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| elmore leonard 10 rules of writing: Elmore Leonard's 10 Rules of Writing Elmore Leonard, 2009-10-13 These are the rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story.—Elmore Leonard For aspiring writers and lovers of the written word, this concise guide breaks down the writing process with simplicity and clarity. From adjectives and exclamation points to dialect and hoopetedoodle, Elmore Leonard explains what to avoid, what to aspire to, and what to do when it sounds like writing (rewrite). Beautifully designed, filled with free-flowing, elegant illustrations and specially priced, Elmore Leonard's 10 Rules of Writing is the perfect writer's—and reader's—gift. |
| elmore leonard 10 rules of writing: Out of Sight Elmore Leonard, 2009-04-14 World-class gentleman felon Jack Foley is busting out of Florida's Glades Prison when he runs head on into a shotgun-wielding Karen Sisco. Suddenly he's sharing a cramped car trunk with the classy, disarmed federal marshal and the chemistry is working overtime—and as soon as she escapes, he's already missing her. But there are bad men and a major score waiting for Jack in Motown. And the next time his path crosses Karen's, chances are she's going to be there for business, not pleasure. |
| elmore leonard 10 rules of writing: On Writing Stephen King, 2014-12 |
| elmore leonard 10 rules of writing: Henry Miller on Writing Henry Miller, 1964 Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience. |
| elmore leonard 10 rules of writing: Swag Elmore Leonard, 2012-12-26 This brilliant caper (New York Times) from bestselling author Elmore Leonard is a rollicking tale of modern urban crime featuring a cast of small-time criminals with big-time dreams. Ernest Stickley Jr. figures his luck's about to change when Detroit used-car salesman Frank Ryan catches him trying to boost a ride from Ryan's lot. Frank's got some surefire schemes for getting rich quick—all of them involving guns—and all Stickley has to do is follow Ryan's Rules to share the wealth. But sometimes rules need to be bent, maybe even broken to succeed in the world of crime, especially when the brains of the operation knows less than nothing. |
| elmore leonard 10 rules of writing: Raylan Elmore Leonard, 2012-01-17 “Elmore Leonard can write circles around almost anybody active in the crime novel today.” —New York Times Book Review The revered New York Times bestselling author, recognized as “America’s greatest crime writer” (Newsweek), brings back U.S. Marshal Raylan Givens, the mesmerizing hero of Pronto, Riding the Rap, and the hit FX series Justified. With the closing of the Harlan County, Kentucky, coal mines, marijuana has become the biggest cash crop in the state. A hundred pounds of it can gross $300,000, but that’s chump change compared to the quarter million a human body can get you—especially when it’s sold off piece by piece. So when Dickie and Coover Crowe, dope-dealing brothers known for sampling their own supply, decide to branch out into the body business, it’s up to U.S. Marshal Raylan Givens to stop them. But Raylan isn’t your average marshal; he’s the laconic, Stetson-wearing, fast-drawing lawman who juggles dozens of cases at a time and always shoots to kill. But by the time Raylan finds out who’s making the cuts, he’s lying naked in a bathtub, with Layla, the cool transplant nurse, about to go for his kidneys. The bad guys are mostly gals this time around: Layla, the nurse who collects kidneys and sells them for ten grand a piece; Carol Conlan, a hard-charging coal-mine executive not above ordering a cohort to shoot point-blank a man who’s standing in her way; and Jackie Nevada, a beautiful sometime college student who can outplay anyone at the poker table and who suddenly finds herself being tracked by a handsome U.S. marshal. Dark and droll, Raylan is pure Elmore Leonard—a page-turner filled with the sparkling dialogue and sly suspense that are the hallmarks of this modern master. |
| elmore leonard 10 rules of writing: Nabokov's Favorite Word Is Mauve Ben Blatt, 2017-03-14 Blatt brings big data to the literary canon, exploring the wealth of fun findings that remain hidden in the works of the world's greatest writers. He assembles a database of thousands of books and hundreds of millions of words, and starts asking the questions that have intrigued curious word nerds and book lovers for generations: What are our favorite authors' favorite words? Do men and women write differently? Are bestsellers getting dumber over time? Which bestselling writer uses the most clichaes? What makes a great opening sentence? How can we judge a book by its cover? And which writerly advice is worth following or ignoring?--Amazon.com. |
| elmore leonard 10 rules of writing: The Big Bounce Elmore Leonard, 2009-10-13 “The greatest crime writer of our time, perhaps ever!” —New York Times Book Review When the all-time greats of mystery/noir/crime fiction are mentioned (John D. MacDonald, Dashiell Hammett, James M. Cain, Robert Parker, etc.), Elmore Leonard’s name invariably tops the list. A true Leonard classic, The Big Bounce showcases all of the Grand Master’s acclaimed skills—twisty plotting, unforgettable characters, dialogue so razor sharp it could draw blood—as he chronicles the misadventures of a larcenous young man in a Michigan resort town who’s irresistibly drawn to a dangerous femme fatale, a rich man’s plaything, and the nasty little caper they plan to pull off together—if they can somehow manage to survive each other. The acclaimed creator of Raylan (aka U.S. Marshal Raylan Givens, lately of TV’s smash hit Justified), Leonard has never lost the mojo that makes him “the King Daddy of crime writers” (Seattle Times). |
| elmore leonard 10 rules of writing: Charlie Martz and Other Stories Elmore Leonard, 2015-06-16 A collection of fifteen stories, eleven of which have never been previously published, from the early career of bestselling American master Elmore Leonard. Over his long and illustrious career, Elmore Leonard was recognized as one of the greatest crime writers of all time, the author of dozens of bestselling books—many adapted for the big screen—as well as a master of short fiction. A superb stylist whose crisp, tight prose crackled with trademark wit and sharp dialogue, Leonard remains the standard for crime fiction and a literary model for writers of every genre. Marked by his unmistakable grit and humor, the stories in Charlie Martz and Other Stories—produced early in his career, when he was making his name particularly with westerns—reveal a writer in transition, exploring new voices and locations, from the bars of small-town New Mexico and Michigan to a film set in Hollywood, a hotel in Southern Spain, even a military base in Kuala Lumpur. They also introduce us to classic Leonard characters, some who recur throughout the collection, such as aging lawman Charlie Martz and weary former matador Eladio Montoya. Devoted Leonard aficionados and fans new to his fiction will marvel at these early works that reveal an artist on the cusp of greatness. |
| elmore leonard 10 rules of writing: Critical Essays on Elmore Leonard Charles J. Rzepka, 2020-02-17 A scholarly exploration of Elmore Leonard—provides original essays and fresh insights on the author’s works and influence Labelled as the closest thing America has to a national novelist, Elmore Leonard's clean and direct writing, engaging bad guys, and deadpan humor resonate with readers around the nation and throughout the world. Popular films based on his books continue to introduce new audiences to Leonard's unique way of engaging with complex themes of American culture and pop-culture history. Yet surprisingly, academic treatments of his writing are almost nonexistent. Critical Essays on Elmore Leonard is an original anthology that covers the topics, themes, literary and narrative style, and enduring influences of one of the finest crime writers in the history of the genre. This unique collection of essays explores the ways in which Leonard’s work reflects America's dynamic, ever-changing culture. Divided into two parts, the book first examines major themes and topics in Leonard's works, followed by detailed case studies of five individual works including Get Shorty and Out of Sight. Essays discuss topics such as Leonard's skill at conveying sense of place, his use of dress and appearance in his crime fiction, the influence of romantic comedies and westerns on his writing, and the concepts of moral luck, determinism, and existentialism found in his novels. Unique and thoroughly original, this book: Covers Leonard's entire career, including his early Western novels and his work in visual media Illustrates Leonard's genius at handling free indirect discourse Discusses the author's influence, legacy, and contemporary relevance in various contexts Explores Leonard's success at making himself invisible in his own writing Includes an insightful introduction from the book's editor Critical Essays on Elmore Leonard is an ideal resource for academics and students in the field of genre studies, especially crime fiction, and general readers with interest in the subject. |
| elmore leonard 10 rules of writing: When the Women Come Out to Dance Elmore Leonard, 2009-10-13 The unrivaled master of crime’s first collection of noir stories. . . . “If you thought you knew all the places Elmore Leonard could take you, think again.”—Mike Lupica In more than 30 books spanning half a century, Elmore Leonard has captured the imagination of millions as few writers can. A literary icon praised by the New York Times Book Review as “the greatest crime writer of our time, perhaps ever, ” he has influenced many contemporary writers and is known for both the quality and accessibility of his writing. In this first collection of short pieces, including two novella-length works, since his western anthology Tonto Woman, Leonard demonstrates the superb characterization, dead-on dialogue, vivid atmosphere, and driving plotting that have made him a household name. |
| elmore leonard 10 rules of writing: Politics and the English Language George Orwell, 2021-01-01 George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times |
| elmore leonard 10 rules of writing: Close Range Annie Proulx, 2007-12-01 From the Pulitzer Prize–winning and bestselling author of The Shipping News and Accordion Crimes comes one of the most celebrated short story collections of our time. Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In The Mud Below, a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In The Half-Skinned Steer, an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home. In Brokeback Mountain, the difficult affair between two cowboys survives everything but the world's violent intolerance. These are stories of desperation, hard times, and unlikely elation, set in a landscape both brutal and magnificent. Enlivened by folk tales, flights of fancy, and details of ranch and rural work, they juxtapose Wyoming's traditional character and attitudes—confrontation of tough problems, prejudice, persistence in the face of difficulty—with the more benign values of the new west. Stories in Close Range have appeared in The New Yorker, The Atlantic Monthly, Harper's, and GQ. They have been selected for the O. Henry Stories 1998 and The Best American Short Stories of the Century and have won the National Magazine Award for Fiction. This is work by an author writing at the peak of her craft. |
| elmore leonard 10 rules of writing: Rum Punch Elmore Leonard, 2009-10-13 “Powerful…clever…astonishing…a delicious read.” —Detroit Free Press Rum Punch is classic Elmore Leonard—the electrifying thriller that served as the basis for the acclaimed film Jackie Brown by director Quentin Tarantino, starring Pam Grier, Robert DeNiro, and Samuel L. Jackson. Leonard’s story of a not-altogether-blameless flight attendant on the run from her vicious gun-running sometime employer who sees her as a troublesome loose end, Rum Punch is “the King Daddy of crime writers” (Seattle Times) at his sharpest and most ingeniously entertaining. In fact, People magazine calls it, “Leonard’s best work. He brilliantly reaffirms his right to the title of America’s finest crime fiction writer.” Enjoy this sensational noir winner from the creator of the character of U.S. Marshal Raylan Givens, lately of TV’s hit series Justified, and see why the great Elmore Leonard stands tall in the company of America’s most legendary crime fiction masters: John D. MacDonald, Dashiell Hammett, James M. Cain, et al. |
| elmore leonard 10 rules of writing: Sweet Thursday John Steinbeck, 2008-07-29 A Penguin Classic In Monterey, on the California coast, Sweet Thursday is what they call the day after Lousy Wednesday, which is one of those days that are just naturally bad. Returning to the scene of Cannery Row—the weedy lots and junk heaps and flophouses of Monterey, John Steinbeck once more brings to life the denizens of a netherworld of laughter and tears—from Doc, based on Steinbeck’s lifelong friend Ed Ricketts, to Fauna, new headmistress of the local brothel, to Hazel, a bum whose mother must have wanted a daughter. This Penguin Classics edition features an introduction and notes by Robert DeMott. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| elmore leonard 10 rules of writing: Fall Higher Dean Young, 2011 Dean Young's poems are as entertaining and imaginative as a three-ring circus painted by Hieronymous Bosch |
| elmore leonard 10 rules of writing: The Hot Kid Elmore Leonard, 2009-10-13 The undisputed master of the crime novel strikes again with this powerfully entertaining story, set in 1920s Oklahoma, that introduces one of the toughest lawmen ever to come out of the west. . . . Carlos Webster was 15 the day he witnessed his first murder—but it wouldn’t be his last. It was also his first introduction to the notorious gunman, Emmet Long. By the time Carlos is 20, he’s being sworn in as a deputy United States marshal and now goes by the name Carl. As for Emmet, he’s robbing banks with his new partner, the no-good son of an oil millionaire. Carl Webster and Emmet Long may be on opposite sides of the law but their long-time game of cat and mouse will turn them both into two of the most famous names in crime and punishment. |
| elmore leonard 10 rules of writing: On the Art of Reading Arthur Quiller-Couch, 1920 |
| elmore leonard 10 rules of writing: Being Cool Charles J. Rzepka, 2013-10 Rzepka draws on more than twelve hours of personal interviews with Leonard and applies what he learned to his close analysis of the writer's long life and prodigious output: 45 published novels, 39 published and unpublished short stories, and numerous essays written over the course of six decades.--David Geherin, Eastern Michigan University International Crime Fiction Association |
| elmore leonard 10 rules of writing: Get Shorty Elmore Leonard, 2002-06-04 Mob-connected loan shark Chili Palmer is sick of the Miami grind. So when he chases a deadbeat client to Hollywood, he decides to stay. This town of dream makers, glitter, and gorgeous, partially-clad starlets seems ideal for an enterprising criminal with a cinematic taste. |
| elmore leonard 10 rules of writing: Elmore Leonard's 10 Rules of Writing Ltd Ed Elmore Leonard, 2007-12-18 These are the rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story. And so begins Elmore Leonard's 10 Rules of Writing, a handsome, illustrated giftbook that's a must for all writers. This special signed and numbered limited edition is destined to become a collector's item. Gorgeous printing on the finest art book stock A beautiful cloth, foil-embossed binding, with real leather spine A full cloth slipcase Stunning 4-color marbled endpapers Satin ribbon marker And of course, the signed, numbered first page of the book making this a collector's item for Elmore Leonard fans, and all other book lovers A beautiful book that will be the highlight of any writer's bookshelf. |
| elmore leonard 10 rules of writing: One Good Deed David Baldacci, 2019-07-23 In this fast-paced historical thriller, the #1 New York Times bestselling author introduces Archer, a WWII veteran forced to investigate a small-town murder -- or risk returning to prison. It's 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of do's and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job -- and don't ever associate with loose women. The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail. Within a single night, his search for gainful employment -- and a stiff drink -- leads him to a local bar, where he is hired for what seems like a simple job: to collect a debt owed to a powerful local businessman, Hank Pittleman. Soon Archer discovers that recovering the debt won't be so easy. The indebted man has a furious grudge against Hank and refuses to pay; Hank's clever mistress has her own designs on Archer; and both Hank and Archer's stern parole officer, Miss Crabtree, are keeping a sharp eye on him. When a murder takes place right under Archer's nose, police suspicions rise against the ex-convict, and Archer realizes that the crime could send him right back to prison . . . if he doesn't use every skill in his arsenal to track down the real killer. |
| elmore leonard 10 rules of writing: Escape from Five Shadows Elmore Leonard, 2013-12-03 New York Times Bestselling Author It was supposed to be impossible. No man could break out of the brutal convict labor camp at Five Shadows. Until they locked up Bowen. He was like dynamite--charged to go off, to explode out of that desert hell so he could clear his name. Already the deadly trackers have caught him, dragged him back through the mesquite and rocks, beat him and left him to rot in the punishment cell. But they can’t stop Bowen. He’s a different breed, a man who will go to any extreme to escape. Any extreme. |
| elmore leonard 10 rules of writing: Killshot Elmore Leonard, 2009-10-13 “[Leonard has] written so many first-rate crime stories that it would be fatuous to say Killshot is his best, but it probably is anyway.” —Newsweek The New York Times bestselling author the Pittsburgh Post-Gazette once called, “the Alexander the Great of crime fiction,” Elmore Leonard is responsible for creating some of the sharpest dialogue, most compelling characters (including U.S. Marshal Raylan Givens of TV’s Justified fame), and, quite simply, some of the very best suspense novels written over the past century. Killshot is prime Leonard—a riveting story of a husband and wife caught in the crossfire when they foil a criminal act and are forced to defend themselves when the legal system fails them from the murderous wrath of a pair of vengeful killers. When it comes to cops and criminals stories, Killshot and Leonard are as good as it gets—further proof why “the King Daddy of crime writers” (Seattle Times) deserves his current place among John D. MacDonald, Dashiell Hammett, James M. Cain, and the other legendary greats of the noir fiction genre. |
| elmore leonard 10 rules of writing: The Friends of Eddie Coyle George V. Higgins, 2010-04-27 The classic novel from America's best crime novelist (Time), with a new introduction by Dennis Lehane George V. Higgins's seminal crime novel is a down-and-dirty tale of thieves, mobsters, and cops on the mean streets of Boston. When small-time gunrunner Eddie Coyle is convicted on a felony, he's looking at three years in the pen--that is, unless he sells out one of his big-fish clients to the DA. But which of the many hoods, gunmen, and executioners whom he calls his friends should he send up the river? Told almost entirely in crackling dialogue by a vivid cast of lowlifes and detectives, The Friends of Eddie Coyle is one of the greatest crime novels ever written. “The best crime novel ever written--makes The Maltese Falcon read like Nancy Drew.” -- Elmore Leonard |
| elmore leonard 10 rules of writing: You're a Genius All the Time Regina Weinreich, Jack Kerouac, 2009-09-09 Jack Kerouac's musings on the creative process are collected together for the first time in this exquisite book. Inthe 1950s Allen Ginsberg asked Kerouac to formally describe his spontaneous prose method, resulting in a list of maxims called Belief and Technique for Modern Prose. Kerouac entertains with sage advice, whether he's offering a sublime reminder to believe in the holy contour of life or a practical admonition to accept loss forever. With aforeword by Kerouac scholar Regina Weinreich and select photos from the Kerouac Estate, You're a Genius All theTime is a beautiful and intimate work of inspiration. |
| elmore leonard 10 rules of writing: Pronto Elmore Leonard, 2009-10-13 “Speedy, exhilarating, and smooth. Nobody does it better.” —Washington Post “The man knows how to grab you—and Pronto is one of the best grabbers in years.” —Entertainment Weekly Fans of U.S. Marshal Raylan Givens of the hit TV series Justified are in for a major treat. The unstoppable manhunter with the very itchy trigger finger stars in Pronto, a crime fiction gem from the one and only Elmore Leonard, “the greatest crime writer of our time, perhaps ever” (New York Times Book Review). The Grand Master justifies the overwhelming acclaim he has received over the course of his remarkable career with an electrifying thriller that sends the indomitable Raylan racing to Italy on the trail of a fugitive bookie who’s hiding from the vengeful Miami mob. The legendary Leonard, whom the Seattle Times lauds as the “King Daddy of crime writers,” proves that all comparisons to American noir icons John D. MacDonald, Dashiell Hammett, and James M. Cain are well deserved with this tale of very dirty doings and extremely dangerous men coming together in the birthplace of Puccini, Garibaldi, and La Cosa Nostra. |
| elmore leonard 10 rules of writing: Hombre Elmore Leonard, 2012-02-16 A classic tale of the American west from the NEW YORK TIMES bestselling author. John Russell has been raised as an Apache. Now he's on his way to live as a white man. But when the stagecoach passengers learn who he is, they want nothing to do with him. That is, until outlaws ride down on them and they must rely on Russell's guns and his ability to lead them out of the desert. He can't ride with them, but they must walk with him or die... |
| elmore leonard 10 rules of writing: Up In Honey's Room Elmore Leonard, 2011-12-29 'America's greatest crime writer' (Newsweek) brings his genius for characterisation, his rich ear for dialogue, and his piercing psychological insight to a gripping story set in an era he's never before explored: the years of the Second World War. The odd thing about Walter Schoen is he's a dead ringer for Heinrich Himmler. Walter is a member of a spy ring that sends US war production data to Germany and gives shelter to escaped German prisoners of war. Honey Deal, Walter's American wife, has given up trying to make him over as a regular guy. She decides it's time to stop telling him jokes he doesn't understand and get a divorce. Along comes Carl Webster, the Hot Kid of the Marshals Service, looking for an escaped POW. Carl uses Honey to meet Walter, who Carl believes is hiding the POW. Honey's a free spirit; she likes the hot kid marshal and doesn't care much that he's married. But all Carl wants is to do his job without getting shot... |
| elmore leonard 10 rules of writing: The Tiger's Wife Téa Obreht, 2011-03-08 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD FINALIST • The instant classic debut novel from the author of Inland and The Morningside, hailed as “a thrilling beginning to what will certainly be a great literary career” (Elle) “Spectacular . . . [Téa Obreht] spins a tale of such marvel and magic in a literary voice so enchanting that the mesmerized reader wants her never to stop.”—Entertainment Weekly “Not since Zadie Smith has a young writer arrived with such power and grace.”—Time ONE OF THE TEN BEST BOOKS OF THE YEAR: Michiko Kakutani, The New York Times; Entertainment Weekly; The Christian Science Monitor; The Kansas City Star; Library Journal In a Balkan country mending from war, Natalia, a young doctor, is compelled to unravel the mysterious circumstances surrounding her beloved grandfather’s recent death. Searching for clues, she turns to his worn copy of The Jungle Book and the stories he told her of his encounters over the years with “the deathless man.” But most extraordinary of all is the story her grandfather never told her—the legend of the tiger’s wife. Weaving a brilliant latticework of family legend, loss, and love, Téa Obreht, hailed by Colum McCann as “the most thrilling literary discovery in years,” has spun a timeless novel that will establish her as one of the most vibrant, original authors of her generation. ONE OF THE BEST BOOKS OF THE YEAR: The Wall Street Journal, O: The Oprah Magazine, The Economist, Vogue, Slate, Chicago Tribune, The Seattle Times, Dayton Daily News, Publishers Weekly, Alan Cheuse, NPR’s All Things Considered |
| elmore leonard 10 rules of writing: Glitz Elmore Leonard, 2009-10-13 “Intense….A higher caliber of entertainment.” —New York Times Elmore Leonard’s Glitz is a killer…in the best possible way. “The King Daddy of crime writers” (Seattle Times) electrifies with this unputdownable noir tale of a mama’s boy psycho killer with a vendetta against a Miami cop. A cat-and-mouse tale with claws, Glitz is thrilling, frightening, explosive, surprising, everything a great thriller is supposed to be—superior crime fiction the genre’s late greats, John D. MacDonald, Dashiell Hammett, James M. Cain, et al, would have been proud to call their own. Elmore Leonard, the creator of magnificent mayhem and truly unforgettable characters—like U.S. Marshal Raylan Givens of the hit TV series Justified—is at his nail-biting, page-turning best with Glitz which Stephen King in the New York Times Book Review calls, “Smashing and satisfying.” |
| elmore leonard 10 rules of writing: Cat's Cradle Kurt Vonnegut, 2009-11-04 “A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times Cat’s Cradle is Kurt Vonnegut’s satirical commentary on modern man and his madness. An apocalyptic tale of this planet’s ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat’s Cradle is one of the twentieth century’s most important works—and Vonnegut at his very best. “[Vonnegut is] an unimitative and inimitable social satirist.”—Harper’s Magazine “Our finest black-humorist . . . We laugh in self-defense.”—Atlantic Monthly |
| elmore leonard 10 rules of writing: Why I Write George Orwell, 2021-01-01 George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times |
| elmore leonard 10 rules of writing: The Fat Artist and Other Stories Benjamin Hale, 2016-05-17 “Oddly beautiful and impossible to look away from” (Los Angeles Times), the stories in The Fat Artist are suffused with fear and desire, introducing us to a company of indelible characters reeling with love, jealousy, megalomania, and despair. In prose alternately stark, lush and hallucinatory, occasionally nightmarish and often absurd, the voices in Benjamin Hale’s The Fat Artist and Other Stories speak from the margins: a dominatrix whose longtime client, a US congressman, drops dead during a tryst in a hotel room; an addict in precarious recovery who lands a job driving a truck full of live squid; a heartbroken performance artist who attempts to eat himself to death as a work of art. From underground radicals hiding in Morocco to an aging hippy in Colorado in the summer before 9/11 to a young drag queen in New York at the cusp of the AIDS crisis, these stories rove freely across time and place, carried by haunting, peculiar narratives that form the vast tapestry of American life. “A steadily growing…talent” (Kirkus Reviews), Hale’s prize-winning fiction abounds with a love of language and a wild joy for storytelling, earning accolades from writers such as novelist Jonathan Ames, who compared discovering his work to watching Mickey Mantle play ball for the first time; Washington Post critic Ron Charles, who declared him “fully evolved as a writer,” and bestselling author Jodi Picoult, who simply called him “brilliant.” Pairing absurdity with philosophical musings on the unnerving intersections between life and death, art and ridicule, consumption and creation, “the audacious imagination evident in Hale’s acclaimed debut, The Evolution of Bruno Littlemore, shines again in this…provocative collection that takes a unique view of the human condition” (Booklist). |
| elmore leonard 10 rules of writing: Mercy's Heroes: The Fight for Human Dignity in the Bangkok Slums Tom Crowley, 2021-12-07 In Mercy's Heroes, a Vietnam veteran battling with PTSD turns from the business world to life as a volunteer, helping to rescue and protect street kids in Bangkok's biggest slum. Here Tom Crowley details the children's efforts to survive abuse and the struggle for dignity waged by the poorest of families. Interwoven throughout, the author's combat experiences and pain highlight the question of how to find personal reconciliation amid the struggles of abused children in the slums. In his efforts to help others, he gains a spiritual understanding worth much more than his financial loss. At the same time, he learns, You must consign the failures to the burden the angels can carry and let go of the guilt. This story will resonate with all those who want to gain a deeper insight into social work at the street level. The successes are to be celebrated-the losses mourned. Mercy's Heroes portrays the healing that is to be found in helping others. |
| elmore leonard 10 rules of writing: Evie's War Anna Mackenzie, 2015-06-24 They offered up the innocence of a generation . . . Evie is 18, straight out of school and excited by the prospect of a tour of Europe. Instead, she finds herself immersed in war; first in the Home Counties – where the young New Zealander is confronted not only by society’s restrictions and her family’s expectations, but by the burgeoning women’s rights movement – then as a VAD nurse tending injured soldiers in a local hospital. After personal tragedy changes the course of her life, Evie impulsively travels to Belgium, experiencing first-hand the shambolic horrors in a Casualty Clearing Station just 10 km behind the Front Lines. War, at first distant, becomes increasingly personal. When her health gives out, Evie returns to England and a new battle: that of meshing her hard won independence and experience with the still Edwardian attitudes of her family. From where can she find strength for love and the resilience to face the future? A heartbreaking and brilliantly poignant novel. 2016 Storylines Notable Junior Fiction Award |
| elmore leonard 10 rules of writing: Learning by Heart Corita Kent, Jan Steward, 2008-10-14 Tap into your natural ability to create! Engaging, proven exercises for developing creativity Priceless resource for teachers, artists, actors, everyone Artist and educator Corita Kent inspired generations of artists, and the truth of her words We can all talk, we can all write, and if the blocks are removed, we can all draw and paint and make things still shines through. This revised edition of her classic work Learning by Heart features a new foreword and a chart of curriculum standards. Kent's original projects and exercises, developed through more than 30 years as an art teacher and richly illustrated with 300 thought-provoking images, are as inspiring and as freeing today as they were during her lifetime. Learn how to challenge fears, be open to new directions, recognize connections between objects and ideas, and much more in this remarkable, indispensable guide to freeing the creative spirit within all of us. With new material by art world heavyweights Susan Friel and Barbara Loste, Learning by Heart brings creative inspiration into the 21st century! |
| elmore leonard 10 rules of writing: 28 Artists & 2 Saints Joan Acocella, 2008-02-12 Here is a dazzling collection from Joan Acocella, one of our most admired cultural critics: thirty-one essays that consider the life and work of some of the most influential artists of our time (and two saints: Joan of Arc and Mary Magdalene). Acocella writes about Primo Levi, Holocaust survivor and chemist, who wrote the classic memoir, Survival in Auschwitz; M.F.K. Fisher who, numb with grief over her husband’s suicide, dictated the witty and classic How to Cook a Wolf; and many other subjects, including Dorothy Parker, Mikhail Baryshnikov, and Saul Bellow. Twenty-Eight Artists and Two Saints is indispensable reading on the making of art—and the courage, perseverance, and, sometimes, dumb luck that it requires. |
| elmore leonard 10 rules of writing: Margaret the First Danielle Dutton, 2016-03-15 A Lit Hub Best Book of 2016 • One of Electric Literature's Best Novels of 2016 • An Entropy Best Book of 2016 “The duchess herself would be delighted at her resurrection in Margaret the First...Dutton expertly captures the pathos of a woman whose happiness is furrowed with the anxiety of underacknowledgment.” —Katharine Grant, The New York Times Book Review Margaret the First dramatizes the life of Margaret Cavendish, the shy, gifted, and wildly unconventional 17th–century Duchess. The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when being a writer was not an option open to women. As one of the Queen's attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was Mad Madge, an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years. Margaret the First is very much a contemporary novel set in the past. Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new approach to imagining the life of a historical woman. In Margaret the First, there is plenty of room for play. Dutton’s work serves to emphasize the ambiguities of archival proof, restoring historical narratives to what they have perhapsalways already been: provoking and serious fantasies,convincing reconstructions, true fictions.”—Lucy Ives, The New Yorker “Danielle Dutton engagingly embellishes the life of Margaret the First, the infamousDuchess of Newcastle–upon–Tyne.” —Vanity Fair |
| elmore leonard 10 rules of writing: Labrava Elmore Leonard, 2009-10-13 New York Times bestselling author Elmore Leonard delivers his trademark blend of action, sex, violence, humor, and hard-boiled suspense in this thrilling crime classic, LaBrava. Joe La Brava is an ex–Secret Service agent who gets mixed up in a South Miami Beach scam involving a redneck former cop, a Cuban hit man who moonlights as a go-go dancer, and a one-time movie queen whose world is part make-believe, part deadly dangerous. Fast-moving, pitch-perfect, and utterly irresistible, LaBrava is, “vintage Leonard: a blend of the true-to-life and the totally make-believe, the cinematic and the suspenseful, the world we know and a whole lot of worlds we’re glad we don’t. Only Leonard can concoct such a potent cocktail.” (USA Today). |
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These are rules I’ve picked up along the way to help me remain invisible when I’m writing a book, to help me show …
10 Rules for Good Writing - Roddy Phillips
Perhaps you'll find some clues in his 10 rules for good writing: Never open a book with weather. Avoid prologues. …
10 Rules Of Writing (2007) - Archive.org
10 rules 0f writing elmore leonard * contents 1. never open a book with weather. 2. avoid prologues 3. never …
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In "Elmore Leonard's 10 Rules of Writing," the legendary author distills his decades of storytelling mastery …
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