Advertisement
| essays by lydia davis: Essays One Lydia Davis, 2019-11-12 A selection of essays on writing and reading by the master short-fiction writer Lydia Davis Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her “a magician of self-consciousness,” while Rick Moody hails her as the best prose stylist in America. And for Claire Messud, “Davis's signal gift is to make us feel alive.” Best known for her masterful short stories and translations, Davis’s gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery’s translation of Rimbaud to Alan Cote’s painting, and from the Shepherd’s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today. |
| essays by lydia davis: Can't and Won't Lydia Davis, 2014-04-08 A new collection of short stories from the woman Rick Moody has called the best prose stylist in America Her stories may be literal one-liners: the entirety of Bloomington reads, Now that I have been here for a little while, I can say with confidence that I have never been here before. Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in A Small Story About a Small Box of Chocolates, a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert's correspondence; or they may be inspired by the author's own dreams, or the dreams of friends. What does not vary throughout Can't and Won't, Lydia Davis's fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life. |
| essays by lydia davis: Essays Two Lydia Davis, 2021-11-30 A collection of essays on translation, foreign languages, Proust, and one French city, from the master short-fiction writer and acclaimed translator Lydia Davis In Essays One, Lydia Davis, who has been called “a magician of self-consciousness” by Jonathan Franzen and “the best prose stylist in America” by Rick Moody, gathered a generous selection of her essays about best writing practices, representations of Jesus, early tourist photographs, and much more. Essays Two collects Davis’s writings and talks on her second profession: the art of translation. The award-winning translator from the French reflects on her experience translating Proust (“A work of creation in its own right.” —Claire Messud, Newsday), Madame Bovary (“[Flaubert’s] masterwork has been given the English translation it deserves.” —Kathryn Harrison, The New York Times Book Review), and Michel Leiris (“Magnificent.” —Tim Watson, Public Books). She also makes an extended visit to the French city of Arles, and writes about the varied adventures of learning Norwegian, Dutch, and Spanish through reading and translation. Davis, a 2003 MacArthur Fellow and the winner of the 2013 Man Booker International Prize for her fiction, here focuses her unique intelligence and idiosyncratic ways of understanding on the endlessly complex relations between languages. Together with Essays One, this provocative and delightful volume cements her status as one of our most original and beguiling writers. |
| essays by lydia davis: Varieties of Disturbance Lydia Davis, 2007-05-15 Lydia Davis has been called one of the quiet giants in the world of American fiction (Los Angeles Times), an American virtuoso of the short story form (Salon), an innovator who attempts to remake the model of the modern short story (The New York Times Book Review). Her admirers include Grace Paley, Jonathan Franzen, and Zadie Smith; as Time magazine observed, her stories are moving . . . and somehow inevitable, as if she has written what we were all on the verge of thinking. In Varieties of Disturbance, her fourth collection, Davis extends her reach as never before in stories that take every form from sociological studies to concise poems. Her subjects include the five senses, fourth-graders, good taste, and tropical storms. She offers a reinterpretation of insomnia and re-creates the ordeals of Kafka in the kitchen. She questions the lengths to which one should go to save the life of a caterpillar, proposes a clear account of the sexual act, rides the bus, probes the limits of marital fidelity, and unlocks the secret to a long and happy life. No two of these fictions are alike. And yet in each, Davis rearranges our view of the world by looking beyond our preconceptions to a bizarre truth, a source of delight and surprise. Varieties of Disturbance is a 2007 National Book Award Finalist for Fiction. |
| essays by lydia davis: Essays One Lydia Davis, 2019-10-22 A selection of essays on writing and reading by the master short-fiction writer Lydia Davis Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her “a magician of self-consciousness,” while Rick Moody hails her as the best prose stylist in America. And for Claire Messud, “Davis's signal gift is to make us feel alive.” Best known for her masterful short stories and translations, Davis’s gifts extend equally to her nonfiction. In Essays I: Reading and Writing, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery’s translation of Rimbaud to Alan Cote’s painting, and from the Shepherd’s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today. |
| essays by lydia davis: Essays Two Lydia Davis, 2021-11-30 A collection of essays on translation, foreign languages, Proust, and one French city, from the master short-fiction writer and acclaimed translator Lydia Davis In Essays One, Lydia Davis, who has been called “a magician of self-consciousness” by Jonathan Franzen and “the best prose stylist in America” by Rick Moody, gathered a generous selection of her essays about best writing practices, representations of Jesus, early tourist photographs, and much more. Essays Two collects Davis’s writings and talks on her second profession: the art of translation. The award-winning translator from the French reflects on her experience translating Proust (“A work of creation in its own right.” —Claire Messud, Newsday), Madame Bovary (“[Flaubert’s] masterwork has been given the English translation it deserves.” —Kathryn Harrison, The New York Times Book Review), and Michel Leiris (“Magnificent.” —Tim Watson, Public Books). She also makes an extended visit to the French city of Arles, and writes about the varied adventures of learning Norwegian, Dutch, and Spanish through reading and translation. Davis, a 2003 MacArthur Fellow and the winner of the 2013 Man Booker International Prize for her fiction, here focuses her unique intelligence and idiosyncratic ways of understanding on the endlessly complex relations between languages. Together with Essays One, this provocative and delightful volume cements her status as one of our most original and beguiling writers. |
| essays by lydia davis: The Cows Lydia Davis, 2011 With her trademark precision, Davis turns her eye to three beloved cows, capturing them in celebratory, delighted detail. |
| essays by lydia davis: The End of the Story Lydia Davis, 2014-04-08 The End of the Story is an energetic, candid, and funny novel about an enduring obsession and a woman's attempt to control it by the telling of the story of it. With ruthless honesty, artful analysis, and crystalline depictions of human and natural landscapes, Lydia Davis's novel offers a compelling illumination of the dilemmas of loss and the process of remembering. |
| essays by lydia davis: The Collected Stories of Lydia Davis Lydia Davis, 2011 Find out why fellow authors like Ali Smith, Dave Eggers and Jonathan Franzen love Lydia Davis's writing so much in this landmark collection of all of her stories to date from across three decades. And why James Wood described this book in the New Yorkeras 'a body of work probably unique in American writing' and 'one of the great, strange American literary contributions'. 'Remarkable. Some of the most moving fiction - on death, marriage, children - of recent years. To read The Collected Storiesis to be reminded of the grand, echoing mind-chambers created by Sebald or recent Coetzee. A writer of vast intelligence and originality.' Independent on Sunday 'What stories. Precise and piercing, extremely funny. Nearly all are unlike anything you've ever read.' Metro 'I loved these stories. They are so well-written, with such clarity of thought and precision of language. Excellent.' William Leith, Evening Standard 'Remarkable. Some of the most moving fiction - on death, marriage, children - of recent years. To read Collected Stories is to be reminded of the grand, echoing mind-chambers created by Sebald or recent Coetzee. A writer of vast intelligence and originality.' Independent on Sunday 'A body of work probably unique in American writing, in its combination of lucidity, aphoristic brevity, formal originality, sly comedy, metaphysical bleakness, philosophical pressure and human wisdom.' New Yorker 'One of the most respected writers in America.' Financial Times 'Davis is a high priestess of the startling, telling detail. She can make the most ordinary things, such as couples talking, or someone watching television, bizarre, almost mythical. I felt I had encountered a most original and daring mind.' Colm Tóibín, Daily Telegraph |
| essays by lydia davis: Almost No Memory Lydia Davis, 1997 Stories by an experimental writer, ranging in length from a sentence to several pages. One story describes the way a few ill-chosen words can turn a minor dispute into high drama, another is on the bad luck of an explorer who accomplishes a perilous expedition, only to die on his way home. By the author of The End of the Story. |
| essays by lydia davis: Break It Down Lydia Davis, 2008-09-16 “These stories . . . offer a peephole into a distinct fictional world . . . they attest to the author’s gift as an observer and archivist of emotion.” —The New York Times The thirty-four stories in this seminal collection powerfully display what have become Lydia Davis’s trademarks—dexterity, brevity, understatement, and surprise. Although the certainty of her prose suggests a world of almost clinical reason and clarity, her characters show us that life, thought, and language are full of disorder. Break It Down is Davis at her best. In the words of Jonathan Franzen, she is “a magician of self-consciousness.” Praise for Lydia Davis “Davis is one of the most precise and economical writers we have.” —Dave Eggers, McSweeney’s “An American virtuoso of the short story form.” —Salon “The best prose stylist in America.” —Rick Moody “[Davis has] a capacity to make language unleash entire states of existence.” —Siddhartha Deb, The New York Times |
| essays by lydia davis: Samuel Johnson Is Indignant Lydia Davis, 2002-09 From one of the true originals of contemporary American short fiction (San Francisco Chronicle) comes this crystalline collection of investigations into the ways in which human being perceive each other and themselves. An ALA Notable Book of the Year. |
| essays by lydia davis: Night Train A. L. Snijders, 2021-10-05 Brevity is the soul of beauty in these tiny masterworks of short short fiction Gorgeously translated by Lydia Davis, the miniature stories of A. L. Snijders might concern a lost shoe, a visit with a bat, fears of travel, a dream of a man who has lost a glass eye: uniting them is their concision and their vivacity. Lydia Davis in her introduction delves into her fascination with the pleasures and challenges of translating from a language relatively new to her. She also extols Snijders’s “straightforward approach to storytelling, his modesty and his thoughtfulness.” Selected from many hundreds in the original Dutch, the stories gathered here—humorous, or bizarre, or comfortingly homely—are something like daybook entries, novels-in-brief, philosophical meditations, or events recreated from life, but—inhabiting the borderland between fiction and reality—might best be described as autobiographical mini-fables. This morning at 11:30, in the full sun, I go up into the hayloft where I haven’t been for years. I climb over boxes and shelving, and open the door. A frightened owl flies straight at me, dead quiet, as quiet as a shadow can fly, I look into his eyes—he’s a large owl, it’s not strange that I’m frightened too, we frighten each other. I myself thought that owls never move in the daytime. What the owl thinks about me, I don’t know. |
| essays by lydia davis: Too Much and Not the Mood Durga Chew-Bose, 2017-04-11 An entirely original portrait of a young writer shutting out the din in order to find her own voice |
| essays by lydia davis: Two American Scenes Lydia Davis, Eliot Weinberger, 2013 Two remarkable prose stylists — friends since high school — transform found material from the nineteenth century into mesmerizing poem-essays. It was given to me, in the nineteenth century, to spend a lifetime on his earth. Along with a few of the sorrows that are appointed unto men, I have had innumerable enjoyments; and the world has been to me, even from childhood, a great museum.— Lydia Davis. Bad rapids. Bradley is knocked over the side; his foot catches under the seat and he is dragged, head under water. Camped on a sand beach, the wind blows a hurricane. Sand piles over us like a snowdrift.— Eliot Weinberger.--Publisher's website (viewed 11/29/2016). |
| essays by lydia davis: Serious Noticing James Wood, 2020-01-14 The definitive collection of literary essays by The New Yorker’s award-winning longtime book critic Ever since the publication of his first essay collection, The Broken Estate, in 1999, James Wood has been widely regarded as a leading literary critic of the English-speaking world. His essays on canonical writers (Gustav Flaubert, Herman Melville), recent legends (Don DeLillo, Marilynne Robinson) and significant contemporaries (Zadie Smith, Elena Ferrante) have established a standard for informed and incisive appreciation, composed in a distinctive literary style all their own. Together, Wood’s essays, and his bestselling How Fiction Works, share an abiding preoccupation with how fiction tells its own truths, and with the vocation of the writer in a world haunted by the absence of God. In Serious Noticing, Wood collects his best essays from two decades of his career, supplementing earlier work with autobiographical reflections from his book The Nearest Thing to Life and recent essays from The New Yorker on young writers of extraordinary promise. The result is an essential guide to literature in the new millennium. |
| essays by lydia davis: Essayism Brian Dillon, 2018-09-18 A compelling ode to the essay form and the great essaysists themselves, from Montaigne to Woolf to Sontag. Essayism is a book about essays and essayists, a study of melancholy and depression, a love letter to belle-lettrists, and an account of the indispensable lifelines of reading and writing. Brian Dillon’s style incorporates diverse features of the essay. By turns agglomerative, associative, digressive, curious, passionate, and dispassionate, his is a branching book of possibilities, seeking consolation and direction from Michel de Montaigne, Virginia Woolf, Roland Barthes, Theodor Adorno, Walter Benjamin, Georges Perec, Elizabeth Hardwick, and Susan Sontag, to name just a few of his influences. Whether he is writing on origins, aphorisms, coherence, vulnerability, anxiety, or a number of other subjects, his command of language, his erudition, and his own personal history serve not so much to illuminate or magnify the subject as to discover it anew through a kaleidoscopic alignment of attention, thought, and feeling, a dazzling and momentary suspension of disparate elements, again and again. |
| essays by lydia davis: The Attraction of Things Roger Lewinter, 2016-11-01 Stunning fragments that offer an epiphany of grace and beauty The Attraction of Things concerns the entirety of beauty and the possibility of grace, relayed via obsessions with rare early gramophone records, the theater, translation, dying parents: all these elements are relayed in a dizzying strange traffic of cultural artifacts, friendships, losses, discoveries, and love. Roger Lewinter believes that in the realm of art, “the distinction between life and death loses its relevance, the one taking place in the other.” Whereas Story of Love in Solitude is a group of small stories, The Attraction of Things is a continuous narrative (more or less) of a man seeking (or stumbling upon) enlightenment. “The Attraction of Things,” states Lewinter, “is the story of a being who lets himself go toward what attracts him, toward what he attracts—beings, works, things—and who, through successive encounters, finds the way out of the labyrinth, to the heart, where the bolt of illumination strikes. This is the story of a letting go toward the illumination.” |
| essays by lydia davis: Essays Lydia Davis, 2024-11-07 From the International Man Booker Prize-winning author of Can't and Won't and The End of the Story - a crystalline collection of literary essays for fans of Susan Sontag and Joan Didion 'Among my most favourite writers. Read her now!' A. M. Homes The visionary, fearless Lydia Davis presents a dazzling collection of essays on reading and writing, exploring the full scope of possibility within existing forms of literature and considering how we might challenge and reinvent these forms. Through Thomas Pynchon, Michel Leiris, Maurice Blanchot, Lucia Berlin, Joan Mitchell and others, he author considers her many creative influences. And, through these lenses, she returns to her own writing process, her relationship to language and the written word. Beautifully formed, thought-provoking, playful and illuminating, these pieces are a masterclass in reading and writing. |
| essays by lydia davis: The Half-God of Rainfall Inua Ellams, 2019-04-04 From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge. |
| essays by lydia davis: Madame Bovary Gustave Flaubert, 2010-09-23 For daring to peer into the heart of an adulteress and enumerate its contents with profound dispassion, the author of Madame Bovary was tried for offenses against morality and religion. What shocks us today about Flaubert's devastatingly realized tale of a young woman destroyed by the reckless pursuit of her romantic dreams is its pure artistry: the poise of its narrative structure, the opulence of its prose (marvelously captured in the English translation of Francis Steegmuller), and its creation of a world whose minor figures are as vital as its doomed heroine. In reading Madame Bovary, one experiences a work that remains genuinely revolutionary almost a century and a half after its creation. |
| essays by lydia davis: The Doctor's Wife Mary Elizabeth Braddon, 1864 |
| essays by lydia davis: The Columbia Companion to the Twentieth-Century American Short Story Blanche H. Gelfant, 2004-04-21 Esteemed critic Blanche Gelfant's brilliant companion gathers together lucid essays on major writers and themes by some of the best literary critics in the United States. Part 1 is comprised of articles on stories that share a particular theme, such as Working Class Stories or Gay and Lesbian Stories. The heart of the book, however, lies in Part 2, which contains more than one hundred pieces on individual writers and their work, including Fitzgerald, Hemingway, Richard Ford, Raymond Carver, Eudora Welty, Andre Debus, Zora Neal Hurston, Anne Beattie, Bharati Mukherjee, J. D. Salinger, and Jamaica Kincaid, as well as engaging pieces on the promising new writers to come on the scene. |
| essays by lydia davis: The Thirteenth Woman and Other Stories Lydia Davis, 1976 |
| essays by lydia davis: Letters to the Lady Upstairs Marcel Proust, 2017-11-02 A charming, funny, poignant collection of twenty-three letters from Marcel Proust to his upstairs neighbour |
| essays by lydia davis: Biting the Error Gail Scott, Robert Glck, Camille Roy, 2000-11-19 What is the best way to tell a story? In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bk, Corey Frost, Derek McCormack and Lisa Robertson. Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the 'performance' of outlaw subject matter. Brave, energetic and fresh, Biting the Error tells a whole new story about narrative. Biting the Error is edited by Mary Burger, Robert Glck, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University. |
| essays by lydia davis: Fullblood Arabian Osama Alomar, 2014 A New Directions Poetry Pamphlet by one of the most well-respected Arabic poets writing today, with an introduction by Lydia Davis |
| essays by lydia davis: Artful Sentences Virginia Tufte, 2006 In Artful Sentences: Syntax as Style, Virginia Tufte shows how standard sentence patterns and forms contribute to meaning and art in more than a thousand wonderful sentences from the twentieth and twenty-first centuries. The book has special interest for aspiring writers, students of literature and language, and anyone who finds joy in reading and writing.--Publisher's description. |
| essays by lydia davis: Japanese Ghost Stories Lafcadio Hearn, 2019-07-25 The dead wreak revenge on the living, paintings come alive, spectral brides possess mortal men and a priest devours human flesh in these chilling Japanese ghost stories retold by a master of the supernatural. Lafcadio Hearn drew on the phantoms and ghouls of traditional Japanese folklore - including the headless 'rokuro-kubi', the monstrous goblins 'jikininki' or the faceless 'mujina' who stalk lonely neighbourhoods - and infused them with his own memories of his haunted childhood in nineteenth-century Ireland to create these terrifying tales of striking and eerie power. Today they are regarded in Japan as classics in their own right. Edited with an introduction by Paul Murray |
| essays by lydia davis: Electric Literature No. 3 Aimee Bender, Rick Moody, Patrick deWitt, 2010-01-15 In our third anthology, Aimee Bender introduces us to a young woman unable to summon the desire to sleep with her husband without payment in cash, Matt Sumell's protagonist feels capable of anything but can save no one, Rick Moody charts the rise an fall of a romance via Twitter, Patrick deWitt presents a bleak, funny tale of two movers who are going nowhere, and Jenny Offill chronicles the awkward vigil of a man caring for his terminally ill ex-wife. |
| essays by lydia davis: Kafka's Other Trial Elias Canetti, 1988-04-12 Felice Bauer was Kafka's first great love and the inspiration for his first great fiction. Six weeks after they met, he wrote The Judgment for her in one night of feverish activity. Kafka always inferred to the traumatic, public breaking-off of their engagement as his tribunal, and indeed he began work on The Trial within a month of that event. Kafka's letters to Felice offer rare insights into the writer's life and art. Elias Canetti's brilliant and sensitive examination of this moving correspondence to shows is the origins of Kafka's voice as a writer and his torment as a man. |
| essays by lydia davis: Thoreau's Wildflowers Henry David Thoreau, 2016-01-01 The first collection of Thoreau's writings on the flowering plants of Concord, with more than 200 drawings by renowned artist Barry Moser Some of Henry David Thoreau's most beautiful nature writing was inspired by the flowering trees and plants of Concord. An inveterate year-round rambler and journal keeper, he faithfully recorded, dated, and described his sightings of the floating water lily, the elusive wild azalea, and the late autumn foliage of the scarlet oak. This inviting selection of Thoreau's best flower writings is arranged by day of the year and accompanied by Thoreau's philosophical speculations and his observations of the weather and of other plants and animals. They illuminate the author's spirituality, his belief in nature's correspondence with the human soul, and his sense that anticipation--of spring, of flowers yet to bloom--renews our connection with the earth and with immortality. Thoreau's Wildflowers features more than 200 of the black-and-white drawings originally created by Barry Moser for his first illustrated book, Flowering Plants of Massachusetts. This volume also presents Thoreau as Botanist, an essay by Ray Angelo, the leading authority on the flowering plants of Concord. |
| essays by lydia davis: Conjunctions Bradford Morrow, 1992 Gathers poems, stories, essays, and reviews |
| essays by lydia davis: Look Alive Out There Sloane Crosley, 2018-04-03 Sloane Crosley returns to the form that made her a household name in really quite a lot of households: Essays! From the New York Times–bestselling author Sloane Crosley comes Look Alive Out There—a brand-new collection of essays filled with her trademark hilarity, wit, and charm. The characteristic heart and punch-packing observations are back, but with a newfound coat of maturity. A thin coat. More of a blazer, really. Fans of I Was Told There’d Be Cake and How Did You Get This Number know Sloane Crosley’s life as a series of relatable but madcap misadventures. In Look Alive Out There, whether it’s playing herself on Gossip Girl,scaling active volcanoes, crashing shivas, befriending swingers, or staring down the barrel of the fertility gun, Crosley continues to rise to the occasion with unmatchable nerve and electric one-liners. And as her subjects become more serious, her essays deliver not just laughs but lasting emotional heft and insight. Crosley has taken up the gauntlets thrown by her predecessors—Dorothy Parker, Nora Ephron, David Sedaris—and crafted something rare, affecting, and true. Look Alive Out There arrives on the tenth anniversary of I Was Told There’d be Cake, and Crosley’s essays have managed to grow simultaneously more sophisticated and even funnier. And yet she’s still very much herself, and it’s great to have her back—and not a moment too soon (or late, for that matter). |
| essays by lydia davis: Sounds Like Titanic: A Memoir Jessica Chiccehitto Hindman, 2019-02-12 A Finalist for the 2019 National Book Critics Circle Award in Autobiography Deliciously bizarre and utterly American.…[A] Coen brothers movie come to life.…I couldn't put it down. —Caitlin Doughty, best-selling author of Smoke Gets in Your Eyes and Will My Cat Eat My Eyeballs? Sounds Like Titanic tells the unforgettable story of how Jessica Chiccehitto Hindman became a fake violinist. Struggling to pay her college tuition, Hindman accepts a dream position in an award-winning ensemble that brings ready money. But the ensemble is a sham. When the group performs, the microphones are off while the music—which sounds suspiciously like the soundtrack to the movie Titanic—blares from a hidden CD player. Hindman, who toured with the ensemble and its peculiar Composer for four years, writes with unflinching candor and humor about her surreal and quietly devastating odyssey. Sounds Like Titanic is at once a singular coming-of-age memoir about the lengths to which one woman goes to make ends meet and an incisive articulation of modern anxieties about gender, class, and ambition. |
| essays by lydia davis: The Dream Colony Walter Hopps, Deborah Treisman, Anne Doran, 2017-06-06 Art Forum's Best of the Year List A panoramic look at art in America in the second half of the twentieth century, through the eyes of the visionary curator who helped shape it. An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery in L.A. at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz, where he turned the spotlight on a new generation of West Coast artists. Ferus was also the first gallery ever to show Andy Warhol's Campbell's Soup Cans and was shut down by the L.A. vice squad for a show of Wallace Berman's edgy art. At the Pasadena Art Museum in the sixties, Hopps mounted the first museum retrospectives of Marcel Duchamp and Joseph Cornell and the first museum exhibition of Pop Art--before it was even known as Pop Art. In 1967, when Hopps became the director of Washington's Corcoran Gallery of Art at age thirty-four, the New York Times hailed him as the most gifted museum man on the West Coast (and, in the field of contemporary art, possibly in the nation). He was also arguably the most unpredictable, an eccentric genius who was chronically late. (His staff at the Corcoran had a button made that said WALTER HOPPS WILL BE HERE IN TWENTY MINUTES.) Erratic in his work habits, he was never erratic in his commitment to art. Hopps died in 2005, after decades at the Menil Collection of art in Houston for which he was the founding director. A few years before that, he began work on this book. With an introduction by legendary Pop artist Ed Ruscha, The Dream Colony is a vivid, personal, surprising, irreverent, and enlightening account of his life and of some of the greatest artistic minds of the twentieth century. |
| essays by lydia davis: Essays One Lydia Davis, 2019-11-12 A selection of essays on writing and reading by the master short-fiction writer Lydia Davis Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her ¿a magician of self-consciousness,¿ while Rick Moody hails her as the best prose stylist in America. And for Claire Messud, ¿Davis's signal gift is to make us feel alive.¿ Best known for her masterful short stories and translations, Davis¿s gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery¿s translation of Rimbaud to Alan Cote¿s painting, and from the Shepherd¿s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today. |
| essays by lydia davis: I Have More Souls Than One Fernando Pessoa, 2018 Written in the voices of four different alter egos, these verses express a maelstrom of conflicted thoughts and feelings |
| essays by lydia davis: Weight of the Earth David Wojnarowicz, 2018-07-17 Audio journals that document Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time. In these moments I hate language. I hate what words are like, I hate the idea of putting these preformed gestures on the tip of my tongue, or through my lips, or through the inside of my mouth, forming sounds to approximate something that's like a cyclone, or something that's like a flood, or something that's like a weather system that's out of control, that's dangerous, or alarming.... It just seems like sounds that have been uttered back and forth maybe now over centuries. And it always boils down to the same meaning within those sounds, unless you're more intense uttering them, or you precede them or accompany them with certain forms of violence. —from The Weight of the Earth Artist, writer, and activist David Wojnarowicz (1954–1992) was an important figure in the downtown New York art scene. His art was preoccupied with sex, death, violence, and the limitations of language. At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth.The Weight of the Earth presents transcripts of these tapes, documenting Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time. In these taped diaries, Wojnarowicz talks about his frustrations with the art world, recounts his dreams, and describes his rage, fear, and confusion about his HIV diagnosis. Primarily spanning the years 1987 and 1989, recorded as Wojnarowicz took solitary road trips around the United States or ruminated in his New York loft, the audio journals are an intimate and affecting record of an artist facing death. By turns despairing, funny, exalted, and angry, this volume covers a period largely missing from Wojnarowicz's written journals, providing us with an essential new record of a singular American voice. |
| essays by lydia davis: The Best American Short Stories 2014 Jennifer Egan, Heidi Pitlor, 2014 Presents twenty of the best works of short fiction of the past year from a variety of acclaimed sources. |
The Beginner's …
There are many types of essays you might write …
The Four Main Types of Es…
Sep 4, 2020 · Descriptive essays. A …
Example of a Great Essa…
Feb 9, 2015 · At college level, you must properly …
Scribbr's College Ess…
Janice holds a PhD in German studies from …
How to Structure a…
Sep 18, 2020 · In longer essays whose body is …
The Beginner's Guide to Writing an Essay | Steps & Examples
There are many types of essays you might write as a student. The content and length of an essay depends on your level, subject of study, and course requirements. However, most essays at …
The Four Main Types of Essay | Quick Guide with Examples - Scribbr
Sep 4, 2020 · Descriptive essays. A descriptive essay provides a detailed sensory description of something. Like narrative essays, they allow you to be more creative than most academic writing, …
Example of a Great Essay | Explanations, Tips & Tricks - Scribbr
Feb 9, 2015 · At college level, you must properly cite your sources in all essays, research papers, and other academic texts (except exams and in-class exercises). Add a citation whenever you …
Scribbr's College Essay Editing & Coaching | Rated 4.7 of 5
Janice holds a PhD in German studies from Duke University. As a former professor, she has helped many students refine their application essays for competitive degree programs and study-abroad …
How to Structure an Essay | Tips & Templates - Scribbr
Sep 18, 2020 · In longer essays whose body is split into multiple named sections, the introduction often ends with an overview of the rest of the essay. This gives a brief description of the main …
How to Write an Argumentative Essay | Examples & Tips - Scribbr
Jul 24, 2020 · Like other academic essays, an argumentative essay begins with an introduction. The introduction serves to capture the reader’s interest, provide background information, present …
How to Write a Descriptive Essay | Example & Tips
Jul 30, 2020 · Descriptive essays test your ability to use language in an original and creative way, to convey to the reader a memorable image of whatever you are describing. They are commonly …
Free Online Proofreader - Scribbr
Write your essay, paper, or dissertation error-free. The online proofreader instantly spots mistakes and corrects them in real-time.
How to Write a College Essay | A Complete Guide & Examples
Some narrative essays detail moments in a relatively brief event, while others narrate a longer journey spanning months or years. Single story essays are effective if you have overcome a …
What is an essay? - Scribbr
The vast majority of essays written at university are some sort of argumentative essay. Almost all academic writing involves building up an argument, though other types of essay might be …
