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| fred durst woodstock 99 interview: It Starts with One Jason Lipshutz, 2024-10-01 From the executive director of music at Billboard, an extensive look inside the 20+ year career of mega-selling rock band Linkin Park, featuring new interviews, exclusive quotes, and insights from the band’s associates and collaborators Linkin Park is one of the 21st Century’s biggest, and most important, rock bands. All it takes is one quick glance at the numbers— 11 Top 40 hits on the Hot 100 and six No. 1 albums on the Billboard 200, over a dozen massive tours, 27 major award wins, 100+ million records sold worldwide, over 30 million monthly Spotify listeners —to realize that when it comes to the metrics of music consumption and fandom, there’s no bigger group in recent memory. And yet, despite their enduring legacy within rock, there’s never been a full, comprehensive biography of Linkin Park—until now. In IT STARTS WITH ONE: The Legend and Legacy of Linkin Park, Billboard's executive director of music, Jason Lipshutz, chronicles the innovation and influence of this legendary band, from their early childhoods to the moment their paths crossed to the genesis of their iconic first album, Hybrid Theory, and all that followed. Not only were they able to synthesize trends in pop and hip-hop amidst the post-grunge era and nu metal boom, then constantly reinvent their sound over multiple albums, Linkin Park’s radically vulnerable lyrics also helped usher in a new era of artists (and fans) more open to discussing mental health and prioritizing inclusivity. Led by their front men, Chester Bennington and Mike Shinoda, who balanced each other out artistically, Linkin Park never shied away from songs that put their issues front and center, for the world to see and feel. Tragically, Chester succumbed to his demons and passed away in 2017, but the music endures—and in order to truly appreciate the band’s singular power to bring people together, we need to take a closer look at how exactly Linkin Park changed popular music. Through in-depth reporting and interviews, as well as new reflections from their collaborators and contemporaries, IT STARTS WITH ONE explores how one band made such a big impact on modern music, effectively cementing Linkin Park’s long overdue place in music history. |
| fred durst woodstock 99 interview: The Violent World Of Moshpit Culture Joe Ambrose, 2010-01-01 The Moshpit: Hub of a live music culture that is high in sex and violence... and no stranger to death. For the hardcore fans of groups like Limp Bizkit, Hole, Korn and Slipknot, the music is only part of the experince. At gigs worldwide fans literally hurl themselves into a pit - the mosh pit. The result is a mass of seething bodies where fierce physical contact provides a brief, exhilarating escape from everyday life. The mosh pit means random sexual encounters as well as haphazard violence... and occasionally, as Joe Ambrose discovers, it can lead to encounters of unexpected tenderness too. |
| fred durst woodstock 99 interview: John Dies at the End Jason Pargin, David Wong, 2009-09-29 John Dies at the End is a genre-bending, humorous account of two college drop-outs inadvertently charged with saving their small town--and the world--from a host of supernatural and paranormal invasions. Now a Major Motion Picture. [Pargin] is like a mash-up of Douglas Adams and Stephen King... 'page-turner' is an understatement. —Don Coscarelli, director, Phantasm I-V, Bubba Ho-tep STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me. The important thing is this: The sauce is a drug, and it gives users a window into another dimension. John and I never had the chance to say no. You still do. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: None of this was my fault. |
| fred durst woodstock 99 interview: Your Favorite Band Is Killing Me Steven Hyden, 2016-05-17 Steven Hyden explores nineteen music rivalries and what they say about life in this highly entertaining book (Rolling Stone) perfect for every passionate music fan. Beatles vs. Stones. Biggie vs. Tupac. Kanye vs. Taylor. Who do you choose? And what does that say about you? Actually -- what do these endlessly argued-about pop music rivalries say about us? Music opinions bring out passionate debate in people, and Steven Hyden knows that firsthand. Each chapter in Your Favorite Band Is Killing Me focuses on a pop music rivalry, from the classic to the very recent, and draws connections to the larger forces surrounding the pairing. Through Hendrix vs. Clapton, Hyden explores burning out and fading away, while his take on Miley vs. Sinead gives readers a glimpse into the perennial battle between old and young. Funny and accessible, Hyden's writing combines cultural criticism, personal anecdotes, and music history -- and just may prompt you to give your least favorite band another chance. |
| fred durst woodstock 99 interview: Limp Bizkit Colin Devenish, 2000-10-13 Biography of one of the world's currently most successful bands whose albums have topped the charts worldwide and whose combination of rap, heavy metal and punk have set audiences alight wherever they perform. Illustrated with 8-page colour insert. |
| fred durst woodstock 99 interview: Eruption in the Canyon Andrew Bennett, 2021-09-07 A revelatory, fly-on-the-wall collection of photographs and stories documenting Eddie Van Halen at work in his famed but seldom seen 5150 studio, from the 2004 reunion with Sammy Hagar through the 2007 reunion with David Lee Roth. “When kids ask me how it feels to be a rock star, I say, ‘I’m not a rock star. I’m not in it for the fame, I’m in it because I like to play.’” Eddie Van Halen A fortuitous call from a stranger in the middle of the night led to a once-in-a-lifetime assignment. The stranger was Eddie Van Halen. The assignment, as Eddie related it, was to “capture the truth. Show people how hard I work, because that’s the truth.” Having no idea where this would lead or in what form it might be shared, Andrew Bennett spent portions of the next two years relentlessly documenting everything that occurred inside Eddie’s sanctuary: from rehearsals, recording sessions, and revealing conversations, to vicious arguments, a brotherly brawl, and a wild heist attempt in the middle of the night. Bennett memorialized every square foot of that sacred space, every piece of equipment, and every guitar—including Eddie’s beloved Frankenstrat. Featuring more than two hundred photographs, and accompanied by intimate reflections on what the author witnessed, Eruption in the Canyon presents an incomparable portrait of one of the most revered artists in history. |
| fred durst woodstock 99 interview: Best. Movie. Year. Ever. Brian Raftery, 2020-03-31 From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman). |
| fred durst woodstock 99 interview: First Avenue Chris Riemenschneider, 2022-11 Where Prince and Minnesota made rock 'n' roll history--a glorious look back at one of rock's most storied clubs and the thousands of musicians who took the stage there. One of the longest running rock clubs in America, First Avenue in Minneapolis gets the rock-star treatment it deserves with this glorious celebration of a true rock 'n' roll landmark. Revised and updated through the club's 50th anniversary celebrations, the book chronicles the club's storied past--from its impressive inaugural show in April 1970 (Joe Cocker's Mad Dogs & Englishmen tour) up through the latest acts to take the stage at this beloved venue. In its initial incarnation as the Depot, the club hosted music legends as varied as the Kinks, Ike and Tina Turner, Alice Cooper, and B. B. King before transforming into a disco club known as Uncle Sam's. In the '80s, First Avenue catapulted to the global stage as the hub of Prince's Purple Rain and the incubator for widely revered, wild-eyed indie-rock bands such as the Replacements, Hüsker Dü, Soul Asylum, and Babes in Toyland. During the past half-century, First Avenue and 7th Street Entry have hosted everyone from the Ramones to R.E.M., Wilco to the Wu-Tang Clan, Billy Idol to Billie Eilish, Lizz Winstead to Lizzo, and hundreds more--all immortalized in this volume. Over the decades, First Avenue survived corporate competitors, bankruptcy, a bitter ownership battle, and most recently, a global pandemic to become one of the most successful independent clubs in the country and ground zero to Minneapolis's thriving community of hip-hop and indie-rock acts. Amidst all that history, the book is interlaced with anecdotes, quotes, and occasionally cloudy memories from musicians, employees, and regulars--many of whom are as unique as the club itself. Chock full of concert photos and memorabilia collected from professional photographers and average fans alike, the book is a lavish tribute to a rock 'n' roll landmark. |
| fred durst woodstock 99 interview: Do Not Sell At Any Price Amanda Petrusich, 2014-07-08 “A thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records” (Los Angeles Times), Do Not Sell at Any Price is a fascinating, complex story of preservation, loss, obsession, and art. Before MP3s, CDs, and cassette tapes, even before LPs or 45s, the world listened to music on fragile, 10-inch shellac discs that spun at 78 revolutions per minute. While vinyl has enjoyed a renaissance in recent years, rare and noteworthy 78rpm records are exponentially harder to come by. The most sought-after sides now command tens of thousands of dollars, when they’re found at all. Do Not Sell at Any Price is the untold story of a fixated coterie of record collectors working to ensure those songs aren’t lost forever. Music critic and author Amanda Petrusich considers the particular world of the 78—from its heyday to its near extinction—and examines how a cabal of competitive, quirky individuals have been frantically lining their shelves with some of the rarest records in the world. Besides the mania of collecting, Petrusich also explores the history of the lost backwoods blues artists from the 1920s and 30s whose work has barely survived and introduces the oddball fraternity of men—including Joe Bussard, Chris King, John Tefteller, and others—who are helping to save and digitize the blues, country, jazz, and gospel records that ultimately gave seed to the rock, pop, and hip-hop we hear today. From Thomas Edison to Jack White, Do Not Sell at Any Price is an untold, intriguing story of the evolution of the recording formats that have changed the ways we listen to (and create) music. “Whether you’re already a 78 aficionado, a casual record collector, a crate-digger, or just someone…who enjoys listening to music, you’re going to love this book” (Slate). |
| fred durst woodstock 99 interview: And It Don't Stop Raquel Cepeda, 2004-09-29 In September 1979, there was a cosmic shift that went unnoticed by the majority of mainstream America. This shift was triggered by the release of the Sugarhill Gang's single, Rapper's Delight. Not only did it usher rap music into the mainstream's consciousness, it brought us the word hip-hop. And It Don't Stop, edited by the award winning journalist Raquel Cepeda, with a foreword from Nelson George is a collection of the best articles the hip-hop generation has produced. It captures the indelible moments in hip-hop's history since 1979 and will be the centerpiece of the twenty-fifth-anniversary celebration. This book epitomizes the media's response by taking the reader on an engaging and critical journey, including the very first pieces written about hip-hop for publications like TheVillage Voice--controversial articles that created rifts between church and state, the artist and journalist, and articles that recorded the rise and tragic fall of the art form's appointed heroes, such as Tupac Shakur, Eazy-E, and the Notorious B.I.G. The list of contributors includes Toure, Kevin Powell, dream hampton, Harry Allen, Cheo Hodari Coker, Greg Tate, Bill Adler, Hilton Als, Danyel Smith, and Joan Morgan. |
| fred durst woodstock 99 interview: Wrestle Radio U. S. A. Vinnie Carolan, Ed Symkus, 2004 Interviews with more than 30 wrestling performers, conducted between 1992 and 1997, offer firsthand accounts stretching as far back as the 1930s and provide a glimpse into the lives of grapplers and those involved in the industry today. |
| fred durst woodstock 99 interview: Traditions and History of Anderson County Louise Ayer Vandiver, 1928 |
| fred durst woodstock 99 interview: Remembering Woodstock Andy Bennett, 2017-09-29 The Woodstock festival of 1969, which featured such groups and artists as the Who, Country Joe and the Fish, Ten Years After, Janis Joplin and Jimi Hendrix, is remembered as much for its 'bringing together' of the counter-cultural generation as for the music performed. The event represented a milestone in the use of music as a medium for political expression while simultaneously acting as a springboard for the more expressly commercial of rock and pop events which were to follow. In the thirty years since the festival took place, Woodstock has become the subject of many books, magazine articles and documentaries which have served to mythologise the event in the public imagination. These different aspects of the Woodstock festival will be discussed in this wide ranging book which brings together a number of established and new writers in the fields of sociology, media studies and popular music studies. Each of the five chapters which will focus on a specific aspect of the Woodstock festival and its continuing significance in relation to the music industry, the rock festival 'tradition', sixties nostalgia and the cultural impact of popular music. |
| fred durst woodstock 99 interview: King of the Queen City Jon Hartley Fox, 2010-10-01 King of the Queen City is the first comprehensive history of King Records, one of the most influential independent record companies in the history of American music. Founded by businessman Sydney Nathan in the mid-1940s, this small outsider record company in Cincinnati, Ohio, attracted a diverse roster of artists, including James Brown, the Stanley Brothers, Grandpa Jones, Redd Foxx, Earl Bostic, Bill Doggett, Ike Turner, Roy Brown, Freddie King, Eddie Vinson, and Johnny Guitar Watson. While other record companies concentrated on one style of music, King was active in virtually all genres of vernacular American music, from blues and R & B to rockabilly, bluegrass, western swing, and country. A progressive company in a reactionary time, King was led by an interracial creative and executive staff that redefined the face and voice of American music as well as the way it was recorded and sold. Drawing on personal interviews, research in newspapers and periodicals, and deep access to the King archives, Jon Hartley Fox weaves together the elements of King's success, focusing on the dynamic personalities of the artists, producers, and key executives such as Syd Nathan, Henry Glover, and Ralph Bass. The book also includes a foreword by legendary guitarist, singer, and songwriter Dave Alvin. |
| fred durst woodstock 99 interview: SPIN , 1999-11 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| fred durst woodstock 99 interview: Real Artists Have Day Jobs Sara Benincasa, 2016-04-26 For readers of Lena Dunham, Mindy Kaling, and #Girlboss, a hilarious—yet heartfelt—guide to growing up and taking your place in the world by the popular comedian and author of the highly praised Agorafabulous! While the practical aspects of new adulthood can be nerve-wracking—dating, job-hunting, money-managing—the most important task of all is figuring out who you are and where you fit in the world. Author and comedian Sara Benincasa, now in her mid-thirties, had an absolutely harrowing early twenties and now, on the other side, she has a LOT of hard-earned wisdom and common sense to share. Real Artists Have Day Jobs includes 52 witty, provocative essays on how to live like a real adult—especially for those who have chosen a slightly more offbeat path to get there. Chock full of information and advice, Sara’s warm, smart, empathetic, and quirky voice is relatable to everyone from twenty-somethings and recent college grads to anyone a bit older who’s still trying to figure things out. While Sara doesn’t have all of life’s answers, this indispensable book has more than its share! Essays include: How to Read a Book Real Artists Have Day Jobs The Power of Being a Dork Put Your Clutter in Purgatory Ask for Exactly What You Want Elect Your Own Executive Board Equal parts entertaining and educational, Real Artists Have Day Jobs is a life-changing book for strivers and misunderstood creatives everywhere. |
| fred durst woodstock 99 interview: Maryland Aviation John R. Breihan, 2009 Maryland is home to a number of aviation firsts: the first manned balloon ascent in the Western Hemisphere in 1784, the first aircraft carrier during the Civil War, the first airport and flight school at College Park, and the first commuter airline. The state has also been home to a number of aircraft manufacturers. These include Glenn L. Martin in Baltimore and Kreider-Reisner, later Fairchild, in Hagerstown, as well as Ercoupe, Berliner-Joyce, North American, and Curtiss-Caproni. Numerous civilian airfields and military air bases dot the Old Line State from the mountains in the west across the Chesapeake Bay to the Eastern Shore. This collection of historic photographs from a number of sources depicts Maryland's aviation pioneers, the manufacturing companies and the famous airplanes they built, and the state's airports and bases. |
| fred durst woodstock 99 interview: The Jesuits Markus Friedrich, 2022-03-01 The most comprehensive and up-to-date exploration of one of the most important religious orders in the modern world Since its founding by Ignatius of Loyola in 1540, the Society of Jesus—more commonly known as the Jesuits—has played a critical role in the events of modern history. From the Counter-Reformation to the ascent of Francis I as the first Jesuit pope, The Jesuits presents an intimate look at one of the most important religious orders not only in the Catholic Church, but also the world. Markus Friedrich describes an organization that has deftly walked a tightrope between sacred and secular involvement and experienced difficulties during changing times, all while shaping cultural developments from pastoral care and spirituality to art, education, and science. Examining the Jesuits in the context of social, cultural, and world history, Friedrich sheds light on how the order shaped the culture of the Counter-Reformation and participated in the establishment of European empires, including missionary activity throughout Asia and in many parts of Africa in the sixteenth and seventeenth centuries. He also explores the place of Jesuits in the New World and addresses the issue of Jesuit slaveholders. The Jesuits often tangled with the Roman Curia and the pope, resulting in their suppression in 1773, but the order returned in 1814 to rise again to a powerful position of influence. Friedrich demonstrates that the Jesuit fathers were not a monolithic group and he considers the distinctive spiritual legacy inherited by Pope Francis. With its global scope and meticulous attention to archival sources and previous scholarship, The Jesuits illustrates the heterogeneous, varied, and contradictory perspectives of this famed religious organization. |
| fred durst woodstock 99 interview: Non-wood Forest Products for Rural Income and Sustainable Forestry Food and Agriculture Organization of the United Nations, 1995 |
| fred durst woodstock 99 interview: Shenandoah Valley Pioneers and Their Descendants Thomas Kemp Cartmell, 1909 |
| fred durst woodstock 99 interview: A Law Unto Itself Nancy Lisagor, 1989 |
| fred durst woodstock 99 interview: Illuminati in the Music Industry Mark Dice, Famous pop stars and rappers from Jay-Z and Rick Ross to Rihanna and Christina Aguilera are believed by many to be a part of the infamous Illuminati secret society. These stars allegedly use Illuminati and satanic symbolism in their music videos and on their clothes that goes unnoticed by those not “in the know.” Since these stars appear in our livings rooms on family friendly mainstream shows like Good Morning America, Ellen, and dozens of others—and are loved by virtually all the kids—they couldn’t possibly have anything to do with the infamous Illuminati or anything “satanic,” could they? Some famous musicians have even publicly denounced the Illuminati in interviews or songs. Illuminati in the Music Industry takes a close look at some of today’s hottest stars and decodes the secret symbols, song lyrics, and separates the facts from the fiction in this fascinating topic. You may never see your favorite musicians the same way ever again. Includes 50 photographs. Discover why so many artists are promoting the Illuminati as the secret to success. Why an aspiring rapper in Virginia shot his friend as an “Illuminati sacrifice” hoping it would help him become rich and famous. How and why the founder of BET Black Entertainment Television became the first African American billionaire. Why popular female pop stars like Rihanna, Christina Aguilera, Kesha and others are promoting Satanism as cool, something that was once only seen in heavy metal and rock and roll bands. Some musicians like Korn’s singer Jonathan Davis, rapper MC Hammer, Megadeth’s frontman Dave Mustaine, and others have all denounced the Illuminati and artists promoting them. Les Claypool, singer of Primus wrote a song about the Bohemian Grove. Muse singer Matt Bellamy recants his belief that 9/11 was an inside job after getting a taste of mainstream success with his album, The Resistance. Bono said he attended an Illuminati meeting with other celebrities. Was he joking or serious? Why rap and hip hop is filled with Illuminati puppets and wannabes more than other genres of music. Includes detailed profiles on dozens of artists who are suspected of being affiliated with the Illuminati and highlights the handful of musicians who have denounced the secret society and their puppets. Learn about media effects, the power of celebrity, what the externalization of the hierarchy means and how you can break free from the mental enslavement of mainstream media and music. By the author of The Illuminati: Facts & Fiction |
| fred durst woodstock 99 interview: The Road to Woodstock Michael Lang, Holly George-Warren, 2009-06-30 The definitive account of the most famous music festival of all time: Woodstock. “[A] vivid and lively account of those hectic and historic three days….The best fly-on-the-wall account, tantamount to having had a backstage pass to an iconic event.” —New York Post The Woodstock music festival of 1969 is an American cultural touchstone, and no book captures the sights, sounds, and behind-the-scenes machinations of the historic gathering better than Michael Lang’s New York Times bestseller, The Road to Woodstock. USA Today calls this fascinating, entertaining, and blissfully nostalgic look back, “Invaluable.” In The Road to Woodstock, Michael Lang recaptures the magic for the generation that was there…and for the generations that followed. Just in time for the 50th Anniversary of the Woodstock festival, this definitive volume tells you everything you need to know about the most famous three days in music history. |
| fred durst woodstock 99 interview: What Good Are the Arts? John Carey, 2010 Do the arts make us better people? Why should high art be thought higher than low? In the first part of this spirited polemic, Carey returns startling answers to these and related questions. In the second part he makes a provocative case for the superiority of literature to all other arts. |
| fred durst woodstock 99 interview: Scar Tissue Anthony Kiedis, Larry Sloman, 2004-10-01 In this vivid and inspiring New York Times bestseller (Newsweek), the Red Hot Chili Peppers' lead singer and songwriter shares a searingly honest account of life in the rock scene's fast lane—from the darkness into the light. In 1983, four self-described knuckleheads burst out of the mosh-pitted mosaic of the neo-punk rock scene in L.A. with their own unique brand of cosmic hardcore mayhem funk. Over twenty years later, the Red Hot Chili Peppers, against all odds, have become one of the most successful bands in the world. Though the band has gone through many incarnations, Anthony Kiedis, the group's lyricist and dynamic lead singer, has been there for the whole roller-coaster ride. In Scar Tissue, Kiedis delivers a compelling life story from a man in love with everything—the darkness, the death, the disease. Even his descent into drug addiction was a part of that journey, another element transformed into art. Whether he's honoring the influence of the beautiful, strong women who have been his muses or remembering the roaring crowds of Woodstock and the Dalai Lama's humble compound, Kiedis shares a compelling story about the price of success and excess. Scar Tissue is a story of dedication and debauchery, of intrigue and integrity, of recklessness and redemption—a story that could only have come out of the world of rock. |
| fred durst woodstock 99 interview: The Consumption of Inequality K. Halnon, 2013-09-18 The fads, fashions, and media in popular consumer culture frequently make recreational and ideological fun of poverty and lower class living. In this book, Halnon delineates how incarceration, segregation, stigmatization, cultural and social consecration, and carnivalization work in the production and consumption of inequality. |
| fred durst woodstock 99 interview: Oh Boy! Freya Jarman-Ivens, 2013-09-27 From Muddy Waters to Mick Jagger, Elvis to Freddie Mercury, Jeff Buckley to Justin Timberlake, masculinity in popular music has been an issue explored by performers, critics, and audiences. From the dominance of the blues singer over his woman to the sensitive singer/songwriter, popular music artists have adopted various gendered personae in a search for new forms of expression. Sometimes these roles shift as the singer ages, attitudes change, or new challenges on the pop scene arise; other times, the persona hardens into a shell-like mask that the performer struggles to escape. Oh Boy! Masculinities and Popular Music is the first serious study of how forms of masculinity are negotiated, constructed, represented and addressed across a range of popular music texts and practices. Written by a group of internationally recognized popular music scholars—including Sheila Whiteley, Richard Middleton, and Judith Halberstam—these essays study the concept of masculinity in performance and appearance, and how both male and female artists have engaged with notions of masculinity in popular music. |
| fred durst woodstock 99 interview: The History of Huddersfield and Its Vicinity D. F. E. Sykes, 1898 |
| fred durst woodstock 99 interview: I'm Special Ryan O'Connell, 2015-06-02 NOW a NETFLIX series entitled Special from Executive Producer JIM PARSONS starring RYAN O‘CONNELL as himself. From the beloved blogger turned voice of an online generation, an unforgettable and hilarious memoir-meets-manifesto exploring what it means to be a millennial gay man living with cerebral palsy, which VICE calls “a younger, gay version of Mary Karr's Lit.” People are obsessed with Ryan O’Connell’s blogs. With tens of thousands reading his pieces on Thought Catalog and Vice, watching his videos on YouTube, and hanging on to each and every #dark tweet, Ryan has established himself as a unique young voice who’s not afraid to dole out some real talk. He’s that candid, snarky friend you consult when you fear you’re spending too much time falling down virtual k-holes stalking your ex on Facebook or when you’ve made the all-too-common mistake of befriending a psycho while wasted at last night’s party and need to find a way to get rid of them the next morning. But Ryan didn’t always have the answers to these modern-day dilemmas. Growing up gay and disabled with cerebral palsy, he constantly felt like he was one step behind everybody else. Then the rude curveball known as your twenties happened and things got even more confusing. Ryan spent years as a Millennial cliché: he had dead-end internships; dabbled in unemployment; worked in his pajamas as a blogger; communicated mostly via text; looked for love online; spent hundreds on “necessary” items, like candles, while claiming to have no money; and even descended into aimless pill-popping. But through extensive trial and error, Ryan eventually figured out how to take his life from bleak to chic and began limping towards adulthood. Sharp and entertaining, I’m Special will educate twentysomethings (or other adolescents-at-heart) on what NOT to do if they ever want to become happy fully functioning grown-ups with a 401k and a dog. |
| fred durst woodstock 99 interview: A Secret History of the Ollie Craig B. Snyder, 2015-02-28 Every culture has a creation myth, and skateboarding is no different. The Ollie forged a new identity for skateboarding after its invention in the 1970s, and it lies at the root of nearly every significant move in street skating today. This groundbreaking no-handed aerial has also affected the evolution of surfing and snowboarding, and has left a permanent impression upon popular culture and language. This, then, is the story of the Ollie, the history and technology that set the stage for its creation, the pioneers who made it happen, and the skaters who used it to start a revolution. |
| fred durst woodstock 99 interview: Woodstock Scholarship Jeffrey N. Gatten, 2016-11-11 Since August 1969, the Woodstock Music and Art Fair looms large when recounting the history and impact of the baby boom generation and the societal upheavals of the Sixties. Scholars study the sociological, political, musical, and artistic impact of the event and use it as a cultural touchstone when exploring alternative perspectives or seeking clarity. This interdisciplinary annotated bibliography records the details of over 400 English-language resources on the Festival, including books, chapters, articles, websites, transcriptions and videos. Divided into six main subsections―Culture & Society, History, Biography, Music, Film, Arts & Literature―for ease of consultation Woodstock Scholarship sheds light on all facets of a key happening in our collective history. Throughout the 1960s, popular music became increasingly reflective and suggestive of the rising political and social consciousness of the youth culture. Examples can be seen in the development of the protest song genre within the folk music boom of the early Sixties and the marriage of lifestyle to music first reflected by The Beatles with fashion, followed by psychedelic music with the emerging drug culture. Woodstock was where these themes coalesced, thus becoming the defining and last great moment of the 1960s. However, Woodstock also represented an abundant amount of experiences and ideas and moments. Thus, when exploring the complicated accounts and numerous facets of America during the turbulent Sixties one discovers scholarship on the key subjects, such as the Vietnam War or the Civil Rights Movement, often considering and debating the importance, relevance, and epic nature of Woodstock. Multiple narratives emerge: a radical engagement of the hippie movement, an overt commercial exploitation of youth culture, a political statement. Woodstock scholarship does not stand alone as field of study, but it is at the cross-road of a number of disciplines―music history, cultural studies, sociology, arts and literature, media studies, politics and economics. Providing full bibliographical details and concise, informative annotation for each entry, Woodstock Scholarship is an essential tool for students, scholars, teachers, and librarians in all these areas, as well as for anyone seeking a deeper understanding of both the Woodstock Music and Art Fair phenomenon and of the confluence of music, commerce and politics. |
| fred durst woodstock 99 interview: Guitar World Presents Nu-metal Jeff Kitts, Brad Tolinski, 2002 Once again proving its indestructible, eternal appeal, metal is in yet another renaissance, be it the aggressive marriage of rap and metal or the expansive soundscapes of stoner rock. From the nightmarish theatrics and irresistible hooks of the 9-member band Slipknot to the buzz saw aggression of Korn to the anarchic party vibe of Limp Bizkit, metal continues to change with the times, picking up seemingly disparate styles and making them new again. Guitar World has never failed to offer the best coverage of this enduring and explosive scene, and the collected pieces here are a must for every metal fan. |
| fred durst woodstock 99 interview: SPIN , 2000-04 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| fred durst woodstock 99 interview: Something Good for a Change Wavy Gravy, 1993-01-01 Biographical essays discuss the spirit of volunteerism sweeping the nation, the author's experiences with Ken Kesey and the Merry Pranksters, and his counseling in children's hospitals |
| fred durst woodstock 99 interview: The New York Times Index , 1999 |
| fred durst woodstock 99 interview: The History of the Brigham Family W I Tyler Brigham, Emma E Brigham, William E Brigham, 2022-10-26 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| fred durst woodstock 99 interview: The Encyclopedia of Film Composers Thomas S. Hischak, 2015-04-16 For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical material Important dates Career highlights Analysis of the composer’s musical style Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores. |
| fred durst woodstock 99 interview: Heroes Franco Berardi, 2015-02-03 What is the relationship between capitalism and mental health? Through an exhilarating mix of philosophical and psychoanalytical theory and reportage - from the suicide epidemic in Korea to the wave of American mass murders - the prominent Italian thinker Franco Berardi Bifo traces the social roots of the mental malaise of our age. His darkest and most unsettling book to date, Berardi proposes dystopian irony as a strategy to disentangle ourselves from the deadly embrace of the neoliberalism. |
| fred durst woodstock 99 interview: History of the Roush Family in America Lester Le Roy Roush, 1942 John Adam Rausch (1711-1786) immigrated to Pennsylvania in 1736. He married Susannah in about 1740. They had eight children. Descendants and relatives lived mainly in Pennsylvania and Ohio. |
| fred durst woodstock 99 interview: Protestant Exiles from France in the Reign of Louis XIV. David Carnegie A. Agnew, 1871 |
A Response to Woodstock 99: Peace, Love, and Rage; …
In 2021, one such example is the HBO Documentary Woodstock 99: Peace, Love, and Rage, a work which seeks to characterize the festival itself and the broader heavier alternative music …
Peace, Love, and Politics: How Woodstock of 1969 Epitomized …
focusing on Woodstock of 1969 as a pivotal moment. By examining the 1969 Woodstock through an academic lens, I illustrate the intrinsic relationship that exists between music and
Significantly Othered: Limp Bizkit and the Politics of Nu Metal …
By the time frontman Fred Durst, resplendent in his signature red baseball cap, made the rather puerile declaration that the band were “not allowed” to play their 1999 single “Break Stuff” (a …
Woodstock and Historical Memory - nysarchivestrust.org
Why did Woodstock ’99 end in a riot? And what might this suggest about our idealized vision of the original gathering? Selective Memory Though it is celebrated as a defining moment of the …
Family History Notes - New Glarus Public Library
Fridolin and Magdalena (Streiff) Durst (originally Dürst) arrived in New Glarus in 1854 from Dornhaus-Diesbach in Canton Glarus. They settled in the small valley running directly west of …
Limp Bizkit -Woodstock 99
What is Woodstock 99 •Woodstock 99 was a outdoor rock festival that featured major bands like Korn, red hot chilly peppers and limp Bizkit •Was one of the biggest festivals in the 90s and is …
They say that if you remember Woodstock, you weren’t really …
They say that if you remember Woodstock, you weren’t really there. Well, sixteen-year-old Fred Schlussel and his fifteen-year-old neigh-bor Robert Ehrlich were there, and they do remember. …
'Building Bridges Back to the past': An Interview with Fred D
An Interview with Fred D'Aguiar by Maria Frias This interview was conducted after Fred D'Aguiar traveled to Ghana (West Africa) where he had been invited by the British Council to lecture at …
Limp Bizkit Woodstock 99 Interview (2022) - dev.mabts
Hoskyns, Major Dudes features contributions from the likes of Sylvie Simmons, Fred Schruers, and the late Robert Palmer; plus rare interviews and reviews of Steely Dan’s early albums from …
For Immediate Release July 23, 2009 FM Odyssey's 40th …
Host/creator/producer Fred Migliore is pleased to announce the availability of another exciting FM Odyssey event, The Woodstock 40 th Anniversary program. Featured will be the legendary …
Remembering the Counterculture Ang Lee’s Taking …
Taking Woodstock centers on the days leading up to the festival, during preparations and during the festival itself. Instead of trying to tell the entire story, Lee’s in depth look at Elliot Teichburg …
Defining Moments Woodstock - Omnigraphics
5 By the third day, it had become a survival camp.… This was their country. Their space. But it wasn’t all that pleasant all the time. Sometimes, there were great highs.
Attorneys for Plaintiffs William Frederick Durst; Limp Bizkit; …
Plaintiffs William Frederick Durst (“Durst”), FLAWLESS RECORDS, LLC (“Flawless Records”), and LIMP BIZKIT (collectively, “Plaintiffs”), by and through their attorneys, hereby allege for …
Fred Funk Pre-Round Interview Transcript April 30, 2025
Apr 4, 2025 · Fred Funk Pre-Round Interview Transcript April 30, 2025 Question: This Friday you become the 25th player to reach a thousand starts between PGA Tour and PGA Tour …
Woodstock Board of Finance Minutes - Woodstock, Connecticut
Mar 15, 2022 · David Fortin made a *Motion to table the approval of the Minutes from March 8, 2022 Regular Meeting until March 22, 2022. *Seconded by Fred Chmura. *The Motion Passed …
The Interview as a Selection Device: Problems and Possibilities
interview can be a useful source of information in the selection process. An effective interview requires adequate preparation, a comfortable setting, and clear communication between …
ORAL MEMOIRS OF FRED WILSON Interviewer: Stevan Sauceda
Mar 22, 2018 · The electronic file and complete transcript of this interview were processed in the Department of History at Angelo State University and are available at the Dr. Ralph R. Chase …
Woodstock Planning & Zoning Commission Special Meeting …
Fred Rich stated that if a person is making food stuff and selling it to a business the person needs to have a certified kitchen, which is a long and expensive process. Mr. Rich stated that a …
Woodstock, Ontario Newsletter 2012 July - Oxford Historical …
interview tapes are mostly from the 1970s: the oral histories of local productive and interesting individuals. We have recently re-started making interviews, but with
Woodstock Planning and Zoning 06-21-2018
The call to order of the regular monthly meeting by Vice Chair Fred Rich was at 7:34 PM. Roll Call: a quorum is present Planner Delia Fey; Survey Manager, Guerriere & Hanlon, Jeffrey …
A Response to Woodstock 99: Peace, Love, and Rage; Recontex…
In 2021, one such example is the HBO Documentary Woodstock 99: Peace, Love, and Rage, a work which seeks to characterize the festival itself and the broader heavier …
Peace, Love, and Politics: How Woodstock of 1969 Epitomized t…
focusing on Woodstock of 1969 as a pivotal moment. By examining the 1969 Woodstock through an academic lens, I illustrate the intrinsic relationship that exists between …
Significantly Othered: Limp Bizkit and the Politics of Nu Metal Oth…
By the time frontman Fred Durst, resplendent in his signature red baseball cap, made the rather puerile declaration that the band were “not allowed” to play their 1999 single …
Woodstock and Historical Memory - nysarchivestrust.org
Why did Woodstock ’99 end in a riot? And what might this suggest about our idealized vision of the original gathering? Selective Memory Though it is celebrated as a …
Family History Notes - New Glarus Public Library
Fridolin and Magdalena (Streiff) Durst (originally Dürst) arrived in New Glarus in 1854 from Dornhaus-Diesbach in Canton Glarus. They settled in the small valley …
