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| free images of writing: Picture Writing Anastasia Suen, 2003-01-01 This title shows readers how to use descriptive language to create vivid stories for kids. It features Try it Yourself exercises and words of advice from successful authors. |
| free images of writing: Handling the Truth Beth Kephart, 2013-08-06 A memoir-writing guide offers writing lessons and examples for those interested in putting their memories down on paper, explains the difference between remembering and imagining, and describes the language of truth. |
| free images of writing: The Power of Pictures Beth Olshansky, 2008-04-18 In The Power of Pictures book and companion DVD, Beth Olshansky introduces teachers to her innovative art-based approach to literacy instruction. Widely practiced in classrooms across the country, the model has been proven by research to improve literacy achievement with a wide range of learners, especially those who struggle with verbal skills. At the heart of her approach is the Artists/Writers Workshop. Through study of quality picture books and hands-on art experiences, students learn to visualize, “paint pictures with words,” and ultimately create their own extraordinary artistic and literary work. The book and DVD explain how any teacher can successfully use this process to enable all students, particularly low performers, to make dramatic gains in both reading and writing. |
| free images of writing: Writing with Pictures Uri Shulevitz, 1985 Anyone wishing to create children's books will learn how to tell a story visually; build a storyboard to plot the flow of a book; prepare pages for a printer; and go about finding a publisher. Step-by-step sketches provide insights into drawing characters and developing settings. The works of such renowned illustrators as Beatrix Potter, William Steig, and Maurice Sendak are used to demonstrate a visual approach to storytelling. 10 color and 600 b & w illustrations. Copyright © Libri GmbH. All rights reserved. |
| free images of writing: The Writer's Diet Helen Sword, 2016-05-02 This book offers an easy-to-follow set of writing principles. For example, use active verbs whenever possible, favour concrete language over vague abstractions, avoid long strings of prepositional phrases, employ adjectives and adverbs only when they contribute something new to the meaning of a sentence and reduce your dependence on the waste words: 'it', 'this', 'that' and 'there'. The author also shows these rules in action through examples from famous authors such as Shakespeare and Emily Dickinson. The book includes a test to help you assess your own writing and get advice on problem areas. |
| free images of writing: Let's Get Digital David Gaughran, 2020-06-24 Publish like a pro and start building your audience today with the most comprehensive guide on the market. Packed with practical, actionable advice, this brand new fourth edition of Let's Get Digital delivers the very latest best practices on publishing your work and finding readers. · Boost your writing career with marketing strategies that are proven to sell more books. · Get expert tips on platform building, blogging and social media. · Discover which approaches are best for selling fiction vs. non-fiction. · Implement powerful ways to make your ebooks more discoverable. · Increase your visibility by optimizing keywords and categories. · Weigh the pros and cons of Kindle Unlimited, and find out exactly how to tweak your promotional plans depending on whether you stay exclusive to Amazon or opt for wider distribution. And that's just for starters... |
| free images of writing: The Telling Image Lois Farfel Stark, 2018-02-06 Next Generation Indie Book Awards, Best Non Fiction 2019 National Indie Excellence Award Winner Nautilus Book Awards, Gold #1 Amazon Best Seller in Architecture History & Periods Amazon Best Seller in Art Subjects & Themes Seeing the World Through Shape How do humans make sense of the world? In answer to this timeless question, award winning documentary filmmaker, Lois Farfel Stark, takes the reader on a remarkable journey from tribal ceremonies in Liberia and the pyramids in Egypt, to the gravity-defying architecture of modern China. Drawing on her experience as a global explorer, Stark unveils a crucial, hidden key to understanding the universe: Shape itself. The Telling Image is a stunning synthesis of civilization’s changing mindsets, a brilliantly original perspective urging you to re-envision history not as a story of kings and wars but through the lens of shape. In this sweeping tour through time, Stark takes us from migratory humans, who imitated a web in round-thatched huts and stone circles, to the urban ladder of pyramids and skyscrapers, organized by hierarchy and measurements, to today’s world of interconnected networks. In The Telling Image Stark reveals how buildings, behaviors, and beliefs reflect humans’ search for pattern and meaning. We can read the past and glimpse the future by watching when shapes shift. Stark’s beautifully illustrated book asks of all its readers: See what you think. |
| free images of writing: Writing the Image Yve Lomax, 2000-06-03 Brought together for the first time, these writings by visual artist and writer Yve Lomax are united by a common thread: they place writing itself--the written image--into the repertoire of visual art. The book both proposes and demonstrates this development. It also has a twofold purpose and function: it can be read and enjoyed as performance, often resembling poetry, thick with ideas, images and metaphors. It is also an original contribution to theoretical writing on the visual, particularly relating to the image and difference, celebrating and referring to the work of Michel Serres, Gilles Deleuze, Luce Irigaray and others in pursuit of its own strategy of introducing the written image into the theoretical text. |
| free images of writing: Shimmering Images Lisa Dale Norton, 2008-08-05 Rich, funny, and moving personal narratives depend on a few key moments in time to anchor the story and give it impact. Shimmering Images teaches the aspiring memoirist how to locate key memories using Lisa's technique for finding, linking, and fleshing out those vibrant recollections of important moments and situations. Shimmering Images will address: *the difference between memoir and autobiography *how to claim your voice *the art of storytelling *honesty, truth, and compassion in writing *authentic dialogue and the need for specificity Readers will learn how to craft a short piece of narrative nonfiction grounded in their core memories and master a technique they can use over and over again for writing other narratives. A must-have book for anyone who has treasured Bird by Bird by Anne Lamott or Writing Down the Bones by Natalie Goldberg. |
| free images of writing: Image to Word Kathleen Walsh-Piper, 2002 CD-ROM contains the digitized images found in the book. |
| free images of writing: Writing in Pictures Joseph McBride, 2012-02-28 Writing in Pictures is a refreshingly practical and entertaining guide to screenwriting that provides what is lacking in most such books: a clear, step-by-step demonstration of how to write a screenplay. Seasoned screenwriter and writing teacher Joseph McBride breaks down the process into a series of easy, approachable tasks, focusing on literary adaptation as the best way to learn the basics and avoiding the usual formulaic approach. With its wealth of useful tips, along with colorful insights from master screenwriters past and present, this book is invaluable for anyone who wants to learn the craft of screen storytelling. CONTENTS Introduction: Who Needs Another Book on Screenwriting? Part I: Storytelling 1: So Why Write Screenplays? 2: What Is Screenwriting? 3: Stories: What They Are and How to Find Them 4: Ten Tips for the Road Ahead Part II: Adaptation 5: Breaking the Back of the Book: or, The Art of Adaptation STEP 1: THE STORY OUTLINE 6: Research and Development STEP 2: THE ADAPTATION OUTLINE 7: The Elements of Screenwriting STEP 3: THE CHARACTER BIOGRAPHY 8: Exploring Your Story and How to Tell It STEP 4: THE TREATMENT Part III: Production 9: Who Needs Formatting? 10: Actors Are Your Medium 11: Dialogue as Action STEP 5: THE STEP OUTLINE 12: The Final Script 13: Epilogue: Breaking into Professional Filmmaking Appendix A: The Basic Steps in the Screenwriting Process Appendix B: “To Build A Fire” by Jack London Selected Bibliography Acknowledgments Index |
| free images of writing: Writing Picture Books Revised and Expanded Edition Ann Whitford Paul, 2018-11-13 Master the Art of Writing Enthralling Tales for the Youngest pre-and emerging readers! Fully updated and thoroughly revised, Writing Picture Books Revised and Expanded Edition is the go-to resource for writers crafting stories for children ages two to eight. You'll learn the unique set of skills it takes to bring your story to life by using tightly focused text and leaving room for the illustrator to be creative. Award-winning author Ann Whitford Paul helps you develop the skills you need by walking you through techniques and exercises specifically for picture book writers. You'll find: • Instruction on generating ideas, creating characters, point-of-view, beginnings and endings, plotting, word count, rhyme, and more • Unique methods for using poetic techniques to enrich your writing • Hands-on revision exercises (get out your scissors, tape, and highlighters) to help identify problems and improve your picture book manuscripts • Updated tips for researching the changing picture book market, approaching publishers, working with an agent, and developing a platform • All new quizzes and examples from picture books throughout • New chapters cover issues such as page turns, agents, and self-publishing Whether you're just starting out as a picture book writer or have tried unsuccessfully to get your work published, Writing Picture Books Revised and Expanded Edition is just what you need to craft picture books that will appeal to young children and parents, and agents and editors. |
| free images of writing: How to Write & Illustrate Children's Books and Get Them Published! Treld Bicknell, Felicity Trotman, 1988 Covers classic fiction, contemporary themes, picture books, book production, fads, nonfiction, and careers as a children's writer or illustrator |
| free images of writing: Pictures & Words Together Paul Johnson, 1997 By combining illustrations and texts, children engage in a kind of communication that transcends the sum of its parts-their pictures and words interact to convey a new level of meaning. |
| free images of writing: Text and Image in Women's Life Writing Valérie Baisnée-Keay, Corinne Bigot, Nicoleta Alexoae-Zagni, Stephanie Genty, Claire Bazin, 2022-01-12 This book examines the relationship between words and images in various life-writing works produced by nineteenth to twenty-first century American and British women. It addresses the politics of images in women’s life writing, contending that the presence or absence of images is often strategic. Including a range of different forms of life writing, chapters draw on traditional (auto)biographies, travel narratives, memoirs, diaries, autofiction, cancer narratives, graphic memoirs, artistic installations, quilts and online performances, as life writing moves from page to screen and other media. The book explores a wide range of women who have crossed the boundary between text and image: painters who have become writers, novelists who have become painters, writers who hesitate between images and words, models who seize the camera, and artists who use the frame as a page. |
| free images of writing: Write What You See Hank Kellner, 2021-10-10 Motivate students with the wide variety of photographs and writing prompts in this book by award-winning photographer and former English teacher Hank Kellner. The varied prompts include key words, questions to consider, ideas for writing, possible opening lines, suggestions for research, and more. Write What You See contains a wealth of ideas for writing from the author as well as from real teachers across the country who have successfully used photography in the teaching of writing. |
| free images of writing: The Photo Scribe Denis Ledoux, 2008 |
| free images of writing: Permissions, A Survival Guide Susan M. Bielstein, 2010-06-15 If a picture is worth a thousand words, then it's a good bet that at least half of those words relate to the picture's copyright status. Art historians, artists, and anyone who wants to use the images of others will find themselves awash in byzantine legal terms, constantly evolving copyright law, varying interpretations by museums and estates, and despair over the complexity of the whole situation. Here, on a white—not a high—horse, Susan Bielstein offers her decades of experience as an editor working with illustrated books. In doing so, she unsnarls the threads of permissions that have ensnared scholars, critics, and artists for years. Organized as a series of “takes” that range from short sidebars to extended discussions, Permissions, A Survival Guide explores intellectual property law as it pertains to visual imagery. How can you determine whether an artwork is copyrighted? How do you procure a high-quality reproduction of an image? What does “fair use” really mean? Is it ever legitimate to use the work of an artist without permission? Bielstein discusses the many uncertainties that plague writers who work with images in this highly visual age, and she does so based on her years navigating precisely these issues. As an editor who has hired a photographer to shoot an incredibly obscure work in the Italian mountains (a plan that backfired hilariously), who has tried to reason with artists' estates in languages she doesn't speak, and who has spent her time in the archival trenches, she offers a snappy and humane guide to this difficult terrain. Filled with anecdotes, asides, and real courage, Permissions, A Survival Guide is a unique handbook that anyone working in the visual arts will find invaluable, if not indispensable. |
| free images of writing: Writing Through Pictures J. B. Heaton, 1986 |
| free images of writing: Writing Across the Curriculum Shelley S. Peterson, 2008-08-08 As the amount of curriculum in today’s classrooms expands and teaching time seems to shrink, teachers are looking for ways to integrate content area and writing instruction. In this revised and expanded edition of Writing Across the Curriculum, Shelley Peterson shows teachers how to weave writing and content area instruction together in their classrooms. The author provides practical and helpful ideas for classroom teachers and content-area specialists to easily incorporate writer’s workshop while teaching in their subject area. New features in this second edition include: • Websites that can be used to teach writing (e.g., wiki’s, weblogs, and digital storytelling) • Examples from grades 4-8 classrooms that show how science, social studies, health, and mathematics teachers can also be teachers of poetry, narrative, and non-narrative writing • New assessment scoring guides • Information on working with struggling writers and supporting English Language Learners • Graphic organizers, templates, and mini-lessons that engage students in learning |
| free images of writing: What Is Interesting Writing in Art History? James Elkins, 2017-08-09 This is a book about how art history is written. It includes detailed analyses of a dozen important texts, and theories about what counts as interesting or experimental writing on art. There are chapters on texts by Rosalind Krauss, T.J. Clark, Alexander Nemerov, Gilles Deleuze, Helene Cixous, Leo Steinberg, Jean-Louis Schefer, and others; a chapter on institutions that teach experimental writing on art; analyses of rival concepts of the essay; and chapters on the absence of literary criticism in the disciplines of art history, visual studies, art theory, and art criticism. |
| free images of writing: The Visual Palette Brian Matiash, 2015-11-27 |
| free images of writing: The Business of Writing: Volume 4 Simon Whaley, 2023-01-09 If you self-publish a book, do you really have to deposit a copy with the legal deposit libraries? How useful are the AI (artificial intelligence) grammar checkers, and how should writers use them? What is comparisonitis, and how should writers treat it?How do you start advertising your books, and are those newsletter services any good? Can writers make money on online platforms like Medium.com and are letters and fillers in magazines still profitable? These and many more questions are answered in this fourth volume of articles. Contributors include: Faith Martin, Naomi Hirahara, Lisa Lepki, Claire McGowan, Sharon Booth, Elaine Everest, Heather Allison, Catherine Clarke, Deb Potter, Jill Cooper, Tony Mitton, Louise Rose-Innes, Craig Martelle, Emily Organ, Alison Morton, MJ Porter, Kate Walker, John Jackson, Anita Faulkner, Marianne Rosen, Elana Johnson, Connor Whiteley, Eric Thomson, Maria Frankland, Mario Lopez-Goicoechea, Gemma Amor, Jason Hamilton, Maggie Cobbett, Melvina Young and Gledé Browne Kabongo. |
| free images of writing: Writing on the Landscape Jennifer J. Wilhoit Ph.D., 2017-09-26 Writing on the Landscape touches my mind, heart, body, and spirit. The author and I are kindred souls. My own thinking, writing, and nature-fueled philosophy of life resonate with Dr. Wilhoits entertaining and inspirational guide to writing and nature. Dr. Wilhoit narrates a journey, demonstrating how vital balance is in our pursuit of writing, as well as in our pursuit of life. And she evidences convincingly that we can achieve wholeness through conscious, reflective, and introspective immersion in nature. Dr. Wilhoit observes simply that the principal point of this book is the pairing of nature and writing toward being complete. Writing on the Landscape explores the sense of wholeness we feel when we engage a few simple, easy to exercise practices deep and guided, step-by-step interactions with nature and its elements: land-, sea-, and sky-scapes. The voices of the earth speak deeply and clearly to a writer. Dr. Wilhoit brings joy to writing through her own revelations: I am in love with writing; writing seduces me. I am in the landscape of my soul. I write from the very core of who I am. That is what the natural world does for me and for my writing no matter where I am. Join Dr. Wilhoit and begin your own journey through the terrain of writing and nature. Stephen B. Jones, PhD Author of Nature Based Leadership and Nature-Inspired Learning and Leading; Co-Founder of Antioch University New Englands Nature Based Leadership Institute; Founder of Great Blue Heron, LLC Writing on the Landscape is a practical, lyrical book aimed at helping blocked writers to become unstuck. |
| free images of writing: Show Me a Story Nancy Loewen, 2009 Explains how to write a children's picture book, using the fictional story Webster's wish as an example. In the story, Webster, a goose who knows the alphabet, is tired of flying in V formation and tries to get the other geese to fly in the shape of another letter. |
| free images of writing: Writing Alone and with Others Pat Schneider, 2003-08-28 For more than a quarter of a century, Pat Schneider has helped writers find and liberate their true voices. She has taught all kinds--the award winning, the struggling, and those who have been silenced by poverty and hardship. Her innovative methods have worked in classrooms from elementary to graduate level, in jail cells and public housing projects, in convents and seminaries, in youth at-risk programs, and with groups of the terminally ill. Now, in Writing Alone and with Others, Schneider's acclaimed methods are available in a single, well-organized, and highly readable volume. The first part of the book guides the reader through the perils of the solitary writing life: fear, writer's block, and the bad habits of the internal critic. In the second section, Schneider describes the Amherst Writers and Artists workshop method, widely used across the U.S. and abroad. Chapters on fiction and poetry address matters of technique and point to further resources, while more than a hundred writing exercises offer specific ways to jumpstart the blocked and stretch the rut-stuck. Schneider's innovative teaching method will refresh the experienced writer and encourage the beginner. Her book is the essential owner's manual for the writer's voice. |
| free images of writing: Writing That Makes Sense, 2nd Edition David S. Hogsette, 2019-11-05 The second edition of Writing That Makes Sense takes students through the fundamentals of the writing process and explores the basic steps of critical thinking. Drawing upon over twenty years of experience teaching college composition and professional writing, David S. Hogsette combines relevant writing pedagogy and practical assignments with the basics of critical thinking to provide students with step-by-step guides for successful academic writing in a variety of rhetorical modes. New in the second edition: -Expanded discussion of how to write effective thesis statements for informative, persuasive, evaluative, and synthesis essays, including helpful thesis statement templates. -Extensive templates introducing students to conventions of academic discourse, including integrating outside sources, interacting with other writers' ideas, and dialoguing with multiple perspectives. -Examples of academic writing from different disciplines illustrating essay titles, abstracts, thesis statements, introductions, conclusions, and voice. -Expanded discussion of voice in academic writing, including an exploration of active and passive voice constructions in different disciplines and tips on how to edit for clarity. -A new chapter on writing in the disciplines. -Updated sample student papers. -New readings with examples of opposing views and multiple perspectives. |
| free images of writing: Breathing Life Into Your Characters Rachel Ballon, 2009-03-01 Create Convincing Characters That Readers—and Editors—Can't Resist! It's the question that eternally plagues all good writers: How can you describe the thoughts and feelings of characters who have backgrounds or psychological aberrations with which you have no personal experience? How can you describe the feelings of a drug addict if you've never been one? How can you write about being a prisoner if you've never been to jail? You can do all the research you want, but the question still remains: How do you convincingly portray characters if you've never lived in their skin? In Breathing Life Into Your Characters, writing consultant and professional psychotherapist Rachel Ballon, Ph. D., shows you how to get in touch with the thoughts and feelings necessary to truly understand your characters—no matter what their background or life experiences. She'll show you how to: • Develop a psychological profile for every character • Turn archetypes into conflicted characters • Think like a criminal to convincingly write one • Reveal personalities through the use of nonverbal communication In addition, you'll learn how to effectively use Ballon's Method Writing system—taught previously only in her writing workshops—to explore your own feelings, memories, and emotions to create characters of astonishing depth and complexity! |
| free images of writing: Why I Write George Orwell, 2021-01-01 George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times |
| free images of writing: Indian Picture Writing Robert Hofsinde, 1959 Offers guidance in understanding and producing American Indian picture writings, exploit markings and symbols of victory. |
| free images of writing: The Encyclopedia of Writing and Illustrating Children's Books Desdemona McCannon, Sue Thornton, Yadzia Williams, 2009 Creating children's books - Telling the story - Non-fiction - Media and techniques. |
| free images of writing: Projecting Words, Writing Images John R. Leo, Marek Paryz, 2011-08-08 This compilation of essays by 20 scholars trained in comparative literatures, art history, critical theory, and American cultural studies further explores and expands the spirited and energetic field of visual cultural studies and its cognate or supplemental projects of “visual practices” and “visual literacy.” Their topics and perspectives engage contemporary re-theorizations of “text,” of “word” and “image,” while their alignments, ruptures, slippages and aporias fall across a range of media practices and institutions. These include photography and exhibition, film, television, entertainment, journalism, poetry and literature as visual and spectacular performances, and graphic narratives, but also their discursive intersections with “race” and ethnicity, their conjugations of gender, their tense and constitutive relations within multiple public spheres and (post)modernities. |
| free images of writing: In Pictures and in Words Katie Wood Ray, 2010 Describes a program in which the study of the illustrations in children's books is used to help children in the primary grades develop writing skills. |
| free images of writing: Sam & Eva Debbie Ridpath Ohi, 2017-10-17 Harold and the Purple Crayon meets Tom and Jerry in this sweet and funny picture book about a boy and girl who must balance their creativity and figure out how to cooperate after their drawings come to life. When Sam starts drawing a super cool velociraptor, Eva decides to join in. But Sam isn’t too happy about the collaboration. Soon Eva and Sam are locked in an epic creative clash, bringing to life everything from superhero marmots to exploding confetti. But when their masterpieces turn to mayhem, will Sam stay stubbornly solo or will he realize that sometimes the best work comes from teamwork? |
| free images of writing: Writing Essays by Pictures Alke Groppel-Wegener, 2016-09 So you have to write an essay for university? Going through the book step-by-step you are taken through the process of putting together your own research essay, using a visual and active approach. Writing Essays by Pictures explains the basics of academic research to people who have always wished for a way to make these things visual... and fun! |
| free images of writing: A Companion to Creative Writing Graeme Harper, 2013-03-18 A COMPANION TO CREATIVE WRITING A Companion to Creative Writing is a comprehensive collection covering myriad aspects of the practice and profession of creative writing in the contemporary world. The book features contributions from an international cast of creative writers, publishers and editors, critics, translators, literary prize judges, and many other top professionals. Chapters not only consider the practice of creative writing in terms of how it is “done,” but also in terms of what occurs in and around creative writing practice. Chapters address a wide range of topics including the writing of poetry and fiction; playwriting and screenwriting; writing for digital media; editing; creative writing and its engagement with language, spirituality, politics, education, and heritage. Other chapters explore the role of literary critics and ideas around authorship, as well as translation and creative writing, the teaching of creative writing, and the histories and character of the marketplace, prizes, awards, and literary events. With its unprecedented breadth of coverage, A Companion to Creative Writing is an indispensable resource for those who are undertaking creative writing, studying creative writing at any level, or considering studying creative writing. |
| free images of writing: Error-free Writing Robin A. Cormier, 1995 Anyone who's ever had to edit or proofread his or her own work knows how difficult and time-consuming it can be. You read and re-read your document, but errors still manage to slip by. Then, once it's too late to make changes to your document, the same errors have a maddening way of becoming glaringly obvious. And nothing is more frustrating than having an important business letter, memo, or resume sabotaged by an embarrassing error. Error-Free Writing gives you a simple, proven four-step writing and editing method that will help you produce error-free documents virtually every time. It also makes the writing process itself easier, while greatly reducing the deadline-related stress many business professionals experience when writing. |
| free images of writing: Writing on the Wall Simon Morley, 2003 Now published in paperback, this book is the first systematic study to explore the way in which words have encroached on the visual arts from the late 19th century to the present day. From the Impressionists to contemporary practitioners, Writing on the Wall shows how artists have responded to an environment increasingly saturated with words, and how the mass media has adopted and adapted artistic devices in typography, propaganda and advertising. |
| free images of writing: Photo-era Magazine , 1921 |
| free images of writing: Grammatology of Images Sigrid Weigel, 2022-08-16 Grammatology of Images radically alters how we approach images. Instead of asking for the history, power, or essence of images, Sigrid Weigel addresses imaging as such. The book considers how something a-visible gets transformed into an image. Weigel scrutinizes the moment of mis-en-apparition, of making an appearance, and the process of concealment that accompanies any imaging. Weigel reinterprets Derrida’s and Freud’s concept of the trace as that which must be thought before something exists. In doing so, she illuminates the threshold between traces and iconic images, between something immaterial and its pictorial representation. Chapters alternate between general accounts of the line, the index, the effigy, and the cult-image, and case studies from the history of science, art, politics, and religion, involving faces as indicators of emotion, caricatures as effigies of defamation, and angels as embodiments of transcendental ideas. Weigel’s approach to images illuminates fascinating, unexpected correspondences between premodern and contemporary image-practices, between the history of religion and the modern sciences, and between things that are and are not understood as art. |
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