossom, her faithful brothers—who launch a hilarious rescue mission—and even the little girl in the house have no idea how fascinating the big world can be. But they're about to find out! With dynamic illustrations, a tight-knit family, and a glimpse at the world from a charming little marsupial's point of view, this cozy animal story is a perfect read-aloud and a classic in the making. |
| dustin hoffman tootsie interview: Consider Your Ass Kissed Ruta Lee, 2021-03-23 A biography of singer, dancer and actress Ruta Lee |
| dustin hoffman tootsie interview: Joe Alves: Designing Jaws Dennis L. Prince, 2019-12-03 Joe Alves: Designing JAWS provides the production designer's view into the development of this world-renowned film. Included are Joe's stunning pre-production illustrations; handwritten location and production notes; on-set photographs; blueprints of the shark's design; and first-time publication of his complete catalog of storyboards. Joe Alves: Designing JAWS is a must-have addition to every film reference library. Universal Studios' JAWS is one of the most compelling and enduring movies ever made. Thrilling generations of audiences worldwide with its tight plot, memorable characters, and ground-breaking special effects - those that brought the great white shark to terrifying life even after many said it couldn't be done. Buoyed by an energetic young director, Steven Spielberg, and through collaboration with trusted and equally determined production designer Joe Alves, the two proved integral to the making of this classic motion picture. Painstakingly compiled and written by Joe Alves' biographer and JAWS expert, Dennis Prince, Joe Alves: Designing JAWS is a must-have addition to every film reference library. |
| dustin hoffman tootsie interview: Powerhouse James Andrew Miller, 2016-08-09 “Magisterial. ... A must read for anyone who wants to work in Hollywood or just know how Hollywood works.” — The Hollywood Reporter A New York Times bestseller, now updated with an afterword and exclusive new material From the #1 bestselling author behind acclaimed oral histories of Saturday Night Live and ESPN comes the most hotly anticipated book [in decades] (Variety): James Andrew Miller's irresistible insider chronicle of the modern entertainment industry, told through the epic story of Creative Artists Agency (CAA)—the ultimate power player that has represented the world's biggest stars and shaped the landscape of film, television, comedy, music, and sports. Started in 1975, when five bright and brash upstarts left creaky William Morris to form their own innovative talent agency, CAA would come to revolutionize Hollywood, representing everyone from Tom Cruise, Meryl Streep, Robert De Niro, and Steven Spielberg to Jennifer Lawrence, J.J. Abrams, Will Smith, and Brad Pitt. Over the next decades its tentacles would spread aggressively into sports, advertising, and digital media. Powerhouse is the fascinating, no-holds-barred saga of that ascent. Drawing on unprecedented and exclusive access to the men and women who built and battled with CAA—including co-founders Michael Ovitz and Ron Meyer and rivals like Ari Emanuel of William Morris Endeavor—as well as the stars themselves, Miller spins a unique and unforgettable tale of brilliance, ambition, betrayal, and outrageous success. |
| dustin hoffman tootsie interview: LO: TECH: POP: CULT Priscilla Guy, Alanna Thain, 2024-04-24 This edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods, at the intersections of popular culture, low-tech media practices, dance, and movement studies, and the minoritarian perspectives of feminism, queer theory, critical race studies and more. This book represents new vectors in screendance studies, featuring contributions by both artists and theoreticians, some of the most established voices in the field as well as the next generation of emerging scholars, artists, and curators. It builds on the foundational cartographies of screendance studies that attempted to sketch out what was particular to this practice. Sampling and reworking established forms of inquiry, artistic practice and spectatorial habits, and suspending and reorienting gestures into minoritarian forms, these conversations consider the affordances of screendance for reimaging the relations of bodies, technologies, and media today. This collection will be of great interest to students and scholars in dance studies, performance studies, cinema and media studies, feminist studies, and cultural studies. |
| dustin hoffman tootsie interview: The Graduate Charles Webb, 2002-04-02 The basis for Mike Nichols' acclaimed 1967 film starring Dustin Hoffman -- and for successful stage productions in London and on Broadway -- this classic novel about a naive college graduate adrift in the shifting social and sexual mores of the 1960s captures with hilarity and insight the alienation of youth and the disillusionment of an era. The Graduate When Benjamin Braddock graduates from a small Eastern college and moves home to his parents' house, everyone wants to know what he's going to do with his life. Embittered by the emptiness of his college education and indifferent to his grim prospects -- grad school? a career in plastics? -- Benjamin falls haplessly into an affair with Mrs. Robinson, the relentlessly seductive wife of his father's business partner. It's only when beautiful coed Elaine Robinson comes home to visit her parents that Benjamin, now smitten, thinks he might have found some kind of direction in his life. Unfortuately for Benjamin, Mrs. Robinson plays the role of protective mother as well as she does the one of mistress. A wondrously fierce and absurd battle of wills ensues, with love and idealism triumphing over the forces of corruption and conformity. |
| dustin hoffman tootsie interview: Ugly Cat & Pablo Isabel Quintero, 2017-04-25 From the 2015 winner of the ALA William C. Morris Award comes a humorous chapter book series about a not-so-attractive cat and his well-dressed mouse friend. Ugly Cat is dying for a paleta, or ice pop, and his friend Pablo is determined to help him get one by scaring a little girl who is enjoying a coconut paleta in the park. Things go horribly wrong when, instead of being scared, the little girl picks Pablo up and declares that he would make a great snack for her pet snake. Oh and there's also the small problem that Ugly Cat may have inadvertently swallowed Pablo in all of the commotion! Ugly Cat and his impeccably dressed mouse friend, Pablo, are an unlikely and dynamic duo who will win young readers over with their ridiculously silly antics and their search for tasty treats. |
| dustin hoffman tootsie interview: Playing to the Camera Bert Cardullo, 1998-01-01 Offers articles and interviews with movie actors from the silents to the present that discuss the art of film acting, including the difference between stage and screen, and British, Soviet, and Western European as well as American techniques |
| dustin hoffman tootsie interview: I'll Be Damned Eric Braeden, 2017-02-07 In this startling candid and poignant memoir, the legendary Emmy Award-winning star of The Young and The Restless, America's #1 soap opera, chronicles his amazing life, from his birth in World War II Germany to his arrival in America to his rise to humanitarian and daytime superstar for the past thirty-five years. For nearly four decades, fans have welcomed the star of television’s number-one daytime show, The Young and the Restless, into their living rooms. While they’ve come to know and love the suave Victor Newman, few truly know the man behind the character, the supremely talented Eric Braeden. I'll Be Damned is his story—a startling and uplifting true tale of war, deprivation, determination, fame, and social commitment that spans from Nazi Germany to modern Hollywood. Braeden’s journey from a hospital basement in Kiel to the soundstages of Los Angeles has taught him more about joy, heartbreak, fear, dignity, loss, love, loneliness, exhilaration, courage, persecution, and profound responsibility to the global community than he could have hoped to learn in several lifetimes. Growing up in the years after Germany’s defeat, Braeden knew very little about the atrocities of his parents’ generation, until he arrived in America as a teenager—a discovery that horrified and transformed him. Trying to redress the wrongs of his homeland, he has dedicated his life to humanitarian work—even forming the German American Culture Society—working for decades to show the world that what we share as humans is far more important than what separates us from one another. Told with openness, candor, humor, heart, and occasional raw vulnerability, I’ll Be Damned reveals a man committed to making the world a better, more loving place. Filled with sixteen pages of photos from his decorated life and career, I’ll Be Damned will be a treasured keepsake for Y&R fans, and is an inspiring testament to the goodness within us all. |
| dustin hoffman tootsie interview: life.love.beauty Keegan Allen, 2015-02-03 This book takes you on a photographic voyage through my life so far. –Keegan Allen Keegan Allen is currently known to fans of the ABC Family hit television series, Pretty Little Liars. He has also appeared in numerous independent films and made his New York Stage debut in the acclaimed MCC production of Small Engine Repair. Keegan was given his first camera at age nine, and began a lifelong study and pursuit of photography. life.love.beauty is a selection of photographs taken since his childhood. It's a photo journey through the life of an intensely creative soul whose expression finds various forms: in acting, in poems and stories, lyrics and music, but above all in photography. This book's content resonates in the commonality we all share on our own journeys while unveiling an inside look into a world that very few experience. Organized into three broad groups—life, love, and beauty—the book ranges over the public and private side of Keegan Allen and his world. A child of Hollywood, whose father was also an actor and his mother a painter, Keegan roams freely through that realm, photographing his fellow actors on set, behind the scenes; and recording the amazed, gleeful, sometimes weeping fans that flock to his television and career related events. Allen also has an eye for the anonymous and the unexpected: the woman gazing dreamily from the balcony of a run-down hotel; the rifle-toting dog walker who seems to have emerged from the 19th century; the performers and denizens of Venice Beach and also the streets of New York, some of them chasing the dream of fame, others having long-since abandoned it; the little boy amid in the crowd in an enormous airport; portraits of lovers kissing on subways, in parks, and on the streets. Traveling from California to New York to Paris and back, as well as through the American west, he finds beauty in both urban and rural places: from large-scale landscapes to glimpses of light transforming what it touches. Keegan's poems, stories, captions and musings, song lyrics, and journal pages complement the photographs on this journey. He provides an account of growing up just off the Sunset Strip, coming into his own as an actor/artist, dealing with public recognition while maintaining a very private life, falling in and out of love, and acknowledging the influence of his family, friends, fans, and loved ones. life.love.beauty is an unusually intimate and revealing book: a delight for anyone who values photography, and a gift for the many fans who already follow Keegan's career. Keegan's real passion comes through in both his photographs and candid story telling in this unique photo-journal. |
| dustin hoffman tootsie interview: Being Hal Ashby Nick Dawson, 2009-04-17 The story of the director behind Harold and Maude, Being There, and other quirky classics: “A superb biography of this troubled, talented man.” —Tucson Citizen Hal Ashby set the standard for subsequent independent filmmakers by crafting unique, thoughtful, and challenging films that continue to influence new generations of directors. Initially finding success as an editor, Ashby won an Academy Award for editing 1967’s In the Heat of the Night, and translated his skills into a career as one of the quintessential directors of 1970s. Perhaps best remembered for the enduring cult classic Harold and Maude, Ashby quickly became known for melding quirky comedy and intense drama with performances from A-list actors such as Jack Nicholson in The Last Detail, Warren Beatty and Goldie Hawn in Shampoo, Jon Voight and Jane Fonda in Coming Home, and Peter Sellers and Shirley MacLaine in Being There. But Ashby’s personal life was difficult. After enduring his parents’ divorce, his father’s suicide, and his own failed marriage all before the age of nineteen, he became notorious for his drug abuse, which contributed to the decline of his career near the end of his life. Ashby always operated outside Hollywood’s conventions, and though his output was tragically limited, the quality of his films continues to inspire modern directors as varied and talented as Judd Apatow and Wes Anderson, both of whom acknowledge Ashby as a primary influence. In Being Hal Ashby: Life of a Hollywood Rebel, the first full-length biography of the maverick filmmaker, Nick Dawson masterfully tells the turbulent story of Ashby’s life and career. |
| dustin hoffman tootsie interview: Figures of Light Carole Zucker, 2013-11-11 It is a rare and remarkable book that provides a forum for actors to discuss, in their own words, their experiences, their craft, and the creative process that makes and informs a brilliant performance. This book of original interviews is just such a treasure. |
| dustin hoffman tootsie interview: Dustin Hoffman Jeff Lenburg, 2001-05-01 One of Hollywood's most bankable stars, Dustin Hoffman is a rare acting genius and Hollywood legend. From innocent Benjamin Braddock to autistic savant Raymond Babbit, his stellar movie performances have won him numerous awards, ecstatic popular acclaim and worldwide fame. Well-known celebrity biographer Jeff Lenburg tells the inside-story of this award-winning actor in this fully revised, revealing biography. With great attention to detail, the author examines the man and his work Hoffman's coming of age, his brilliant career, his bravura acting style, his classic films and behind-the-scene stories- as well as the marriages and personal life of this demanding and difficult actor. |
| dustin hoffman tootsie interview: Behind the Bell Dustin Diamond, 2009 The teen stars of Saved by the Bell entertained global audiences for over a decade. On TV, the actors in this ground-breaking show portrayed characters of model behavior, though often indulging in a little innocent adolescent fun. But what was it like behind the scenes? What were these kids really like, and what was it like to live one's teenage years in front of the camera? Dustin Diamond, Saved by the Bell's Samuel Screech Powers, pulls back the curtains to reveal the truth about being a child star in Hollywood. Diamond shows what happens when kids grow up too fast, too rich, and too famous. Book jacket. |
| dustin hoffman tootsie interview: Seduced by Mrs. Robinson Beverly Gray, 2017-11-07 *An Amazon Best Book of the Month* “[Gray] writes smartly and insightfully . . . The book as a whole offers a fascinating look at how this movie tells a timeless story.” —The Washington Post Mrs. Robinson, you’re trying to seduce me. Aren’t you? When The Graduate premiered in December 1967, its filmmakers had only modest expectations for what seemed to be a small, sexy art-house comedy adapted from an obscure first novel by an eccentric twenty-four-year-old. There was little indication that this offbeat story—a young man just out of college has an affair with one of his parents’ friends and then runs off with her daughter—would turn out to be a monster hit, with an extended run in theaters and seven Academy Award nominations. The film catapulted an unknown actor, Dustin Hoffman, to stardom with a role that is now permanently engraved in our collective memory. While turning the word plastics into shorthand for soulless work and a corporate, consumer culture, The Graduate sparked a national debate about what was starting to be called “the generation gap.” Now, in time for this iconic film’s fiftieth birthday, author Beverly Gray offers up a smart close reading of the film itself as well as vivid, never-before-revealed details from behind the scenes of the production—including all the drama and decision-making of the cast and crew. For movie buffs and pop culture fanatics, Seduced by Mrs. Robinson brings to light The Graduate’s huge influence on the future of filmmaking. And it explores how this unconventional movie rocked the late-sixties world, both reflecting and changing the era’s views of sex, work, and marriage. |
| dustin hoffman tootsie interview: Writing Movies for Fun and Profit Thomas Lennon, Robert Ben Garant, 2012-07-03 A hilarious and helpful insider's guide to launching a successful writing career in Hollywood. . . . The only compass readers will ever need to navigate the treacherous waters of filmmaking--(Kirkus Reviews, starred review). |
| dustin hoffman tootsie interview: A Year in the Life of TheManWhoFellAsleep Greg Stekelman, 2006 Part novel, part journal, part snippets of conversation overheard on the tube, part collection of drawings of Kevin Spacey and Condaleeza Rice, this diary tells a year in the life of The Man Who Fell Asleep - artist, thinker, writer, North Londoner, and alter-ego of Greg Stekelman. |
| dustin hoffman tootsie interview: Jimmy Shine Murray Schisgal, 1969 THE STORY: As described by The New York Post : The play is about a starving young painter living in a Greenwich Village loft...He is immediately established as mildly freaky: beer chilling on top of an ice cube, a mat of hair pasted on his che |
| dustin hoffman tootsie interview: Mamaleh Knows Best Marjorie Ingall, 2016-08-30 We all know the stereotype of the Jewish mother: Hectoring, guilt-inducing, clingy as a limpet. In Mamaleh Knows Best, Tablet Magazine columnist Marjorie Ingall smashes this tired trope with a hammer. Blending personal anecdotes, humor, historical texts, and scientific research, Ingall shares Jewish secrets for raising self-sufficient, ethical, and accomplished children. She offers abundant examples showing how Jewish mothers have nurtured their children’s independence, fostered discipline, urged a healthy distrust of authority, consciously cultivated geekiness and kindness, stressed education, and maintained a sense of humor. These time-tested strategies have proven successful in a wide variety of settings and fields over the vast span of history. But you don't have to be Jewish to cultivate the same qualities in your own children. Ingall will make you think, she will make you laugh, and she will make you a better parent. You might not produce a Nobel Prize winner (or hey, you might), but you'll definitely get a great human being. |
| dustin hoffman tootsie interview: Barney's Version Mordecai Richler, 2011-12-21 Charged with comic energy and a steely disregard for any pieties whatsoever, Barney's Version is a major Richler novel, the most personal and feeling book of a long and distinguished career. Told in the first person, it gives us the life (and what a life!) of Barney Panofsky--whose trashy TV company, Totally Useless Productions, has made him a small fortune; whose three wives include a martyred feminist icon, a quintessential JCP (Jewish-Canadian Princess), and the incomparable Miriam, the perfect wife, lover, and mother--alas, now married to another man; who recalls with nostalgia and pain his young manhood in the Paris of the early fifties, and his lifelong passion for wine, women, and the Montreal Canadiens; who either did or didn't murder his best friend, Boogie, after discovering him in bed with The Second Mrs. Panofsky; whose satirical eye for the idiocies of today's Quebec separatists (as well as for every other kind of political correctness) manages to offend his entire acquaintanceship (and will soon be offending readers everywhere); and whose memory--though not his bile--is, in his sixty-seventh year, definitely slipping . . . |
| dustin hoffman tootsie interview: Isak Dinesen Judith Thurman, 2022-12-06 Judith Thurman’s brilliant, National Book Award–winning biography of Isak Dinesen—now with a new foreword by the author A brilliant literary portrait, Isak Dinesen remains the only comprehensive biography of one of the greatest storytellers of our time. Dinesen’s magnificent memoir, Out of Africa, established her as a major twentieth-century author, who was twice nominated for the Nobel Prize. With exceptional grace, Judith Thurman’s classic work explores Dinesen’s life. Until the appearance of this book, the life and art of Isak Dinesen have been—as Dinesen herself wrote of two lovers in a tale—“a pair of locked caskets, each containing the key to the other.” Judith Thurman has provided the master key to them both. |
| dustin hoffman tootsie interview: The Moth Diaries Rachel Klein, 2003-07-29 Lucy and Ernessa have become inseparable. Ernessa’s taken her over. She’s consuming her. What I saw wasn’t real. And I know it wasn’t a dream. Ernessa is a vampire. At an exclusive girls’ boarding school, a sixteen-year-old girl records her most intimate thoughts in a diary. The object of her growing obsession is her roommate, Lucy Blake, and Lucy’s friendship with their new and disturbing classmate. Ernessa is an enigmatic, moody presence with pale skin and hypnotic eyes. Around her swirl dark rumors, suspicions, and secrets as well as a series of ominous disasters. As fear spreads through the school and Lucy isn’t Lucy anymore, fantasy and reality mingle until what is true and what is dreamed bleed together into a waking nightmare that evokes with gothic menace the anxieties, lusts, and fears of adolescence. And at the center of the diary is the question that haunts all who read it: Is Ernessa really a vampire? Or has the narrator trapped herself in the fevered world of her own imagining? |
| dustin hoffman tootsie interview: Under My Hat Sally Berkovic, 2019 Sally Berkovic chronicles the challenges of raising daughters while straddling the tensions between an Orthodox religious life and the competing forces of secularism. First published in 1977, Under My Hat presciently raised issues that have since dominated the Orthodox world. This new edition is augmented by an extensive introduction delving into the impact of more than 20 years of evolutionary change. -From the back cover. |
| dustin hoffman tootsie interview: L.A. Noir John Buntin, 2010-04-06 Now the TNT Original Series MOB CITY Midcentury Los Angeles. A city sold to the world as the white spot of America, a land of sunshine and orange groves, wholesome Midwestern values and Hollywood stars, protected by the world’s most famous police force, the Dragnet-era LAPD. Behind this public image lies a hidden world of pleasure girls and crooked cops, ruthless newspaper tycoons, corrupt politicians, and East Coast gangsters on the make. Into this underworld came two men—one L.A.’ s most notorious gangster, the other its most famous police chief—each prepared to battle the other for the soul of the city. |
| dustin hoffman tootsie interview: Her Again Michael Schulman, 2016-04-26 A portrait of a woman, an era, and a profession: the first thoroughly researched biography of Meryl Streep that explores her beginnings as a young woman of the 1970s grappling with love, feminism, and her astonishing talent In 1975 Meryl Streep, a promising young graduate of the Yale School of Drama, was finding her place in the New York theater scene. Burning with talent and ambition, she was like dozens of aspiring actors of the time—a twenty-something beauty who rode her bike everywhere, kept a diary, napped before performances, and stayed out late “talking about acting with actors in actors’ bars.” Yet Meryl stood apart from her peers. In her first season in New York, she won attention-getting parts in back-to-back Broadway plays, a Tony Award nomination, and two roles in Shakespeare in the Park productions. Even then, people said, “Her. Again.” Her Again is an intimate look at the artistic coming-of-age of the greatest actress of her generation, from the homecoming float at her suburban New Jersey high school, through her early days on the stage at Vassar College and the Yale School of Drama during its golden years, to her star-making roles in The Deer Hunter, Manhattan, and Kramer vs. Kramer.New Yorker contributor Michael Schulman brings into focus Meryl’s heady rise to stardom on the New York stage; her passionate, tragically short-lived love affair with fellow actor John Cazale; her marriage to sculptor Don Gummer; and her evolution as a young woman of the 1970s wrestling with changing ideas of feminism, marriage, love, and sacrifice. Featuring eight pages of black-and-white photos, this captivating story of the making of one of the most revered artistic careers of our time reveals a gifted young woman coming into her extraordinary talents at a time of immense transformation, offering a rare glimpse into the life of the actress long before she became an icon. |
| dustin hoffman tootsie interview: Essentialism Greg McKeown, 2014-04-15 THE LIFE-CHANGING NEW YORK TIMES BESTSELLER • MORE THAN TWO MILLION COPIES SOLD • Now in a 10th anniversary edition featuring a new introduction and bonus 21-day challenge. “Essentialism holds the keys to solving one of the great puzzles of life: How can we do less but accomplish more?”—Adam Grant, bestselling author of Think Again Essentialism isn’t about getting more done in less time. It’s about getting only the right things done. Have you ever found yourself stretched too thin? Are you often busy but not productive? Do you feel like your time is constantly being hijacked? If you answered yes to any of these, the way out is the Way of the Essentialist. Essentialism is more than a time-management technique. It is a systematic discipline for discerning what is absolutely essential, then eliminating everything that is not, so we can make the highest possible contribution toward the things that really matter. By forcing us to apply more selective criteria for where to spend our precious time and energy, the disciplined pursuit of less empowers us to reclaim control of our own choices, instead of giving others the implicit permission to choose for us. Essentialism is not one more thing to do. It’s a whole new way of doing less, but better, in every area of our lives. Join the millions of people who have used Essentialism to change their outlook on the world. |
| dustin hoffman tootsie interview: Down and Dirty Pictures Peter Biskind, 2013-01-08 In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
| dustin hoffman tootsie interview: Why Karen Carpenter Matters Karen Tongson, 2019-06-01 In the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy—the underconsumption that led to Karen's death at age thirty-two from the effects of an eating disorder. In Why Karen Carpenter Matters, Karen Tongson (whose Filipino musician parents named her after the pop icon) interweaves the story of the singer’s rise to fame with her own trans-Pacific journey between the Philippines—where imitations of American pop styles flourished—and Karen Carpenter’s home ground of Southern California. Tongson reveals why the Carpenters' chart-topping, seemingly whitewashed musical fantasies of normal love can now have profound significance for her—as well as for other people of color, LGBT+ communities, and anyone outside the mainstream culture usually associated with Karen Carpenter’s legacy. This hybrid of memoir and biography excavates the destructive perfectionism at the root of the Carpenters’ sound, while finding the beauty in the singer's all too brief life. |
| dustin hoffman tootsie interview: Career Self-Care Minda Zetlin, 2022-06-14 MAKE EVERY WORKDAY BETTER Like the best advice from a therapist, career counselor, and savvy best friend, this practical resource details dozens of concrete ways to improve work life in any kind of job or entrepreneurial setting. As Minda Zetlin shows, basic self-care principles are the key, and they apply in both tranquil and turbulent times. Her prescriptions are action-ready and available to all. They include: • taking doable steps to get from where you are to where you dream of being • cultivating both mentors and sponsors (and understanding the difference) • navigating the ongoing issues of gender and race bias at work • dealing with toxic coworkers, including bosses • supercharging the brain for reaching goals • incorporating detoxifying mindfulness practices, such as ultra-brief meditation breaks, simple breathing exercises, and power journaling Not just another list of things to do, this invaluable book is there to help in moments of overwhelm or indecision, at the end of a long day, or any time when you need a reminder of your whole-self aspirations and what you’re capable of. |
| dustin hoffman tootsie interview: Miss May Does Not Exist Carrie Courogen, 2024-06-04 Miss May Does Not Exist, by Carrie Courogen is the riveting biography of comedian, director, actor and writer Elaine May, one of America’s greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch. After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is this: “Miss May does not exist.” Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be. |
| dustin hoffman tootsie interview: No Beast So Fierce Edward Bunker, 2011-11-01 An ex-con struggles to adjust to life outside prison walls in “one of the great crime novels of the past 30 years” (James Ellroy). After eight years spent locked up, Max has gotten very good at being a prisoner. He knows the guards, the inmates, and how to survive. But the parole board has decided that he has sufficiently reformed, and it’s time for him to say goodbye. When Max reaches the outside world, he finds that freedom doesn’t make anything easier. Based on his own experiences in prison, Edward Bunker first drafted No Beast So Fierce in the 1950s, while incarcerated in San Quentin State Prison. He spent the next two decades in and out of jail, writing essays for various magazines and working on the novel, which was finally published in 1973. Eighteen months later, the book was used as evidence that he was fit to leave jail. He received parole, and spent the rest of his life a free man. Rooted in real-life experiences and hailed by Quentin Tarantino—who cast Bunker in his film Reservoir Dogs—as “the best first person crime novel I have ever read,” No Beast So Fierce is a gritty and compelling read like no other. |
| dustin hoffman tootsie interview: Who Is Michael Ovitz? Michael Ovitz, 2018-09-25 If you're going to read one book about Hollywood, this is the one. As the co-founder of Creative Artists Agency, Michael Ovitz earned a reputation for ruthless negotiation, brilliant strategy, and fierce loyalty to his clients. He reinvented the role of the agent and helped shape the careers of hundreds of A-list entertainers, directors, and writers, including Steven Spielberg, Martin Scorsese, Meryl Streep, Sean Connery, Bill Murray, Robin Williams, and David Letterman. But this personal history is much more than a fascinating account of celebrity friendships and bare-knuckled dealmaking. It's also an underdog's story: How did a middle-class kid from Encino work his way into the William Morris mailroom, and eventually become the most powerful person in Hollywood? How did an agent (even a superagent) also become a power in producing, advertising, mergers & acquisitions, and modern art? And what were the personal consequences of all those deals? After decades of near-silence in the face of controversy, Ovitz is finally telling his whole story, with remarkable candor and insight. |
| dustin hoffman tootsie interview: The Charade Backfires E. Rishe, 2003-03-24 Odilia's trust fund is just about depleted by the time she earns her Ph.D. in Child Psychology. When she mentions that she would like to get a job as a nanny, her friends scoff, claiming she couldn't commit to a specific job for any length of time. She decides to prove them wrong, and makes a bet. The day she's hired as a nanny, her life as Ms. Raines, a woman, age 50+begins. Jason Galent, who recently became the guardian of his young niece needs a nanny, like yesterday. Two days of interviews find him tired and dispirited, until Ms. Raines walks in. Suddenly he not only has a nanny, but a mystery woman, as well. The charade has begun. He sets his traps, only to fail, time after time. A hostage situation, a serious hand injury, an unveiling, a wedding, an emergency appendectomy, a busy itinerary, a serious health problem and a surprising discovery. THIS ROMANCE HAS IT ALL. |
| dustin hoffman tootsie interview: Invisible Ink Brian McDonald, 2017-01-12 Invisible Ink is a helpful, accessible guide to the essential elements of the best storytelling by award-winning writer/director/producer Brian McDonald. Readers learn techniques for building a compelling story around a theme, engaging audiences with writing, creating appealing characters, and much more. |
| dustin hoffman tootsie interview: Luv Murray Schisgal, 1966-10 THE STORY: As described by the New York Times: When the play begins there is Harry Berlin, looking like a shaved, mustachioed beatnik who has sunk so low that honest beatniks would disown him. He has no future except to jump off the bridge and is about t |
| dustin hoffman tootsie interview: Love's Argument Marianne Novy, 2017-12-01 Novy demonstrates how the plays are theatrical transformations of tensions in both ideals and practices in Renaissance society. Analyzing the dramatic images of lover and beloved, of husband and wife, of parent and child, Novy examines the ways in which the conflicts are resolved in the comedies and romances and how they are acted out in the tragedies. Chapters on individual plays provide original interpretations that delineate the tone and texture of gender relations. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. |
| dustin hoffman tootsie interview: For the Sake of Argument Christopher Hitchens, 1993 'For the sake of argument, one must never let a euphemism or a false consolation pass uncontested. The truth seldom lies, but when it does lie it lies somewhere in between.'. The global turmoil of the last few years has severely tested every analyst and commentator. Few have written with such insight as Christopher Hitchens about the large events - or with such discernment and with about the small tell-tale signs of a disordered culture. For the Sake of Argument ranges from the political squalor of Washington, as a beleaguered Bush administration seeks desperately to stave off disaster and Clinton prepares for power, to the twilight of Stalinism in Prague; from the Jewish quarter of Damascus in the aftermath of the Gulf War to the embattled barrios of Central America and the imperishable resistance of Saralevo, as a difficult peace is negotiated with ruthless foes. Hitchens' unsparing account of Western realpolitik in the end shows it to rest on delusion as well as deception. The reader will find in these pages outstanding essays on political asassination in America as well as a scathing review of the evisceration of politics by pollsters and spin-doctors. Hitchens' knowledge of the tortuous history of revolutions in the twentieth century helps him to explain both the New York intelligentsia's flirtation with Trotskyism and the frailty of Communist power structures in Eastern Europe. Hitchens' pointed reassessments of Graham Greene, P.G. Wodehouse and C.L.R. James, or his riotous celebration of drinkiny and smoking, display an engaging enthusiasm and an acerbic wit. Equally entertaining is his unsparing rogues' gallery, which gives us unforgettable portraits of the lugubrious 'Dr'Kissinger, the comprehensively reactionary 'Mother' Teresa, the preposterous Paul Johnson and the predictable P.J. O'Rourke. |
| dustin hoffman tootsie interview: Strangers on a Bridge James Donovan, 2015-08-04 The #1 New York Times bestseller and subject of the acclaimed major motion picture Bridge of Spies directed by Steven Spielberg, starring Tom Hanks as James B. Donovan. Originally published in 1964, this is the “enthralling…truly remarkable” (The New York Times Book Review) insider account of the Cold War spy exchange—with a new foreword by Jason Matthews, New York Times bestselling author of Red Sparrow and Palace of Treason. In the early morning of February 10, 1962, James B. Donovan began his walk toward the center of the Glienicke Bridge, the famous “Bridge of Spies” which then linked West Berlin to East. With him, walked Rudolf Ivanovich Abel, master spy and for years the chief of Soviet espionage in the United States. Approaching them from the other side, under equally heavy guard, was Francis Gary Powers, the American U-2 spy plane pilot famously shot down by the Soviets, whose exchange for Abel Donovan had negotiated. These were the strangers on a bridge, men of East and West, representatives of two opposed worlds meeting in a moment of high drama. Abel was the most gifted, the most mysterious, the most effective spy in his time. His trial, which began in a Brooklyn United States District Court and ended in the Supreme Court of the United States, chillingly revealed the methods and successes of Soviet espionage. No one was better equipped to tell the whole absorbing history than James B. Donovan, who was appointed to defend one of his country’s enemies and did so with scrupulous skill. In Strangers on a Bridge, the lead prosecutor in the Nuremburg Trials offers a clear-eyed and fast-paced memoir that is part procedural drama, part dark character study and reads like a noirish espionage thriller. From the first interview with Abel to the exchange on the bridge in Berlin—and featuring unseen photographs of Donovan and Abel as well as trial notes and sketches drawn from Abel’s prison cell—here is an important historical narrative that is “as fascinating as it is exciting” (The Houston Chronicle). |
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