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frost at midnight analysis: The Works of Samuel Taylor Coleridge Samuel Taylor Coleridge, 1853 |
frost at midnight analysis: Coleridge's Poems Samuel Taylor Coleridge, 1899 |
frost at midnight analysis: Shaler's Fish Helen Macdonald, 2016-02-02 “Devoted readers of H Is for Hawk will find Macdonald’s gift for stunning language, patient curiosity, and expansive wisdom on full display in her poems.”—Publishers Weekly From the naturalist and author of the New York Times bestseller H is for Hawk, which appeared on more than twenty-five Best Books of the Year lists, Shaler’s Fish is a collection of poetry that roams both the outer and inner landscapes of the poet’s universe, seamlessly fusing reflections on language, science, and literature with the loamy environments of the natural worlds around her. Moving between the epic (war, history, art, myth, philosophy) and the specific (CNN, Ancient Rome, Auden, Merleau-Ponty), Helen Macdonald examines with humor and intellect what it means to be awake and watchful in the world. These are poems that probe and question, within whose nimble ecosystems we are as likely to encounter Schubert as we are “a hand of violets,” Isaac Newton as a “winged quail on turf.” Nothing escapes Macdonald’s eye and every creature herein—from the smallest bird to the loftiest thinker—holds a significant place in her poems. “Macdonald is a poet of vision and sound, oracular one moment and playful the next, whose first love and only loyalty is to the music of words.” –O, the Oprah Magazine |
frost at midnight analysis: Kubla Khan Samuel Coleridge, 2015-12-15 Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library. |
frost at midnight analysis: The Rime of the Ancient Mariner Samuel Taylor Coleridge, 1900 |
frost at midnight analysis: Christabel... Samuel Taylor Coleridge, 1905 |
frost at midnight analysis: Biographia Literaria Samuel Taylor Coleridge, 1881 |
frost at midnight analysis: Sibylline Leaves Samuel Taylor Coleridge, 1817 |
frost at midnight analysis: The Art of Robert Frost Tim Kendall, 2012-05-29 Offers detailed accounts of sixty-five poems that span Frost's writing career and assesses the particular nature of the poet's style, discussing how it changes over time and relates to the works of contemporary poets and movements. |
frost at midnight analysis: Stopping by Woods on a Snowy Evening Robert Frost, 2022-11-03 |
frost at midnight analysis: Good Bones Maggie Smith, 2020-07-15 Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State, 2010), and Nesting Dolls (Pudding House, 2005). Her poem “Good Bones” has gone viral—tweeted and translated across the world, featured on the TV drama Madam Secretary, and called the “Official Poem of 2016” by the BBC/Public Radio International, earning news coverage in the New York Times, Washington Post, Slate, the Guardian, and beyond. Maggie Smith was named the 2016 Ohio Poet of the Year. “Smith's voice is clear and unmistakable as she unravels the universe, pulls at a loose thread and lets the whole thing tumble around us, sometimes beautiful, sometimes achingly hard. Truthful, tender, and unafraid of the dark....”—Ada Limón “As if lost in the soft, bewitching world of fairy tale, Maggie Smith conceives and brings forth this metaphysical Baedeker, a guidebook for mother and child to lead each other into a hopeful present. Smith's poems affirm the virtues of humanity: compassion, empathy, and the ability to comfort one another when darkness falls. 'There is a light,' she tells us, 'and the light is good.'”—D. A. Powell “Good Bones is an extraordinary book. Maggie Smith demonstrates what happens when an abundance of heart and intelligence meets the hands of a master craftsperson, reminding us again that the world, for a true poet, is blessedly inexhaustible.”—Erin Belieu |
frost at midnight analysis: The Crossroads at Midnight Abby Howard, 2020-10-06 A masterful collection of tales from the faded border between our day-to-day world and the horrifying unknown on the other side of midnight. An old woman living alone on the edge of a bog gets an unexpected -- and unsettling -- visitor, throwing her quiet life into a long-buried mystery. An isolated backwoods family stumbles into good fortune for a time with a monstrous discovery in the lake behind their house, but that time is running short. And a misfit little girl, struggling to make friends, meets an understanding soul one day at the beach: but why will he only play with her alone at night? All these lonely souls -- and more -- have reached out into the darkness, not knowing what they might find. Around the dark edges of reality lurk unknown beings with unknowable intentions -- ordinary objects can become cursed possessions, entities who seem like friends can become monstrous, and those who seem monstrous can become the truest companions. In this collection of evocative, unnerving slice-of-life horror, five stories explore what happens when one is desperate enough to seek solace in the unnatural, and what might be waiting for us at the Crossroads at Midnight. |
frost at midnight analysis: The Poetry of Robert Frost Robert Frost, 1979 A complete collection of Robert Frost's poetry. |
frost at midnight analysis: The Runaway Robert Frost, 2006-10-23 A poem about a colt frightened by falling snow. |
frost at midnight analysis: Thirteen Ways of Looking at a Blackbird Wallace Stevens, 2013 ??Wallace Stevens? ?Thirteen Ways of Looking at a Blackbird? appeared originally in 1917 and was subsequently published in his first book, Harmonium, in 1923. In a letter, Stevens once wrote that ?this group of poems is not meant to be a collection of epigrams or of ideas, but of sensations.? If this is indeed the poet?s intent, the poem provides readers with no fewer than thirteen perspectives or observances about blackbirds, but in those ?thirteen ways? is the immeasurable culmination of sensations. Just as the poet?s imagination invites readers to discover the infinite mysteries of the world and how these unify us in unexpected ways, Corinne Jones? new visual interpretation of Stevens? poem invites us, again, to re-explore the multiplicity of observation and subsequent knowledge.????This new trade edition, a 10x10 reprint of the original fine arts book, juxtaposes Jones?s beautiful and sensual prints of blackbirds against Stevens?s poetic text. The result is that the life and power inherent in each artwork is increased wonderfully and vibrantly when taken as a whole.??. |
frost at midnight analysis: Wordsworth and the Poetry of What We Are Paul H. Fry, 2008-10-01 Where others have oriented Wordsworth towards ideas of transcendence, nature worship, or - more recently - political repression, Paul H. Fry argues that underlying all this is a more fundamental insight - Wordsworth is most astonished not that the world he experiences has any particular qualities, but rather that it simply exists. |
frost at midnight analysis: Hope Is the Thing with Feathers Emily Dickinson, 2019-02-12 Part of a new collection of literary voices from Gibbs Smith, written by, and for, extraordinary women—to encourage, challenge, and inspire. One of American’s most distinctive poets, Emily Dickinson scorned the conventions of her day in her approach to writing, religion, and society. Hope Is the Thing with Feathers is a collection from her vast archive of poetry to inspire the writers, creatives, and leaders of today. Continue your journey in the Women’s Voices series with Jane Eyre, by Charlotte Bronte and The Feminist Papers by Mary Wollstonecraft. |
frost at midnight analysis: The Road Not Taken David Orr, 2015-08-18 A cultural “biography” of Robert Frost’s beloved poem, arguably the most popular piece of literature written by an American “Two roads diverged in a yellow wood . . .” One hundred years after its first publication in August 1915, Robert Frost’s poem “The Road Not Taken” is so ubiquitous that it’s easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost’s immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr’s The Road Not Taken dives directly into the controversy, illuminating the poem’s enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist for The New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem’s cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. “The Road Not Taken” seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking “the one less traveled by, / And that has made all the difference.” But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering? What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, “The Road Not Taken” is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem’s centennial—along with a new Penguin Classics Deluxe Edition of Frost’s poems, edited and introduced by Orr himself—The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice. |
frost at midnight analysis: The Poems Samuel Taylor Coleridge, 2022-04-27 Reprint of the original, first published in 1863. |
frost at midnight analysis: Do Not Go Gentle Into That Good Night Dylan Thomas, 2024-01-21 The poetry of Dylan Thomas has long been heralded as amongst the greatest of the Modern period, and along with his play, Under Milk Wood, his books are amongst the best-loved works in the literary canon. This new selection of his poetry contains all of his best-loved verse - including 'I See the Boys of Summer', 'And Death Shall Have No Dominion', 'The Hand that Signed the Paper' and, of course, 'Do Not Go Gentle into that Good Night' - as well as some of his lesser-known lyrical pieces, and aims to show the great poet in a new light. '[Then] the greatest living poet in the English language.' (Observer) 'He is unique, for he distils an exquisite mysterious moving quality which defies analysis.' (Sunday Times) |
frost at midnight analysis: The Rime of the Ancient Mariner Samuel Taylor Coleridge, 1897 |
frost at midnight analysis: Romantic Poetry and the Fragmentary Imperative Christopher A. Strathman, 2006-06-01 Uses the concept of the poetic fragment to draw connections between romantic poetry and modern literature and literary theory. |
frost at midnight analysis: Fears in Solitude Samuel Taylor Coleridge, 1989 |
frost at midnight analysis: Burning in this Midnight Dream Louise Bernice Halfe, 2016-04 In heart-wrenching detail, Louise Halfe recalls the damage done by the residential schools to her parents, her family, and herself in her new poetry collection. |
frost at midnight analysis: Dark Matter Michelle Paver, 2010-10-21 January 1937. Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely and desperate to change his life. So when he's offered the chance to be the wireless operator on an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year. Gruhuken. But the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice. Stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return - when the sea will freeze, making escape impossible. And Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark. This Special Edition Ebook will feature exclusive material: AUTHOR EXTRAS: Dark Matter ¿ An exclusive interview with Michelle Paver and an extended author biography with integrated photos of the landscape of Spitsbergen. COVER DESIGN: Dark Matter ¿ the jacket designer¿s take and cover design progression (5 x visuals). DARK MATTER - A SHORT FILM: Dark Matter ¿ Turning the novel into a short promotional film and Dark Matter - The Film Director's Cut, the rejected film scripts, the final film script and behind the scenes at filming (3 x visuals). |
frost at midnight analysis: The Book of Nightmares Galway Kinnell, 1971 A book-length poem evokes the horror, anguish, and brutality of 20th century history. |
frost at midnight analysis: The Romantic Imagination John Spencer Hill, 1977 |
frost at midnight analysis: Robert Frost in Context Mark Richardson, 2014-04-14 Forty essays from influential scholars and poets offer a fresh, multifaceted assessment of the life and works of Robert Frost. |
frost at midnight analysis: For the Union Dead Robert Lowell, 1967 |
frost at midnight analysis: Goblin Market Christina Georgina Rossetti, 1905 |
frost at midnight analysis: The Months SARA COLERIDGE, 2021-05-12 The One Poem series introduces young children to the world of poetry in a delightful manner, and helps them in developing a lifelong interest in this genre of literature. A truly adorable collection of all-time favourite poets and poems. |
frost at midnight analysis: Dorothy Wordsworth's Christmas Birthday Carol Ann Duffy, 2014-10-23 It is Christmas Eve, 1799, and Dorothy Wordsworth is awake in the dead of night. She stands outside in the winter cold, waiting patiently. When the new day breaks it will bring family and friends to Dorothy's door. For tomorrow is a double joy: tomorrow is her Christmas Birthday. Carol Ann Duffy's wonderful poem Dorothy Wordsworth's Christmas Birthday takes us to the frozen landscape of the Lake District, where a merry celebration is about to begin in the Wordsworths' cottage. Gorgeously illustrated by Tom Duxbury, this festive poem evokes the snowy Lake District as Dorothy celebrates her birthday with her brother William Wordsworth and fellow poet Samuel Taylor Coleridge. |
frost at midnight analysis: Coleridge, Wordsworth, and the Language of Allusion Lucy Newlyn, 1986 In her study of two creative minds, Lucy Newlyn offers a startlingly new version of the poetic interaction between Coleridge and Wordsworth during the critical years from 1797 to 1807. Rejecting the traditional accounts, even those given by the poets themselves, which have minimized the differences between the two, Newlyn demonstrates that it is only on the most superficial level that each poet seemed to be the other's ideal audience. Below that surface, she insists, there were radical dissimilarities between the two which led to a kind of creative misunderstanding by which each artist clearly defined himself in relation to the other. Because it is in the poet's private language of allusion that these differences are most clearly seen, the book concludes that this private language spoken by artists amongst themselves may in fact be the most aggressive of literary forms. |
frost at midnight analysis: American Gods Neil Gaiman, 2002-04-30 Shadow is a man with a past. But now he wants nothing more than to live a quiet life with his wife and stay out of trouble. Until he learns that she's been killed in a terrible accident. Flying home for the funeral, as a violent storm rocks the plane, a strange man in the seat next to him introduces himself. The man calls himself Mr. Wednesday, and he knows more about Shadow than is possible. He warns Shadow that a far bigger storm is coming. And from that moment on, nothing will ever he the same... |
frost at midnight analysis: The Portable Coleridge Samuel Taylor Coleridge, 1977-03-31 Chronically impoverished, tormented by self-doubt and a crippling addiction to opium, Samuel Taylor Coleridge (1772-1834) still managed to become one of the most versatile and influential forces of English romanticism. The Portable Coleridge faithfully represents all facets of this complex, haunted genius, including his poems, The Rime of the Ancient Mariner, Christabel, Kubla Khan, and Dejection; letters to friends and colleagues such as Robert Southey and William Godwin; selections from Notebooks and Table Talk; political and philisophical writings; literary criticism; and extensive excerpts from Biographia Literaria, in which Coleridge interweaves aesthetics, metaphysics, and disarmingly candid autobiography. Edited and with an introduction by the critic I.A. Richards, this voulme vastly expands our understanding of a writer of visionary insight and protean range. |
frost at midnight analysis: Works Samuel Taylor Coleridge, 1839 |
frost at midnight analysis: Wordsworth’s Poetry 1787-1814 Geoffrey Hartman, 2015-01-01 The drama of consciousness and maturation in the growth of a poet's mind is traced from Wordsworth's earliest poems to The Excursion of 1814. Mr. Hartman follows Wordsworth's growth into self-consciousness, his realization of the autonomy of the spirit, and his turning back to nature. The apocalyptic bias is brought out, perhaps for the first time since Bradley's Oxford Lectures, and without slighting in any way his greatness as a nature poet. Rather, a dialectical relation is established between his visionary temper and the slow and vacillating growth of the humanized or sympathetic imagination. Mr. Hartman presents a phenomenology of the mind with important bearings on the Romantic movement as a whole and as confirmation of Wordsworth's crucial position in the history of English poetry. Mr. Hartman is professor of English and comparative literature at the University of Iowa. A most distinguished book, subtle, penetrating, profound.—Rene Wellek. If it is the purpose of criticism to illuminate, to evaluate, and to send the reader back to the text for a fresh reading, Hartman has succeeded in establishing the grounds for such a renewal of appreciation of Wordsworth.—Donald Weeks, Journal of Aesthetics and Art Criticism. |
frost at midnight analysis: Lines Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour, July 13th, 1798 William Wordsworth, 2002 |
frost at midnight analysis: Intimations of Immortality William Wordsworth, Thomas B Mosher, 2018-10-30 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
frost at midnight analysis: At the Loch of the Green Corrie Andrew Greig, 2010-04-02 A homage to a remarkable poet and his world. 'At The Loch of Green Corrie is more than merely elegant, more than a collection of albeit fascinating insights, laugh-out-loud observations and impressively broad erudition' - Sunday Herald 'You could easily make a case that Andrew Greig has the greatest range of any living Scottish writer' - Scotsman For many years Andrew Greig saw the poet Norman MacCaig as a father figure. Months before his death, MacCaig's enigmatic final request to Greig was that he fish for him at the Loch of the Green Corrie; the location, even the real name of his destination was more mysterious still. His search took in days of outdoor living, meetings, and fishing with friends in the remote hill lochs of far North-West Scotland. It led, finally, to the waters of the Green Corrie, which would come to reflect Greig's own life, his thoughts on poetry, geology and land ownership in the Highlands and the ambiguous roles of whisky, love and male friendship. At the Loch of the Green Corrie is a richly atmospheric narrative, a celebration of losing and recovering oneself in a unique landscape, the consideration of a particular culture, and a homage to a remarkable poet and his world. |
"Top" or "Bottom" of Footi…
Feb 10, 2007 · I agree that "bottom of footing" is the standard in regards to frost depth. A note on JAE's comment-I don't agree the 42" footing depth …
Sources for Frost Depth Values - Structural engineering gene…
Mar 1, 2022 · to frost shall have the thickness of such a layer included in meeting the design frost depth defined in Section 3.2. Undisturbed granular …
Frost box? - Foundation engineering | Eng-Tips
Aug 7, 2008 · the depth of frost penetration depends on a lot of things. One factor is the presence of water in the soil. As that material is at 32 …
Frost Protection for Interior Footings 1 - Eng-Tips
Nov 18, 2024 · In these cases, what I've seen most commonly is to prepare some depth of the subgrade using non-frost susceptible materials and place …
How is frost depth determined / calculated? 1 - Eng-Tips
Nov 3, 2015 · Frost depth is an aspect of the majority of foundation design that I do, but thinking about it, I realize I'm not sure how the actual frost depth …
"Top" or "Bottom" of Footing? 5 - Eng-Tips
Feb 10, 2007 · I agree that "bottom of footing" is the standard in regards to frost depth. A note on JAE's comment-I don't agree the 42" footing depth versus an "average" frost depth of 26" is …
Sources for Frost Depth Values - Structural engineering general ...
Mar 1, 2022 · to frost shall have the thickness of such a layer included in meeting the design frost depth defined in Section 3.2. Undisturbed granular soils or fill material with less than 6% of …
Frost box? - Foundation engineering | Eng-Tips
Aug 7, 2008 · the depth of frost penetration depends on a lot of things. One factor is the presence of water in the soil. As that material is at 32 degrees, it gives off heat of fusion. That heat …
Frost Protection for Interior Footings 1 - Eng-Tips
Nov 18, 2024 · In these cases, what I've seen most commonly is to prepare some depth of the subgrade using non-frost susceptible materials and place 4" - 6" of XPS insulation below the …
How is frost depth determined / calculated? 1 - Eng-Tips
Nov 3, 2015 · Frost depth is an aspect of the majority of foundation design that I do, but thinking about it, I realize I'm not sure how the actual frost depth is determined. I see STP1358, …
Frost Heave Calculation - Foundation engineering | Eng-Tips
Jan 10, 2018 · I view frost as an "infinite" force. If conditions are right for it to form, it can lift just about anything. I don't know of any calculation that will give frost pressure. I've seen published …
Slab on grade & frost heave 1 - Eng-Tips
Aug 31, 2015 · Constructing a "frost wall" does nothing for the area under the slab if that zone goes below 32 degrees F. Concrete is a good conductor of heat out of the area under the slab. …
Frost Penetration and Movement 3 - Eng-Tips
Mar 9, 2009 · If the soil is non-frost susceptible (meaning that there is no significant change in volume (i.e., water freezing), you can put footings down fairly shallow (I did this in northern …
Exterior Large Equipment Pad with deep frost depths 7 - Eng-Tips
Aug 30, 2017 · So, the frost depth say 6 ft specified at local code may occur at outside of insulated SOG, but the frost depth below SOG will be around just one ft. I want to add that, if …
Floating slab on grade detail at exterior door 1 - Eng-Tips
Dec 1, 2008 · I see a similar condition all the time in my jurisdiction but with 4' frost walls. We're always dealing with expansive clays. Most of he geotechnical reports here will specify floating …