Advertisement
| gabriel soto y martha julia historia: A Patriot's History of the United States Larry Schweikart, Michael Patrick Allen, 2004-12-29 For the past three decades, many history professors have allowed their biases to distort the way America’s past is taught. These intellectuals have searched for instances of racism, sexism, and bigotry in our history while downplaying the greatness of America’s patriots and the achievements of “dead white men.” As a result, more emphasis is placed on Harriet Tubman than on George Washington; more about the internment of Japanese Americans during World War II than about D-Day or Iwo Jima; more on the dangers we faced from Joseph McCarthy than those we faced from Josef Stalin. A Patriot’s History of the United States corrects those doctrinaire biases. In this groundbreaking book, America’s discovery, founding, and development are reexamined with an appreciation for the elements of public virtue, personal liberty, and private property that make this nation uniquely successful. This book offers a long-overdue acknowledgment of America’s true and proud history. |
| gabriel soto y martha julia historia: Humanities Lawrence Boudon, 2005-02-01 The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world.... The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies. —Latin American Research Review Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon, of the Library of Congress Hispanic Division, has been the editor since 2000, and Katherine D. McCann has been assistant editor since 1999. The subject categories for Volume 60 are as follows: Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Music Philosophy: Latin American Thought |
| gabriel soto y martha julia historia: Historia documental del cine mexicano: 1964 Emilio García Riera, 1969 |
| gabriel soto y martha julia historia: Free Women of Spain Martha A. Ackelsberg, 2005 With fists upraised, Mujeres Libres struggled for their own emancipation and the freedom of all. |
| gabriel soto y martha julia historia: Art of Latin America Marta Traba, 1994-01-01 Marta Traba, one of Latin America's most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art. |
| gabriel soto y martha julia historia: Memoria 2002 Seminario de Historia de Baja California, 2002 |
| gabriel soto y martha julia historia: Historias , 2002 |
| gabriel soto y martha julia historia: Sex in Revolution Jocelyn H. Olcott, Mary Kay Vaughan, Gabriela Cano, 2006 A collection of histories showing how women participated in Mexican revolutionary and postrevolutionary state formation by challenging conventions of sexuality, work, family life, and religious practice. |
| gabriel soto y martha julia historia: A Philosophical Dictionary Voltaire, 1824 |
| gabriel soto y martha julia historia: Seis siglos de historia gráfica de México, 1325-1900 Gustavo Casasola, 1962 |
| gabriel soto y martha julia historia: Tendencias en la historiografía bajacaliforniana del siglo XXI Diana L. Méndez Medina, Sara Musotti, Víctor Manuel Gruel Sández, Pedro Espinoza Meléndez, Isabel María Povea Moreno, Pilar Adriana Rey Hernández, Jaime Gallegos Catalán, Ramiro Jaimes Martínez, Jesús Méndez Reyes, Ramón Alberto Durazo Ramírez, David Piñera Ramírez, José Atahualpa Chávez Valencia, Olga Lorenia Urbalejo Castorena, Gabriel Fierro Nuño, 2023-05-01 Próximo a cumplir 50 años de su fundación, el Instituto de Investigaciones Históricas de la UABC publica esta obra colectiva de libre acceso, en la que se narra la historia de actores políticos, sociales y económicos que cruzan y viven la región fronteriza del norte de México, desde la época colonial hasta nuestros días; se analizan actores y procesos en diferentes dimensiones espaciales, en un diálogo co la historiografía reciente y con temáticas de interés para la sociedad contemporánea. Los capítulos que integran la obra son una muestra de las líneas de investigación que se han consolidado en la última década en este Instituto, como la historia de las instituciones de educación superior, de las organizaciones religiosas o de las actividades económicas, así como de aquellas que se han delineado recientemente, como la historia de las mujeres y el género, la historia urbana, la historia indígena, de las instituciones de salud mental y el estudio de las formas y lugares desde donde se ha escrito la historia. También son reflejo del trabajo de egresados y egresadas del Programa de Maestría y Doctorado en Historia, quienes han contribuido con sus tesis a la generación de conocimiento a partir de nuevas preguntas, fuentes y metodologías, dejando constancia de la relevancia de los posgrados para dar continuidad a la investigación, en la que se suman esfuerzos indivduales, de grupos de investigación e institucionales. Deseamos que esta obra sea de utilidad para todas las personas interesadas en conocer las especialidades y particularidades de esta región fronteriza y sus habitantes, los hallazgos, las conclusiones y las interrogantes que se plantean desde la perspectiva histórica. |
| gabriel soto y martha julia historia: Seis siglos de historia gráfica de México, 1325-1925 Gustavo Casasola, 1969 |
| gabriel soto y martha julia historia: Hitler's Horses Arthur Brand, 2020-08-04 The true story of a detective, two bronze horses and the dictator who set the world on fire. When detective Arthur Brand is summoned to a meeting with one of the most dangerous men in the art world, he learns that a clue has emerged that could solve one of the Second World War's unexplained mysteries- what really happened to the Striding Horses, Hitler's favourite statue, which disappeared during the bombing of Berlin. As Brand goes undercover to find the horses, he discovers a terrifying world ruled by neo-Nazis and former KGB agents, where Third Reich memorabilia sells for millions of dollars. The stakes get ever higher as Brand carefully lays his trap to catch the criminal masterminds trying to sell the statue on the black market. But who are they? And will he manage to bring them to justice before they discover his real identity? With a plot worthy of John Le Carre, Hitler's Horses is a thrilling retelling of one of history's most extraordinary heists. |
| gabriel soto y martha julia historia: La formación artística: creadores-historiadores-espectadores Begoña Alonso Ruiz, Javier Gómez Martínez, Julio J. Polo Sánchez, Luis Sazatornil Ruiz, Fernando Villaseñor Sebastián, Ángeles Caso, Alfredo J. Morales Martínez, Javier Ibáñez Fernández, Alicia Cámara Muñoz, José Arturo Salgado Pantoja, Elena Martín Martínez de Simón, Mª Teresa Rodríguez Bote, Belén Ibáñez Abella, Jesús F. Pascual Molina, Ana Pérez Varela, Julián Hoyos Alonso, María Josefa Tarifa Castilla, María José Redondo Cantera, Juan Escorial Esgueva, Yolanda Fernández Muñoz, Pedro M. Martínez Lara, Nuria Martínez Jiménez, Juan María Cruz Yábar, Manuel Gámez Casado, Carlos Nogales Márquez, José Manuel Baena Gallé, Mª Mercedes Fernández Martín, Berta Gilabert Hidalgo, Alberto Soto Cortés, Silvia Castillo Álvarez, Pilar Benito García, Ignacio J. López Hernández, Mª del Mar Lozano Bartolozzi, Vidal de la Madrid Álvarez, Teresa Sauret, Eva Calvo, Myriam Ferreira Fernández, Mariángeles Pérez-Martín, Adrián Fernández Almoguera, María Teresa Cruz Yábar, Jorge Martínez Montero, Antonio Holguera Cabrera, José Ramón Barros Caneda, Alberto Fernández González, Alberto Martín Chillón, María del Castillo García Romero, Francisco Javier Domínguez Burrieza, Fátima López Pérez, Ángel Peña Martín, Esther Solé i Martí, Cristina Rodríguez Samaniego, Natàlia Esquinas Giménez, Mercedes Valdivieso, Belén Calderón Roca, Gretel Piquer Viniegra, Beatriz Cordero Martín, Miren Vadillo Eguino, Ruth Cereceda Gatón, María Diéguez Melo, Rosa Perales Piqueres, Antonio Urquízar Herrera, Javier Pérez Segura, Luis Vives-Ferrándiz Sánchez, Marina Garzón Fernández, Jaime Cuenca, José Carlos Pérez Morales, Karen Gregorio, Iván Rega Castro, Luis Delgado Mata, Matilde Mateo, Gemma Avinyó Fontanet, Alberto Castán Chocarro, Juan M. Monterroso-Montero, Eva Díez Patón, Patricia Cupeiro López, F. Javier Panera Cuevas, Iván del Arco Santiago, Isabel García García, Mónica Salcedo Calvo, Fátima Bethencourt Pérez, Javier Barón Taidigsmann, Jesús Pedro Lorente, Ramón Vicente Díaz del Campo Martín Mantero, Patricia García-Montón González, Irene Valle Corpas, Àngel Monlleó i Galcerà, Noemí Feo Rodríguez, Julia Ramírez Blanco, Julen Anguiano Álvarez, Jesús Ángel Jiménez García, María Roca-Cabrera, Marina Bargón García, Victoria Quirosa García, Laura Luque Rodrigo, Matteo Mancini, María Enfedaque Sancho, Luis Walias Rivera, Mónica Iglesias Tejera, Sara Núñez Izquierdo, Luis Méndez Rodríguez, Fernando Marías, Rafael López Guzmán, Luis Javier Cuesta Hernández, José Manuel Almansa Moreno, Fernando González Moreno, Nozomi Yamada, José Blanco Perales, Inmaculada Rodríguez Moya, José Javier Azanza López, Mª Cristina Hernández Castelló, Miquel Àngel Herrero Cortell, María Belén Díez Ordas, Alberto Luque, Cristina Igual Castelló, Irene González Hernando, Gloria Espinosa Spínola, Guadalupe Romero Sánchez, Catalina Cantarellas Camps, María Victoria Álvarez Rodríguez, Nuria Rodríguez Ortega, María Victoria Herráez Ortega, Manuel Valdés Fernández, Gerardo Boto Varela, Marta Cendón Fernández, Jorge Sosa Oliver, María Cristina Valerdi Nochebuena, Ricardo Fernández Gracia, Margarita Rigal, Miguel Ángel Zalama, Víctor Mínguez, Javier Martínez de Aguirre Aldaz, Francisco de Asís García García, Diana Olivares Martínez, Diana Lucía Gómez Chacón, José Luis Senra Gabriel y Galán, Laura Rodríguez Peinado, Susana Calvo Capilla, Juan Carlos Ruiz Souza, Azucena Hernández Pérez, Matilde Miquel Juan, Víctor Daniel López Lorente, Elena Sepulveda Iturzaeta, David Chao Castro, Esperanza de los Reyes Aguilar, Pedro Cruz Freire, Natalia Ganzo Galaz, Yolanda Guasch Marí, Pedro Luengo Gutiérrez, Mª del Valle Gómez de Terreros Guardiola, Zara María Ruiz Romero, Esther Rodríguez Ortiz, Cristina Eugenia Íscar Gamero, María Simó García, Esther Parpal Cabanes, Melania Soler Moratón, Mª Belén Díez-Ordás Berciano, Rafael Mantas Fernández, Alejandro Jaquero Esparcia, Anaïs Laia Serrano García, Mª Victoria Álvarez Rodríguez, Victoria Cabieces Ibarrondo, Gerardo Rebanal Martínez, Bárbara Barreiro León, Ricardo González García, María Hernández-Reinoso, Julio Andrés Gracia Lana, Noelia Fernández García, Carmiña Dovale Carrión, Ana Asión Suñer, 2018-06-04 En esta publicación se recogen los trabajos presentados en el XXI Congreso Nacional de Historia del Arte (CEHA), celebrado en el Palacio de la Magdalena de Santander entre los días 20 al 23 de septiembre de 2016. El eje vertebrador de dicho congreso giró en torno a una temática a la vez monográfica y transversal: LA FORMACIÓN ARTÍSTICA. Se aborda este objetivo desde la doble perspectiva que plantean los dos protagonistas principales del diálogo artístico (el creador y el espectador), pasando por el historiador del arte como mediador entre ambos. Empleando este hilo conductor, se traza el rico panorama investigador nacional, tratando de reflejar las principales orientaciones metodológicas de la disciplina, así como las líneas de trabajo más consolidadas y las emergentes. Las aportaciones en cada uno de los seis bloques (desde el gremio, la formación académica o la universitaria, la educación de la mirada, la crisis de la Historia del Arte, las fuentes, la historiografía y la literatura artística y, por último, el dedicado a proyectos, tesis y grupos de I+D+i) presentan una visión actualizada de algunas de las tendencias de la investigación en Historia del Arte. |
| gabriel soto y martha julia historia: Notas para la historia de Moca Julio Jaime Julia, 1985 |
| gabriel soto y martha julia historia: Crónica del tercer Congreso de Historia Argentina y Regional , 1975 |
| gabriel soto y martha julia historia: Handbook of Latin American Studies, Vol. 60 Lawrence Boudon, 2005-02-01 The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world.... The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies. —Latin American Research Review Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon, of the Library of Congress Hispanic Division, has been the editor since 2000, and Katherine D. McCann has been assistant editor since 1999. The subject categories for Volume 60 are as follows: Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Music Philosophy: Latin American Thought |
| gabriel soto y martha julia historia: Gabriel García Márquez Gerald Martin, 2009-05-05 In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez. Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction. |
| gabriel soto y martha julia historia: Keep It Moving? Rachel Rivenc, Reinhard Bek, 2018-03-13 Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings. |
| gabriel soto y martha julia historia: Clandestine in Chile Gabriel García Márquez, 2010-07-06 In 1973, the film director Miguel Littín fled Chile after a U.S.-supported military coup toppled the democratically elected socialist government of Salvador Allende. The new dictator, General Augusto Pinochet, instituted a reign of terror and turned Chile into a laboratory to test the poisonous prescriptions of the American economist Milton Friedman. In 1985, Littín returned to Chile disguised as a Uruguayan businessman. He was desperate to see the homeland he’d been exiled from for so many years; he also meant to pull off a very tricky stunt: with the help of three film crews from three different countries, each supposedly busy making a movie to promote tourism, he would secretly put together a film that would tell the truth about Pinochet’s benighted Chile—a film that would capture the world’s attention while landing the general and his secret police with a very visible black eye. Afterwards, the great novelist Gabriel García Márquez sat down with Littín to hear the story of his escapade, with all its scary, comic, and not-a-little surreal ups and downs. Then, applying the same unequaled gifts that had already gained him a Nobel Prize, García Márquez wrote it down. Clandestine in Chile is a true-life adventure story and a classic of modern reportage. |
| gabriel soto y martha julia historia: Cronica del Tercer Congreso de Historia Argentina y Regional , 1975 |
| gabriel soto y martha julia historia: Essential Guide to Spanish Reading , 2009 |
| gabriel soto y martha julia historia: Big Law in Latin America and Spain Manuel Gómez, Rogelio Pérez-Perdomo, 2017-11-22 This book, part of the Stanford Law School research project on the future of the legal profession, thoroughly examines the future of “big law,” defined as the large and mid-size multiservice highly specialized law firms that provide sophisticated, complex and generally costly legal work to multinationals, large and mid-size domestic corporations, and other business clients. By systematically gathering, assessing, and analyzing the best available quantitative and qualitative data on the first tier of the corporate legal services market of Latin America and Spain, and interviewing a broadly representative sample of corporate legal officers, law firm partners, and other stakeholders in each of the countries covered, this book provides a nuanced perspective on changes in “big law” during the last two decades until the present. It also explores the factors that are driving these changes, and the implications for the future of legal profession, legal education and its relationship with the corporate sector and society in general. |
| gabriel soto y martha julia historia: Bibliografía boliviana , 2009 |
| gabriel soto y martha julia historia: Learned Love Els Stronks, Peter Boot, Dagmar Stiebral, Emblem Project Utrecht, 2007 Emblem books, which feature combinations of images and text with a moral lesson for the reader, grew out of the Renaissance and were most popular in the Netherlands. Enigmatic, erudite, and often pious, Dutch love emblems synthesized the traditions of European visual and literary arts--and in turn influenced architecture, painting, poetry, and interior design for centuries to come. Learned Love offers an introduction to this enthralling genre and celebrates the completion of Emblem Project Utrecht, an undertaking that digitized twenty-five of the most representative emblem books. This unprecedented volume explores the delicate network of visual motifs and textual mottos that characterize Dutch love emblems. Learned Love demonstrates how emblem books form a web of closely interrelated references, which the contributors liken to the Internet, and traces the cutting-edge digitization project from inception to finish. This book will interest anyone intrigued by the fruitful gray areas between image and text, scholarship and technology. |
| gabriel soto y martha julia historia: Historia de la Facultad de Agronomía de la UBA, 1904-2004 , 2005 |
| gabriel soto y martha julia historia: Christianity and Global Law Rafael Domingo, John Witte, Jr., 2020-03-31 This book explores both historical and contemporary Christian sources and dimensions of global law and includes critical perspectives from various religious and philosophical traditions. Two dozen leading scholars discuss the constituent principles of this new global legal order historically, comparatively, and currently. The first part uses a historical-biographical approach to study a few of the major Christian architects of global law and transnational legal theory, from St. Paul to Jacques Maritain. The second part distills the deep Christian sources and dimensions of the main principles of global law, historically and today, separating out the distinct Catholic, Protestant, and Orthodox Christian contributions as appropriate. Finally, the authors address a number of pressing global issues and challenges, where a Christian-informed legal perspective can and should have deep purchase and influence. The work makes no claim that Christianity is the only historical shaper of global law, nor that it should monopolize the theory and practice of global law today. But the book does insist that Christianity, as one of the world’s great religions, has deep norms and practices, ideas and institutions, prophets and procedures that can be of benefit as the world struggles to find global legal resources to confront humanity’s greatest challenges. The volume will be an essential resource for academics and researchers working in the areas of law and religion, transnational law, legal philosophy, and legal history. |
| gabriel soto y martha julia historia: El mar en la literatura puertorriqueña y otros ensayos Néstor A. Rodríguez Escudero, 1967 |
| gabriel soto y martha julia historia: The Writing Culture of Ordinary People in Europe, C.1860-1920 Martyn Lyons, 2013 A fascinating account of how ordinary people met the challenges of literacy in modern Europe, as distances between people increased. |
| gabriel soto y martha julia historia: The 1812 Aponte Rebellion in Cuba and the Struggle against Atlantic Slavery Matt D. Childs, 2009-01-05 In 1812 a series of revolts known collectively as the Aponte Rebellion erupted across the island of Cuba, comprising one of the largest and most important slave insurrections in Caribbean history. Matt Childs provides the first in-depth analysis of the rebellion, situating it in local, colonial, imperial, and Atlantic World contexts. Childs explains how slaves and free people of color responded to the nineteenth-century sugar boom in the Spanish colony by planning a rebellion against racial slavery and plantation agriculture. Striking alliances among free people of color and slaves, blacks and mulattoes, Africans and Creoles, and rural and urban populations, rebels were prompted to act by a widespread belief in rumors promising that emancipation was near. Taking further inspiration from the 1791 Haitian Revolution, rebels sought to destroy slavery in Cuba and perhaps even end Spanish rule. By comparing his findings to studies of slave insurrections in Brazil, Haiti, the British Caribbean, and the United States, Childs places the rebellion within the wider story of Atlantic World revolution and political change. The book also features a biographical table, constructed by Childs, of the more than 350 people investigated for their involvement in the rebellion, 34 of whom were executed. |
| gabriel soto y martha julia historia: Mission and Ecstasy Magnus Lundberg, 2015 The author explores the relationship between contemplative and apostolic aspects of religious life in accounts by and about religious women in the Spanish Indies during the seventeenth and eighteenth centuries. |
| gabriel soto y martha julia historia: A History of American Puritan Literature Kristina Bross, Abram Van Engen, 2020-10-15 For generations, scholars have imagined American puritans as religious enthusiasts, fleeing persecution, finding refuge in Massachusetts, and founding 'America'. The puritans have been read as a product of New England and the origin of American exceptionalism. This History challenges the usual understanding of American puritans, offering new ways of reading their history and their literary culture. Together, an international team of authors make clear that puritan America cannot be thought of apart from Native America, and that its literature is also grounded in Britain, Europe, North America, the Caribbean, and networks that spanned the globe. Each chapter focuses on a single place, method, idea, or context to read familiar texts anew and to introduce forgotten or neglected voices and writings. A History of American Puritan Literature is a collaborative effort to create not a singular literary history, but a series of interlocked new histories of American puritan literature. |
| gabriel soto y martha julia historia: The Oxford Handbook of European Legal History Heikki Pihlajamäki, Markus D. Dubber, Mark Godfrey, 2018-06-28 European law, including both civil law and common law, has gone through several major phases of expansion in the world. European legal history thus also is a history of legal transplants and cultural borrowings, which national legal histories as products of nineteenth-century historicism have until recently largely left unconsidered. The Handbook of European Legal History supplies its readers with an overview of the different phases of European legal history in the light of today's state-of-the-art research, by offering cutting-edge views on research questions currently emerging in international discussions. The Handbook takes a broad approach to its subject matter both nationally and systemically. Unlike traditional European legal histories, which tend to concentrate on heartlands of Europe (notably Italy and Germany), the Europe of the Handbook is more versatile and nuanced, taking into consideration the legal developments in Europe's geographical fringes such as Scandinavia and Eastern Europe. The Handbook covers all major time periods, from the ancient Greek law to the twenty-first century. Contributors include acknowledged leaders in the field as well as rising talents, representing a wide range of legal systems, methodologies, areas of expertise and research agendas. |
| gabriel soto y martha julia historia: The Haitians Jean Casimir, 2020-09-29 In this sweeping history, leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915. The Haitians also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's moun andeyo—the largely African-descended rural peasantry. Asking how these systematically marginalized and silenced people survived in the face of almost complete political disenfranchisement, Casimir identifies what he calls a counter-plantation system. Derived from Caribbean political and cultural practices, the counter-plantation encompassed consistent reliance on small-scale landholding. Casimir shows how lakou, small plots of land often inhabited by generations of the same family, were and continue to be sites of resistance even in the face of structural disadvantages originating in colonial times, some of which continue to be maintained by the Haitian government with support from outside powers. |
| gabriel soto y martha julia historia: Microhistorias del cine en México Eduardo de la Vega Alfaro, 2001 |
| gabriel soto y martha julia historia: We Dream Together Anne Eller, 2016-11-17 In We Dream Together Anne Eller breaks with dominant narratives of conflict between the Dominican Republic and Haiti by tracing the complicated history of Dominican emancipation and independence between 1822 and 1865. Eller moves beyond the small body of writing by Dominican elites that often narrates Dominican nationhood to craft inclusive, popular histories of identity, community, and freedom, summoning sources that range from trial records and consul reports to poetry and song. Rethinking Dominican relationships with their communities, the national project, and the greater Caribbean, Eller shows how popular anticolonial resistance was anchored in a rich and complex political culture. Haitians and Dominicans fostered a common commitment to Caribbean freedom, the abolition of slavery, and popular democracy, often well beyond the reach of the state. By showing how the island's political roots are deeply entwined, and by contextualizing this history within the wider Atlantic world, Eller demonstrates the centrality of Dominican anticolonial struggles for understanding independence and emancipation throughout the Caribbean and the Americas. |
| gabriel soto y martha julia historia: Body & spirit Julia Tuñón, 2005 |
| gabriel soto y martha julia historia: Ancient Teotihuacan George L. Cowgill, 2015-04-02 First comprehensive English-language book on the largest city in the Americas before the 1400s. Teotihuacan is a UNESCO world heritage site, located in highland central Mexico, about twenty-five miles from Mexico City, visited by millions of tourists every year. The book begins with Cuicuilco, a predecessor that arose around 400 BCE, then traces Teotihuacan from its founding in approximately 150 BCE to its collapse around 600 CE. It describes the city's immense pyramids and other elite structures. It also discusses the dwellings and daily lives of commoners, including men, women, and children, and the craft activities of artisans. George L. Cowgill discusses politics, economics, technology, art, religion, and possible reasons for Teotihuacan's rise and fall. Long before the Aztecs and 800 miles from Classic Maya centers, Teotihuacan was part of a broad Mesoamerican tradition but had a distinctive personality that invites comparison with other states and empires of the ancient world. |
| gabriel soto y martha julia historia: A History of Women in the West Georges Duby, 1992 Discusses the legal, social, and religious position of women in the Greco-Roman world, Middle Ages, Renaissance, Industrial Revolution, and modern era. |
| gabriel soto y martha julia historia: The True History of the Conquest of New Spain Bernal Díaz del Castillo, 1908 |
Gabriel - Wikipedia
In the Abrahamic religions (Judaism, Christianity, Islam), Gabriel (/ ˈ ɡ eɪ b r i ə l / GAY-bree-uhl) [N 2] is an archangel with the power to announce God's will to mankind, as the messenger of …
11 Fascinating Facts about the Angel Gabriel - OverviewBible
Dec 22, 2016 · The angel Gabriel may be one of the most well-known characters in the traditional Christmas story, and aside from the Trinity members and the devil, he’s probably the most …
What does the Bible say about the angel Gabriel?
Jan 4, 2022 · Gabriel’s name means “God is great,” and, as the angel of the annunciation, he is the one who revealed that the Savior was to be called “Jesus” (Luke 1:31). The first time we …
Gabriel | Archangel, Definition, Scripture, & Feast Day | Britannica
Apr 26, 2025 · Gabriel, in the three Abrahamic religions—Judaism, Christianity, and Islam—was one of the archangels. He was employed to announce the birth of John the Baptist to …
7 Biblical Facts About the Angel Gabriel - Beliefnet
While we recognize the angel Gabriel by name, especially when it comes to Christmas story, how much do we really know? Here are seven biblical facts about the angel Gabriel.
Archangel Gabriel: Everything Worth Knowing About This Angel
Jun 11, 2025 · Gabriel has inspired countless artistic works throughout history: Renaissance Art: Artists like Leonardo da Vinci, Fra Angelico, and Sandro Botticelli created masterful …
Archangel Gabriel - Learn Religions
Archangel Gabriel is known as the angel of revelation because God often chooses Gabriel to communicate important messages. Gabriel's name means "God is my strength." Other …
Gabriel - Encyclopedia of The Bible - Bible Gateway
GABRIEL gā’ brĭ əl (Heb. גַּבְרִיאֵ֕ל, Gr. Γαβριήλ, G1120), the name of a supernatural messenger seen by Daniel in his vision in Daniel 8:16 and 9:21 only in the OT. The name has been …
Gabriel: Biblical Meaning and Origin of This Name in the Bible
The name Gabriel originates from Hebrew, meaning "God is my strength." This powerful meaning reflects the angel's role as a divine messenger and protector. Throughout the Bible, Gabriel is …
Topical Bible: Gabriel
Gabriel is one of the most prominent angels mentioned in the Bible, known for his role as a messenger of God. His name means "God is my strength," and he is often associated with …
Gabriel - Wikipedia
In the Abrahamic religions (Judaism, Christianity, Islam), Gabriel (/ ˈ ɡ eɪ b r i ə l / GAY-bree-uhl) [N 2] is an archangel with the power to announce God's will to mankind, as the messenger of …
11 Fascinating Facts about the Angel Gabriel - OverviewBible
Dec 22, 2016 · The angel Gabriel may be one of the most well-known characters in the traditional Christmas story, and aside from the Trinity members and the devil, he’s probably the most …
What does the Bible say about the angel Gabriel?
Jan 4, 2022 · Gabriel’s name means “God is great,” and, as the angel of the annunciation, he is the one who revealed that the Savior was to be called “Jesus” (Luke 1:31). The first time we …
Gabriel | Archangel, Definition, Scripture, & Feast Day | Britannica
Apr 26, 2025 · Gabriel, in the three Abrahamic religions—Judaism, Christianity, and Islam—was one of the archangels. He was employed to announce the birth of John the Baptist to …
7 Biblical Facts About the Angel Gabriel - Beliefnet
While we recognize the angel Gabriel by name, especially when it comes to Christmas story, how much do we really know? Here are seven biblical facts about the angel Gabriel.
Archangel Gabriel: Everything Worth Knowing About This Angel
Jun 11, 2025 · Gabriel has inspired countless artistic works throughout history: Renaissance Art: Artists like Leonardo da Vinci, Fra Angelico, and Sandro Botticelli created masterful …
Archangel Gabriel - Learn Religions
Archangel Gabriel is known as the angel of revelation because God often chooses Gabriel to communicate important messages. Gabriel's name means "God is my strength." Other …
Gabriel - Encyclopedia of The Bible - Bible Gateway
GABRIEL gā’ brĭ əl (Heb. גַּבְרִיאֵ֕ל, Gr. Γαβριήλ, G1120), the name of a supernatural messenger seen by Daniel in his vision in Daniel 8:16 and 9:21 only in the OT. The name has been …
Gabriel: Biblical Meaning and Origin of This Name in the Bible
The name Gabriel originates from Hebrew, meaning "God is my strength." This powerful meaning reflects the angel's role as a divine messenger and protector. Throughout the Bible, Gabriel is …
Topical Bible: Gabriel
Gabriel is one of the most prominent angels mentioned in the Bible, known for his role as a messenger of God. His name means "God is my strength," and he is often associated with …
