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| end of the road 2022 interview: Fat Leonard Craig Whitlock, 2024-05-14 #1 New York Times bestselling author Craig Whitlock’s masterful account of one of the biggest public corruption scandals in American history—exposing how a charismatic Malaysian defense contractor bribed scores of high-ranking military officers, defrauded the US Navy of tens of millions of dollars, and jeopardized our nation’s security. All the admirals in the US Navy knew Leonard Glenn Francis—either personally or by his legendary reputation. He was the larger-than-life defense contractor who greeted them on the pier whenever they visited ports in Asia, ready to show them a good time after weeks at sea while his company resupplied their ships and submarines. He was famed throughout the fleet for the gluttonous parties he hosted for officers: $1,000-per-person dinners at Asia’s swankiest restaurants, featuring unlimited Dom Pérignon, Cuban cigars, and sexy young women. On the surface, with his flawless American accent, he seemed like a true friend of the Navy. What the brass didn’t realize, until far too late, was that Francis had seduced them by exploiting their entitlement and hubris. While he was bribing them with gifts, lavish meals, and booze-fueled orgies, he was making himself obscenely wealthy by bilking American taxpayers. Worse, he was stealing military secrets from under the admirals’ noses and compromising national security. Based on reams of confidential documents—including the blackmail files that Francis kept on Navy officers—Fat Leonard is the full, unvarnished story of a world-class con man and a captivating testament to the corrosive influence of greed within the ranks of the American military. |
| end of the road 2022 interview: Cold Mountain Path: The Ghost Town Decades of McCarthy-Kennecott, Alaska Tom Kizzia, 2021-09-07 We all have ghost towns. Impermanent places we dream of returning to. Here was Alaska's. In 1938, the last copper train left the Wrangell Mountains. But the spirit of the old days-free-wheeling, self-reliant, bounty-blessed-lived on in the remote town of McCarthy. The valley's few holdouts were joined over time by a gallery of prospectors, grifters, back-to-the-landers, dreamers, escape artists, hippies, speculators, preachers, and outlaws. While the rest of Alaska boomed in the new oil age, an old and makeshift way of life persisted against the quiet undertow of the past, that ebbing toward the wilderness that was here before us. Then the modern world found its way back in. A road, a bridge, a national park. A mass shooting that left six dead. Cold Mountain Path is a deeply American saga of renunciation and renewal--a rollicking local history that is also a lyrical exploration of time, loss, and change. . . and a pulsating account of the morning that brought Alaska's ghost town decades to an end. Tom Kizzia's previous book, Pilgrim's Wilderness, was an Amazon Top-Ten Book of the Year and was named Alaska's best True Crime book by the New York Times. Kizzia has written for The New Yorker and was a longtime reporter for the Anchorage Daily News. He has a place of his own near McCarthy. |
| end of the road 2022 interview: Crazy Brave: A Memoir Joy Harjo, 2012-07-09 A “raw and honest” (Los Angeles Review of Books) memoir from the first Native American Poet Laureate of the United States. In this transcendent memoir, grounded in tribal myth and ancestry, music and poetry, Joy Harjo details her journey to becoming a poet. Born in Oklahoma, the end place of the Trail of Tears, Harjo grew up learning to dodge an abusive stepfather by finding shelter in her imagination, a deep spiritual life, and connection with the natural world. Narrating the complexities of betrayal and love, Crazy Brave is a haunting, visionary memoir about family and the breaking apart necessary in finding a voice. |
| end of the road 2022 interview: The Tide Will Erase All Justin Hellstrom, 2021-07-13 Wreathed in celestial cataclysm and child-like grandeur, The Tide Will Erase All hijacks your imagination to calculate the speed of light inside a dream. A transreality phenomenon known as the Mouth of God foams with star saliva as it eats myth and constellation alike to corrode our laws of nature and steal away the night sky. Dreams from spacetimes unknown prowl toxic and deranged while beings sent from the Mouth of God plumb an unseen treasure from a helpless, traumatized earth. The imagination of an eleven-year-old girl named Robot remains unphased by the astrocatastrophe. Having survived the emergence of the Mouth of God, Robot forms an expedition with a few surviving children and a lone astronomer to contact the world's last remaining telescope-an orbital observatory which they hope can puncture the exo-cosmic firmament and expose the core of all truth. But navigating a landscape of miracles and gore threatens to devastate the fabric of reality and their hearts all the same. As the Mouth of God descends upon the galaxy and its emissaries embolden, Robot uncovers a rationale for the calamity that transcends all material fortune and dominance. A glimpse of emotional floodsurf where monsters from pre-existence sleep in tropic swells, waiting to be released. Waiting to drown the Mouth of God. Waiting to drown everything. Balanced on the lip of extinction, Robot narrates her adventure through a walkie-talkie to astronauts aboard the orbital telescope, a story both contemplative and heartbreaking while soaked in the action influence of the best manga and anime. With wide-eyed lyricism and hyper optic imagery-The Tide Will Erase All curates the surreal annihilation of a dream apocalypse with all the sadness, hope, and wonder of a teardrop falling in reverse. The start of a saga which unfolds as a Miyazaki film at the end of the world, a science fiction that seeks to become aflame in your hands and return to the stars. |
| end of the road 2022 interview: We Begin at the End Chris Whitaker, 2021-03-02 Winner of the Gold Dagger for Best Crime Novel from the Crime Writers’ Association (UK) Winner for Best International Crime Fiction from Australian Crime Writers Association An Instant New York Times Bestseller “A vibrant, engrossing, unputdownable thriller that packs a serious emotional punch. One of those rare books that surprise you along the way and then linger in your mind long after you have finished it.” —Kristin Hannah, #1 New York Times bestselling author of The Nightingale and The Four Winds Right. Wrong. Life is lived somewhere in between. Duchess Day Radley is a thirteen-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother. Now, thirty years later, Vincent is being released. And Duchess and Walk must face the trouble that comes with his return. We Begin at the End is an extraordinary novel about two kinds of families—the ones we are born into and the ones we create. |
| end of the road 2022 interview: Crossings: How Road Ecology Is Shaping the Future of Our Planet Ben Goldfarb, 2023-09-12 Winner of the Rachel Carson Award for Excellence in Environmental Journalism Finalist for the NYPL Helen Bernstein Book Award for Excellence in Journalism Finalist for the Reading the West Book Award in Nonfiction Finalist for the Colorado Book Award Named a Best Book of the Year by the New York Times, The New Yorker, Science News, Smithsonian Magazine, and Kirkus Reviews A powerhouse of a book…comprehensive and engaging. —David Gessner, Washington Post An eye-opening account of the global ecological transformations wrought by roads, from the award-winning author of Eager. Some 40 million miles of roadways encircle the earth, yet we tend to regard them only as infrastructure for human convenience. While roads are so ubiquitous they’re practically invisible to us, wild animals experience them as entirely alien forces of death and disruption. In Crossings, environmental journalist Ben Goldfarb travels throughout the United States and around the world to investigate how roads have transformed our planet. A million animals are killed by cars each day in the U.S. alone, but as the new science of road ecology shows, the harms of highways extend far beyond roadkill. Creatures from antelope to salmon are losing their ability to migrate in search of food and mates; invasive plants hitch rides in tire treads; road salt contaminates lakes and rivers; and the very noise of traffic chases songbirds from vast swaths of habitat. Yet road ecologists are also seeking to blunt the destruction through innovative solutions. Goldfarb meets with conservationists building bridges for California’s mountain lions and tunnels for English toads, engineers deconstructing the labyrinth of logging roads that web national forests, animal rehabbers caring for Tasmania’s car-orphaned wallabies, and community organizers working to undo the havoc highways have wreaked upon American cities. Today, as our planet’s road network continues to grow exponentially, the science of road ecology has become increasingly vital. Written with passion and curiosity, Crossings is a sweeping, spirited, and timely investigation into how humans have altered the natural world—and how we can create a better future for all living beings. |
| end of the road 2022 interview: Kathryn Bigelow Kathryn Bigelow, 2013-07-29 Interviews with the Oscar-winning director of The Hurt Locker and many other films |
| end of the road 2022 interview: The Lion's Gate Steven Pressfield, 2014-06-04 A brilliant look into the psyche of combat. Where he once took us into the Spartan line of battle at Thermopylae, Steven Pressfield now takes us into the sands of the Sinai, the alleys of Old Jerusalem, and into the hearts and souls of soldiers winning a spectacularly improbable victory against daunting odds.” —General Stanley McChrystal, U.S. Army, ret.; author of My Share of the Task June 5, 1967. The nineteen-year-old state of Israel is surrounded by enemies who want nothing less than her utter extinction. The Soviet-equipped Egyptian Army has massed a thousand tanks on the nation’s southern border. Syrian heavy guns are shelling her from the north. To the east, Jordan and Iraq are moving mechanized brigades and fighter squadrons into position to attack. Egypt’s President Nasser has declared that the Arab force’s objective is “the destruction of Israel.” The rest of the world turns a blind eye to the new nation’s desperate peril. June 10, 1967. The Arab armies have been routed, ground divisions wiped out, air forces totally destroyed. Israel’s citizen-soldiers have seized the Gaza Strip and the Sinai Peninsula from Egypt, the Golan Heights from Syria, East Jerusalem and the West Bank from Jordan. The land under Israeli control has tripled. Her charismatic defense minister, Moshe Dayan, has entered the Lion’s Gate of the Old City of Jerusalem to stand with the paratroopers who have liberated Judaism’s holiest site—the Western Wall, part of the ruins of Solomon’s temple, which has not been in Jewish hands for nineteen hundred years. It is one of the most unlikely and astonishing military victories in history. Drawing on hundreds of hours of interviews with veterans of the war—fighter and helicopter pilots, tank commanders and Recon soldiers, paratroopers, as well as women soldiers, wives, and others—bestselling author Steven Pressfield tells the story of the Six Day War as you’ve never experienced it before: in the voices of the young men and women who battled not only for their lives but for the survival of a Jewish state, and for the dreams of their ancestors. By turns inspiring, thrilling, and heartbreaking, The Lion’s Gate is both a true tale of military courage under fire and a journey into the heart of what it means to fight for one’s people. |
| end of the road 2022 interview: Queer Premises Ben Campkin, 2023-06-01 Queer premises provide vital social and cultural infrastructure a queer infrastructure connecting different generations and locations, facilitating the movement of resources, across and beyond the city. Queer Premises offers evidence for how London's diverse LGBTQ+ populations have embedded themselves into urban space, systems and resources. It sets out to understand how, across their different material dimensions, bars, cafés, nightclubs, pubs, community centres, and hybrids of these typologies, have been imagined, created and sustained. From the 1980s to the present, Campkin asks how, where, and why these venues have been established, how they operate and the purposes they serve, what challenges they face and why they close down. |
| end of the road 2022 interview: I Am the Messenger Markus Zusak, 2007-12-18 DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF AND AN UNFORGETTABLE AND SWEEPING FAMILY SAGA. From the author of the extraordinary #1 New York Times bestseller The Book Thief, I Am the Messenger is an acclaimed novel filled with laughter, fists, and love. A MICHAEL L. PRINTZ HONOR BOOK FIVE STARRED REVIEWS Ed Kennedy is an underage cabdriver without much of a future. He's pathetic at playing cards, hopelessly in love with his best friend, Audrey, and utterly devoted to his coffee-drinking dog, the Doorman. His life is one of peaceful routine and incompetence until he inadvertently stops a bank robbery. That's when the first ace arrives in the mail. That's when Ed becomes the messenger. Chosen to care, he makes his way through town helping and hurting (when necessary) until only one question remains: Who's behind Ed's mission? |
| end of the road 2022 interview: Homesick for Another World Ottessa Moshfegh, 2017-01-17 A New York Times Book Review Notable Book of 2017 An electrifying first collection from one of the most exciting short story writers of our time I can’t recall the last time I laughed this hard at a book. Simultaneously, I’m shocked and scandalized. She’s brilliant, this young woman.—David Sedaris Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick. |
| end of the road 2022 interview: The Road to the Dayton Accords D. Chollet, 2007-06-08 The intricate diplomacy that led to the peace agreement in Bosnia, known as the Dayton Accords, is here revealed in unprecedented detail. Based on thousands of still-classified government documents and dozens of interviews with key participants, this is a comprehensive story of high-level diplomacy, told from the inside. |
| end of the road 2022 interview: The Negro Motorist Green Book Victor H. Green, The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century. |
| end of the road 2022 interview: Fly Away Kristin Hannah, 2013-04-23 Return to the world of FIREFLY LANE—now a Netflix series—from #1 New York Times bestselling author Kristin Hannah. Once, a long time ago, I walked down a night-darkened road called Firefly Lane, all alone, on the worst night of my life, and I found a kindred spirit. That was our beginning. More than thirty years ago. TullyandKate. You and me against the world. Best friends forever. But stories end, don't they? You lose the people you love and you have to find a way to go on. . . . Tully Hart has always been larger than life, a woman fueled by big dreams and driven by memories of a painful past. She thinks she can overcome anything until her best friend, Kate Ryan, dies. Tully tries to fulfill her deathbed promise to Kate--to be there for Kate's children--but Tully knows nothing about family or motherhood or taking care of people. Sixteen-year-old Marah Ryan is devastated by her mother's death. Her father, Johnny, strives to hold the family together, but even with his best efforts, Marah becomes unreachable in her grief. Nothing and no one seems to matter to her . . . until she falls in love with a young man who makes her smile again and leads her into his dangerous, shadowy world. Dorothy Hart--the woman who once called herself Cloud--is at the center of Tully's tragic past. She repeatedly abandoned her daughter, Tully, as a child, but now she comes back, drawn to her daughter's side at a time when Tully is most alone. At long last, Dorothy must face her darkest fear: Only by revealing the ugly secrets of her past can she hope to become the mother her daughter needs. A single, tragic choice and a middle-of-the-night phone call will bring these women together and set them on a poignant, powerful journey of redemption. Each has lost her way, and they will need each one another--and maybe a miracle--to transform their lives. An emotionally complex, heart-wrenching novel about love, motherhood, loss, and new beginnings, Fly Away reminds us that where there is life, there is hope, and where there is love, there is forgiveness. Told with her trademark powerful storytelling and illuminating prose, Kristin Hannah reveals why she is one of the most beloved writers of our day. |
| end of the road 2022 interview: Signs of Life Stephen Fabes, 2020-08-06 'A thoughtful exploration of humanity ... Fabes is great company and makes riding bicycles seem like the best way to see and understand the world' - Guardian They say that being a good doctor boils down to just four things: Shut up, listen, know something, care. The same could be said for life on the road, too. When Stephen Fabes left his job as a junior doctor and set out to cycle around the world, frontline medicine quickly faded from his mind. Of more pressing concern were the daily challenges of life as an unfit rider on an overloaded bike, helplessly in thrall to pastries. But leaving medicine behind is not as easy as it seems. As he roves continents, he finds people whose health has suffered through exile, stigma or circumstance, and others, whose lives have been saved through kindness and community. After encountering a frozen body of a monk in the Himalayas, he is drawn ever more to healthcare at the margins of the world, to crumbling sanitoriums and refugee camps, to city dumps and war-torn hospital wards. And as he learns the value of listening to lives - not just solving diagnostic puzzles - Stephen challenges us to see care for the sick as a duty born of our humanity, and our compassion. |
| end of the road 2022 interview: The Forests Sandrine Collette, 2022-03-08 The sole survivor of a climate apocalypse searches for his adoptive grandmother in the acclaimed French author’s “unforgettable epic” (Le Figaro). Winner of the 2020 Grand Prix RTL-Lire From earliest childhood, Corentin’s life is sad and solitary. Abandoned by his mother, he finally finds a home with Augustine, an old woman who lives deep in the Valley of the Forests. Years later, he moves to the city to pursue his studies—and discovers the dazzling pleasures and distractions of urban life. Around him, though, the world is on fire. Temperatures continue to rise, causing a permanent draught. The rivers of Corentin’s childhood have long dried up; the trees shed their leaves in June. A terrible catastrophe is brewing. The night when the worst happens, Corentin miraculously survives. When he reemerges from the city’s catacombs, he finds a devastated landscape, completely devoid of life. Human, tree, or beast: nothing is left. But Corentin doesn’t give up. Armed with nothing more than hope, he sets off on a journey to find old Augustine. |
| end of the road 2022 interview: Reinventing Pink Floyd Bill Kopp, 2018-02-09 In celebration of the 45th anniversary of The Dark Side of the Moon, Bill Kopp explores the ingenuity with which Pink Floyd rebranded itself following the 1968 departure of Syd Barrett. Not only did the band survive Barrett’s departure, but it went on to release landmark albums that continue to influence generations of musicians and fans. Reinventing Pink Floyd follows the path taken by the remaining band members to establish a musical identity, develop a songwriting style, and create a new template for the manner in which albums are made and even enjoyed by listeners. As veteran music journalist Bill Kopp illustrates, that path was filled with failed experiments, creative blind alleys, one-off musical excursions, abortive collaborations, general restlessness, and—most importantly—a dedicated search for a distinctive musical personality. This exciting guide to the works of 1968 through 1973 highlights key innovations and musical breakthroughs of lasting influence. Kopp places Pink Floyd in its historical, cultural, and musical contexts while celebrating the test of fire that took the band from the brink of demise to enduring superstardom. |
| end of the road 2022 interview: Verity Colleen Hoover, 2021-10-05 Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her. |
| end of the road 2022 interview: The Last Professional Ed Davis, 2022-01-25 Returning to the rails fifteen years after the childhood trauma that haunts him, young Lynden Hoover gets help from The Duke, an old hobo who calls America's landscape his home, adheres to an honor code, but is fleeing Short Arm, his merciless enemy. The Duke mentors Lynden, enlisting old Knights of the Road to keep himself and his apprentice safe. When Short Arm murders two of them, the stakes suddenly escalate to life or death. |
| end of the road 2022 interview: The Road Cormac McCarthy, 2007 In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity |
| end of the road 2022 interview: Assume Nothing Tanya Selvaratnam, 2021-02-23 “Selvaratnam very bravely and compellingly uses her personal experience to shine a light on the global crisis of violence against women. An important book for the women’s rights movement, Assume Nothing demonstrates that violence against women exists across race, class, economic status and education levels, and may be perpetrated by those we think of as allies! It dispels the myth that there are certain types of victims and perpetrators. It will help a lot of people, and particularly those who hesitate to identify as a victim/survivor for fear of losing their grounding both publicly and privately.”—Yasmeen Hassan, Global Executive Director, Equality Now “This courageous and terrifying book charts the author’s descent into an abusive relationship and also her emergence from it in taut, seductive prose. Selvaratnam explains how—even as an educated, sophisticated, liberal feminist—she was enthralled by her lover’s fame and tolerated escalating personal violence. Her narrative is vivid and bracingly frank, a tour-de-force of self-revelation and, ultimately, of redemption.”—Andrew Solomon, National Book Award-winning author of Far from the Tree and The Noonday Demon Award-winning filmmaker Tanya Selvaratnam bravely recounts the intimate abuse she suffered from former New York State Attorney General Eric Schneiderman, using her story as a prism to examine the domestic violence crisis plaguing America. When Tanya Selvaratnam met then New York State Attorney General Eric Schneiderman at the Democratic National Convention in July 2016, they seemed like the perfect match. Both were Harvard alumni; both studied Chinese; both were interested in spirituality and meditation, both were well-connected rising stars in their professions—Selvaratnam in entertainment and the art world; Schneiderman in law and politics. Behind closed doors, however, Tanya’s life was anything but ideal. Schneiderman became controlling, mean, and manipulative. He drank heavily and used sedatives. Sex turned violent, and he called Tanya—who was born in Sri Lanka and grew up in Southern California—his “brown slave.” He isolated and manipulated her, even threatening to kill her if she tried to leave. Twenty-five percent of women in America are victims of domestic abuse. Tanya never thought she would be a part of this statistic. Growing up, she witnessed her father physically and emotionally abuse her mother. Tanya knew the patterns and signs of domestic violence, and did not see herself as remotely vulnerable. Yet what seemed impossible was suddenly a terrifying reality: she was trapped in a violent relationship with one of the most powerful men in New York. Sensitive and nuanced, written with the gripping power of a dark psychological thriller, Assume Nothing details how Tanya’s relationship devolved into abuse, how she found the strength to leave—risking her career, reputation, and life—and how she reclaimed her freedom and her voice. In sharing her story, Tanya analyzes the insidious way women from all walks of life learn to accept abuse, and redefines what it means to be a victim of intimate violence. |
| end of the road 2022 interview: Rubies in the Rubble: From Pain to Prominence, From Abuse to Absolution Jill Speering, 2021-10-20 This author experienced a transformation from unrelenting failure and pain to one of empathy, compassion, and love. Her gripping account of misfortune and abuse transformed into iron-clad self-respect and human triumph |
| end of the road 2022 interview: Ridley Scott Ridley Scott, 2005 Collected interviews with the British filmmaker of classics such as Blade Runner, Alien, and Gladiator |
| end of the road 2022 interview: Abandoned Alaska Paul Scannell, 2020 ... The sudden closing of the Kennecott copper mine in 1938 left many (of these) industrial and residential structures abandoned. Leaving with only what they could carry, the miners left plates on tables and sheets on beds. Preserved by their remoteness and Alaska's harsh freezing temperatures, the sites retain many of these precious artifacts ...--Back cover |
| end of the road 2022 interview: Swamp Kings Jason Ryan, 2024-04-02 The stranger-than-fiction story of the now-notorious Lowcountry clan, in all its Southern Gothic intensity—by an author with unparalleled access to and knowledge of the players, the history, and the place. The most famous man in South Carolina lives in prison. He stands convicted of a staggering amount of wrongdoing—more than 100 crimes and counting. Once a high-flying, smooth-talking, pedigreed Southern lawyer, Alex Murdaugh is now disbarred and disgraced. For more than a decade, prosecutors asserted that Alex was secretly a fraud, a thief, a drug trafficker, and an all-around phony. On the night of June 7, 2021, they claimed, he also became a killer, shooting dead his wife and son in a desperate bid to escape accountability. The many crimes of Alex Murdaugh, exposed piecemeal over the last two years, have appalled the general public. Yet his implosion—the spectacular manner in which he has turned his vaunted family name to mud—has also proved mesmerizing. With every revelation, Alex Murdaugh has been shown to be a man without bottom, though he insists he never harmed his family. Remarkably, all of his misdeeds have precedent. In Swamp Kings, Jason Ryan reveals Alex’s evil actions are only the tip of the iceberg. When it comes to the Murdaugh family of Hampton County, history has a way of repeating itself. For every alleged, headline-grabbing crime associated with Alex Murdaugh, mirror-image incidents have played out within his family’s past, including parallel instances of fraud, theft, illicit trafficking of babies and booze, calamitous boat crashes, and even alleged murder. There were some crimes committed by Alex’s kin that even he would not dare mimic. Covering a century of depravity in an impoverished and isolated stretch of the Deep South, Swamp Kings weaves together the jaw-dropping narratives of generations of Murdaughs before culminating in the telling of a murder trial for the ages. Page after page the family’s legacy is laid bare as a spotlight is finally trained on the Murdaugh men who have long lorded over the South Carolina Lowcountry. |
| end of the road 2022 interview: Here in the Real World Sara Pennypacker, 2020-02-04 From the author of the highly acclaimed, New York Times bestselling novel Pax comes a gorgeous and moving middle grade novel that is an ode to introverts, dreamers, and misfits everywhere. Ware can’t wait to spend summer “off in his own world”—dreaming of knights in the Middle Ages and generally being left alone. But then his parents sign him up for dreaded Rec camp, where he must endure Meaningful Social Interaction and whatever activities so-called “normal” kids do. On his first day Ware meets Jolene, a tough, secretive girl planting a garden in the rubble of an abandoned church next to the camp. Soon he starts skipping Rec, creating a castle-like space of his own in the church lot. Jolene scoffs, calling him a dreamer—he doesn’t live in the “real world” like she does. As different as Ware and Jolene are, though, they have one thing in common: for them, the lot is a refuge. But when their sanctuary is threatened, Ware looks to the knights’ Code of Chivalry: Thou shalt do battle against unfairness wherever faced with it. Thou shalt be always the champion of the Right and Good—and vows to save the lot. But what does a hero look like in real life? And what can two misfit kids do? |
| end of the road 2022 interview: Sunflower Tex Gresham, 2021-11-04 A screenplay that predicts the future. A terrorist cult destined to destroy something they can't remember. A projectionist trying to find her way through a story she's suddenly aware she's living. A loser who always seems to be in the wrong place at the right time. And the disparate particles and people populating a slowly-collapsing, not-so-far-from-now world where movie theaters no longer exist, one percent of the population is dead, and everything we do is surveilled and advertised. This is Sunflower -- the final film by Simeon Wolpe. Readers of Sunflower, Tex Gresham's brilliant new novel, will probably find themselves thinking of Gravity's Rainbow, House of Leaves, and Infinite Jest. But in truth, Sunflower is something else, a beast with its own distinct brand of madness. Bluntly satirical of Trump-era politics, Sunflower takes you on an acid trip disguised as a conspiracy theory, working with equal skill in realist, absurdist, and metafictional modes to make sure you're lost in a funhouse you won't want to leave. In Gresham's fictional universe, the world might end while you're watching a movie about the end of the world, and maybe you wrote the script or maybe your double wrote the script, and even if the theater is filled with people who won't hesitate to blow your brains out if you laugh at all the wrong moments, it won't make any difference, since the book is filled with all the right moments. --Stephen-Paul Martin, author of The Ace of Lightning If a bodybuilder were to astral project herself into both Werner Herzog's cameraman/cinematography and Middlemarch, it would produce a morbidly rakish sunflower of the same heliotropic anti- equivalent as Tex Gresham's Sunflower. And, if an intern were to work in Gresham's library of chapters and deleted scenes, it would confuse The Library of Congress for Netflix. -Vi Khi Nao, author of Fish In Exile and The Vegas Dilemma Tex Gresham has blurred the line between satirical deconstruction of postmodern novels and sentimental love letters to cinema. Simultaneously hilarious and heartbreaking, Sunflower is an intricate mystery that will leave readers seeking to mend their broken relationships and their humanity through a shared fondness for the silver screen. Sunflower is this summer's biggest literary blockbuster hit! You'll laugh. You'll cry. You'll dissolve. --Dan Eastman, author of Watertown Sunflower is virtuosic, gargantuan, totally unafraid. Experimental and wild, beautiful and heartbreaking, serious and hilarious--I think Tex is here to stay. --Lindsay Lerman, author of I'm From Nowhere and What Are You If Paul Thomas Anderson wrote a novel based on a film by David Foster Wallace with a screenplay by Thomas Pynchon about dark Hollywood, mind-bending conspiracy, the slapstick horror of America and sheer insanity of existence, these would be some in a long line of flavors the sum total of which might come partway to encapsulating Sunflower. Hilarious, repulsive, enthralling, shocking, breathtaking, masterful-Tex Gresham's magnum opus is a novel you will use all your adjectives attempting to describe; a dense, multi-character tale in which each place and person, every moment and word, are connected through myriad layers across space and time. The effect is staggering. This book will swallow you whole then spit you back out, dazed, bewildered, transformed-hungering for more. --Philip Elliot, author of Nobody Move and Porno Valley I've tried to make Sunflower into a feature--not a Netflix series--and people called me a moron. So the least I can do is say, Read this book and imagine it as a really good movie that I would make. Because it's so good that I wanted to make it into a movie--not a Netflix series. --Alan Smithee, legendary Hollywood direct |
| end of the road 2022 interview: Although Of Course You End Up Becoming Yourself David Lipsky, 2010-04-13 NOW A MAJOR MOTION PICTURE, STARRING JASON SEGAL AND JESSE EISENBERG, DIRECTED BY JAMES PONSOLDT An indelible portrait of David Foster Wallace, by turns funny and inspiring, based on a five-day trip with award-winning writer David Lipsky during Wallace’s Infinite Jest tour In David Lipsky’s view, David Foster Wallace was the best young writer in America. Wallace’s pieces for Harper’s magazine in the ’90s were, according to Lipsky, “like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.” Then Rolling Stone sent Lipsky to join Wallace on the last leg of his book tour for Infinite Jest, the novel that made him internationally famous. They lose to each other at chess. They get iced-in at an airport. They dash to Chicago to catch a make-up flight. They endure a terrible reader’s escort in Minneapolis. Wallace does a reading, a signing, an NPR appearance. Wallace gives in and imbibes titanic amounts of hotel television (what he calls an “orgy of spectation”). They fly back to Illinois, drive home, walk Wallace’s dogs. Amid these everyday events, Wallace tells Lipsky remarkable things—everything he can about his life, how he feels, what he thinks, what terrifies and fascinates and confounds him—in the writing voice Lipsky had come to love. Lipsky took notes, stopped envying him, and came to feel about him—that grateful, awake feeling—the same way he felt about Infinite Jest. Then Lipsky heads to the airport, and Wallace goes to a dance at a Baptist church. A biography in five days, Although Of Course You End Up Becoming Yourself is David Foster Wallace as few experienced this great American writer. Told in his own words, here is Wallace’s own story, and his astonishing, humane, alert way of looking at the world; here are stories of being a young writer—of being young generally—trying to knit together your ideas of who you should be and who other people expect you to be, and of being young in March of 1996. And of what it was like to be with and—as he tells it—what it was like to become David Foster Wallace. If you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do it. I know that sounds a little pious. —David Foster Wallace |
| end of the road 2022 interview: Red Island House Andrea Lee, 2021-03-23 From National Book Award–nominated writer Andrea Lee comes Red Island House, a travel epic that opens a window on the mysterious African island of Madagascar, and on the dangers of life and love in paradise, as seen through the eyes of a Black American heroine. “People do mysterious things when they think they have found paradise,” reflects Shay, the heroine of Red Island House. When Shay, an intrepid Black American professor, marries Senna, a brash Italian businessman, she doesn’t imagine that her life’s greatest adventure will carry her far beyond their home in Milan: to an idyllic stretch of beach in Madagascar where Senna builds a flamboyant vacation villa. Before she knows it, she becomes the reluctant mistress of a sprawling household, caught between her privileged American upbringing and her connection to the continent of her ancestors. So begins Shay’s journey into the heart of a remote African country. Can she keep her identity and her marriage intact amid the wild beauty and the lingering colonial sins of this mysterious world that both captivates and destroys foreigners? A mesmerizing, powerful tale of travel and self-discovery that evokes Isabel Allende’s House of the Spirits and Chimamanda Ngozi Adichie’s Americanah, Red Island House showcases an extraordinary literary voice and gorgeously depicts a lush and unknown world. |
| end of the road 2022 interview: Times Remembered Joe La Barbera, Charles Levin, 2021-10-15 In the late 1970s legendary pianist Bill Evans was at the peak of his career. He revolutionized the jazz trio (bass, piano, drums) by giving each part equal emphasis in what jazz historian Ted Gioia called a “telepathic level” of interplay. It was an ideal opportunity for a sideman, and after auditioning in 1978, Joe La Barbera was ecstatic when he was offered the drum chair, completing the trio with Evans and bassist Marc Johnson. In Times Remembered, La Barbera and co-author Charles Levin provide an intimate fly-on-the-wall peek into Evans’s life, critical recording sessions, and behind-the-scenes anecdotes of life on the road. Joe regales the trio’s magical connection, a group that quickly gelled to play music on the deepest and purest level imaginable. He also watches his dream gig disappear, a casualty of Evans’s historical drug abuse when the pianist dies in a New York hospital emergency room in 1980. But La Barbera tells this story with love and respect, free of judgment, showing Evans’s humanity and uncanny ability to transcend physical weakness and deliver first-rate performances at nearly every show. |
| end of the road 2022 interview: Miss May Does Not Exist Carrie Courogen, 2024-06-04 Miss May Does Not Exist, by Carrie Courogen is the riveting biography of comedian, director, actor and writer Elaine May, one of America’s greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch. After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is this: “Miss May does not exist.” Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be. |
| end of the road 2022 interview: Night Road Kristin Hannah, 2011-03-22 From Kristin Hannah, the #1 New York Times bestselling author of the smash-hit novels Firefly Lane, The Nightingale, and The Four Winds comes a novel about how one reckless night destroys the lives of three teenagers and their families. For eighteen years, Jude Farraday has put her children's needs above her own, and it shows—her twins, Mia and Zach, are bright and happy teenagers. When Lexi Baill moves into their small, close-knit community, no one is more welcoming than Jude. Lexi, a former foster child with a dark past, quickly becomes Mia's best friend. Then Zach falls in love with Lexi and the three become inseparable. Jude does everything to keep her kids out of harm's way. But senior year of high school tests them all. It's a dangerous, explosive season of drinking, driving, parties, and kids who want to let loose. And then on a hot summer's night, one bad decision is made. In the blink of an eye, the Farraday family will be torn apart and Lexi will lose everything. In the years that follow, each must face the consequences of that single night and find a way to forget...or the courage to forgive. Vivid, universal, and emotionally complex, Night Road raises profound questions about motherhood, identity, love, and forgiveness. It is a luminous, heartbreaking novel that captures both the exquisite pain of loss and the stunning power of hope. This is Kristin Hannah at her very best, telling an unforgettable story about the longing for family, the resilience of the human heart, and the courage it takes to forgive the people we love. You cannot read Night Road and not be affected by the story and the characters. The total impact of the book will stay with you for days to come after it is finished. —The Huffington Post |
| end of the road 2022 interview: Ask a Manager Alison Green, 2018-05-01 From the creator of the popular website Ask a Manager and New York’s work-advice columnist comes a witty, practical guide to 200 difficult professional conversations—featuring all-new advice! There’s a reason Alison Green has been called “the Dear Abby of the work world.” Ten years as a workplace-advice columnist have taught her that people avoid awkward conversations in the office because they simply don’t know what to say. Thankfully, Green does—and in this incredibly helpful book, she tackles the tough discussions you may need to have during your career. You’ll learn what to say when • coworkers push their work on you—then take credit for it • you accidentally trash-talk someone in an email then hit “reply all” • you’re being micromanaged—or not being managed at all • you catch a colleague in a lie • your boss seems unhappy with your work • your cubemate’s loud speakerphone is making you homicidal • you got drunk at the holiday party Praise for Ask a Manager “A must-read for anyone who works . . . [Alison Green’s] advice boils down to the idea that you should be professional (even when others are not) and that communicating in a straightforward manner with candor and kindness will get you far, no matter where you work.”—Booklist (starred review) “The author’s friendly, warm, no-nonsense writing is a pleasure to read, and her advice can be widely applied to relationships in all areas of readers’ lives. Ideal for anyone new to the job market or new to management, or anyone hoping to improve their work experience.”—Library Journal (starred review) “I am a huge fan of Alison Green’s Ask a Manager column. This book is even better. It teaches us how to deal with many of the most vexing big and little problems in our workplaces—and to do so with grace, confidence, and a sense of humor.”—Robert Sutton, Stanford professor and author of The No Asshole Rule and The Asshole Survival Guide “Ask a Manager is the ultimate playbook for navigating the traditional workforce in a diplomatic but firm way.”—Erin Lowry, author of Broke Millennial: Stop Scraping By and Get Your Financial Life Together |
| end of the road 2022 interview: I was a Bell M. Soledad Caballero, 2021 In this collection, Caballero imagines how memory frames and reshapes the present, how memory illuminates and limits the stories of ourselves, and how, despite the passage of time, primal moments in the past are the ghosts and echoes of our present. These poems interweave an early childhood lived in another country and in another language with experiences of immigration and family histories in the United States. They create connections between a child's naïve perspective of dictatorship and an adult perspective informed by bodily illness and political knowledge. Ultimately, Caballero traces a lineage of memory, exploring how present moments unearth the past that ripples through them. This collection does not reconcile the past and the present. Instead, these poems remind us that how we ask questions about ourselves, our histories, and our bodies is what creates our identities, our traumas, and our future hopes and possibilities. Caballero bears unflinching witness to the emotional trauma inherited from war-ravaged Chile to the exiled plains of Oklahoma. As though to witness is to love. These poems negotiate the transitions of language, memory, country, her battle with cancer, counterbalancing the violence from which she fled with a transformative devotion to details.--Richard Blanco, fifth Presidential Inaugural Poet |
| end of the road 2022 interview: Son of a Junkman Ed Asner, Samuel Warren Joseph, Matthew Seymour (Author), 2019-12-03 Emmy Award-winning actor, Ed Asner, recounts tales from his amazing life in this charming and hilarious memoir. From his colorful childhood as the son of a junkman growing up in the West Bottoms of Kansas City all the way through his spectacular acting career during the golden age of film and television, Ed recounts warm memories that are anything but ordinary. Son of a Junkman makes the reader feel as if they've pulled up a chair in Ed's home just in time to catch the loveable Hollywood grump tell a story or two. Foreward by Paul Rudd. |
| end of the road 2022 interview: Sellout Dan Ozzi, 2021 From celebrated music writer Dan Ozzi comes a comprehensive chronicle of the punk music scene's evolution from the early nineties to the mid-aughts, following eleven bands as they dissolved, sold out, and rose to surprise stardom. From its inception, punk music has been identified by two factors: its proximity to authenticity, and its reliance on an antiestablishment ethos. Yet, in the mid- to late '90s, major record labels sought to capitalize on punk's rebellious undertones, leading to a schism in the scene: to accept the cash flow of the majors, or stick to indie cred?Sellout chronicles the evolution of the punk scene during this era, focusing on prominent bands as they experienced the last gold rush of the music industry. Within it, music writer Dan Ozzi follows the rise of successful bands like Green Day and Jimmy Eat World, as well as the implosion of groups like Jawbreaker and At the Drive-In, who buckled under the pressure of their striving labels. Featuring original interviews and personal stories from members of eleven of modern punk's most (in)famous bands, Sellout is the history of the evolution of the music industry, and a punk rock lover's guide to the chaotic darlings of the post-grunge era. -- |
| end of the road 2022 interview: Apple Eric Gansworth, 2020-10-06 National Book Award Longlist TIME's 10 Best YA and Children's Books of 2020 NPR's Best Book of 2020 Shelf Awareness's Best Books of 2020 Publishers Weekly's Big Indie Books of Fall Amazon's Best Book of the Month AICL Best YA Books of 2020 CSMCL Best Multicultural Children's Books of 2020 PRAISE Stirring.... Raw and moving. —TIME Beautiful imagery and with words that soar and scald. —The Buffalo News Easily one of the best books to be published in 2020. The kind of book bound to save lives. —LitHub A powerful narrative about identity and belonging. —Paste Magazine FOUR STARRED REVIEWS ★ Timely and important. —Booklist, starred review ★ Searing yet dryly funny. —The Bulletin, starred review ★ Exceptional. —Shelf-Awareness, starred review ★ Captivating. —School Library Journal, starred review The term Apple is a slur in Native communities across the country. It's for someone supposedly red on the outside, white on the inside. In APPLE (SKIN TO THE CORE), Eric Gansworth tells his story, the story of his family—of Onondaga among Tuscaroras—of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking. |
| end of the road 2022 interview: We All Fall Down Rose Szabo, 2022-06-07 The first book in a dark fantasy YA duology by Rose Szabo, the author of What Big Teeth, about the power and danger of stories and the untold costs of keeping magic alive, perfect for fans of Rory Power and Marie Rutkoski. In River City, where magic used to thrive and is now fading, the witches who once ruled the city along with their powerful King have become all but obsolete. The city's crumbling government is now controlled primarily by the new university and teaching hospital, which has grown to take over half of the city. Moving between the decaying Old City and the ruthless New, four young queer people struggle with the daily hazards of life—work, school, dodging ruthless cops and unscrupulous scientists—not realizing that they have been selected to play in an age-old drama that revives the flow of magic through their world. When a mysterious death rocks their fragile peace, the four are brought into each other's orbits as they uncover a deeper magical conspiracy. Devastating, gorgeous, and utterly unique, We All Fall Down examines the complex network of pain created by power differentials, even between people who love each other—and how it is possible to be queer and turn out just fine. |
| end of the road 2022 interview: Forks in the Digital Road Scott J. Shackelford, Scott O. Bradner, 2024-03-25 In Forks in the Digital Road, Scott J. Shackelford and Scott O. Bradner revisit the key decision points in the history of cybersecurity and Internet governance, revealing the alternative paths or forks that existed at the time and addressing the question of what if?. They explain how things might have been different if other paths had been followed and offer practical ideas to help build a new vision of cyberspace that is as secure, private, efficient, and fun as possible. At a time when the future of cyberspace has never been more in doubt, the time is ripe to take both a look back, and ahead. |
| end of the road 2022 interview: Music Is a Rainbow Bryan Collier, 2022 After a tragedy a young boy discovers a connection between music and colors that helps guide him and gives him comfort in times of darkness. |
What does end=' ' in a print call exactly do? - Stack Overflow
Jul 16, 2023 · By default there is a newline character appended to the item being printed (end='\n'), and end='' is used to make it printed on the same …
SQL "IF", "BEGIN", "END", "END IF"? - Stack Overflow
Jan 10, 2012 · However, there is a special kind of SQL statement which can contain multiple SQL statements, the BEGIN-END block. If you omit the …
What does “~ (END)” mean when displayed in a terminal?
Jun 29, 2012 · END Command is used when a programmer finish writing programming language. Using the Command /END in the last line …
Meaning of .Cells (.Rows.Count,"A").End (xlUp).r…
Jul 9, 2018 · [A1].End(xlUp) [A1].End(xlDown) [A1].End(xlToLeft) [A1].End(xlToRight) is the VBA equivalent of being in Cell A1 and …
Regex matching beginning AND end strings - Stack Overflow
Feb 21, 2018 · So far as I am concerned, I don't care what characters are in between these two strings, so long as the beginning and end are correct. …
What does end=' ' in a print call exactly do? - Stack Overflow
Jul 16, 2023 · By default there is a newline character appended to the item being printed (end='\n'), and end='' is used to make it printed on the same line. And print() prints an empty …
SQL "IF", "BEGIN", "END", "END IF"? - Stack Overflow
Jan 10, 2012 · However, there is a special kind of SQL statement which can contain multiple SQL statements, the BEGIN-END block. If you omit the BEGIN-END block, your SQL will run fine, …
What does “~ (END)” mean when displayed in a terminal?
Jun 29, 2012 · END Command is used when a programmer finish writing programming language. Using the Command /END in the last line prevents the program from repeating the same …
Meaning of .Cells (.Rows.Count,"A").End (xlUp).row
Jul 9, 2018 · [A1].End(xlUp) [A1].End(xlDown) [A1].End(xlToLeft) [A1].End(xlToRight) is the VBA equivalent of being in Cell A1 and pressing Ctrl + Any arrow key. It will continue to travel in …
Regex matching beginning AND end strings - Stack Overflow
Feb 21, 2018 · So far as I am concerned, I don't care what characters are in between these two strings, so long as the beginning and end are correct. This is to match functions in a SQL …
Why does range (start, end) not include end? [duplicate]
To have stop included would mean that the end step would be assymetric for the general case. Consider range(0,5,3). If default behaviour would output 5 at the end, it would be broken. …
What's the difference between "end" and "exit sub" in VBA?
Apr 8, 2016 · This is a bit outside the scope of your question, but to avoid any potential confusion for readers who are new to VBA: End and End Sub are not the same. They don't perform the …
What is the difference between 'end' and 'end as'
Aug 3, 2017 · END is the marker that closes the CASE expression. You must have exactly one END statement for every CASE Statement. The AS marker is used to introduce an alias.
How is end () implemented in STL containers? - Stack Overflow
Apr 15, 2013 · As some of the previous posters have stated end() is one past the end element. If you need to access the last element via iterators use iter = container.end() - 1; Otherwise, in …
ORA-03113: end-of-file on communication channel after long …
Dec 17, 2015 · ORA-03113: end-of-file on communication channel. Is the database letting you know that the network connection is no more. This could be because: A network issue - faulty …
