Free Trade Political Cartoon

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  free trade political cartoon: The New Yorker Book of Political Cartoons Robert Mankoff, 2000 Presents 110 cartoons from The New Yorker that depict politics in America.
  free trade political cartoon: Thomas Nast Fiona Deans Halloran, 2013-01-01 Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. In this thoroughgoing and lively biography, Fiona Deans Halloran interprets his work, explores his motivations and ideals, and illuminates the lasting legacy of Nast's work on American political culture--
  free trade political cartoon: Red Lines Cherian George, Sonny Liew, 2021-08-31 A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack. A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims.
  free trade political cartoon: Free Trade Nation Frank Trentmann, 2008 This is the story of free trade in 19th century Britain, its contribution to the development of Britain's democratic culture, and the unravelling of the free trade movement in the wake of the First World War.
  free trade political cartoon: Great Canadian Political Cartoons, 1915 to 1945 Charles Hou, Cynthia Hou, 2002 Great Canadian Political Cartoons 1915 to 1945 contains an introduction to the period and an annotated collection of approximately 370 political cartoons, both English and French, covering Canadaâ¿¿s political, economic, social and military history from the years 1915 to 1945. Topics include Canadaâ¿¿s role in the First and Second World Wars, the Depression, aboriginal concerns, Englishâ¿¿French relations, international affairs, labour, and the continued growth of Canadian independence. Includes bibliographical references and index.
  free trade political cartoon: Herblock's History Herbert Block, 2000 Herblock's History is an article written by Harry L. Katz that was originally published in the October 2000 issue of The Library of Congress Information Bulletin. The U.S. Library of Congress, based in Washington, D.C., presents the article online. Katz provides a biographical sketch of the American political cartoonist and journalist Herbert Block (1909-2001), who was known as Herblock. Block worked as a cartoonist for The Washington Post for more than 50 years, and his cartoons were syndicated throughout the United States. Katz highlights an exhibition of Block's cartoons, that was on display at the U.S. Library of Congress from October 2000. Images of selected cartoons by Block are available online.
  free trade political cartoon: Taking African Cartoons Seriously Peter Limb, Tejumola Olaniyan, 2018-10-01 Cartoonists make us laugh—and think—by caricaturing daily events and politics. The essays, interviews, and cartoons presented in this innovative book vividly demonstrate the rich diversity of cartooning across Africa and highlight issues facing its cartoonists today, such as sociopolitical trends, censorship, and use of new technologies. Celebrated African cartoonists including Zapiro of South Africa, Gado of Kenya, and Asukwo of Nigeria join top scholars and a new generation of scholar-cartoonists from the fields of literature, comic studies and fine arts, animation studies, social sciences, and history to take the analysis of African cartooning forward. Taking African Cartoons Seriously presents critical thematic studies to chart new approaches to how African cartoonists trade in fun, irony, and satire. The book brings together the traditional press editorial cartoon with rapidly diverging subgenres of the art in the graphic novel and animation, and applications on social media. Interviews with bold and successful cartoonists provide insights into their work, their humor, and the dilemmas they face. This book will delight and inform readers from all backgrounds, providing a highly readable and visual introduction to key cartoonists and styles, as well as critical engagement with current themes to show where African political cartooning is going and why.
  free trade political cartoon: The Art of Ill Will Donald Dewey, 2008-10 Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing.
  free trade political cartoon: Thomas Nast John Chalmers Vinson, 2014 Included in this book are more than 150 examples of Nast's work which, together with the author's commentary, recreate the life and pattern of artistic development of the man who made the political cartoon a respected and powerful journalistic form.
  free trade political cartoon: Drawn & Quartered Stephen Hess, Sandy Northrop, 1996 This book belongs on the reference shelf of anyone interested in the interplay between cartoons, politics, and public opinion. It provides the reader a historic framework in which to understand the cartoons' meaning and significance.
  free trade political cartoon: Economics in Wonderland Robert Reich, 2017-11-08 Anyone who watches the former U.S. Secretary of Labor and The Daily Show and CNBC commentator's videocasts, viewed on his Inequality Media website, has seen Reich's informal lectures on student debt, social security, and gerrymandering, which he accompanies by quickly drawing cartoons to illustrate his major points. Collected here, for the first time, are short essays, edited from his presentations, and Reich's clean-line, confident illustrations, created with a large sketchpad and magic marker. Economics in Wonderland clearly explains the consequences of the disastrous policies of global austerity with humor, insight, passion, and warmth, all of which are on vivid display in words and pictures.
  free trade political cartoon: The Ungentlemanly Art Stephen Hess, Milton Kaplan, 1975 This account of the American political cartoon from 1747 to the work of contemporary cartoonists such as Mauldin and Herblock chronicles the careers of the famous figures and the political situations which provided the cartoonists with their material. It also offers a picture of the mass media (broadsides, newspapers and magazines) through which the cartoonists reached their audiences.
  free trade political cartoon: The Art of Controversy Victor S Navasky, 2013-04-09 A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's Duendecitos), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
  free trade political cartoon: Tariff Reform , 1888 Includes issue, Open letter to Congress.
  free trade political cartoon: Between Monopoly and Free Trade Emily Erikson, 2016-09-13 The English East India Company was one of the most powerful and enduring organizations in history. Between Monopoly and Free Trade locates the source of that success in the innovative policy by which the Company's Court of Directors granted employees the right to pursue their own commercial interests while in the firm’s employ. Exploring trade network dynamics, decision-making processes, and ports and organizational context, Emily Erikson demonstrates why the English East India Company was a dominant force in the expansion of trade between Europe and Asia, and she sheds light on the related problems of why England experienced rapid economic development and how the relationship between Europe and Asia shifted in the eighteenth and nineteenth centuries. Though the Company held a monopoly on English overseas trade to Asia, the Court of Directors extended the right to trade in Asia to their employees, creating an unusual situation in which employees worked both for themselves and for the Company as overseas merchants. Building on the organizational infrastructure of the Company and the sophisticated commercial institutions of the markets of the East, employees constructed a cohesive internal network of peer communications that directed English trading ships during their voyages. This network integrated Company operations, encouraged innovation, and increased the Company’s flexibility, adaptability, and responsiveness to local circumstance. Between Monopoly and Free Trade highlights the dynamic potential of social networks in the early modern era.
  free trade political cartoon: Give Me Liberty Or Give Me Obamacare Michael Ramirez, 2015-10-27 Give Me Liberty or Give Me Obamacare is a trenchant and outright hilarious collection of political cartoons, presenting a wonderfully intelligent and beautifully drawn snapshot of the absurdities of the Obama presidency. Ramirez tackles everything from Obamacare to the economy, foreign policy to culture wars, the environment, and much more.
  free trade political cartoon: The Politics of American Foreign Policy Peter Hays Gries, 2014-04-16 This “eye-opening analysis” explains how and why America’s culture wars and partisan divide have led to dysfunctional US policy abroad (The Atlantic). In this provocative book, Peter Gries challenges the view that partisan elites on Capitol Hill are out of touch with a moderate American public. Dissecting a new national survey, Gries shows how ideology powerfully divides Main Street over both domestic and foreign policy and reveals how and why, with the exception of attitudes toward Israel, liberals consistently feel warmer toward foreign countries and international organizations—and desire friendlier policies toward them—than conservatives do. The Politics of American Foreign Policy weaves together in-depth examinations of the psychological roots and foreign policy consequences of the liberal-conservative divide; the cultural, socio-racial, economic, and political dimensions of American ideology; and the moral values and foreign policy orientations that divide Democrats and Republicans. Within this context, the book explores why Americans disagree over US policy relating to Latin America, Europe, the Middle East, East Asia, and international organizations such as the UN.
  free trade political cartoon: This is the End Patrick Chappatte, 2020-01-20 “To many Americans, every day was anguish, and the only salve for our pain was Chappatte’s cartoons. They could help us come to terms with what was happening, even, perhaps, help us better understand our anguish. How else do you deal with something as grotesque, ridiculous, and unbelievable, but nonetheless real and consequential?” —From the foreword by Joseph E. Stiglitz, Nobel Prize Laureate PATRICK CHAPPATTE’S EIGHT—AND LAST!—COLLECTION OF EDITORIAL CARTOONS PUBLISHED IN THE NEW YORK TIMES This is the End offers us a witty, savage, and thought-provoking testimony of a dizzying world, swirling around an oxygen-sucking black hole named Donald Trump. In this era of strongmen, closing borders and selfie narcissists, humor is needed more than ever. On June 10, 2019, Chappatte posted an essay titled “The End of Political Cartoons at The New York Times,” breaking the news that was quickly confirmed by the newspaper. Chappatte’s piece, which received worldwide attention and triggered a global discussion about self-censorship by the media in the age of internet angry mobs, appears as an appendix to this cartoon book. It has inspired a TED talk given by Chappatte on July 23, 2019 at TED Summit.
  free trade political cartoon: Picture Politics , 1901
  free trade political cartoon: Migra Mouse Lalo Alcaraz, 2004 The first ever graphic novel by political cartoonist Lalo Alcaraz blends political satire with the border icons from his youth and the fabricated good ole days' of official American TV culture. Through humorous and occasionally poignant stories relating to the author's childhood as the son of Mexican immigrants living on the US/Mexico border, Leave It to Beaner explores themes of immigration, biculturalism and the inevitable reverse-assimilation of America.'
  free trade political cartoon: Sensationalism David B. Sachsman, 2017-07-05 David B. Sachsman and David W. Bulla have gathered a colourful collection of essays exploring sensationalism in nineteenth-century newspaper reporting. The contributors analyse the role of sensationalism and tell the story of both the rise of the penny press in the 1830s and the careers of specific editors and reporters dedicated to this particular journalistic style.Divided into four sections, the first, titled The Many Faces of Sensationalism, provides an eloquent Defense of yellow journalism, analyses the place of sensational pictures, and provides a detailed examination of the changes in reporting over a twenty-year span. The second part, Mudslinging, Muckraking, Scandals, and Yellow Journalism, focuses on sensationalism and the American presidency as well as why journalistic muckraking came to fruition in the Progressive Era.The third section, Murder, Mayhem, Stunts, Hoaxes, and Disasters, features a ground-breaking discussion of the place of religion and death in nineteenth-century newspapers. The final section explains the connection between sensationalism and hatred. This is a must-read book for any historian, journalist, or person interested in American culture.
  free trade political cartoon: Two Centuries of Tariffs John M. Dobson, 1976
  free trade political cartoon: Buy American Dana Frank, 2000-04-07 With the election of Donald Trump, economic nationalism has re-emerged as a patriotic rallying cry. But are imports and “foreigners” really to blame for the disappearance of good jobs in the United States? Tracing the history and politics of economic nationalism from the American Revolution to the present, historian Dana Frank investigates the long history of “Buy American” campaigns and their complexities. This entertaining story is full of surprises, including misguided heroes, chilling racism, and more than a few charlatans. Frank helps reframe the debate between free trade, on the one hand, and nationalism on the other, to suggest alternative strategies that would serve the needs of working Americans—instead of the interests of corporations and economic elites—and that don’t cast “foreigners” or immigrants as our “enemies.”
  free trade political cartoon: The Globalization Paradox Dani Rodrik, 2012-05-17 For a century, economists have driven forward the cause of globalization in financial institutions, labour markets, and trade. Yet there have been consistent warning signs that a global economy and free trade might not always be advantageous. Where are the pressure points? What could be done about them? Dani Rodrik examines the back-story from its seventeenth-century origins through the milestones of the gold standard, the Bretton Woods Agreement, and the Washington Consensus, to the present day. Although economic globalization has enabled unprecedented levels of prosperity in advanced countries and has been a boon to hundreds of millions of poor workers in China and elsewhere in Asia, it is a concept that rests on shaky pillars, he contends. Its long-term sustainability is not a given. The heart of Rodrik’s argument is a fundamental 'trilemma': that we cannot simultaneously pursue democracy, national self-determination, and economic globalization. Give too much power to governments, and you have protectionism. Give markets too much freedom, and you have an unstable world economy with little social and political support from those it is supposed to help. Rodrik argues for smart globalization, not maximum globalization.
  free trade political cartoon: Political and sartorial styles Kevin A. Morrison, 2023-02-14 Starting with the premise that clothing is political and that analysing clothing can enhance understanding of political style, this collection explores the relationships among political theory, dress, and self-presentation during a period in which imperial and colonial empires assumed their modern form. Organised under three thematic clusters, the volume’s chapters range from an analysis of the uniforms worn by West India regiments stationed in the Caribbean to the smock frock donned by rural agricultural labourers, and from the self-presentations of members of parliament, political thinkers, and imperial administrators to the dress of characters and caricatures in novels, paintings, and political cartoon. With its interdisciplinary approach, the book will appeal to nineteenth-century cultural and social historians and literary critics as well as advanced undergraduate and postgraduate students whose research and teaching interests include gender, politics, material culture, and imperialism.
  free trade political cartoon: A Political Cartoon History of the United States Clifford T. Bennett, 1992
  free trade political cartoon: Former Guy G. B. Trudeau, 2022-09-13 The continuation of Pulitizer Prize-winning cartoonist G.B. Trudeau's bestselling Trump series, this fourth (and final?) volume chronicles Doonesbury in the time of Trumpism. Though the title doesn't mention him by name, Former Guy looms large in American politics and culture even after leaving the Executive Office of the President. This latest Doonesbury collection picks up in the heat of the 2020 presidential campaign, chronicles the infamy of the Jan. 6 Capitol riot, and continues into the next administration, the ongoing COVID-19 crisis, and the many manifestations of Trumpism in global politics and American life. Over 50 years into his legendary career, Pulitzer Prize-winning cartoonist G.B. Trudeau is still the most accomplished satirist in comics, and his ongoing comics coverage of Donald Trump are unparalleled in breadth and humor.
  free trade political cartoon: Who's Afraid of the WTO? Kent Albert Jones, 2004 This text is in response to the many misinformed, often exaggerated arguments leveled against the WTO. Kent Jones explains in persuasive and engaging detail the compelling reasons for the WTO's existence and why it is a force for progress toward economic and non-economic goals worldwide.
  free trade political cartoon: Why Nations Fail Daron Acemoglu, James A. Robinson, 2013-09-17 Brilliant and engagingly written, Why Nations Fail answers the question that has stumped the experts for centuries: Why are some nations rich and others poor, divided by wealth and poverty, health and sickness, food and famine? Is it culture, the weather, geography? Perhaps ignorance of what the right policies are? Simply, no. None of these factors is either definitive or destiny. Otherwise, how to explain why Botswana has become one of the fastest growing countries in the world, while other African nations, such as Zimbabwe, the Congo, and Sierra Leone, are mired in poverty and violence? Daron Acemoglu and James Robinson conclusively show that it is man-made political and economic institutions that underlie economic success (or lack of it). Korea, to take just one of their fascinating examples, is a remarkably homogeneous nation, yet the people of North Korea are among the poorest on earth while their brothers and sisters in South Korea are among the richest. The south forged a society that created incentives, rewarded innovation, and allowed everyone to participate in economic opportunities. The economic success thus spurred was sustained because the government became accountable and responsive to citizens and the great mass of people. Sadly, the people of the north have endured decades of famine, political repression, and very different economic institutions—with no end in sight. The differences between the Koreas is due to the politics that created these completely different institutional trajectories. Based on fifteen years of original research Acemoglu and Robinson marshall extraordinary historical evidence from the Roman Empire, the Mayan city-states, medieval Venice, the Soviet Union, Latin America, England, Europe, the United States, and Africa to build a new theory of political economy with great relevance for the big questions of today, including: - China has built an authoritarian growth machine. Will it continue to grow at such high speed and overwhelm the West? - Are America’s best days behind it? Are we moving from a virtuous circle in which efforts by elites to aggrandize power are resisted to a vicious one that enriches and empowers a small minority? - What is the most effective way to help move billions of people from the rut of poverty to prosperity? More philanthropy from the wealthy nations of the West? Or learning the hard-won lessons of Acemoglu and Robinson’s breakthrough ideas on the interplay between inclusive political and economic institutions? Why Nations Fail will change the way you look at—and understand—the world.
  free trade political cartoon: American Political Cartoons Sandy Northrop, 2017-07-05 From Benjamin Franklin's drawing of the first American political cartoon in 1754 to contemporary cartoonists' blistering attacks on George W. Bush and initial love-affair with Barack Obama, editorial cartoons have been a part of American journalism and politics. American Political Cartoons chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning.Good cartoons hit you primitively and emotionally, said cartoonist Doug Marlette. A cartoon is a frontal attack, a slam dunk, a cluster bomb. Most cartoonists pride themselves on attacking honestly, if ruthlessly. American Political Cartoons recounts many direct hits, recalling the discomfort of the cartoons' targets and the delight of their readers.Through skillful combination of pictures and words, cartoonists galvanize public opinion for or against their subjects. In the process they have revealed truths about us and our democratic system that have been both embarrassing and ennobling. Stephen Hess and Sandy Northrop note that not all cartoonists have worn white hats. Many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues.
  free trade political cartoon: The Oxford Encyclopedia of American Political and Legal History Donald T. Critchlow, Philip R. VanderMeer, 2012-06-07 The Oxford Encyclopedia of American Political and Legal History brings together an unparalleled wealth of information about the laws, institutions, and actors that have governed America throughout its history. Entries key political figures, important legislation and governmental institutions, broad political trends relating to elections, voting behavior, and party development, as well as key court cases, legal theories, constitutional interpretations, Supreme Court justices, and other major legal figures. Emphasizing the interconnectedness of politics and law, the more than 430 expertly written entries in the Encyclopedia provide an invaluable and in-depth overview of the development of America's political and legal frameworks.
  free trade political cartoon: The War of 1812 and the Rise of the U.S. Navy Mark Jenkins, David A. Taylor, 2012 Explore historic documents, letters, ephemera, and artifacts, including fascinating finds from the Navy's most recent underwater excavation of the war's lost ships.
  free trade political cartoon: Camp II, Block 211 Jack Matsuoka, 1974
  free trade political cartoon: The Cartoons That Shook the World Jytte Klausen, 2009-10-13 On September 30, 2005, the Danish newspaper Jyllands-Posten published twelve cartoons of the Prophet Muhammad. Five months later, thousands of Muslims inundated the newspaper with outpourings of anger and grief by phone, email, and fax; from Asia to Europe Muslims took to the streets in protest. This book is the first comprehensive investigation of the conflict that aroused impassioned debates around the world on freedom of expression, blasphemy, and the nature of modern Islam. --Publisher.
  free trade political cartoon: Benjamin Disraeli, Earl of Beaconsfield, in Upwards of 100 Cartoons Punch (London), 1878
  free trade political cartoon: The Oxford Union, 1823-1923 Herbert Arthur Morrah, 1923
  free trade political cartoon: Artist of Wonderland Frankie Morris, 2023-03-30 Best known today as the illustrator of Lewis Carroll's Alice books, John Tenniel was one of the Victorian era's chief political cartoonists. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theatre, and medievalism to his flirtation with high art and his fifty years with the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. Tenniel's countrymen thought his work would embody for future historians the 'trend and character' of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three sections on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. Morris also demonstrates how Tenniel's cartoons depicted the key political questions of his day, from the Eastern Question to Lincoln and the American Civil War, examining their assumptions, devices, and evolving strategies. The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist who mythologized the world for generations of Britons.
  free trade political cartoon: The Living Age , 1886
  free trade political cartoon: United States Senate Catalogue of Graphic Art , 2006
  free trade political cartoon: Littell's Living Age Eliakim Littell, Robert S. Littell, 1886
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